Images at Librifly

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Exotic landscape with in the foreground Eendracht and three women. They hold papers showing the countries of the continent and coats of arms. On a ruin the map of South America. On the ruins a personification of the continent with feathers, bows and

History lauded by Fame, François Morellon La Cave, after Louis Fabritius Dubourg, 1734, Allegory in which History, seated on the clouds, is crowned by Fame and offered an open scroll by Time., print maker: François Morellon La Cave,

View of people at work in the countryside of the province of Holland. In the foreground two putti with maps of areas around Delft and the Rhine. They flank the coat of arms of The Hague. On the right cheeses, cod and barrels of herring. In the

Allegory of history, surrounded by rocaille frame. A female angel writes in a book worn by Father Time, a winged old man with an hourglass and scythe. In the landscape behind them is the Fountain of Life. In the lower margin twice a four-line

Eight historical scenes depicting fortunes of Protestants in England and Scotland, Jacob Folkema, 1751, Eight representations depicting scenes from Scottish and English history in which the history of Protestants is the focus. The scenes are

A man with a hat and axe is leaning against a pedestal with book title. Behind him a man with turban. On the pedestal a crowned coat of arms behind which a putto with freedom hat. In front of it is a putto next to the coat of arms of Turkey with a

A hand out of the clouds holds a balance on which a bible and a rijksappel. The side of the bible weighs the heaviest downwards, Libra with a bible and an orb Title page in front: J.C. Hazeu, The History of Laura Guldenbeek, 1823, print maker:

Dinner card with flags, Theo van Hoytema, in or before 1889, Dinner card for April 27, 1889. Flags with the letters DINER held out at the auditorium, the hortus and the museum of natural history. There is a line of people at the entrance to the

Print numbered top left: 127., Chapter house of Saint Paul's Cathedral in London History of Saint Paul's Cathedral in London (series title), print maker: Wenceslaus Hollar, (mentioned on object), Wenceslaus Hollar, (mentioned on object),

A woman with a yardstick points History to the map of the Arabian peninsula. Arab men stand eight women. On the right is a putto with a portrait medallion of Attila. In the background a priest sacrifices a man and an animal, Cartouche with allegory

Allegoric plate on the title page with the Amsterdam city virgin dreadfully seated on the ruins of the burnt down Amsterdam theatre, in hand the burnt beehive. In the background the burning theatre. In the clouds Apollo on the Parnassus. Part of a

Allegory of the History of France, Jan Caspar Philips, 1771, Landscape with a battle. In the foreground History holding a painting and a medallion bearing the portraits of King Clovis and his wife Clotilde. On the right putti with the coat of arms

Louis II the Stammerer, king of France Beside him the coat of arms of France The print serves as an illustration for a book on the history of the Counts of Brabant and has folio number Z3, Portrait of Louis the Stammerer Lvdovicvs Balbvs car Calvi

Natural history for the young, Charles Comte, after Anthony de Vries, 1872, print maker: Charles Comte, intermediary draughtsman: Anthony de Vries, printer: Gebroeders Binger, print maker: Netherlands, printer: Amsterdam, publisher:

A Jewish high priest talking to an angel, with a burning flame on his head as a symbol of faith zeal. Next to them a crowned woman pointing with her sceptre at the tablets of the law. In the foreground putti holding sheets of paper bearing the

Charles II the Bald, King of France, in armor Beside him the coat of arms of the Holy Roman Empire, combined with that of France The print serves as an illustration to a book on the history of the Counts of Brabant and has the folio number Z2,

Sheet with 9 representations from national history, including the beheading of Johan van Oldenbarnevelt, Hugo de Groot escapes from Loevestein in the bookcase and the Battle of Waterloo. Below each image a six-line verse and above each image a

Portrait of Anna Boleyn, Queen of England Eleven portraits from English history (title series), print maker: Cornelis Martinus Vermeulen, (mentioned on object), after: Adriaen van der Werff, (mentioned on object), Antwerp, 1697, paper,

Commission, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la Benedizione (series title on

Allegorical title page with author Edward Samson's portrait, Title page for: Edward Simson, Chronicon historiam catholicam complectens, 1729, Minerva is seated next to History, looking over her shoulder at the book in which she is writing.

Allegorical figures around a sphinx, General histories of the known earth-cloak (title on object), Title page for: Geerlof Suikers, Algemene kerkelyke en wereldlyke geschiedenissen des bekenden aard-kloots, 1721, Menigte allegorische figuren

Cartouche with allegorical representation with History and Greek states, Title page for: Kornelis Westerbaen, Algemeene histori, 1741, History with book and quill is surrounded by personifications of ancient Greek states and Minerva with shield

Apotheosis of Peter, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la Benedizione (series

Allegorical representation with Father Time and History, Title page for: Johannes Georgius Graevius, Thesaurus antiquitatum et historiarum Italiae, 1704, Monument with portrait medallions on chains. Before it, Father Time with scythe turns a

Allegory of Britain, The Present State of Great Britain (title on object), Title page for: Thomas Salmon, Contemporary History or Present State of Great Britain, 1754, History writes the history of Great Britain. She looks at a enthroned king

Cartouche with allegory on the history of the Greeks, Title page for: Kornelis Westerbaen, Algemeene histori, 1740, History in conversation with a woman, who points to a sheet of paper showing all kinds of Greek cities. In the background Aeneas

Allegorical representation with Clio, Title page for: S. von Pufendorf, Introduction a l'histoire generale et politique de l'univers, 1732, A young nobleman sits next to Clio, the muse of history. She points with her left hand to a book on the

Truth writes history, Title page for: François-Thomas-Marie de Baculard d'Arnaud, Nouvelles historiques, 1774, The naked Truth with sun overhead writes in an open book. She is assisted and decorated with a garland by a woman seated on clouds.

Allegorical representation with History, Truth, Antiquity and Prudence, Contemporary History of the Turks (title on object), Title page for: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1767, The personification of

Cartouche with allegory of Roman Empire, Title page for: Kornelis Westerbaen, Algemeene histori, 1744, The personification of the Roman Empire sits with a statue of Victoria in her hand and crowns at her feet. In front of her are personifications

Cartouche with allegory of the history of the Romans, Title page for: Kornelis Westerbaen, Algemeene histori, 1747, A priest stands by a burning sacrificial pillar. In the foreground putti with paintings showing the bridge over the Danube and the

Conversion of Paul, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la Benedizione (series

Peter or Paul levitating man, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la Benedizione

Allegory of Japan, Contemporary History of Janap, etc. IXth Part (title on object), Title page for: S.n., Contemporary History or The Continuation of General History, 1778, A Japanese god seven heads on his chest, twelve arms and in each hand

Jacob's ladder, Vision de l'Escelle de Jacob (title on object), History of Jacob and Esau (series title), Histoire de Esaeu et de Jacob (series title on object), Jacob lies asleep against a stone and dreams of a ladder reaching into heaven,

Allegory of Italy, Present state of 't southern part of Italy. As Genoa, Lucca, Toscans, the Kerkel. State, Naples, Sicily, Malta etc. (title on object), Title page for: Thomas Salmon, Present History or State of Switzerland and Italy.

Joseph explains dreams in prison, History of Joseph (series title), Joseph seated between two other prisoners. Above heads of prisoners oval with depiction of dream. Part of a series of five prints of the history of Joseph. Hand-numbered at lower

Allegorical representation with History and Father Time, Ses Hundred Historien (title on object), Title page for: Peter Laurenberg, The renewed and improved Acerra Philologica, 1734, History writes history. A woman on the right seen from the

Allegory with Truth, History and Angels with depiction of the temple of Jerusalem, The O. and N. covenant to a linked (title on object), Title page for: Humphrey Prideaux, The Old and New Covenant aen a geschakeld in de geschiedenissen der Joden

History Overcomes Time, An allegory of writing. History sits on a staircase writing a book, she is surrounded by putti and allegorical figures. On a cloud above her sits Truth with a sun over her head. On the ground, the fallen Father Time lies

Petrus or Paulus with Christ, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la Benedizione

Allegorical representation with History, Father Time with a jar of coins, Title page for: Carl Patin, Imperatorum romanorum numismata, s.a., History writing in a book looks back at Father Time holding a jar of coins. A woman with torch and

Allegory of history, Title page for: Urbain Chevreau, Histoire du monde, s.a., A winged allegorical figure, possibly History, writes in a book held by Father Time. Faith, Geometry and Prudentia surround the pair. In the background a pyramid

Manfredo Settala's Cabinet of Art and Curiosities in Milan, Manfredo Settala's Art Room in Milan, A panoramic view of the giant art room in the Settala family home on Via Pantano in Milan. In the cabinet of curiosities a display of scientific

Jacob meets Rachel, Fuite de Jacob vers Labam son oncle (title on object), History of Jacob and Esau (series title), Histoire de Esaeu et de Jacob (series title on object), At the well in Haran, Jacob meets Rachel, who is giving her father's

Cartouche with allegorical representation with portrait of Monarchy, Title page for: Kornelis Westerbaen, Algemeene histori, 1745, A woman draws a portrait of the personification of monarchy as she leans on a pedestal with crowns and sceptres.

Esau sells his first-born right to Jacob, Esaeu vend sa primogeniture (title on object), History of Jacob and Esau (series title), Histoire de Esaeu et de Jacob (series title on object), Esau has returned hungry from the hunt. His hunting dogs

Allegory of Africa, Present State of Africa (title on object), Title page for: Thomas Salmon, Hedendaagsche historie or present state of Africa, 1763, A woman with wings at head (possibly History) sits with quill and book. To the right is a

The prodigal son as swineherd, History of the prodigal son (series title), The prodigal son as swineherd. Part of a series of 4 prints of the story of the Prodigal Son. Numbered lower right: 3. In the margin a two-line text in Latin. Part of an

History Gives Painting a Quill to Record the Histories of Dutch Monarchs, Title Page for: F. van Mieris, Histori der Nederlandsche vorsten, 1732, Allegorical representation in which History gives Painting a quill to record the histories of the

Isaac blesses Jacob, Benediction de Jacob (title on object), History of Jacob and Esau (series title), Histoire de Esaeu et de Jacob (series title on object), The old and blind Isaac blesses Jacob, who kneels by the bed. With the help of his

Allegory of Spain and Portugal, Present State of Spain and Portugal (title on object), Title page for: Thomas Salmon, Hedendaagsche historie or present state of Spain and Portugal, 1759, History sits writing next to a map of Spain and Portugal

Allegory of the History of France, Hedendaagsche historie van Vrankryk IVde Deel (title on object), Title page for: Thomas Salmon, Hedendaagsche historie of Het vervolg van de Algemeene historie, 1772, Landscape with a battle. In the foreground

The last victims of the Reign of Terror. Convocation of those sentenced to death, July 27, 1794 (title on object), In a full cell at the Saint-Lazare prison, a man reads out the names of those sentenced to death, July 27, 1794. At the bottom

Album of prints on natural history, Album with 52 prints on 50 album pages in an oblong sized calf leather binding. The album contains several series of prints with the subject of 'nature' in the broadest sense of the word. The album contains two

Allegorical representation with Father Time and History, Vroonens Begin Midden en Eynde (title on object), Father Time with hourglass points the personification of history with book to a fortified city in the distance., print maker: Pieter van den

Allegory of the Arab Empire, Contemporary History of the Arabs, third volume (title on object), Title page for: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1764, Three women are writing a book. In the foreground,

Father Time Reveals History, J. Huebner's State-Currency History (title on object), Title page for: Johann Hübner, Concise Questions from the State-Administrative History, 1722, Father Time with scythe holds draperies aside, thus revealing a

Portrait of Bernard Picart, Portrait of the engraver, draftsman and painter Bernard Picart. In front of the portrait, two putti mourn and a personification of History sits. On the ground are books, prints, and painting and engraving tools. In

Cartouche with allegory of the history of Greece, Title page for: Kornelis Westerbaen, Algemeene histori, 1742, A landscape with the Colossus of Rhodes in the background and in the foreground several figures near a globe, from which parts are

Utrecht masquerade of 1851: Chivalry, 1217, Het Ridderwezen, 1217 (title on object), De Vaderlandsche Geschiedenis. van de vroegste tijden tot op het einde der 17e eeuw, in acht taferelen, in costuum voorgesteld door H.H. Dtudenten der

Allegorical representation with Liberty and Good Government, Counterw. state of Switzerland and Northern Italy in which the states of the Kon. v. Sardinia, Milan, Parma, Venice etc. are represented. (title on object), Title page for: Thomas

History shows a map of the Turkish Empire, Title page for: Thomas Salmon, Hedendaagsche historie or present state of all nations, V Part, 1733, Architectural niche containing the coat of arms of the Turkish Empire on a pedestal. History shows a

Medallion with the personification of History, Medallion with the personification of History at a writing table surrounded by putti holding the various editions of Boileau's work. Around the representation the motto: Dum Lego Colligo. Surrounding

Allegorical representation with Lordship and Arab, General contemporary history translated from the English, Second Volume (title on object), Title page for: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1761, The

Allegorical scene with History, globe and Dutch lion, History writing in a book, seated before a globe facing Europe and Africa. An allegorical female figure on the right holds a compass on the globe. To the left, an angel with book is leaning on

City view with Dom church in Utrecht and allegory with Utrecht city maiden, Title page for: Elias de Vries, Dissertatio juridica, de jure naturali ac gentium, seu duobus prioribus juris fontibus, 1745, A city view with the Dom Church in Utrecht

Five putti bear the papal coat of arms, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la

Allegory of the Ecclesiastical State, Contemporary History of Italy, and especially of the Ecclesiastical State VIIth Part (title on object), Title page for: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1777, A pope

The prodigal son's dissolute life, History of the prodigal son (series title), The prodigal son's dissolute life. Part of a series of 4 prints of the story of the Prodigal Son. Numbered lower right: 2. In the margin a line of text in Latin. Part of

Allegory of Africa, Contemporary History XVth Part. The Hottentots, the Giagas, Benguela, Kongo, Angola, Loano, Benin &c. (title on object), Title page for: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1785, A

The Milkmaid, The Milkmaid. Added as the sixth print to a series of five prints of the history of Joseph. Hand-numbered at lower right: 6. Part of an album of mainly Christian scenes., print maker: Jan Harmensz. Muller, (workshop of), after print

Portrait of Nicolaas Godfried van Kampen, N.G. van Kampen (title on object), Portrait bust of Nicolaas Godfried van Kampen, professor of history at Amsterdam. Under the portrait his signature., print maker: Johannes Philippus Lange, (mentioned

Print album with mainly Christian representations, Seventeenth-century print album containing 8 series with a total of 62 prints, bound in a parchment binding with gold stamping (recto: medallion with IHS and crucifix); verso medallion with Madonna

Historical map of Holland in the Middle Ages, Old map of the now united Netherlands to elucidate patriotic history in the Middle Ages (title on object), Eighteenth-century map of Holland in the Middle Ages. Title cartouche to the left. Right scale

Allegory of Venice and Genoa, Contemporary History of Venice and Genoa, IXth Part (title on object), Title page for: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1779, Three putti hold a cloth with the title in the

Allegory of Delft, Beschryving van Delft (title on object), Title page for: S.n., Beschryving der stadt Delft, 1729, History writes the history of Delft. Near her are the Naked Truth with sun on head and an allegorical female figure with books.

Man in a Bookstore, A man, possibly the bookseller, holding a history book in front of a cabinet of books., print maker: Monogrammist LB (Duitsland 19e eeuw), (mentioned on object), after design by: Monogrammist LB (Duitsland 19e eeuw),

Peter or Paul preaching, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la Benedizione

David simulates insanity before King Achis and flees, History of David (series title), King Achis on a throne in his palace, surrounded by his courtiers and soldiers. David, right, simulates insanity by drooling into his beard. Using Goliath's

Allegorical representation with Father Time and History, Vroonens Begin Midden en Eynde (title on object), Father Time with hourglass points personification of history with book to a fortified city in the distance., print maker: Pieter van den

Venus and Vulcan with nymphs and amors, Varii Baccanali et Istorie inventate et incise in rame dal signor Franceso Fontebasso celebre pittore Veneto. MDCCXLIV (series title), Venus and Vulcan in a landscape with three nymphs and three amors. Part

Allegorical representation with Naked Truth, Title page for: Hugo de Groot, Nederlandtsche jaerboeken en historien, 1681, Naked Truth stands with palm, pen and the book of History in her hand on a sea chariot pulled by horses. Beside it are

Portrait of the painter Willem de Vos, Icones Principum Vivorum Doctorum Pictorum Chalcographorum Statuariorum nec non Amatorum Pictoriae Artis Numero Centum ab Antonio van Dyck Pictore ad Vivum Expressae Eiusq: Sumptibus aeri incisae (series

Cartouche with allegory of the history of Syria and Egypt, Title page for: Kornelis Westerbaen, Algemeene histori, 1743, An old man enthroned on a wall holding in his hand a scepter with an eye, symbolizing vigilance in state administration, is

Joseph telling his dreams to Jacob, History of Joseph (series title), Joseph entering room through doorway and Joseph surrounded by seven of his eleven brothers, talking to Jacob and Rachel. Part of a series of five prints of the history of

Cartouche with allegorical representation with History, Title page for: Kornelis Westerbaen, Algemeene histori, 1751, History writes in her book. A woman shows her a sheet on which the peoples described in the book are listed. Near her are putti,

Father Time Reveals History, J. Huebner's State-Currency History (title on object), Title page for: Johann Hübner, Concise Questions from the State-Administrative History, 1719, Father Time with scythe holds draperies aside, thus revealing a

Peter freed from prison by an angel, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la

Temptation of Saint Anthony the Great, History of David (series title), In a wooded landscape, Saint Anthony stands by a river. He wears a monk's habit and hood. In his left hand he holds a stick with a tau and next to his right leg is depicted a

Peter heals a lame man, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la Benedizione

God speaks to Paul, Paintings by Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican (series title), History of Peter and Paul (series title), Disegno della loggia di San Pietro in Vaticano dove si da la Benedizione (series

Allegorical representation with Mohammed, History and Arabs, General contemporary history translated from the English, First Volume (title on object), Title page for: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1760,

Sacrifice of Isaac, History of Abraham (series title), Landscape with the sacrifice of Isaac in the foreground left. Isaac is sitting on the sacrificial block against a pile of firewood. Abraham has drawn his sword. From a cloud above them the

Hercules and personification of History, Theatrum Principum (title on object), Theater of bishops, emperors, kings, dukes, princes, etc. (series title), Theatrum pontificum, imperatorum, regum, ducum, principum, etc. (series title),

Allegorical figures around a sphinx, General histories of the known earth-cloak (title on object), Title page for: Geerlof Suikers, Algemene kerkelyke en wereldlyke geschiedenissen des bekenden aard-kloots, 1721, Menigte allegorische figuren

The prodigal son receives his inheritance, History of the prodigal son (series title), The prodigal son receives his inheritance. Part of a series of 4 prints of the story of the Prodigal Son. Numbered lower right: 1. In the margin a two-line text

Allegorical scene with History and men with images of (church) interiors, History writing in an open book and looking towards the woman with scepter next to her. The woman points to images of groups in (church) interiors held by two men. Behind the

Temptation of Adam and Eve in Paradise, History of Adam and Eve (series title), God warns Adam not to eat of the fruit of the tree of knowledge of good and evil. In the edge lettering of the frame, a Bible quote from Gen. in Latin. The print is

Allegorical representation with Fame, Eternity and Writing, Title page for: David Fransz. van Hoogstraten and Matthaeus Brouërius van Nidek, Great general historical, geopgraphic, genealogical, words-book, 1725, Fame is in the foreground

search results: History clear search