Images at Librifly

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Battle of Turin, besieged by the French and appalled by the Allies under Prince Eugenius of Savoy on September 7, 1706. On the right in the foreground the prince on horseback. In the valley in the background lies the city of Turin, Dismissed of

The dead body of Christ has been taken from the cross and is lamented by his family and friends. In the margin below the scene, under the title, there are two lines of Italian text: Lamentation of Christ's dead body after taking down the cross

Breakthrough of Rijndijk near Millingen, 7 February 1799. Part of a group of six plates of dike breaches and flooding in the southern part of Gelderland in February 1799, Dike breach near Millingen, 1799., print maker: Reinier Vinkeles (I),

Portrait of Pierre-Paul Riquet, Auguste Thomas Marie Blanchard, Auguste Jean Baptiste Marie, II Blanchard, 1802 - 1898, print maker: Auguste Thomas Marie Blanchard, (mentioned on object), print maker: Auguste Jean Baptiste Marie, II

Portrait of Johann Jacob Starck von Reckenhof, Jakob von Sandrart, after Georg Strauch, 1659, print maker: Jakob von Sandrart, (mentioned on object), intermediary draughtsman: Georg Strauch, (mentioned on object), Johann Michael Dilherr,

Portrait of Frederik Schenk van Toutenburg, Archbishop of Utrecht, François van Bleyswijck, after unknown, 1726, Portrait of Frederik Schenk van Toutenburg, Archbishop of Utrecht seated on chair while his gaze is fixed on apparition of Lamb of

British ships shelling the town of Lemmer in Friesland, 29 September 1799, Attack of the British on Lemmer, 1799, print maker: Reinier Vinkeles (I), intermediary draughtsman: Dirk Langendijk, Netherlands, 1800 - 1802, paper, etching,

Sick person brought before the god Ixora / Sick person with his face in the urine of a cow, Bernard Picart (workshop of), after Bernard Picart, 1728, Sheet with two representations of religious customs in India. Top: A sick person is brought on a

View from the brush bridge to the Hoogstraat in Leiden. On the quay walkers and a man with a wheelbarrow. Some men are looking at a barge passing by. Numbered lower right: 3., View from the Brushesbridge to the Hoogstraat in Leiden View from the

Portrait of Frederick I of Anhalt, W. Otto, 1831 - 1899, Top right printed number S. 87., print maker: W. Otto, (mentioned on object), 1831 - 1899, paper, engraving, h 174 mm - w 128 mm

Marriage ceremony and name ceremony of the Incas, Bernard Picart (workshop of), after Bernard Picart, 1723, Sheet with two representations of rituals of the Inca, a marriage ceremony and a name ceremony respectively. Above: The priest calls the

Abraham buys the field of Efron, Gilliam van der Gouwen, after Gerard Hoet (I), 1728, Abraham buys the field of Efron for four hundred shekels of silver (Gen. 23:16). Abraham weighs the silver. In the background, the cave in which Abraham plans

Bacchus as god of wine accompanied by a small god with buck's legs and vines. The inscription PAMPINEAS VIMIS DOCVIT QVI ADIVMGERE VITES attributes a role to Bacchus in the growth of the grape plant, he is said to have taught the vines to attach

Portrait of Johan Ferdinand Beughem, Jan Baptist Jongelinx, 1710 - 1725, Bust portrait of the bishop Johan Ferdinand Beughem, with calotte. The portrait is framed in an oval frame with the coat of arms of the portrayed and a motto in Latin. On

Anatomical illustration, Robbert Muys, after Joannis Jacobus Bijlaert, 1752 - 1825, Anatomical illustration. Top right: Tab. VI., print maker: Robbert Muys, (mentioned on object), intermediary draughtsman: Joannis Jacobus Bijlaert, (mentioned

Portrait of Johannes IV Fabricius, Johann Georg Beck, 1722, print maker: Johann Georg Beck, (mentioned on object), Braunschweig, 1722, paper, engraving, h 148 mm × w 90 mm

Portrait of John Adams, Reinier Vinkeles (I), 1790, Potrait of John Adams, American diplomat., print maker: Reinier Vinkeles (I), (mentioned on object), Reinier Vinkeles (I), (attributed to workshop of), Amsterdam, 1790, paper, etching,

Portrait of Matthias Gottfried Purmann, Samuel Blesendorf, 1691, print maker: Samuel Blesendorf, (mentioned on object), Andreas Horch, (mentioned on object), Berlin, 1691, paper, engraving, h 190 mm - w 138 mm

Portrait half way to the right of Willem van Haren in an oval. The portrait rests on a pedestal with his coat of arms and a four-line verse, Portrait of Willem van Haren., print maker: Coenraad de Putter, Netherlands, 1729 - 1744, paper,

Hollandsche Kleederdragt no 4: Woman and child in walking clothes Walking clothesWoman and child in walking clothes anno 1832 , print maker: Elisabeth Barbara Schmetterling, (mentioned on object), intermediary draughtsman: Jonkvr. X., (mentioned

Rooster walking to the right, looking to the left, Rooster walking to the right (version A), print maker: anonymous, Johan Teyler, Netherlands, 1688 - 1698, paper, engraving, h 253 mm × w 219 mm

Robert Devreux, second Earl of Essex and the darling of Elizabeth I. The print has as caption a French poem about his life, Portrait of Robert Devreux, second Earl of Essex., print maker: Pieter van Gunst, (mentioned on object), after: Adriaen

Drunkenness of Noah, Crispijn van de Passe (I), 1700 - 1750, Noah lies drunk and half undressed in front of his tent. His son Cham points at him and mocks him. Shem and Japheth shield their father with a cloth. In the background Noah's vineyard.

Portrait of William V, Prince of Orange-Nassau, anonymous, 1806, Portrait of William V in an octagonal frame. Surrounding it are two allegorical figures and a number of objects. In the lower margin eight lines of Dutch text., print maker:

Portrait of Apostolic Vicar Petrus Codde, François van Bleyswijck, 1681 - 1726, Portrait of Apostolic Vicar Petrus Codde in oval frame sitting in front of bookcase with his coat of arms beside him., print maker: François van Bleyswijck,

The battle of Bunkershill. J. Trumbull p., Johann Georg Nordheim, after John Trumbull, 1814 - 1853, print maker: Johann Georg Nordheim, after: John Trumbull, 1814 - 1853, paper, etching, engraving

Portrait of Johann Zacharias Richter, Johann Martin Bernigeroth, after Adam Friedrich Oeser, after Elias Gottlob Haußmann, 1764 - 1767, In addition to being a merchant and councilman, Johann Zacharias Richter was also an art lover. In the

Portrait of Jeremias David Reuss, Ernst Ludwig Riepenhausen, 1775 - 1840, print maker: Ernst Ludwig Riepenhausen, (mentioned on object), 1775 - 1840, paper, engraving, h 96 mm - w 91 mm

Ball with elegant persons, dressed according to French fashion ca. 1774, in a room with chandeliers, Marie Antoinette: The Queen of Fashion: Ball at the Home of Monsieur de Villemorien Ballroom with dancing couples Le Bal Paré., print maker:

Portrait of Ferdinand of Bavaria, Jacob Andreas Fridrich (I), after Melchior Michael Steidl, 1709 - 1751, Below in the cartouche a representation of the peace treaty made with the Ottoman army., print maker: Jacob Andreas Fridrich (I),

Portrait of Anna Maria van Schurman, standing in front of the drapery next to the Dom tower in Utrecht in an oval frame. Around the oval attributes such as a globe, lute and drawing and painting materials. An empty leaf underneath the frame, meant

Print with an allegorical representation that appeared before a thesis philosophy of an unknown person. The personified Philosophy, with a wreath of stars above its head, shakes the hand of Religion, pointing to the Bible. Behind them stand Hope

Love Couple in a Landscape, Jan Punt, 1740, A love couple along the bank of a river, surrounded by putti. In front of them is an open songbook. Behind them Abundance and a second allegorical female figure. To the right, the marriage god Hymen

Portrait of Johann Bugenhagen, Ernst Ludwig Riepenhausen, 1775 - 1840, print maker: Ernst Ludwig Riepenhausen, 1775 - 1840, paper, steel engraving, h 103 mm - w 92 mm

Condemnation of Haman, Theodoor King, after Jacobus Buys, 1780, In a room under a drapery, Queen Esther and the Persian King Ahasuerus condemn Haman, kneeling before them, to the gallows. Haman was one of Ahasuerus' highest officials and a

Design and plan of altar with rocaille ornaments. At the top a dove as a symbol of the Holy Spirit surrounded by rays and winged angel heads. Publisher's issue 49., Altar with Holy Spirit Design for altars (series title), print maker: anonymous,

Barking dog and barking cat, Anthonie de Winter (manner of), after Wolfgang Hieronimus von Bömmel, 1698, A dog barks at a barking cat. Models for silversmithing animals and figures composed of leaf ornaments., print maker: Anthonie de Winter,

Portrait of Jan van Leiden, leader of the Anabaptists in Münster. He holds a sceptre in his arm. In his hands he is holding a book and a rolled up piece of paper. Around his neck he wears a heavy chain with the globe of the world pierced by two

Map with a design for the embankment of the Haarlemmermeer, 1641. Left Leiden, right Haarlem, at the bottom of Amsterdam. Along the top the title. Bottom left three scale sticks: A ghemene Hollandsche mijl, 2000 Rijnlandsche roeden van 12 voeten,

The pendant shows a goddess turned to the right. No. 3 from a series of 10 pages with ornamental designs for pendant fronts, Antwerp 1581. W. 20, Pendant depicting a goddess with laurel branch Monilium bullarum inauriumque ... icones (series

Portrait of Johann Wilhelm Löper, Johann Ernst Gericke, after Christian Benjamin Müller, 1753, print maker: Johann Ernst Gericke, (mentioned on object), after: Christian Benjamin Müller, (mentioned on object), print maker: Berlin, after:

Portrait of Hieronymus Joachim Waeger, Johann Martin Bernigeroth, 1755, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1755, paper, engraving, h 235 mm × w 175 mm

Rebekah covers herself with a veil at the sight of Isaac, Gilliam van der Gouwen, after Gerard Hoet (I), 1728, Rebekah kneels and covers herself with a veil. Isaac walks toward her (Gen. 24:64-67). In the background camels and Rebekah's servants.

Portrait of Stanislas Marie Adélaïde Count of Clermont-Tonnerre, print maker: Lambertus Antonius Claessens, (mentioned on object), Amsterdam, c. 1792 - c. 1808, paper, engraving, h 145 mm × w 90 mm

Design with Father Time, Balthasar Sigmund Setletzky, after Christian Friedrich Rudolph, 1727 - 1754, Design for an altar or epitaph with rocaille ornaments and on the left a vase. At top Father Time with scythe and a winged skull with

Illumination of the facade of the building of the Sincere Patriotic Society on the Westnieuwland in Rotterdam, on the occasion of Prince Willem V's fortieth birthday on 8 March 1788 and the restoration of the old constitution. Illumination of the

A memorial column for Johanna Maria van Goens. On the right two weeping putti. On the left a weeping woman and putto with lyre, Obelisk with weeping putti Title page front: Hieronymus of Alphen, Gifts and Contemplations, 1777, print maker:

Gods of the natives of Tsenacommacah (Virginia), Bernard Picart (workshop of), 1721, Sheet with two representations of gods of the natives of Tsenacommacah (Virginia). Above: the image of Kiwasa. Below: the image of the god of wind., print maker:

Portet of the engraver Robert van Voerst. In his hand a roll of paper, Portrait of Robert van Voerst., print maker: Robert van Voerst, (mentioned on object), after: Anthony van Dyck, (mentioned on object), unknown, (mentioned on object),

Undercroft in Paleis Huis ten Bosch, Jan Matthysz., after Pieter Jansz. Post, 1664, print maker: Jan Matthysz., (mentioned on object), Pieter Jansz. Post, (mentioned on object), publisher: Pieter Jansz. Post, (possibly), The Hague, 1664,

Portrait of an unknown man, Herman Löwenstam, 1681 - 1861, Portrait of an unknown man in old age., print maker: Herman Löwenstam, (mentioned on object), 1861 - 1681, paper, engraving, h 253 mm - w 200 mm

Frederick V, Elector of the Palatinate, King of Bohemia. Above the print a banderole with a French poem about his life. Below the print a depiction of a landscape with classical ruins with in the foreground the personification Fortuna stealing the

Portrait bust to the left of Ambassador Aernout of Citters, in an oval frame with his coat of arms in the margin, Portrait of Aernout of Citters Me Aernout of Citters, print maker: Christiaan Lodewijk van Kesteren, (mentioned on object), after:

Portrait of Waldemar, margrave of Brandenburg, dressed as a pilgrim, Martin Bernigeroth, 1680 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1680 - 1733, paper, engraving, h 332 mm × w 218 mm

Landscape with cows and goats, Dirk Jurriaan Sluyter, after Hendrikus van de Sande Bakhuyzen, 1826 - 1886, print maker: Dirk Jurriaan Sluyter, (mentioned on object), Hendrikus van de Sande Bakhuyzen, (mentioned on object), Amsterdam, 1826 -

Portrait of Marcus Giöe, Pieter Yver, 1744, Portrait of Marcus Giöe, Danish Ambassador to England, encased in an ornamental frame. Below the portrait books and an owl, symbolizing wisdom. Centered below his coat of arms., print maker: Pieter

View of the Corvershof in Amsterdam, Hermanus Petrus Schouten, c. 1770 - 1783, View of the Corvershof on the Nieuwe Herengracht in Amsterdam, which was inaugurated in 1723. Intended for elderly couples of Nederduits Gereformeerde (later Reformed)

An ornamental pulpit decorated with putti and cherubs, and in the center on the outside of the pulpit Christ as Salvator Mundi At the very top the dove of the Holy Ghost, Pulpit with Christ figure and putti, print maker: Gerrit Visscher,

Statue of William I by Louis Royer on the square in The Hague, Statue of William I, Prince of Orange, on the square in The Hague, print maker: Edouard Taurel, (mentioned on object), Edouard Taurel, (mentioned on object), Louis Royer,

Cain kills Abel, Etienne Delaune, 1528 - 1583, Bottom right is a woman with a child sitting by the reeds. From series of 6 sheets., print maker: Etienne Delaune, Etienne Delaune, publisher: anonymous, France, (possibly), 1528 - 1583, paper,

Portrait of Theodor van Weerdenburg, employed by the East India Company and colonel and field superior in Brazil. On the plinth his name and coat of arms, Portrait of Theodor van Weerdenburg., print maker: Jan Frederik Christiaan Reckleben,

The conquest of the island of Kattenburg from the rebellious Orangists by the Amsterdam militia and exercise society under the command of Abraham Valentine and Hendrik Nobbe, 30 May 1787. View of the fighting around the two bridges that give access

Wedding of Cloris and Roosje, Pieter Tanjé, after Cornelis Troost, 1752 - 1761, Cloris and Roosje dancing at their wedding. On the elevation two fiddlers, the woman raising a glass. On the right the partygoers and a man, who is making a speech

Allegory of the night with personification of Nox (the night), Egbert van Panderen, after Tobias Verhaecht, c. 1590 - 1637, City view by night with personification of Nox. In the foreground festive figures near the ruins of a temple. In the

Portrait of Polycarp Gottlieb Schacher, Johann Martin Bernigeroth, after Elias Gottlob Haußmann, 1737 - 1767, print maker: Johann Martin Bernigeroth, (mentioned on object), after: Elias Gottlob Haußmann, (mentioned on object), Leipzig,

Portrait of Johannes Juncker, Martin Bernigeroth, after Johann Anton Rüdiger, 1701 - 1733, print maker: Martin Bernigeroth, (mentioned on object), after: Johann Anton Rüdiger, (mentioned on object), Leipzig, 1701 - 1733, paper,

Portrait of Pierre du Moulin, Johann Schweizer, 1635 - 1670, print maker: Johann Schweizer, (mentioned on object), 1635 - 1670, paper, engraving, h 150 mm × w 93 mm

Portrait of the writer Giovanni Battista Marino, print maker: Monogrammist CIP, (mentioned on object), after: Simon Vouet, print maker: Italy, after: Paris, c. 1600 - c. 1699, paper, engraving, h 118 mm - w 60 mm

Portrait of Johann Peter von Ludewig, Martin Bernigeroth, after Georg Balthasar von Sand, 1720, print maker: Martin Bernigeroth, (mentioned on object), after: Georg Balthasar von Sand, (mentioned on object), Heinrich Ludwig Gude, (mentioned

Title page for: J. van Lennep, Onze voorouders in verschillende tafereelen gescheduled, Henricus Wilhelmus Couwenberg, after Reinier Craeyvanger, 1838, A primeval man armed with shield and spear walks up to a house in front of which an old woman

Portrait of George Hendrik de Wilde, Abraham Jacobsz. Hulk, 1787, Bust of George Hendrik de Wilde to the right in a medallion with edge lettering in Dutch., print maker: Abraham Jacobsz. Hulk, Paris, 1787, paper, engraving, etching, h 216

Portraits of two courtesans, Crispijn van de Passe (II), 1635, Portraits of two courtesans dressed according to the fashion of their time. Numbered in the upper corners: 9 and 10., print maker: Crispijn van de Passe (II), unknown, 1635, paper,

Leaping of the Hague Caper the Valiant Patriot, 1781, Reinier Vinkeles (I), after Jacobus Buys, 1780 - 1795, Leaping of the Hague Caper the 'Valiant Patriot' in a fight with the English ship the 'Camelon', on 14 August 1781., print maker:

Portrait of Rudolf August of Brunswick-Wolfenbüttel, Johann Friedrich Leonard, 1643 - 1680, Portrait of Rudolf August, Duke of Brunswick-Wolfenbüttel., print maker: Johann Friedrich Leonard, (mentioned on object), 1643 - 1680, paper,

Two cartouches on one sheet, each depicting an evangelist: Luke on the left and John on the right. Sheet from a series consisting of a title page and 15 of the 16 cartouches with biblical and mythological representations in a frame of scrolls and

Resting man near farm, Johannes Josephus Aarts, 1881 - 1934, A man, sitting in the grass with bare feet. Around him are pulled out shoes, a bag, a walking stick, a hat and a suitcase with handle. In the background, a farmhouse with hay barn

numbered top right: XXI., Cross-section and map of the Villa Farnese in Caprarola Facies Caprarolae interna. Le dedans de Caprarola, print maker: anonymous, publisher: Pieter Mortier (I), (mentioned on object), publisher: Rutgert Christoffel

Portrait of Dirk Volkertsz Coornhert, engraver, philosopher, man of letters and lawyer. On the plinth his name, Portrait of Dirk Volkertsz Coornhert., print maker: Jan Frederik Christiaan Reckleben, (mentioned on object), Amsterdam, 1853 -

Portrait of Gabriel Drechsler, Christian Romstet, 1665 - 1721, print maker: Christian Romstet, (mentioned on object), 1665 - 1721, paper, engraving, h 122 mm - w 76 mm

Portrait of the Amsterdam preacher Adriaan Wesel in an oval with edge lettering in Latin. Below the portrait four lines in Dutch, Portrait of Adriaan Wesel., print maker: Joan Homius, (mentioned on object), publisher: Gerard Valck, (mentioned on

Portrait of Noël-Antoine Pluche, Louis Jacques Cathelin, after Nicholas Blakey, c. 1772, print maker: Louis Jacques Cathelin, (mentioned on object), after: Nicholas Blakey, (mentioned on object), France, c. 1772, paper, engraving, h 267

Cartoon on the actionists. The harlequin Bombario and a fool lift a curtain revealing the action trade at the coffee house Quincampoix, where a large crowd of action merchants crowd around the actions shouted out from a stage. In the foreground

Firefight at Vreeswijk canal outside Utrecht between armed citizens of the Utrecht gunnery and troops of the Van Efferen regiment, in the evening of 9 May 1787, Firefight at Vreeswijk, 1787., print maker: anonymous, Northern Netherlands, 1787 -

Landscape with a cornfield, Adriaen Collaert, after Jacob Grimmer, 1578 - 1618, Landscape a cornfield and a farm. In the distance a village. The print is part of a twelve-part series with landscapes around Antwerp., print maker: Adriaen

Atrocities committed by French troops in the villages of Bodegraven and Zwammerdam, 28-30 December 1672. In the background the village of Zwammerdam on fire, with the drawbridge lowered. In the foreground rapes, torture and massacres. Marked top

Silk Weaving at Halde, Jacob van der Schley, 1725 - 1779, Sheet with two representations. On the left, three different phases from the process of silk weaving: winding the yarn, shearing the threads, and weaving. On the right, two phases from

Personification of hope seated with cross, Lubertus Teunis van Deth, 1824 - 1875, print maker: Lubertus Teunis van Deth, (mentioned on object), Netherlands, 1824 - 1875, paper, engraving, h 256 mm × w 376 mm

Portrait of Jean Baptiste de Tassis, Paulus Pontius, after Nicolaas van der Horst, 1645, Portrait of Giovanni Battista de Tassis, postmaster and working at the court of Charles V. The portrait is framed in an ornamental frame surmounted by his

Portrait of Christian Ludwig Ermisch, Johann Georg Beck, 1714, print maker: Johann Georg Beck, (mentioned on object), Braunschweig, 1714, paper, engraving, h 181 mm × w 131 mm

Sheet with overview of altars with Nehalennia, numbered 10-18. Originating from: Olivier de Wree, Historiae comitum Flandriae libri prodromiduo, Lucas van den Kerchove, Bruges 1650. First state with top right: Pag. ..., No. 2., Nehalennia

Unfinished print of shepherds worshipping the Christ child. Two shepherds, Mary and Joseph, the latter with a candle in her hand, Adoration by the shepherds., print maker: Hendrick Goltzius, (mentioned on object), Hendrick Goltzius, Titiaan,

Young woman plucking a chicken, Frederick Bloemaert, after Abraham Bloemaert, after 1635 - 1669, A young woman sits beside a rather large basket and plucks a chicken., print maker: Frederick Bloemaert, intermediary draughtsman: Abraham

A fountain with two dolphins. At the top weapons, a book, ears of corn, a basket with flowers and a shield with putti and cattle. Numbered 4 on the top right, Fountain with dolphins., print maker: anonymous, Jean Charles Delafosse, (copy

Beggar with Crutches, Johannes Josephus Aarts, 1907, A bearded man with hat, dressed in damaged, partially repaired clothes, walking with two crutches. In his left hand a small, rectangular object. Behind him on the left a man and a woman,

Canopy bed with arrow quivers, anonymous, 1801 - 1831, A design for a canopy bed decorated with arrow quivers. Print number 514., print maker: anonymous, Pierre de la Mésangère, publisher: Au Bureau du Journal des Dames, Paris, 1801 - 1831,

The Pharaoh's daughter sits on a chair and lifts little Moses from the ground. Moses' mother is kneeling next to her, in the background his maidservants are busy. Below the scene there is a line of text in Latin; Moses is adopted by the pharaoh's

Portrait of Abraham Johannes Bull, journalist and author Below the image the signature of the person being portrayed, Portrait of Abraham Johannes de Bull, print maker: Willem Frederik Wehmeyer, (mentioned on object), intermediary draughtsman:

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Ground plan of a fortress by the sea (Dunkirk). In the upper right corner the number 114 (= the number of the page in the book against which the illustration

Portrait of Moses Mendelssohn, print maker: Johann Friedrich Bause, (mentioned on object), after: Anton Graff, (mentioned on object), publisher: Johann Friedrich Bause, (mentioned on object), Leipzig, 1772, paper, engraving, etching, h

Portrait of Georg Julius Christ, Jakob von Sandrart, 1665, print maker: Jakob von Sandrart, (mentioned on object), Sigismund von Birken, (mentioned on object), 1665, paper, engraving, h 203 mm - w 140 mm

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