Images at Librifly

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Erato, muse of lyricism and love poetry, standing with a winch in her hands., Erato, print maker: Frans van Mieris (II), Leiden, 1708, paper, etching, engraving, h 202 mm × w 160 mm

Portrait of Johann Friedrich Wilberg, Ludwig Buchhorn, after Heinrich Kolbe, 1803 - 1856, print maker: Ludwig Buchhorn, (mentioned on object), after: Heinrich Kolbe, (mentioned on object), printer: Hampe, (mentioned on object), print maker:

Portrait of Johann Arndt at the age of 66, Jacob Andreas Fridrich (I), 1694 - 1751, print maker: Jacob Andreas Fridrich (I), (mentioned on object), 1694 - 1751, paper, engraving, h 189 mm - w 111 mm

Portrait of François-Rodolphe Ingold, Peter Aubry (II), 1662, print maker: Peter Aubry (II), (mentioned on object), Samuel Gloner, (mentioned on object), publisher: Johann Philip Mülbe, Straatsburg, 1662, paper, engraving, letterpress

Group of Roma at an inn with a dovecote, Gerrit Adriaensz. de Heer, c. 1616 - c. 1652, A group of Roma at a dovecote in front of an inn during a rest from their trek. Cards are being played around a pot on an open fire. To the left, an inn with a

Die den spaarpot aan scherven, is zijn penningsken kwijt, voordat hij het kent, Hendrick Goltzius (attributed to workshop of), after Karel van Mander (I), 1590 - 1594, Two boys are about to smash their piggy bank with a hammer. A poor old man

Three putti with fruit basket on the clouds, print maker: anonymous, 1700 - 1800, paper, engraving, h 244 mm × w 203 mm

Mary Magdalene at the Cross, Dirk Jurriaan Sluyter, after Cornelis Kruseman, in or before 1850, Mary Magdalene kneels at the cross with Christ. on the ground are a skull with bruises., print maker: Dirk Jurriaan Sluyter, Cornelis Kruseman,

Portrait of Isaak Maus, Heinrich Franz Schalck, 1801 - 1832, print maker: Heinrich Franz Schalck, (mentioned on object), Heinrich Franz Schalck, (mentioned on object), 1801 - 1832, paper, engraving, etching, h 186 mm - w 138 mm

Scene from the comedy Adelphoe by Terentius, Bernard Picart (workshop of), 1716 - 1718, Syrus and Demea follow Dromo walking into the house. Below the figures is the name of their character. Marked at top: Nobility. Ac. IV Sc. IX., print maker:

Attack at the demolished bridge near the large walking field in Ouderkerk aan de Amstel by the Prussian troops under command of General Friedrich Adolf von Kalckreuth, defended by Amsterdam gunmen under the command of Colonel George Hendrik de

Birth of Christ, Henricus Wilhelmus Couwenberg, after Charles van Beveren, 1830 - 1845, Mary kneels praying next to the Child, who is lying on a cloth on the ground. Light radiates from heaven onto her and the Child. Next to Mary is Joseph with

Portrait of William I, Prince of Orange, William of Senus, c. 1787 - 1851, Portrait of William I in an oval. In the lower margin six lines of Dutch text., print maker: Willem van Senus, (mentioned on object), Hiëronymus van Alphen,

Portrait of Sebastiano Antonio Tanara Sebastianus Antonius SRE presbyter cardinalis Tanarius bononiensis creatus die XII decembris MDCXCVPortraits of cardinalsEffigies cardinalium nunc viventium , print maker: Benoît Farjat, (mentioned on object),

Nebuzaradan takes the gold and silver and sets fire to the temple of Jerusalem, Abraham de Blois, after Bernard Picart, 1728, Nebuzaradan takes the gold and silver and sets fire to the temple of Jerusalem. Below the image is the title in six

Portrait of Emperor Domitian, Johann Friedrich Leonard, 1643 - 1680, print maker: Johann Friedrich Leonard, (mentioned on object), 1643 - 1680, paper, engraving, h 172 mm × w 126 mm

Portrait of Melchior Laubanus, Paul de Zetter (attributed to), 1632 - 1645, Portrait of Melchior Laubanus at age 62. Below an ornamental cartouche with a two-line text in Latin., print maker: Paul de Zetter, (attributed to), Germany, 1632 -

Title print of 'Figures à la mode', a series of twelve costume prints showing the contemporary clothing of men and women. A standing man in a long coat, hat and painter's palette in his hand is holding a painting with the title of the series and

Portrait of Johann Daniel Schmidtmann, Georg Paul Busch, 1728 - 1756, print maker: Georg Paul Busch, (mentioned on object), Berlin, 1728 - 1756, paper, engraving, h 195 mm - w 154 mm

Patriots leave Utrecht, 1787, Reinier Vinkeles (I), after Jacobus Buys, 1787 - 1795, Exodus of patriots from Utrecht, in the night of 15 to 16 September 1787, at the approach of Prussian troops., print maker: Reinier Vinkeles (I), print

Portrait of Albrecht III, Duke of Saxony, nicknamed the Valiant. From 1498 he was also governor of Friesland. In the margin his name and coat of arms, Portrait of Albrecht III of Saxony., print maker: Jan Frederik Christiaan Reckleben,

An old woman reads a book by candlelight She is wearing glasses, Reading Woman, print maker: Aert Schouman, 1720 - 1792, paper, engraving, h 166 mm × w 115 mm

Funeral Monument, Auguste Blanchard, after René Duchemin, 1776 - 1832, At the top two portrait medallions of a man and a woman. On the medallion with the woman is an eagle pecking at the medallion with the man. At the top right it says:

Portrait of Johann VI von Anhalt-Zerbst, Johann Martin Bernigeroth, 1680 - 1733, print maker: Johann Martin Bernigeroth, , Leipzig, 1680 - 1733, paper, engraving, h 337 mm × w 225 mm

Portrait of politician Marc-René de Voyer de Paulmy d'Argenson Portraits of French leaders (series title), print maker: Vincenzo Vangelisti, (mentioned on object), after: Hyacinthe Rigaud, (mentioned on object), Paris, 1775, paper,

Portrait of Cornelius Gobelius, Pieter de Jode (II), after Anselm van Hulle, 1649, Bust portrait of Cornelius Gobelius, Bishop of Bamberg. Bottom right: 86. The portrait is framed in an oval cartouche with the coat of arms of the person

Father Time with Scythe accompanies a frightened old man towards a grave with skulls and the text Sherlock of Death. Behind the man stands Death as a skeleton with an arrow pointing at the man's head, Allegorical representation with Death, Father

Together with the personification of Inspiration, the personification of History, sitting on the floor, writes the history of Great Britain. To the right by a column the personification of Great Britain, sitting on a lion. In her hands the coat

Stage of the Amsterdam Schouwburg at the outbreak of fire, 1772, Cornelis Bogerts, after Pieter Barbiers (I), 1772, View of the stage of the Amsterdam Schouwburg at the outbreak of fire on May 11, 1772. The fire broke out during the performance

Print from a series of 36 prints with heads of farmers and farmer's wives, Kees Geldt-sack and Kaarighe Truy Boerenkoppen (series title), print maker: Johannes of Lucas van Doetechum, (possibly), Pieter Bruegel (I), publisher: Claes Jansz.

View of a river, anonymous, Giovanni Suntach, after Vernet, 1754 - 1842, View of a river with three figures and two cows in the foreground. In a field to the right in the background is a man with a scythe., print maker: anonymous, after:

Mountainous landscape with a farmer's wife collecting water from a spring in a jug. At the same time she lifts up her skirt and pees on the ground, Farmer's wife near a spring Les deux Fontaines., print maker: Bernard Picart, (possibly), print

Portrait of Juliana under an arch with edge lettering. Portrait of Juliana, Countess of Nassau-Siegen., print maker: Crispijn van den Queborn, (mentioned on object), publisher: Crispijn van den Queborn, (mentioned on object), publisher:

Relief with personification of the element Fire above arch in the Civic Hall of the City Hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1663 - 1668, Relief with personification of the element Fire above the left (northern) arch

Portrait of Cardinal Pietro Vito Ottoboni, print maker: Hubert Vincent, (mentioned on object), intermediary draughtsman: Giovanni Battista Lenardi, (mentioned on object), print maker: Rome, intermediary draughtsman: Italy, c. 1680 - c. 1730,

Portrait of poet Dante Alighieri, print maker: Raphael Morghen, (mentioned on object), intermediary draughtsman: Stefano Tofanelli, (mentioned on object), print maker: Florence, intermediary draughtsman: Italy, 1768 - 1833, paper, engraving,

Portrait of Johann Quistorp, Johann Martin Bernigeroth, 1743, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1743, paper, engraving, h 291 mm × w 175 mm

Shepherd blowing the shawm near a flock of sheep in a landscape, Benedetto Montagna, 1507 - 1523, print maker: Benedetto Montagna, (mentioned on object), Benedetto Montagna, Italy, 1507 - 1523, paper, engraving, h 100 mm × w 77 mm

Portrait of Major General Albert van Ryssel. Under the portrait a commando staff and a cannon with bullets, Portrait of Albert van Ryssel., print maker: Reinier Vinkeles (I), (mentioned on object), Amsterdam, 1786 - 1809, paper, etching,

Portrait of Friedrich I Buchner, Johann Alexander Böner, after Andreas Paul Multz, 1673, print maker: Johann Alexander Böner, (mentioned on object), after: Andreas Paul Multz, (mentioned on object), Johann Leonhard Beil (II), (mentioned on

View of Bordeaux, Maxime François Antoine Lalanne, 1879, Numbered top right: 498., print maker: Maxime François Antoine Lalanne, (mentioned on object), Maxime François Antoine Lalanne, (mentioned on object), publisher: weduwe Alfred

Portrait of Jacob Boonen, Jan Baptist Jongelinx, 1710 - 1725, Bust portrait of the archbishop Jacob Boonen, with biretta. The portrait is framed in an oval frame with the coat of arms of the portrayed and a motto in Latin. In a frame a three-line

Portrait of Hibbaeus Magnus, Crispijn van den Queborn, after F. Magnus, 1638, Portrait of the preacher Hibbaeus Magnus, on the occasion of his death at the age of 64. In the margin a four-line caption in Latin., print maker: Crispijn van den

Allegorical performance for an obelisk in which two troublemakers (of the Speaker's Revolt of 1696) are chained and suppressed by a soldier. On the left is Caution with a mirror and a snake. On the right is the soldier, his shield bears the

Portrait of Christian Jacob Seyler, Johann Martin Bernigeroth, after J.E. Heintze, 1759, print maker: Johann Martin Bernigeroth, (mentioned on object), after: J.E. Heintze, (mentioned on object), Leipzig, 1759, paper, engraving, h 203 mm

Portrait of Gaspar Nemius, Jan Baptist Jongelinx, 1710 - 1725, Bust portrait of the bishop Gaspar Nemius, with biretta. The portrait is framed in an oval frame with the coat of arms of the portrayed and a motto in Latin. In a frame a two-line

Below the portrait a text in Italian and a coat of arms in a circular frame, Portrait of theologian Pietro Paolo Giannerino, print maker: Gaetano Vascellini, (mentioned on object), intermediary draughtsman: Angiol. Lorenzo de Giudici, (mentioned

Portrait of Karl Wilhelm Ramler, Johann Friedrich Bause, after Anton Graff, 1774, print maker: Johann Friedrich Bause, (mentioned on object), after: Anton Graff, (mentioned on object), publisher: Johann Friedrich Bause, (mentioned on

Portrait of Cornelius Marci at age 52, Philipp Kilian, after Georg Strauch, 1646, Text in Latin in the margins., print maker: Philipp Kilian, (mentioned on object), intermediary draughtsman: Georg Strauch, (mentioned on object), Johann

Abraham and Isaac on their way to the place of sacrifice / Sacrifice of Isaac, Pieter Tanjé, 1791, Two Biblical representations. Above: Abraham and Isaac on their way to the place of sacrifice. They have left the servants and donkey behind.

Portrait of Johanna Dorothea, Gräfin Reuß-Schleiz, Martin Bernigeroth, 1723 - 1767, Allegorical portrait with a funerary monument in the center with the portrait of Johanna Dorothea with Charity (Caritas) on the left and Hope (Spes) on the

God creates the sun, moon and stars, Crispijn van de Passe (I), 1700 - 1750, God creates the sun, moon and stars and thus separates light from darkness. In the margin a two-line caption in Dutch., print maker: Crispijn van de Passe (I),

Portrait of the poet and painter Adriaen van de Venne with attributes representing his arts: pen and palette. Behind the curtain is The Hague, Van de Venne's place of residence, Portrait of Adriaen Pietersz. van de Venne., print maker: Daniël van

Portrait of Johann Philipp Fresenius, Andreas Reinhard (II), after Franz Lippold, 1749, print maker: Andreas Reinhard (II), (mentioned on object), after: Franz Lippold, (mentioned on object), Joh.Michael Keck, (mentioned on object),

Top right Lib I, pg 87, Portrait of Johannes Sambucus, print maker: Johann Ernst Mansfeld, (mentioned on object), 1749 - 1796, paper, etching, engraving, h 292 mm × w 176 mm

Sailing vessels on the water Navy, print maker: Jan Baptist Tetar van Elven, (mentioned on object), after: A. Hulk, (mentioned on object), print maker: Pierre Tetar van Elven, (rejected attribution), print maker: Netherlands, after: unknown,

Portrait of Johannes Posth, Theodor de Bry, after Jean Jacques Boissard, 1669, Portrait of the German physician and poet Johannes Posth, in oval with edge lettering. Below the portrait a poem of praise., print maker: Theodor de Bry, print

Willibrord, Cornelis Visscher (II) (rejected attribution), after Frederick Bloemaert, 1620 - 1719, Willibrord, the first bishop of Utrecht, holding in his hand a scale model of a church., print maker: Cornelis Visscher (II), (rejected

Portrait of Johann Moritz Hoffmann, Georg Lichtensteger, 1710 - 1781, print maker: Georg Lichtensteger, after: Johann Christoph Fillisch, Neurenberg, 1710 - 1781, paper, engraving, h 180 mm - w 140 mm

Portrait of August William of Prussia, Johann Esaias Nilson, 1731 - 1788, Below his mother Sophia Dorothea of Hanover, Queen of Prussia., print maker: Johann Esaias Nilson, (mentioned on object), Augsburg, 1731 - 1788, paper, engraving,

Attack on the city of Muiden by Prussian troops under General Friedrich Adolf von Kalckreuth, defended by Amsterdam gunners under Colonel Mattha, 1 October 1787. In the foreground the Prussians, in the background the bombardment of the city. Part

Portrait of Marie Helyot, Antoine Masson, 1683, print maker: Antoine Masson, (mentioned on object), France, 1683, paper, engraving, h 154 mm × w 102 mm

Allegorical performances on the occasion of the marriage of A. Daane and M.G. Bouwmeester on 5 February 1809. The print contains numerous symbols pointing to faith, love, fertility, the passing of time, happiness and adversity. A young man with a

Portrait of Johann Georg Fabricius, Jakob von Sandrart, after Daniel Preissler, 1668, print maker: Jakob von Sandrart, (mentioned on object), after: Daniel Preissler, (mentioned on object), 1668, paper, engraving, h 196 mm - w 146 mm

Portrait of Bernardo Ramazzini, print maker: Johann Georg Seiller, (mentioned on object), Schaffhausen, 1673 - 1740, paper, engraving, etching, h 193 mm - w 155 mm

Pope orders guarding of Holy Door, Jan Lucas van der Beek, 1763 - 1818, print maker: Jan Lucas van der Beek, (mentioned on object), Amsterdam, 1763 - 1818, paper, etching, engraving, h 224 mm × w 135 mm

Portrait of Laurentius Kirchhoff, Johann Martin Bernigeroth, 1743, Numbered top right: ad T. III p. 1340; bottom right: SS., print maker: Johann Martin Bernigeroth, (mentioned on object), publisher: Johann Christian Martini, , Leipzig, 1743,

Ruin of a bakery at Vlooienburg in Amsterdam, set on fire and extinguished on 13 April 1682. Plate 20 in the reprint of the Brandspuitenboek by Jan van der Heyden from 1735, Burnt-out bakery on Vlooienburg, 1682., print maker: anonymous,

Unnumbered sheet from series of 10 sheets with designs for jewellery, Oval medallion with children around campfire Oval medallions with children playing (series title), print maker: Antoine Jacquard, Antoine Jacquard, publisher: Antoine Jacquard,

View of the building Zeerecht on the Kampersteiger in Amsterdam, Hermanus Petrus Schouten, c. 1770 - 1783, View of the building Zeerecht on the Kampersteiger, the present Prins Hendrikkade, in Amsterdam. View from the New Bridge. On the street

The execution of Lady Jane Grey, Dirk Jurriaan Sluyter (possibly), after Paul Delaroche, 1833 - 1886, Lady Jane Grey is on her knees on a cushion. She is blindfolded and groping forward with her hands. In front of her is a chopping block. A man

Moses, Aaron and Miriam at the meeting tent and the attributes of Aaron, Bernard Picart, 1683 - 1733, Two representations on one sheet. Above: Moses, Aaron and Miriam are called to the meeting tent by God, who appears there in a column of

Portrait of Johanna Margaretha Schamberg, Martin Bernigeroth, c. 1720 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, c. 1720 - 1733, paper, etching, engraving, h 356 mm × w 220 mm

Portrait of Caspar Jacob Huth, Jacob Andreas Fridrich (II), after N. Reus, 1760 - 1779, print maker: Jacob Andreas Fridrich (II), (mentioned on object), after: N. Reus, (mentioned on object), Augsburg, 1760 - 1779, paper, engraving, h 213

Portrait of Friedemann Posner, Martin Bernigeroth, 1731 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1731 - 1733, paper, engraving, h 317 mm × w 202 mm

Mary with the Christ Child in the clouds, on the globe, surrounded by two musical angels. Under the globe the serpent is trampled, Mary with Christ Child and angels Deliciae caelestis Paradisi, print maker: Gaspar Huybrechts, publisher: Gaspar

The Persian Sibille sits on a rock. On her lap an open book. The print has a Latin caption and is the title print of a ten-part series on the Sibillen, Persian Sibille Sibylla Persica, Sibillen (series title)., print maker: Philips Galle,

Cartouche with a woman on a sea monster and a man carrying a fish on his back. In the middle of the top, a harnessed man sticks his upper body through the scroll. To the left and right two figures blow a horn. At the bottom a mascaron flanked by

Vision of Jeremiah, Bernard Picart, 1693 - 1783, The prophet Jeremiah is standing by a body of water in a forest. He looks up, where the branch of an almond tree appears as a sign from God. Below a one-line title in Hebrew, English, German,

Portrait of Anton Günther Böschen, Christian Romstet, after Christoph Spetner, 1673 - 1721, print maker: Christian Romstet, (mentioned on object), after: Christoph Spetner, (mentioned on object), Valentin Alberti, (mentioned on object),

Portrait bust of Anna Poulowna, Henricus Wilhelmus Couwenberg, after Louis Royer, c. 1839 - c. 1840, print maker: Henricus Wilhelmus Couwenberg, Louis Royer, Amsterdam, c. 1839 - c. 1840, paper, engraving, h 467 mm × w 300 mm

Coat of arms of the Van Wassenaer and Van Matenesse families, Hendrick Goltzius, 1579, Family coat of arms of the Van Wassenaer and Van Matenesse families of Haarlem (twice three half moons and twice three stars) in oval. Probably belongs to a

Statue of Atlas on the rear facade of the City Hall on the Dam, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783, Statue of Atlas, bearer of the celestial vault containing all stars, constellations and planets, in the center of the

Bird's eye view of the Oude Kerk in Amsterdam, before 1544, anonymous, 1729, Bird's eye view of the Oude Kerk, also known as the St. Nicolas Church, in Amsterdam, as it would have looked before 1544., print maker: anonymous, publisher:

Chassinet with an allegorical representation of the Triple Alliance between the Republic, Prussia and England from 1788 in rebus form. On the left the Justice, on the right the Strength. Part of the illumination of the house of Adriaen Groenendijk

Portrait of Peter Tornovius, Christian Romstet, 1665 - 1721, print maker: Christian Romstet, (mentioned on object), 1665 - 1721, paper, engraving, h 188 mm - w 152 mm

Landscape with cattle, Christiaan Godfried Schutze van Houten, after Jan Kobell, 1821 - 1869, In the foreground on the left two sheep, a ram and a cow. To the right, a grazing cow and a lying sheep., print maker: Christiaan Godfried Schutze

Portrait of a stable master, Henricus Wilhelmus Couwenberg, after Rembrandt van Rijn, 1834, print maker: Henricus Wilhelmus Couwenberg, Rembrandt van Rijn, Amsterdam, 27-Aug-1834, paper, steel engraving, h 220 mm × w 160 mm

Portrait of François-Augustin de Paradis de Moncrif, François Robert Ingouf, 1778 - 1787, print maker: François Robert Ingouf, (mentioned on object), François Robert Ingouf, (mentioned on object), publisher: Nicolas-Augustin Delalain,

On the steps of the town hall the town council and the bourgeoisie swear allegiance to Stadholder William V and to the old constitution, 2 July 1787, Loyal swear allegiance to Stadholder in Veere, 1787 Image of the Plegtig Eed-Zweeren tot

Overstromning van de Maas near Haarsteeg, night performance with fleeing inhabitants, February 1799. Part of a group of six plates of dike breaches and flooding in the southern part of Gelderland in February 1799, Flood near Haarsteeg, 1799.,

Portrait of Philip count of Hohenlohe, Dutch army commander. Above the frame of the portrait different kinds of weaponry, Portrait of Philip count of Hohenlohe., print maker: Joannes Meyssens, publisher: Joannes Meyssens, (mentioned on object),

Portrait of Pierre Jeannin, Reinier Vinkeles (I), after Jacobus Buys, 1783 - 1795, Portrait of French statesman Pierre Jeannin, advisor to King Henry IV of France., print maker: Reinier Vinkeles (I), (mentioned on object), print maker:

Portrait of Antoine Houdar de La Motte, François Robert Ingouf, after Jean Ranc, 1778 - 1787, print maker: François Robert Ingouf, (mentioned on object), after: Jean Ranc, (mentioned on object), publisher: Nicolas-Augustin Delalain, print

Left: figures in a landscape in spring. Text in English in lower margin. Numbered lower left: Vol. II. No. 1. Right: farmers at work in the fields in summer. Text in English in lower margin. Numbered bottom left: Vol. II. No. 2., Spring and summer,

Canopy bed with swans, anonymous, 1801 - 1831, A design for a canopy bed decorated with swans. Print number 539., print maker: anonymous, Pierre de la Mésangère, publisher: Au Bureau du Journal des Dames, Paris, 1801 - 1831, paper,

Portrait of Livio Odescalchi with allegorical figures, print maker: Karl Gustav Amling, (mentioned on object), München, 1702, paper, engraving, h 239 mm × w 173 mm

Bust of Godefroid Hotton, pastor of the Walloon church in Amsterdam Above the portrait his motto: Verit, print maker: Abraham J. Conradus, (mentioned on object), after: Hendrik Meerman, (mentioned on object), Amsterdam, 1651, paper,

Portrait of Guillaume-Thomas François Raynal, Carel Jacob de Huyser, after Nicolas Cochin, 1803, Bust portrait of Guillaume-Thomas François Raynal with a cloth around his head facing left in an oval frame. Below the portrait a plaque with his

Scene from a play Two harlequins, two ladies and two gentlemen, under chandeliers with candles Title page for the play Les deux arlequins, by Eustache Le Noble, published at Le Th, print maker: Franz Ertinger, (mentioned on object),

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