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Roger van der Weyden the Younger, from the series Pictorum Aliquot Celebrium.., ca. 1610, Engraving, approx. 8 1/4 x 4 3/4 in. (21 x 12 cm), Prints, after Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Tea, ca. 1738–45, Etching and engraving, Sheet (trimmed): 11 3/4 × 9 1/4 in. (29.8 × 23.5 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Venationes ferarum avium, piscium..., 16th century, plates: engraving, Overall: 14 1/2 x 11 in. (36.8 x 27.9 cm), Books

Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière], mid-18th century, Drawing in graphite; etching; engraving; mezzotint, Overall: 16 7/16 x 11 1/16 x 7/8 in. (41.7 x 28.1 x 2.2 cm), Books, Portrait of Moliere

Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), September 29, 1796, Stipple engraving; published state, Image: 17 in. × 23 7/16 in. (43.2 × 59.5 cm), Prints, After Henry Fuseli (Swiss, Zürich 1741–1825

Cottage Residences; or a Series of Designs for Rural Cottages and Cottage-Villas, and Their Grounds, Adapted to North America, 1842, Illustrations: wood engraving with watercolor tipped in, 9 1/2 x 6 3/16 x 1 in. (24.2 x 15.7 x 2.5 cm

Title plate: Le Medaglie del Doni Fiorentino, ca. 1548, Engraving, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

The Cabinet-Maker and Upholsterer's Guide: being a Complete Drawing Book; in which will be comprised Treatises on Geometry and Perspective, as applicable to the above branches of mechanics, 1828, Illustrations: engraving, etching, aquatint,

Pax, ca. 1581, Engraving, sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Penitence (Poenitentia), ca. 1545–50, Engraving, sheet: 3 1/8 x 3 1/16 in. (8 x 7.8 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Frontispiece, 1727–60, Etching and engraving, Sheet (trimmed): 10 7/8 × 8 5/16 in. (27.6 × 21.1 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Table snuffbox, ca. 1750, German, Meissen, Hard-paste porcelain, copper gilt, H. 4 in. (10.2 cm.); W. 6 3/4 in. (17.1 cm.); D. 4 7/8 in. (12.4 cm.), Ceramics-Porcelain, A snuffbox of this size was placed on a table for use by a party of

Detached Flintlock alla Fiorentina, dated 1679, Bargi, Italian, Bargi, Steel, H. 2 3/4 in. (7.0 cm); W. 5 3/4 in. (14.6 cm), Firearms-Pistols-Snaphaunce, This lock is the earliest dated piece by the Acquafresca, father and son, who were

Portrait of Louis XIV, 1650–1702, Engraving, sheet: 13 1/16 x 9 13/16 in. (33.2 x 25 cm), Prints, Pieter Louis van Schuppen (Flemish, 1627–1702), After Wallerant Vaillant (Dutch, Lille 1623–1677 Amsterdam

Chinese Dancer, from Livre de Chinois (Book of Chinoiserie), 1720–70, Etching and engraving, Sheet: 11 7/16 x 9 11/16 in. (29 x 24.6 cm), After François Boucher (French, Paris 1703–1770 Paris

An Encyclopedia of Cottage, Farm and Villa Architecture and Furniture, 1835, Illustrations: wood engraving, 8 13/16 × 5 1/2 × 2 3/8 in. (22.4 × 14 × 6 cm

Plate with engraving, Copper, Diam.: 7 3/4 in. (19.7 cm), Bronzes

Façade et plan de l'Amirauté dans le jardin à Tsárskoye Selò..., n.d., Engraving printed on blue paper, sheet: 21 9/16 x 29 1/8 in. (54.8 x 74 cm), Prints, Ivan Kuvakin (Russian, born 1751

Concordia, ca. 1581, Engraving, sheet: 11 1/4 x 8 5/16 in. (28.6 x 21.1 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Christ in the Wine Press, before 1619, Engraving, plate: 5 9/16 x 3 5/8 in. (14.1 x 9.2 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Livre de Toutes Sortes De Fleurs D'apres Nature, ca. 1670–80, Engraving, Overall: 21 7/8 x 16 7/16 x 1/4 in. (55.5 x 41.7 x 0.6 cm), Books

Two Women Leading a Child toward a Teapot on a Table near a Pond, ca. 1742, Etching and engraving, Sheet (trimmed): 11 13/16 × 9 5/16 in. (30 × 23.7 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher

Les Papillons: Métamorphoses terrestres des peuples de l'air, 1852, Wood engraving, steel engraving, hand colored, 10 5/8 x 7 5/16 x 1 1/16 in. (27 x 18.5 x 2.7 cm), Books

Five Dancing Putti, n.d., Engraving, sheet: 4 3/8 x 7 13/16 in. (11.1 x 19.8 cm), Prints, Amico Aspertini (Italian, Bologna ca. 1474–1552 Bologna

Teapot, 1690–1700, Made in New York, New York, United States, American, Silver, Overall: 6 7/16 x 10 3/8 x 5 3/16 in. (16.4 x 26.4 x 13.2 cm); 22 oz. 18 dwt. (713.3 g), Silver, Jacob Boelen (ca. 1657–1729), The globular body, straight

Virgin and Child Enthroned with Two Musical Angels, n.d., Engraving; first state, sheet: 11 x 7 5/16 in. (28 x 18.5 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Maerten de Vos (Netherlandish, Antwerp

Trade Card of Samuel Spencer, Furniture Maker, late 17th–early 18th century, Engraving, sheet: 9 1/16 x 6 3/4 in. (23 x 17.2 cm), Prints, Samuel Spencer (British, late 17th–early 18th century

Pictures from Italy, 1846, Illustrations: wood engraving, sheet: 6 7/8 x 4 3/8 in. (17.5 x 11.1 cm), Books

A Boy with a Cat—Morning, 1787, Oil on canvas, 59 1/4 x 47 1/2 in. (150.5 x 120.7 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), The canvas had as its pendant a painting of two children, one seated and one

Three Friezes with Ornamental Foliage, ca. 1541–43, Engraving. State i before Salamanca's address, sheet: 7 5/8 x 8 5/8 in. (19.4 x 21.9 cm), Prints, Designed and engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

The Ladies Bill of Fare, or, a Copious Collection of Beaux, 1795, Etching and stipple engraving, hand colored, Prints

IVe Vue du Parc de Neu-Waldeck prise du Pavillon Chinois vers le Nord, 1782, Engraving, sheet: 20 1/2 x 25 5/8 in. (52 x 65.1 cm), Prints, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna), Carl Conti (Austrian, Vienna

The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome, 1793, Illustrations: line engraving, Overall: 10 7/8 x 16 9/16 x 7/8in. (27.6 x 42 x 2.3cm), Books, After John Flaxman (British, York 1755–1826

Portrait of Marie Antoinette, late 18th century, Stipple engraving, printed in colors, sheet: 10 13/16 x 8 3/4 in. (27.4 x 22.2 cm), Prints

Dressing table mirror, ca. 1700, French, Tortoiseshell, engraved brass, kingwood, amaranth, bois satiné, ebony, mirror glass, 27 1/2 in. × 26 1/2 in. × 3 in. (69.9 × 67.3 × 7.6 cm), Woodwork-Furniture, An engraving by André-Charles

Lucretia Preparing to Kill Herself, ca. 1542, Engraving, 2nd state, sheet: 11 15/16 x 8 1/16 in. (30.3 x 20.4 cm) mounted on sheet trimmed to size of print, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara), After

Costume Plate: Hispania Rustica (with laundry on head), ca. 1557–58, Engraving, sheet: 5 7/8 x 3 11/16 in. (15 x 9.3 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Guinea Pigs, 1789, Stipple engraving and etching, printed in color à la poupée, image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm), Prints, Thomas Gaugain (British, London 1756–ca. 1810 London), After George Morland (British, London

A Treatise on the Theory and Practice of Landscape Gardening, 1841, Illustrations: wood engraving, with watercolor tipped in at front, 9 1/2 × 6 1/16 × 1 7/16 in. (24.2 × 15.4 × 3.7 cm

Venetian Woman with Moveable Skirt, 1563, Engraving, Sheet: 5 1/2 x 7 7/16 in. (14 x 18.9 cm), Prints, Venice was famed for its many elaborately dressed and coiffed courtesans. Foreign visitors marveled at their opulent jewels and use of

Costume Plate: Woman with Hooded Garment, ca. 1557–58, Engraving, Sheet (trimmed to plate): 6 1/16 × 4 1/2 in. (15.4 × 11.5 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Leda and the Swan, 1544–66, Engraving, sheet: 11 7/8 x 16 1/4 in. (30.2 x 41.3 cm), Prints, Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen), After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome

Jacob, from the series Sylvae Sacrae Monumenta...Anachoretarum, 1593–94, Engraving, sheet: 6 5/16 x 8 1/16 in. (16 x 20.4 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice), After Maerten de Vos (Netherlandish,

[Small Bouquets], 1659–99, Engraving, Overall: 16 1/4 x 11 7/16 x 3/16 in. (41.2 x 29 x 0.4 cm), Books

Baptism of Christ, ca. 1480–1490, Made in Nuremberg, Germany, German, Limewood with paint and gilding, Overall: 48 x 40 x 3 in. (121.9 x 101.6 x 7.6 cm), Sculpture-Wood, Workshop of Veit Stoss (German, Hob am Neckar ca. 1445–1533

Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right, 1508, Engraving, 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Cabinet-Maker and Upholsterer's Drawing-Book. In Four Parts, 1802, Illustrations: etching and engraving, Books

Baptism, from the series The Seven Sacraments, 1576, Engraving, plate: 10 3/16 x 7 5/8 in. (25.8 x 19.4 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), Engraved by Philips Galle (Netherlandish, Haarlem 1537–1612

The Commandment to Love One Another, 1599, Engraving; second state, Sheet: 7 5/8 x 11 3/8 in. (19.4 x 28.9 cm), Prints, Gillis van Breen (Netherlandish, active 1595–1622), After Karel van Mander I (Netherlandish, Meulebeke 1548–1606

Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1), December 24, 1793, Stipple engraving, Image: 19 15/16 x 14 1/2 in. (50.6 x 36.9 cm), Prints

Li Tre Trattai, 1639, plates:engraving, Overall: 5 3/4 x 8 3/16 x 11/16 in. (14.6 x 20.8 x 1.7 cm), Books

Collection de Meubles et Objets de Goût, vol. 1, [1802–07], Engraving, hand-colored, Overall: 16 1/4 x 11 7/16 x 2 3/4 in. (41.3 x 29 x 7 cm), Books, Volume 1 of a three volume set

Habiti delle Donne Venetiane (Dress of Venetian Women), ca. 1591–1610, Engraving and woodcut, Overall: 11 x 8 1/4 x 1 in. (28 x 21 x 2.5 cm), Books, Giacomo Franco (Italian, Venice 1550–1620 Venice), This book consists of twenty numbered

The Practitioners of the Visual Arts, 1578, Engraving, sheet: 16 7/8 x 11 1/4 in. (42.8 x 28.6 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Jan van der Straet, called Stradanus (Netherlandish, Bruges

Solomon and the Queen of Sheba, 16th century, Engraving, Sheet (trimmed): 10 1/4 × 14 13/16 in. (26 × 37.6 cm), Prints, Anonymous, French, School of Fontainebleau, 16th century, After Maarten van Heemskerck (Netherlandish, Heemskerck

Christ on the Cross between Two Thieves, n.d., Engraving, 18 1/8 x 12 5/8 in. (46 x 32.1 cm), Prints, Engraved by Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), after Jan van der Straet, called Stradanus (Netherlandish, Bruges

Music Box, early 19th century, Switzerland; France, French or Swiss, Various materials, H. 8.3 cm (3 1/4 in.), Idiophone, Gold music box in the shape of a fitted necessaire, featuring four reserves, three decorated with flowers, one blank

Saint Luke Painting the Virgin, 1526, Engraving, Sheet: 6 11/16 x 4 7/8 in. (17 x 12.4 cm), Prints, Dirck Vellert (Netherlandish, Amsterdam (?) ca. 1480/85–ca. 1547), Vellert made this engraving of Saint Luke on July 28, 1526, the year he

[Small Bouquets Tied With A Ribbon], 1656–99, Engraving, Overall: 16 1/4 x 11 7/8 x 3/16 in. (41.3 x 30.1 x 0.4 cm), Books

Winter, n.d., Engraving, sheet: 18 7/16 x 23 11/16 in. (46.8 x 60.2 cm), Prints, After Nicolas Poussin (French, Les Andelys 1594–1665 Rome), Jean Audran (French, Lyons 1667–1756 Paris

Pitcher, 1821, Probably made in Pennsylvania, United States; Probably made in New England, United States, American, Earthenware; Redware with slip decoration, 12 in. (30.5 cm), Ceramics, The elaborate slip decoration on this impressive

Basket of Flowers from the Book of Several Baskets of Flowers, Designed and Engraved by Baptiste Monnoyer (Livre de Plusieurs Corbeilles de Fleurs dessiné et gravé par Baptiste Monnoyer), 17th century, Etching and engraving, Prints,

Costume Plate: German Messenger, ca. 1558–70, Engraving, Sheet (trimmed to edge): 5 7/8 × 4 7/16 in. (14.9 × 11.2 cm), Prints, Reverse copy after Enea Vico (Italian, Parma 1523–1567 Ferrara

The Queen of Flowers, ca. 1435–40, Engraving printed from two plates, sheet: 5 1/8 x 3 9/16 in. (13 x 9.1 cm), Prints, Master of the Playing Cards (German, active ca. 1425–50), The Queen of Flowers is one of the exceptionally beautiful and

Costume Plate: Bearded Man from Spain, ca. 1557–58, Engraving, sheet: 6 1/4 x 4 1/16 in. (15.8 x 10.3 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

The Cabinet-Maker, Upholsterer and General Artist's Encyclopaedia, 1804–7, Illustrations: engraving, 17 15/16 x 11 9/16 x 2 3/16 in. (45.5 x 29.4 x 5.5 cm), Books, James Caldwell (British, London 1739–not before 1819

Allegory in Honor of Cardinal Antonio Barberini the Younger (1607-1671) (Design for an Engraving), 1596–1669, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper, 20-1/2 x 30-3/8 in. (52.0 x 77.2

Costume of an Indian Woman from the Ballet 'Triumph of Love' (Habit d'Indienne du balet du Triomphe de l'amour), 1681–92, Etching and engraving, Plate: 12 3/16 × 7 7/8 in. (31 × 20 cm), Juan Dolivar (Spanish, Zaragoza 1641–1692 Paris),

The Vision of St. Theresa, 1570–1604, Engraving, Prints, Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

Perles et Parures, Les Joyaux, 1850, Wood engraving, etching with hand-coloring, Overall: 11 5/16 x 8 1/16 x 1 3/8 in. (28.8 x 20.4 x 3.5 cm), Books, V. Corbay (French), Charles-Michel Geoffroy (French, Joinville 1819–1882 Passy), After

Cruet, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Blown, cut, and engraved glass, H. 7 in. (17.8 cm); Diam. 4 in. (10.2 cm), Glass, Louis F. Vaupel mastered the art of engraving in Germany before immigrating

Upright Baskets of Flowers, before 1690, Engraving, Overall: 21 9/16 x 16 1/4 x 3/16 in. (54.8 x 41.3 x 0.5 cm), Books

The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1), 1797, Stipple engraving and etching, image: 16 15/16 x 23 1/4 in. (43.1 x 59 cm), Prints, After George Romney (British,

Crucifixion, after Michelangelo, mid-16th century, Engraving, Sheet (trimmed): 16 1/4 × 10 1/2 in. (41.3 × 26.7 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Michelangelo Buonarroti

Europe, 1730–71, Engraving, Sheet (trimmed): 10 5/8 × 12 1/16 in. (27 × 30.7 cm), Prints, Engraved by Johann Justin Preissler (German, 1698–1771), After Edme Bouchardon (French, Chaumont 1698–1762 Paris

Portrait of Pieter de Jode the Younger, 1606–74, Engraving, sheet: 6 1/2 x 4 1/2 in. (16.5 x 11.4 cm), Prints, Pieter de Jode II (Flemish, 1606–ca. 1674), After Thomas Willeboirts (Bosschaert) (Flemish, 1614–1654

Christ in the Wilderness Served by Angels, ca. 1480–90, Engraving; second state of three, 8 13/16 x 11 5/8 in. (22.4 x 29.6 cm), Prints, Master i.e. (German, active 1480–1500

Seated Woman with Children and Servants, ca. 1738–45, Etching and engraving, Sheet (trimmed): 11 7/8 × 9 5/16 in. (30.2 × 23.7 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris

Sancta Euphrolyna, from the series Female Hermits, 1600–1633, Engraving, sheet: 5 11/16 x 3 5/8 in. (14.4 x 9.2 cm), Prints, Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht), Boetius Adams Bolswert (Netherlandish, Bolsward

La Vedova Romana, ca. 1580, Engraving, Sheet: 8 15/16 x 6 1/4 in. (22.7 x 15.9 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

Meubles et Objets de Goût, [1802–31], Engraving, hand-colored, Overall: 16 9/16 x 11 5/8 x 11/16 in. (42.1 x 29.5 x 1.8 cm), Books

The Visitation, 1561, Engraving, sheet: 11 13/16 x 16 5/16 in. (30 x 41.4 cm), Prints, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara), After a painting by Andrea del Sarto (Andrea d'Agnolo) (Italian, Florence 1486–1530

Oeuvres Diverses de Lalonde. Tome 2., late 18th century, Engraving, etching, Overall: 16 15/16 x 11 1/8 x 1 3/4 in. (43 x 28.3 x 4.5 cm), Richard de Lalonde (French, active Paris, 1780–90

Entrapment, ca. 1545–50, Engraving, sheet: 3 3/16 x 3 3/16 in. (8.1 x 8.1 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

La Sposa Romana (Bride), ca. 1580, Engraving, Sheet: 9 1/16 x 6 5/16 in. (23 x 16 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

Allegory of the Transitoriness of Life, n.d., Engraving, Sheet: 15 1/2 × 12 1/16 in. (39.4 × 30.7 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Karel van Mander I (Netherlandish, Meulebeke 1548–1606

Christian II, King of Denmark, 1529, Engraving; first state of two, sheet: 10 7/16 x 8 9/16 in. (26.5 x 21.7 cm), Prints, After Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)), Jacob Binck (German, Cologne

Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture, ca. 1550–75, Engraving with text in brown ink., sheet: 12 3/16 x 16 in. (30.9 x 40.6 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville

Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), March 25, 1795, Stipple engraving; published state, Image: 19 1/2 x 14 3/16 in. (49.6 x 36 cm), Prints, After Henry Fuseli (Swiss, Zürich

Lady Smith and her Children, March 15, 1789, Stipple engraving and etching; third (?) state of five, plate: 11 3/8 x 9 3/16 in. (28.9 x 23.3 cm), Prints, After Sir Joshua Reynolds (British, Plympton 1723–1792 London), Francesco Bartolozzi

Household Furniture and Interior Decoration, 1807, Engraving and etching, 18 1/2 x 12 x 1 in. (47 x 30.5 x 2.5 cm

The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets..., 1739, Illustrations: etching and engraving, 21 3/16 x 14 15/16 in. (53.8 x 38 cm), Books, After Hendrick (Cornelisz)

Presentation vase, 1843, Made in East Cambridge, Massachusetts, United States, American, Blown, cut, and engraved glass, H. 13 in. (33 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888),

Horatio Coclès Saving Himself by Swimming, 16th century, Engraving, 9 1/8 x 10 1/2 in. (23.2 x 26.7 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

The Virgin and Child Seated at the Foot of a Tree, 1522, Engraving, Plate: 4 3/4 × 3 3/8 in. (12 × 8.5 cm), Prints, Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)), As he so often did in his paintings,

Icones Prophetarum Veteris Testamenti, n.d., Engraving, sheet: 6 7/8 x 4 15/16 in. (17.5 x 12.5 cm), Prints, Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523–1605 Florence

Christ as the Man of Sorrows, ca. 1522–25, Engraving and etching, 4 5/16 x 3 1/4 in. (10.9 x 8.2 cm), Prints, Frans Crabbe van Espleghem (Netherlandish, Mechelen ca. 1480–1553 Mechelen), Christ's unnaturally contorted figure typifies

The Martyrdom of Saint Peter, after Titian, ca. 1560, Engraving, sheet approximately: 15 13/16 x 10 11/16 in. (40.1 x 27.2 cm) (arched top), Prints, Martino Rota (Italian, ca. 1520–1583 (active Venice, Graz, Vienna and Prague)), after

North American Hotel, New York, April 1832, Engraving and etching, sheet: 12 1/8 x 9 3/4 in. (30.8 x 24.8 cm), Prints

Costume of Endymion from the Ballet 'Triumph of Love' (Habit d'Andimion du balet du 'Triomphe de l'amour), ca. 1681, Etching and engraving, Plate: 11 3/4 × 7 13/16 in. (29.8 × 19.8 cm), After Jean Berain (French, Saint-Mihiel 1640–1711

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