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French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

Scene from the History of the Farnese Family; Taddeo Zuccaro (Italian, 1529 - 1566); about 1565; Pen and brown ink, brush with brown wash, over black chalk; squared in red chalk; 30.2 x 27.5 cm (11 7, 8 x 10 13, 16 in

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

Sepulchral monument of George Villiers Duke of Buckingham, Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster, Cole, James, Dart, John, d. 1730, Engraving, between 1723 and 1727

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The text

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

Frontispiece to D.'Hurd's religious ceremonies and customs of all nations, A new universal history of the religious rites, ceremonies, and customs of the whole world, Hurd, William, Pollard, Robert, 1755-1838, Engraving, 1780

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The text

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, ca. 1820, instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The text

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The text

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

A prospect of Edward the Confessor's Chapel, Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster: containing an account of its ancient and modern building, Dart, John, d. 1730, Engraving, between

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The text

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The text

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, ca. 1820, instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The text

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

Portrait of John Dart, Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster, Dart, John, d. 1730, Faber, John, d. 1756, Mezzotint, between 1723 and 1727

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, ca. 1820, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France.

Five men with turbans sit and stand by a tent. Next to the tent a tower of blocks on which there are performances. Above them sits a woman with trumpet and portrait medallion on clouds, Allegory of the Mogul Empire Contemporary history of the Ryk

Medallion with the personification of History, Bernard Picart, 1718, Medallion with the personification of History at a writing table surrounded by putti with the various editions of the works of Boileau. Around the representation the motto: Dum

Sheet with 8 scenes from the life of Willem Tell. Under each image a caption. Numbered top right: No. 21., The history of the Swiss artist Willem Tell (...)., print maker: Christiaan Jacob Schuyling, (mentioned on object), publisher: T.C.

Allegory of the Second Centenary of the Deportation of Leiden, 3 October 1774. The city virgin of Leiden sitting on a throne, accompanied by Freedom, Time and History. In the background Hercules and the Relief of Leiden (1574), Allegory of the

Louis IV the Simple, King of France Beside him the coat of arms of France The print serves as an illustration to a book on the history of the Counts of Brabant and has the folio number Aa, Portrait of Louis the Simple Lvdovicvs car simpl F , print

Cartoon from Utrecht student almanac, 1833, anonymous, 1833, Cartoon from the student almanac of the University of Utrecht of the year 1833. Sheet with ten comic and allegorical scenes of student life and recent history. At top two scenes about

View of people at work in the countryside of the province of Holland. In the foreground two putti with maps of areas around Delft and the Rhine. They flank the coat of arms of The Hague. On the right cheeses, cod and barrels of herring. In the

Portrait of the engraver, draughtsman and painter Bernard Picart. In front of the portrait two putti mourn and is a personification of History. On the ground lie books, prints and painting and engraving tools. In the margin are his name, year of

Title in an ornamental frame made up of two horns of plenty, farming implements and left and right the skeletons of Adam and Eve. Eve (left) is looking at the apple that caused the Fall. Adam is looking at a leaf with the quote 'Dust you are, to

On a platform sits a half-naked woman with a crotch and an anchor. Around her a number of putti with a freedom hat, firewood and buoys. Above her an angel with a laurel wreath and lightning bolts. In front of the elevation sits Father Time with oil

Leaf with 6 representations of birds: a nightingale, a swallow, a bird of paradise, a canary, a goldfinch and a hummingbird. Above each image a title, below each image a four-line verse. Numbered top right: No. 12, bottom right: (6th year old),

Allegory of history, Abraham de Blois, after B.L. Boulogne, 1679 - 1717, Allegory of history with female personification of history and winged Time., print maker: Abraham de Blois, (mentioned on object), B.L. Boulogne, (mentioned on object),

A mass murder of Catholics on Huguenots in Paris. A figure of a devil is holding up an image of Henry IV in a carriage. Possibly the failed assassination attempt is shown here. Henry IV was forced to convert to Roman Catholicism when he ascended the

The town of Monteriggioni near Siena is besieged by the troops of Cosimo de'Medici (1555). The print has a Latin caption and is part of a series on the family history of the De' Medici family, Siege of Monteriggioni Family history of the De' Medici

Print numbered top left: 164., West facade of Saint Paul's Cathedral in London History of Saint Paul's Cathedral in London (series title), print maker: Wenceslaus Hollar, (mentioned on object), Wenceslaus Hollar, (mentioned on object), London,

Personification of History, Marino Bovi, after Giovanni Battista Cipriani, 1797, A winged figure with a quill, bent over a sheet of paper. Personification of History., print maker: Marino Bovi, (mentioned on object), intermediary draughtsman:

Allegory of the History of the French Monarchy, Bernard Picart, 1724, History writes in her book about the true history of the French monarchy. She tramples on the allegorical figures of Mooiprattery and Satire, which lie at her feet. Next to her

Portrait of Johan van Oldenbarnevelt, print from a series of nineteen portraits of figures from Dutch history. Marked at top right: Tom: II.Pag: 106., Portrait of Johan van Oldenbarnevelt Portraits of figures from Dutch history (series title),

Turkish men with turbans and the personification of Antiquity pointing to heaven. In the background a pyramid and exotic landscape, Allegory with Antiquity and Turks Contemporary history of Turks, Title page front: S.n., Contemporary History or

Surrender at a tented camp, Simon Fokke, 1722 - 1784, Depictions of patriotic history. A soldier in armor kneels before a group of men at a tent camp and hands them the sword. Behind the kneeling soldier, a figure holds a flag out in front of

Portrait of Anna of Cleves, queen of England. Under the portrait two putti holding a second oval with her portrait, Portrait of Anna van Kleef, Queen of England Eleven portraits from English history (series title)., print maker: Cornelis Martinus

Allegory of the earliest history of the Netherlands, Willem Kok, 1790 - 1807, Oval representation of a temple in which the earliest history of the Netherlands is extensively glorified., print maker: Willem Kok, (mentioned on object),

In a room adorned with garlands, the men and women present look surprised at the guest who has just entered., Unannounced guest History, print maker: Jan Baptist Tetar van Elven, (mentioned on object), intermediary draughtsman: François Joseph

Exotic landscape with exotic animals and people in traditional clothes representing the East Indies peoples. A putto holds a map of the area. On a pedestal the title in Dutch, Allegory of the East Indies Contemporary history of Siam, Kamboja,

Sea battle with sinking ships, Simon Fokke, 1722 - 1784, Representation from the national history. View of a sea battle with a sinking sailing ship and a rowing boat with crew in the foreground. In the distance are more sailing ships, some of

The sinking of the ship Drenthe under the command of Captain Balthasar G. Smissaert near the island of Minorca during the storm of 3-4 February 1784. Part of a series of historical events at sea in the years 1781-1784, second series, Death of the

Portrait of Johan van Oldenbarnevelt, print from a series of nineteen portraits of figures from Dutch history, Portrait of Johan van Oldenbarnevelt Portraits of figures from Dutch history (title series), print maker: Andries Vaillant, (mentioned

An African man and woman under a palm tree surrounded by various animals such as an elephant, a buffalo and a feline. On the right are two putti with maps of North and Central Africa and coats of arms of France, the Netherlands, England and

The personifications of Time and History are in conversation with each other. History sits on a staircase in a large hall. Next to her a dancing angel blowing on a trumpet, Conversation between Time and History Title page front: Cornelius Nepos,

Exotic landscape with two putti and an angel sitting in front of a map of the east coast of North and Central America. Above the map a horn of plenty. Around the three figures various trade goods, Allegory of North America Current state of the West

Joseph's brothers are kneeling before him. They beg Joseph not to leave Benjamin behind in Egypt. The young Benjamin stands with folded hands between his brothers. In the background the feast of reconciliation. Below the scene there is a line of text

Together with the personification of Inspiration, the personification of History, sitting on the floor, writes the history of Great Britain. To the right by a column the personification of Great Britain, sitting on a lion. In her hands the coat

Allegorical performance for an obelisk in which two troublemakers (of the Speaker's Revolt of 1696) are chained and suppressed by a soldier. On the left is Caution with a mirror and a snake. On the right is the soldier, his shield bears the

Liberty and Clio at a monument, anonymous, 1700 - 1800, At a monument from which hang two portraits, one of a man with turban and the other of a man with hat and beard, stands the personification of Liberty holding the lance of liberty with

Dinner card with flags, Theo van Hoytema, in or before 1889, Dinner card for April 27, 1889. Flags with the letters DINER held out at the auditorium, the hortus and the museum of natural history. There is a line of people at the entrance to the

The personified Navigation shows a globe of the world to a man with feathers holding a horn of plenty. In the foreground a putto in the guise of Mercury, holding the portrait of Columbus. Next to it a putto with a Spanish flag. In the lower margin a

Portrait of Baudouin VI, Count of Flanders and Richilde, Countess of Hainaut, Peeter Baltens, 1584, Baudouin, the sixth count of Flanders, with his wife Richilde, the Countess of Hainaut. They bear the former coat of arms of Flanders. The

Allegoric title-plate offering the keys of the city to the stadholder. In the foreground the city virgin of Vlissingen with Mars, on the right the History, in the sky the Fame. Part of the illustrations of the inauguration of William IV as the heir

The sinking of the ship Liberty under the command of Vice Admiral Reynst near the island of Minorca during the storm of 3-4 February 1784. Part of the series of historical events at sea in the years 1781-1784, second series, Death of the ship

Charles III the Simple, king of France Next to him the coat of arms of France The print serves as an illustration for a book on the history of the Counts of Brabant, Portrait of Charles the Simple Carolvs Simplex Lvd Balbi F , print maker: Philips

Portrait of Catherine of Arragon, Queen of England, in an oval held by two putti behind a balustrade, Portrait of Catherine of Arragon Eleven portraits from English history (series title), print maker: Cornelis Martinus Vermeulen, (mentioned on

Portrait of the history and portrait painter Jan Lievens, his arm resting on a book, pointing at himself with one hand, Portrait of Jan Lievens Iconography (series title), print maker: Lucas Vorsterman (I), (mentioned on object), after: Anthony

Allegorical title page with portrait of writer Edward Samson, John Walker, 1752, Minerva is seated next to History looking over her shoulder at the book she is writing in. History looks up at three allegorical female figures (Truth, Poetry and a

Title page of 'Algemeene geschiedenis des vaderlands van de vroegste tijden tot vandaag', with under the title a picture of Petrus Plancius in his study Plancius was a Flemish astronomer, cartographer, geographer and preacher, Title page of

Allegory of the glorious history of the Netherlands, Willem Kok, 1790 - 1807, Oval representation of the interior of a temple in which the history of the Netherlands is extensively glorified., print maker: Willem Kok, (mentioned on object),

The Divine Truth sits on a pedestal. In front right sits a Jesuit, trying to look at her through a telescope. Next to him are portrait medallions of the popes Gregory and Adrian. On the left, Luther de Truth gives a bible and trampled on pardons.

search results: History clear search