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1760 - Hérault de Séchelles - 1794, Engraver, Unknown, Publisher, Print, Manuscript, Printed matter, Binding, Graphic arts, Periodical illustration, Wood engraving, Dimensions - Work: Height: 18.3 cm, Width: 11.8 cm, Dimensions -
Martino Rota (1520 um - 1583), portrait of Johann Fichard, origin of the print: 1581, copperplate engraving, sheet size: 12.9 x 10.8 cm, bottom center inscribed, dated and signed 'IOANNES FICHARDVS. IC. FRANCOFVRTENSIS. AN., ÆTAT. LX,
Michel Le Blon (1587 - 1656), ornamental engraving with empty escutcheon, origin of the printing medium: circa 1600 - 1650, copper engraving, sheet size: 8.2 x 7.8 cm plate margin: 6.4 x 5.9 cm
Victor, Engraver, Fauchery, Jean-Claude, Draftsman, Printmaking, Graphic Arts, Printmaking, Etching, Stippling (engraving), Dimensions - Work: Height: 17.4 cm, Width: 15.6 cm, Dimensions - Mounting:, Height: 33cm, Width: 49.5cm
Jan Pietersz. Saenredam (1565 um - 1607), artist Hendrick Goltzius (1558 - 1617), after Robert Willemsz. de Baudous (1574 c. - c. 1659), editor, Mary Magdalene, sheet 1 of the series 'Known Women from the New Testament', Marco Dente (1486,
Quirin Boel (1620 - 1668)David Teniers (the Younger) (1610 - 1690), after Frans van den Wyngaerde (1614 - 1679), editor, Two monkeys preparing a medicine ?, one holding paper over charcoal basin, sheet of the series 'Depictions of Monkeys',
Heinrich Aldegrever (1502 - 1555, 1561), self-portrait, origin of print medium: 1537, copperplate engraving, sheet size: 20.0 x 12.7 cm, center left monogrammed 'AG' and inscribed at bottom of plate '. ANNO . M . D . XXXVII ., IMAGO
Albrecht Dürer (1471 - 1528), Apocalypse, Dirk Jacobsz. Vellert (1480, 1485 - 1547), Luke paints the Madonna, print date: 28.7.1526, copperplate engraving, sheet size: 17.0 x 12.1 cm, lower left monogrammed on stool 'DSternV' and dated lower
Anonymous (date unknown)Raphael (1483 - 1520), after Ferdinando Bertelli (1561, 1572 mentioned um), editor, Flood, print medium: 1561 - 1571, copperplate engraving and etching, sheet size: 31.2 x 28.0 cm, bottom left inscribed 'Ferando
Raphaël de Valentin and the auctioneer, In 1838, Graphic arts, Manuscripts, prints, bookbinding, Book illustration, Engraving, Dimensions - Image:, Height: 6 cm, Width: 6 cm
Nicolaes de Bruyn (1571 - 1656), execution Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), after Frederik de Wit (1648, 1680 mentioned around), editor, Ecce Homo, origin of the print medium: 1604, copperplate engraving, sheet size:
Albrecht Dürer (1471 - 1528), Apocalypse, Jeronimus Greff (1460 - 1525), wood engraver Albrecht Dürer (1471 - 1528), copy after Beast with the Horns of Lamb, XI. Figure, Lucas Hugensz. van Leyden (1488, 1499 and 1494 - 1533 respectively),
Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534), artist, Two fauns carrying a child in a wicker basket, print medium: 1513 - 1515, copperplate engraving, sheet size: 15.4 x 18.1 cm
René Boyvin (1525 um - ?), Portrait of Huldrich Zwingli Huldricus Zvinglius, Origin of the print: 1550 - 1600 second H, copperplate engraving, duplicated, Sheet size: 16.8 x 12.4 cm Carrier size: 28.8 x 34.3 cm, Above inscribed 'IESVS MAT XI,
Thomas de Leu (1555 c. - c. 1612), Portrait of Louis XIII, King of France and Navarre, print medium: 1570 - 1612, copperplate engraving, duplicated, sheet size: 19.7 x 12.5 cm, inscribed in cartouche at top 'LOVIS XIII DV, NOM ROY DE, FRANCE
Georg Friedrich Schmidt (1712 - 1775)Rembrandt Harmensz. van Rijn (1606 - 1669), after, Samson threatens his father-in-law, Daniel Berger (1744 - 1824), artist Georg Friedrich Schmidt (1712 - 1775), copy after Rembrandt Harmensz. van Rijn (1606
Jacobus Houbraken (1698 - 1780), portrait of Emperor Charles V., origin of the print: 1708 - 1780, copperplate engraving, sheet size: 29.2 x 22.0 cm plate margin: 17.6 x 11.4 cm, bottom center on cartouche inscribed and signed 'CAREL DE VYFFDE,
Lambert Zutman (1510 um - 1567, 1574), Judas Thaddeus, sheet 6 of the series 'Christ, the Twelve Apostles and St. Paul', print date: 1545, copperplate engraving, sheet size: 21.9 x 11.3 cm, numbered '2' at lower left and inscribed and dated
Albrecht Dürer (1471 - 1528), Six men of war, origin of the print medium: c. 1495 - 1496, copperplate engraving, sheet size: 13.6 x 14.9 cm, monogrammed 'AD' at bottom center
Adamo Scultori (1530 - 1585)Giulio Romano (1492 - 1546), after, Allegory of the Autumn, made: 1547 - 1585, copperplate engraving, sheet size: 11.7 x 15.8 cm
Israhel van Meckenem (1440, 1445 around - 1503), artist Martin Schongauer (1450 around - 1491), copy after death of Mary, Master A G (1470 - 1490 active around), artist Martin Schongauer (1450 around - 1491), copy after death of Mary, Allaert
Giulio Bonasone (1510 c. - c. 1576), artist, Alexander the Great of Macedonia gives his head to the winged Fortuna, origin of the print: c. 1555 production, copperplate engraving on paper vergé, sheet size: 13.6 x 10.4 cm platemark: 11.4 x 8.2
Johann Conrad Klüpfel (1621 mentioned before), engraver Francesco Villamena (1564 - 1624), after, ink seller, sheet 2 of the series 'Street Vendors', origin of the print medium: around 1621, copperplate engraving, sheet size: 16.5 x 11.0 cm,
Agostino Carracci (1557 - 1602), artist, Omnia vincit Amor, print medium creation: 1599, copperplate engraving, duplicated, sheet size: 13.6 x 19.2 cm, inscribed at top center in cloud 'omnia vincit Amor', dated and signed at bottom right
Allart van Everdingen (1621 c. - c. 1675), Millstone next to the barrel, print medium: 1636 - 1675, etching and copperplate engraving, sheet size: 12.8 x 11.0 cm, bottom right monogrammed 'AVE
Feodora's Old Lover, In 1838, Graphic arts, Manuscripts, prints, bookbinding, Book illustration, Engraving, Dimensions - Image:, Height: 7 cm, Width: 5.5 cm
Virgil Solis (1514 - 1562), Lidded Goblet with Three Masks, sheet 8 of the series 'Twenty-four Designs for Bowls, Goblets, and Other Vessels', print medium: 1530 - 1562, etching and copperplate engraving, sheet size: 20.6 x 10.4 cm, top left
Jakob Binck (1494 um - 1569)Giovanni Giacomo Caraglio (1505 um - 1565), after Rosso Fiorentino (1494 - 1540), after, depictions of mythological gods and goddesses, Giovanni Giacomo Caraglio (1505 um - 1565), Artist Rosso Fiorentino (1494 -
Augustin de Saint-Aubin (1736 - 1807)Charles-Nicolas Cochin (the Younger) (1715 - 1790), after, portrait of Charles-George Fenouillot de Falbaire de Quingey, origin of print medium: 1787, etching and engraving, sheet size: 21.2 x 13.4 cm
Lorenz Strauch (1554 um - 1630), Portärt von Andreas Imhof, Origin of the print medium: c. 1580 - 1620, Etching and engraving, Sheet size: 19.5 x 13.8 cm Plate margin: 19.2 x 13.1 cm (Architectural framing)Plate margin: 1' Inscribed below 'Herr
Jacques de Gheyn II (1565 - 1629), artist Hendrick Goltzius (1558 - 1617), editor, after, treasurer, sheet 10 of the set 'Officers and Soldiers', origin of the print: 1587, copperplate engraving, sheet size: 21.6 x 16.0 cm, bottom left
Stefano della Bella (1610 - 1664), artist Israël Henriet (1590 - 1661), publisher, cart with two horses, Lucas Hugensz. van Leyden (1488, 1499 and 1494 - 1533 respectively), artist, Temperantia, plate origin: 1530, copper engraving, plate
F. Bahmann, sculptor Ins. Bibliogr. Drawn from nature, General Graf, PASKEWITSCH, ERIVANSKY. Engraving (First attempt in steel) Printing and publishing from the Bibliographic Institute in Hildburghausen, Ztg.N° 5
Melchior Lorck (1527 around - after 1583)Michelangelo (1475 - 1564), after, Crucified Haman, origin of the print: 1550, copperplate engraving, sheet size: 17.9 x 11.0 cm, top left monogrammed and dated '15, LMF, 50
After an engraving by Pierre Tanje (1706-1761), designed by Johannes Vollevens I or II. After the Grav. by P. Tanjé after I. Vollevens. Steend. v. Steuerwald. F.H. Weissenbruch Dzn. Lith. Gerard Calleburg signature
Anonymous (dating unknown), artist:in Martin Schongauer (1450 um - 1491), after, Christ on the Mount of Olives, Martin Schongauer (1450 um - 1491), artist, Christ on the Mount of Olives, sheet 1 of the set 'The Passion of the Christ',
Albrecht Dürer (1471 - 1528), artist, Virgin Mary crowned by two angels, Johannes Wierix (1549 - c. 1620), artist Hieronymus Wierix (1553 - 1619), old attribution Albrecht Dürer (1471 - 1528), after, Virgin Mary crowned by two angels,
Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist Albrecht Dürer (1471 - 1528), copy after, Lamentation of Christ, sheet 28 of the series 'The Passion of Christ', origin of the print: 1510 - 1515, copperplate engraving, sheet
Georg Friedrich Schmidt (1712 - 1775), Portrait of an Unknown Man, print medium: 1727 - 1775, copper engraving and etching, sheet size: 16.2 x 13.5 cm plate margin: 12.4 x 11.2 cm, signed lower left 'G.f. Schmidt f. aguafo
Quirin Boel (1620 - 1668)David Teniers (the Younger) (1610 - 1690), after Frans van den Wyngaerde (1614 - 1679), editor, Two monkeys playing backgammon tricktrack, the one on the left holding a wine glass and pitcher, the one on the right
Hans Sebald Beham (1500 - 1550), artist, Unglück (Infortunium), origin of the print: around 1541, copperplate engraving, sheet size: 8.7 x 6.0 cm, inscribed at top center 'INFORTVNIVM' and monogrammed below left 'HSB' ligated
Agostino dei Musi (gen. Agostino Veneziano) (1490 um - after 1536)Raphael (1483 - 1520), after Giovanni da Udine (1487 - 1561), after, ornamental engraving with the goddess Pomona in temple, sheet 16 of the series 'Twenty Ornamental Engravings',
Anonymous (dating unknown), artist:in Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534), copy after Jacopo Ripanda (1500 - 1516 active c.), after, Triumph of Titus or Trajan, Michel Le Blon (1587 - 1656), Two friezes with monkey, deer and
Anonymous (dating unknown), engraver Marco Dente (1486, 1500 - 1527), copy after Nicolas van Aelst (1526 - 1613), editor, child sitting on a sea monster, Anonymous (dating unknown), artist:in Marco Dente (1486, 1500 - 1527), copy after,
Simon Wynhoutsz. Frisius (1570, 1575 um - 1628), artist Antonio Tempesta (1555 - 1630), copy after, fight between soldiers and turban wearing horsemen near a river, origin of print: 1590 - 1628, etching and copperplate engraving, sheet size:
Agostino Carracci (1557 - 1602), artist Annibale Carracci (1560 c. - 1609), after Matteo Giudici (1670 c. - 1692 active), editor, Lamentation of Christ, Agostino Carracci (1557 - 1602), artist, Orpheus and Eurydice, sheet of the series
René Boyvin (1525 um - ?)Baccio Bandinelli (1493 - 1560), after, Adam and Eve, print date: 1550 - 1600 second H, copperplate engraving, sheet size: 11.2 x 13.4 cm, monogrammed 'B' at lower left
Rembrandt Harmensz. van Rijn (1606 - 1669), artist, Old man with beard, fur hat and coat, print medium: circa 1632, etching and copperplate engraving, duplicated, sheet size: 15.4 x 13.3 cm, center left monogrammed 'RHL fe
Crispijn de Passe (the Elder) (1564 - 1637), portrait of Philip II, King of Spain, print date: 1615, copperplate engraving, sheet size: 15.4 x 11.5 cm, inscribed around the edges 'ILLVSTRISSIMVS PHILIPPVS D. G. PRINCEPS HISPANIARVM,
Allart van Everdingen (1621 c. - c. 1675), Sportsman next to the big tree, Origin of the print medium: 1636 - 1675, Etching and engraving, Sheet size: 9.7 x 13.4 cm, Monogrammed at lower center on stone 'AVE', Verso lower center blue
Jacques Callot (1592 - 1635)Israël Henriet (1590 - 1661), editor, Grays of War (Great Series), Jacques Callot (1592 - 1635), artist Israël Henriet (1590 - 1661), editor, hanging, sheet 11 of the series 'Grays of War', Jacques Callot (1592 -
François Stuerhelt (mentioned in 1650), artist Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), copy after, Golgotha, origin of print medium: 1642, copperplate engraving, sheet size: 36.7 x 47.7 cm, signed and dated lower left 'Frans
Jacques Callot (1592 - 1635), artist, portrait of Charles III, Duke of Lorraine, origin of print medium: circa 1607, copperplate engraving, sheet size: 16.0 x 11.9 cm (trimmed)' Inscribed and dated around portrait 'SERENIS: CAROLVS: III: D: G:
Robert Delaunay (1750 - 1814), artistÉtienne Aubry (1745 - 1781), after, recognition of the Fonrose, creation of the print medium: 1786, etching and engraving, sheet size: 35.8 x 46.8 cm platemark: 32.1 x 37.7 cm, inscribed lower left 'Peint
Jacques de Gheyn II (1565 - 1629), artist Karel van (I) Mander (1548 - 1606), after, Issachar, sheet 6 of the set 'The Twelve Sons of Jacob', origin of the print: around 1589, copperplate engraving, sheet size: 15.7 x 10.9 cm, center right
Coenr. Waumans Sculp. 103 IEAN SADELER, Very excellent engraver, native of Brussels in Brabant in the year 1550. He was first damascened in iron, but having a higher spirit, he was addicted to engraving, where the art gave him the greatest
Adriaen van Ostade (1610 - 1685), head of a family, print date: 1648, etching and copperplate engraving, sheet size: 12.4 x 9.1 cm, signed and dated lower right 'Av.Ostade 1648
Lucas Hugensz. van Leyden (1488, 1499 and 1494 - 1533 respectively), Artist, Adam and Eve mourn Abel, Creation of the print medium: circa 1529, copperplate engraving on vergé paper, plate margin: 16.3 x 11.6 cm sheet size: 16.6 x 11.9 cm, top
Marco Dente (1486, 1500 - 1527), artist Antonio Salamanca (1500 um - 1562), publisher, A river nymph flees from a naked man into the sea, sheet 7 of the series 'Antike Basreliefs', origin of the print medium: 1510 - 1527, copperplate engraving
Johann Theodor de Bry (1561 - 1623), artist Hans Sebald Beham (1500 - 1550), after, frieze with dancing noblemen, sheet of the series 'Umzüge und tanzende Bauern', origin of the print: 1580 - 1600, copperplate engraving, sheet size: 4. 9 x
Master A G (1470 - 1490 active circa), Crowning with Thorns, sheet 7 of the series 'The Passion', origin of the print medium: circa 1450 - 1500, copperplate engraving, sheet size: 14.5 x 10.7 cm, monogrammed lower center 'AG
Georg Friedrich Schmidt (1712 - 1775)Louis Tocqué (1696 - 1772), after, portrait of Michael Count Vorontsov, origin of print medium: 1758, copperplate engraving and etching, sheet size: 42.3 x 30.3 cm (trimmed)' Inscribed at bottom center
Israhel van Meckenem (1440, 1445 um - 1503), artist, couple playing cards, origin of the print: c. 1495 - 1503, copperplate engraving, sheet size: 16.0 x 11.0 cm, bottom left and right moogrammed 'I V M', verso bottom left dealer's note with
Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, Joseph tells Jacob his dreams, print medium: 1512, copper engraving on paper vergé, sheet size: 12.6 x 16.6 cm, top left on plate above door monogrammed and dated 'L 1512
Léonard Gaultier (1561 - after 1635)Michelangelo (1475 - 1564), after, Last Judgment, print medium: 1600 - 1641, copperplate engraving, sheet size: 31.6 x 23.6 cm, inscribed at top center around medallion 'MICHAEL ANGELVS BONAROTVS PATRICIVS
Paul Birckenholtz (1589 - 1634), copy after, model for goldsmith's work, title page of the series 'Varii Generis Opera Avrifabris Necessaria', origin of the printing medium: around 1600, copperplate engraving, sheet size: 9.1 x 13.5 cm (trimmed
Crispijn de Passe (the Elder) (1564 - 1637), Erato, at her feet geometric measuring instruments, sheet 7 of the set 'The Muses', origin of the print medium: 1590 - 1637, etching and copperplate engraving, diameter: 12.9 cm, inscribed and
Georg Pencz (1500 c. - 1550), artist, Conversion of St. Paul, Georg Pencz (1500 c. - 1550), artist, Conversion of St. Paul, Georg Pencz (1500 c. - 1550), artist, Conversion of St. Paul, print date: 1543, copper engraving, sheet size: 7.4 x
Napoleon Ier Emperador de los franceses, Engraving, Between 1810 and 1811, Print, Graphic art, Print, Etching, Dimensions - Work: Height: 18.6 cm, Width: 24.7 cm, Dimensions - Mounting:, Height: 32.7 cm, Width: 50.4 cm
Lukas Cranach (the Elder) (1472 - 1553), artist, Kissing St. John Chrysostom, Franz Isaac Brun (1535 c. - c. 1610, 1620), artist, Seven women fighting for a pair of trousers, print medium: 1560, copper engraving on vergé paper, sheet size:
René Gaillard (1722, 1723 - 1790)François Boucher (1703 - 1770), after, Surprised Lovers, print medium creation: 1758, etching and engraving, sheet size: 61.8 x 44.8 cm platemark: 50.0 x 37.9 cm, inscribed lower left 'F. Boucher Pinxit.';
Nicolaes de Bruyn (1571 - 1656)Assuerus Londerseel (1572 - 1633), editor, portrait of Charlemagne, sheet of the series 'Portraits of Kings and Heroes', origin of the print: 1594, copper engraving, sheet size: 12.4 x 9.0 cm, bottom center on
Collection of 32 engravings, Engraver, 19th century, Graphic arts, Print, Print album, Cardboard, Paper, Engraving, Dimensions - Work: Height: 13.7 cm, Width: 18.5 cm
Jacques Bacheley (1712 - 1781)Jan Peeters (1624 - 1678), after Jacques-Philippe Lebas (1707 - 1783), editor Bréant (1780) (1780 mentioned around in Rouen), editor, Storm in Greenland, origin of the print medium: 1757, etching and engraving,
Anonymous (date unknown), German, artist:in Wenceslas of Olomouc (1481, 1497 mentioned around), copy after Martin Schongauer (1450 around - 1491), after, Martyrdom of St. Sebastian, origin of the print: Around 1700 - Around 1800 18, copper
Lambert Zutman (1510 um - 1567, 1574), St. Paul, sheet 10 of the series 'Christ, the Twelve Apostles and St. Paul', print date: 1545, copperplate engraving, sheet size: 22.3 x 11.3 cm, numbered '10' lower center and inscribed 'SVAVIVS, INVE'
Monogramist IC (1586, 1500 mentioned at), artist Martin Schongauer (1450 um - 1491), copy after Christ before Caiaphas, Martin Schongauer (1450 um - 1491), artist, Carrying of the Cross, sheet 8 of the series 'The Passion of Christ', origin of
Hendrick Goltzius (1558 - 1617), artist, portrait of Josina Hamels, print date: 1580, copperplate engraving, sheet size: 20.5 x 13.4 cm, inscribed around medallion 'SEQVI PARATA. SIVE TE BELLO DVCEM SEV PACE CIVEM POSTVLABIT PATRIS. R, on
Quirin Boel (1620 - 1668)David Teniers (the Younger) (1610 - 1690), after Frans van den Wyngaerde (1614 - 1679), editor, Two monkeys with feathered hats smoking a pipe, sheet of the series 'Depictions of monkeys', origin of the print medium:
Marco Ricci (1676 - 1730), artist, Appearance of the Bear, Marco Ricci (1676 - 1730), etcher Carlo Orsolini (1703 - 1781), editor, The Appearance of the Bear, sheet 3 of the series 'Varia Marci Ricci Experimenta', Giovanni Domenico Tiepolo
Hans Brosamer (1500 um - um 1554), portrait of Johann von Henneberg, print date: 1541, copper engraving, sheet size: 18.5 x 12.5 cm, top center inscribed 'AETATIS XXXVIII', center right dated and monogrammed '1541, HB' and unte
Anonymous (date unknown), engraver Agostino Carracci (1557 - 1602), Copy after Venus or Galatea riding on dolphins, sheet of the series 'Lascivie', Agostino Carracci (1557 - 1602), artist, A satyr contemplates a sleeping nymph, sheet of the
Marie-Louise, Engraving, Print, Graphic arts, Printmaking, Burin, Etching, Dimensions - Work: Height: 20 cm, Width: 12.8 cm, Dimensions - Mounting:, Height: 50 cm, Width: 32.5 cm
Collection of 20 animal engravings after Nicolas Berchem, Engraver, 19th century, Graphic arts, Print, Print album, Cardstock, Paper, Engraving, Dimensions - Work: Height: 14 cm, Width: 19 cm
Collection of 32 engravings, Engraver, 19th century, Graphic arts, Print, Print album, Cardboard, Paper, Engraving, Dimensions - Work: Height: 13.7 cm, Width: 18.5 cm
Anonymous (dating unknown), engraver Agostino dei Musi (gen. Agostino Veneziano) (1490 um - after 1536), copy after Michelangelo (1475 - 1564), after Antonio Salamanca (1500 um - 1562), editor, A warrior fastens his trousers to his breastplate,
Anonymous (dating unknown), engraver monogramist IB Nagler III 1950 (1523 - 1530 mentioned circa), copy after Three Putti with an Armor, monogramist IB Nagler III 1950 (1523 - 1530 mentioned circa), frieze with Bacchanale of the Putti, origin of
Monogrammed by IAM of Zwolle (mentioned in 1460, 1495), detail from 'Mary with Child', print date: 1455 - 1475 ?, copperplate engraving, sheet size: 11.3 x 10.0 cm (plate trimmed)' Inscribed top center 'zwott
Crispyn van den Queboorn (1604 um - um 1652), portrait of Elizabeth I, Queen of England, print date: 1625, copperplate engraving, sheet size: 15.4 x 9.2 cm, bottom center inscribed, signed and dated 'ELISABET D. G. ANGELIAE, FRANCIAE, ET
Crispijn de Passe (the Elder) (1564 - 1637), artist, Benignitas (Goodness), sheet 6 of the series 'The Virtues', origin of the print medium: c. 1590 - 1637, copperplate engraving, sheet size: 20.9 x 14.0 cm (trimmed)' Inscribed 'BENIGNITAS' at
Anton van Dyck (1599 - 1641), original Lucas Vorsterman (the Elder) (1595 - 1675), execution Martinus van den Enden (1605 - 1673), editor, portrait of Antoon Cornelissen, origin of the print: 1630 - 1640, copperplate engraving and etching,
Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist Albrecht Dürer (1471 - 1528), copy after, Christ before Herod, sheet 17 of the series 'The Passion of Christ', origin of the print: 1510 - 1515, copperplate engraving, sheet size:
Atrocities of the Austrian troops in Belgium, 1789, Engraving, Print, Graphic arts, French Revolution, Print, Etching, Dimensions - Work: Height: 19.3 cm, Width: 25.6 cm
Augustin de Saint-Aubin (1736 - 1807)Charles-Nicolas Cochin (the Younger) (1715 - 1790), after, portrait of Pierre-Jean Mariette, sheet 20 for the 'Collection de Cochin', origin of the print medium: 1765, etching and engraving, sheet size: 17.5
Nicolas de Larmessin III (1684 - 1755), artist Jean-Baptiste Van Loo (1684 - 1745), after, portrait of Louis XV Louis XV, King of France and Navarre, print medium creation: 1727, copperplate engraving and etching, duplicated, support size:
Allart van Everdingen (1621 c. - c. 1675), Ragged rocky landscape with huts, print medium: 1636 - 1675, etching and copperplate engraving, sheet size: 11.1 x 14.3 cm, monogrammed 'AVE' on stone lower right
Adriaen van Ostade (1610 - 1685), Artist, Empty Jug, Adriaen van Ostade (1610 - 1685), Doll, Creation of the print medium: 1679, Etching, drypoint and copperplate engraving, Sheet size: 11.1 x 9.8 cm, Monogrammed and dated lower right
Francesco Parmigianino (1503 - 1540), Sleeping Cupid, Origin of the print: 1524 - 1530, etching and copperplate engraving, sheet size: 7.8 x 12.0 cm
Jan van de Velde II (1593 - 1641), execution Willem Pietersz. Buytewech (1591 - 1624), after, Jonah is thrown into the sea, sheet 2 of the series 'The Story of Jonah', origin of the print medium: 1620 - 1641, etching and copperplate engraving,
Abraham Bosse (1604 - 1676), Venus with Scepter and Cupid, print medium: 1620 - 1676, etching and copperplate engraving, sheet size: 6.9 x 6.9 cm, signed lower left and right 'A. Bosse Jn., fe. et ex.', recto upper right numbered with graphite

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