Images at Librifly

search results: Engraving clear search

Design for a Cartouche, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A cartouche configured to serve as a console. It is embellished with heads of dogs, clusters of grapes,

Ewer with a Bas-Relief, Enea Vico, Italian, 1523–1567, Engraving, Design shows ewer with handle formed from two snakes and lip formed by a shell resting on a grotesque head. At center is a relief band showing a battle of seahorses and figures,

Portrait of Eusebius Renaudot, François Chereau the elder, French, 1680 - 1729, Engraving on paper, France, 1680-1729, Print, Print

Décoration du bal paré donné par le roy le XXIV février M.D.CCXLV à l’occasion du Mariage de Louis Dauphin de France, avec Marie Thérèse Infante d’Espagne, Versailles (Decoration of the grand ball on the occasion of the wedding of the

Apollo on Parnassus, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on paper, Apollo playing his lyre is seated under four olive trees in mid-distance. He is surrounded by several figures., Italy,

Design for Cartouche: Allegory of Fire, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Cartouche consisting of references to fire: a flaming torch (upper left), a flaming bottle

Design for Cartouche Panel, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Dubreulié, Engraving on white laid paper, 2nd state. Central cartouche panel, surrounded by rockwork motif with

Profil de deux Venteaux de la porte Cochere (Profile of Two Venteaux of a Carriage Door), Livre de Portes Cocheres (Book of Carriage Doors), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez,

Design for Fountain with Trelliswork Arches, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Georg Siegmond Roesch, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid

Portrait of Gerard Seghers, from the Icones Principum Virorum, Paulus Pontius, Flemish, 1603 - 1658, Anthony van Dyck, Netherlandish, 1599 – 1641, Engraving on paper, Netherlands, 1630, Print, Print

Retour de Chasse, Benoit Audran, French, 1698 - 1772, Antoine Watteau, (French, 1684–1721), Engraving on paper, A lady seated in hunting costume and tricorne hat pats a dog with her left hand and fingers dead game with her right., France,

Peep-show, Vue perspective de l'Arc de Triomphe, Ou Se Passa La Furieuse Proscription Sous le Triumvirat d'Antoine, d'Octave et de Lepidus à Rome, No. 45, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page,

Portrait of Juan Pablo Oliva (1600-1681), Jean-Pierre Simon, French, 1650 - 1710, Giovanni Battista Gaulli, called Baciccio, Italian, 1639 - 1709, Engraving on paper, Half-length portrait of the Cardinal, head slightly titled to the left;

Cheminée en Attique…Différentes Façons, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Peep-show, Vue du Pont et de la Ville de Francfort, 13, Engraving in ink with washes of watercolor on paper, Peep-show print, France, 1766, Print, Print

The Family Record, Winslow Homer, American, 1836–1910, Wood engraving printed in black ink on paper, Vertical view of an interior with a seated man writing in a large book on top of a table as a woman looks on while holding an ink bottle. At

Two Upright Panels, Livre Nouveaux de Paneaux à divers usages (Book of New Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de

Albrecht of Brandenburg, Archbishop of Mainz, Albrecht Dürer, German, 1471–1528, Engraving on laid paper; verso: graphite, Vertical format portrait of Cardinal Albert of Brandenburg, Elector and Archibishop of Mainz from 1514-1545 and

Design for an iron gate (with alternate suggestions), Jean Tijou, French, 1689 - 1712, Pieter Vanderbanck, 1649–1697, Engraving on paper, A wrought iron gate in three sections, surmounted by urns in alternate suggestions. The center section

Design for a Cartouche Surmounted by a Tiger, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw

Plate 5, Receuil de Fontaines (Collection of Fountains), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on paper, Folio 5, plate 5 of a series of 7. Design

Design for an Altar, plate 2 of 'Nuove Inventioni d'Ornament...', Filippo Passarini, 1636–1698, Engraving on laid paper, An altar with high architectural superstructure, in alternate suggestion, flanked by sanctuary lamps, and at left, a

A Bed, Matthew Liard, English, ca. 1736–1782, Engraving on paper, A bed with a canopy furnished with upholstery and drapery. At right elevation of headboard and canopy support shown., France, ca. 1765, Print, Print

Group in a Landscape, Louis Joubert, French, active 1758 - 1786, Engraving on paper, Group in a landscape., France, 1758–1786, Print, Print

Vis à vis, Plate 1, Modèles de Voitures Louis XV, Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on laid

The Nooning, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, A boy and a dog lay outdoors with an empty plate between them. Two other boys sit behind them. Houses and trees in distance, and laundry

Cheminée Decorée de Glaces…Différemment, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Design with Pedestal with Two Children, One Standing Next to a Burning Altar, François de Cuvilliés the younger, German, 1731 - 1777, Michael Hartwagner, German, d. 1776, François de Cuvilliés the younger, German, 1731 - 1777, Etching

Recueil de Fontaines (Collection of Fountains), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Bound volume of engraving on paper, Bound volume of folios depicting

Page of a sketchbook; Title page for engraving series on hunting; Accident of a hunter, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, bistre wash (top), gray-brown wash (bottom) on paper, Vertical rectangle. Top:

Stage Design: A Banquet Hall, Giuseppe Galli Bibiena, Italian, 1696–1756, Anton Ospel, 1677 – 1756, Engraving on off-white laid paper, 1740–44, theater, Print, Print

Design for a Cartouche Representing the Continent of America, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A parrot is perched atop the asymmetrical cartouche, a bow, arrow,

Virgin, with Putto Holding a Book, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The Virgin seated, facing frontally and turned slightly

Quarter of a Ceiling, Livre de Portion de Plafonds et d'un Poëlle (Book of Portions of Ceilings and of a Stove), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the younger, German, 1731 -

Two Upright Panels, Livre Nouveaux de Paneaux à divers usages (Book of New Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de

Portrait of Jules-Hardouin Mansart (1646-1708), Gerard Edelinck, Flemish, active in France, 1640/41 - 1707, Hyacinthe Rigaud, French, 1659 - 1743, Engraving on paper, Three-quarter length portrait of the architect, seated, turned slightly

Design for Two Cartouches, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid

Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,

Map of Louisiana (Mississippi), Johann Baptista Homann, 1664 – 1724, Etching and engraving, hand-colored, on white laid paper, Map of Louisiana shows the Eastern part of the United States up to Canada; different colors are used for Louisiana

Cartouche with Plumetted Helm, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de

Christmas Belles, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Man driving a sleigh with five women. Some of the ladies look back and wave., USA, January 2, 1869, figures, Print, Print

Print, Jean-Baptiste Scotin I, 1678 – after 1738, Engraving with etching on paper, The escutcheon is composed on rocaille and architectural motifs, of flowers and, on top, of the top of a stone arch. A music trophy is in a triangular panel

Title Page, from 'Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés', Jean-Baptiste Pillement, French, 1728–1808, Jean-Jacques Avril the Elder, French, 1744 - 1831, Engraving and etching on laid paper, France, 1773,

Women Looking in Mirror, from 'Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés', Jean-Baptiste Pillement, French, 1728–1808, Jean-Jacques Avril the Elder, French, 1744 - 1831, Etching and engraving on laid paper,

Petit Balçon et Suivant, qui de voient a la Facade de la Maison de l'Auteur (Small Balcony and other Grillwork from the Residence of Jean Lamour), pl. 23 in Recueil des Ouvrages de Serrurerier, Jean Lamour, French, 1698–1771, Engraving on

Designs for Three Sections of Metal Balcony for Facade of Hotel de Ville, plate 5 from Recueil des ouvrages en serrurerie que Stanislas le Bienfaisant, roi de Pologne, duc de Lorraine et de Bar, a fait poser sur la Place royale de Nancy, à la

Plate 3, Developement d'un Trumeau de glace fait pour le Portugal (Design for a Pier Glass with Varation for Portugal), Oeuvre de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy,

Cartouche Pitoresque (Picturesque Cartouche), Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Engraving on paper, Plate 3 of a series of 4 cartouche ornament designs. Asymmetric cartouche in Rococo style,

Design for Fountain with a Couple, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Georg Siegmond Roesch, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper,

Autre Lit a niche aux cotés du quell sont deux Panneaux A. et B. décorées différement, plate 74 in Livre Nouveau ou Regalis des cinq Ordres, par Jacques Barozzio de Vignole, Jacques-François Blondel, French, 1705 - 1774, Étienne

Design for a Confessional, no. 5, Brother Isidore of the Billets Carmelites, Engraving on paper, An engraving showing the section, the elevation, and the plan of a Confessional. 'Plan et élévation d'un Confessional' etc. Bottom corners:

Christ Praying in the Garden of Olives, Johannes van Londerseel, Flemish, ca. 1570 - ca. 1624, David Vinckeboons, Flemish, 1576 - ca. 1629, Engraving on white paper, Landscape with trees. Left, Christ praying, angel above him. In mid-center

Title Page from Cahier d ornements et frises dessinés (Book of Ornaments and Friezes), Henri Salembier, French, 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Page divided horizontally into two friezes, each with

Recueil des Festes, Feux D’Artifice, et Pompes Funébres, Ordonées pour le Roi par Messieurs les Premiers Gentilhommes de sa Chambre (Collection of Festivals, Fireworks, and Funerals, Organized for the King by the First Gentleman of his

Plate 1, Title page from a suite of ten, entitled Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert),

Plate 10, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish,

Title plate, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 2, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 3, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 4, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 5, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 6, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 7, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 8, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 9, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 –

Plate 2, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish,

Plate 10, Title page, Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560

Plate 3, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish,

Plate 4, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish,

Plate 5, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish,

Plate 6, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish,

Plate 7, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish,

Plate 8, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish,

Plate 9, from a suite of ten entitled Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert

Design for Cutlery Containers, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Two designs for containers for cutlery.

Design for Salt Cellars, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Design for two salt cellars. The base of the

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Design for two covered cups. On the left,

Nef Design, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Design for a nef, a ship-shaped container decorated with

Tureen Design, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Design for a metalwork tureen heavily decorated with

Fountain Design, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Design for a metalwork fountain, the top decorated

Candlestick Designs, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Two designs for candlesticks. At left, decorated

Designs for Braziers and Trays, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Two designs for braziers and three

Designs for Ewers, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Design for two ewers. On the left ewer, the Birth of

Portrait of Hugues Brisville, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Nicolas Langlois, French, 1640 - 1703, Pierre

Plate 9, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper,

Plate 10, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 11, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper,

Plate 12, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 13, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper,

Plate 14, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Hugues Brisville, French, active ca. 1663, Nicolas Langlois,

Plate 15, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Mathurin Berton, Active 1647 - 1663, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper, At top, a

Plate 16, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Mathurin Berton, Active 1647 - 1663, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper, Design for a

Title page, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper,

Dedication page, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois,

Plate 3, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 4, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper,

Plate 6, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper,

Plate 7, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 8, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Juno, plate from a suite of 6 ornamental designs with the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 – 1618, Adriaen Collaert, Flemish, ca. 1560 – 1618, Engraving on laid paper, A contestant for Paris’ apple, Juno carries

search results: Engraving clear search