Images at Librifly

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Drawings and Prints, Print, William Shakespeare, Wivell's Inquiry into the History of the Shakespeare Portraits, Publisher, Engraver, Sitter, Artist, Said to be after, Abraham Wivell I, John Cochran, William Shakespeare, Richard Burbage,

Drawings and Prints, Print, The constancy of Tom Jones subdued by the charms of Black Moll..., illustration to Henry Fielding's The History of Tom Jones, a Foundling (Edinburgh, 1791), Vol. I (Book V, chapter 10), The History of Tom Jones,

Drawings and Prints, Print, William Shakespeare, Wivell's Inquiry into the History of the Shakespeare Portraits, Publisher, Engraver, Artist, Sitter, After, Abraham Wivell I, William Holl, the Elder, Gerard van Soest, John Simon,

Drawings and Prints, Print, The Resentment of Queen Catherine (Paul de Rapin, History of England), Publisher, Artist, Engraver, After, John Thane, William Hamilton, John Ogborne, British, London 1748–1818, British, London 1751–1801

Drawings and Prints, Print, William Shakespeare, Wivell's Inquiry into the History of the Shakespeare Portraits, Artist, Sitter, Publisher, Engraver, After (?), Said to portray, Cornelius Johnson, William Shakespeare, Abraham Wivell I,

Tarquinius Rapes Lucretia, from Scenes from Roman History, Engraving, Sheet: 3 3/16 × 4 3/4 in. (8.1 × 12 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Drawings and Prints, Print, The infant Jones found in the bed of Ms Allworthy..., illustration to Henry Fielding's The History of Tom Jones, a Foundling (Edinburgh, 1791), Vol. I (Book I, chapter 3), The History of Tom Jones, Artist, Thomas

The Royal Society, frontispiece to Thomas Sprat, 'The History of the Royal Society of London.', 1667, Etching, only state, Sheet (trimmed and inlaid): 8 in. × 6 3/8 in. (20.3 × 16.2 cm), Prints, After John Evelyn (British, 1620–1706

Sheridan's Ride, 1868, Etching and engraving, Image: 13 13/16 × 19 13/16 in. (35.1 × 50.3 cm), Prints, After Christian Schussele (American (born France), Guebwiller 1824–1879 Merchantville, New Jersey), After training in Paris, Schussele

Lucretia, 1508–10, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso), 15-5/8 x 11-1/2 in. (39.7 x 29.2 cm), Drawings, Raphael (Raffaello Sanzio or Santi) (Italian,

Drawings and Prints, Print, Lord Tellamar Rudely Dismissed by Squire Western, from The History of Tom Jones, a Foundling by Henry Fielding, The History of Tom Jones, a Foundling, Artist, Thomas Rowlandson, British, London 1757–1827

Drawings and Prints, Drawing, The Triumph of History over Time, Artist, Anton Raphael Mengs, German, Ústi nad Labem (Aussig) 1728–1779 Rome, Mengs, Anton Raphael, German, 1728, 1779, 1771–1775 (?), 1771, 1775

Drawings and Prints, Print, Partridge Interrupts Tom Jones in his Protestations to Lady Bellaston, from The History of Tom Jones, a Foundling by Henry Fielding, The History of Tom Jones, a Foundling, Artist, Thomas Rowlandson, British,

Drawings and Prints, Print, poster, Let your photos help record history of Connecticut at war, Publisher, Issued by, Connecticut State Council of Defense, Connecticut State Council of Defense, 1915, 1922, ca. 1917–18, 1917, 1918,

Scene from Roman History, depicting a Youth receiving Armor from a Dying Man (Scipio Africanus and His Son?), late 18th–mid 19th century, Pen and black ink, brush and black and grey wash, heightened with white gouache, black chalk, Sheet: 17

Fame and History, from the series The Roman Heroes, 1586, Engraving; second state, 14 5/8 x 9 5/16 in. (37.2 x 23.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Suicide of Lucretia, from Scenes from Roman History, Engraving, Sheet (trimmed): 3 1/16 × 4 1/2 in. (7.8 × 11.5 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Terracotta group of two girls playing a game known as ephedrismos, Hellenistic, late 4th–early 3rd century B.C., Greek, Corinthian, Terracotta, H. 5 7/16 in. (13.8 cm), Terracottas, The subject of this group with one person carrying another

Jeune femme drapée, assise, arrosant une plante (Young draped woman, seated, watering a plant in the style of red-figure vase painting), most likely from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la

Idiophone: Iyoba Striking Gong, 18th–19th century, Nigeria, Court of Benin, Edo peoples, Ivory, H. 12 1/4 x W. 1 7/8 x D. 1 3/4 in. (31.1 x 4.8 x 4.5 cm), Bone/Ivory-Musical Instruments, Hand-held clappers commemorate an important event in

Surrender of the Elector of Saxony, ca. 1560–70, Milan, Italian, Milan, Steel, gold, silver, D. at center, 2 3/4 in. (7 cm); Diam. 23 in. (58.4 cm); Wt. 8 lb. 10 oz. (3900.9 g), Shields, This is an unusual example of armor that is

'Akbar Hunting', Folio from an Akbarnama (History of Akbar), late 16th century, Made in present-day Pakistan, probably Lahore, Opaque watercolor, ink, and gold on paper, Painting: 7 1/2 x 4 7/8 in. (19.1 x 12.4 cm), Codices

Vessel terminating in the forepart of a fantastic leonine creature, Achaemenid, ca. 5th century B.C., Iran, Achaemenid, Gold, H. 17 cm, Metalwork-Vessels, Horn-shaped vessels ending in an animal's head have a long history in the Near East as

New York from Governor's Island (No. 20 of The Hudson River Portfolio), 1823–24, Aquatint printed in color with hand-coloring; first state of three (Koke), Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm), Prints, after William Guy Wall (Irish,

Design for Brougham, no. 3774a, 1882, Pen and black ink, watercolor and gouache with gum arabic, sheet: 6 3/8 x 8 15/16 in. (16.2 x 22.7 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History Established in 1810 by

'Meeting between Babur and Sultan 'Ali Mirza near Samarqand', Folio from a Baburnama (The Book of Babur), ca. 1590, Made in present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Page: 10 1/2 x 6 1/4 in. (26.6 x

Albert (René) Grenier (1858–1925), 1887, Oil on wood, 13 3/8 x 10 in. (34 x 25.4 cm), Paintings, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), Grenier and Lautrec were fellow students in the Paris atelier of

The Fairy Tree at Colinton, 1846, Salted paper print from paper negative, 20.8 x 15 cm (8 3/16 x 5 7/8 in.), Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews,

Hand-Held Clapper with Oba, 18th–19th century, Nigeria, Court of Benin, Edo peoples, Ivory, H. 13 3/4 x W. 2 1/8 in. (34.9 x 5.4 cm), Bone/Ivory-Musical Instruments, Hand-held clappers commemorate an important event in Benin history, the

Design for 8 spring Victoria, no. 4078, 1890, Pen and black ink watercolor and gouache with gum arabic and metallic ink, Plate: 5 1/2 x 9 1/4 in. (14 x 23.5 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History

Jar with Dragon, Ming dynasty (1368–1644), Xuande mark and period (1426–35), early 15th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 19 in. (48.3 cm); Diam. 19 in. (48.3 cm), Ceramics,

Fruit or flower basket (corbeille aux cygnes), 1823, French, Sèvres, Hard-paste porcelain, Height: 14 3/16 in. (36 cm); Diameter: 16 in. (40.6 cm), Ceramics-Porcelain, This basket is one of the most spectacular products of the Sèvres factory

Hip Ornament: Face, 16th–17th century, Nigeria, Court of Benin, Edo peoples, Brass, H. 7 1/2 in. (19.1 cm), Metal-Ornaments, Benin history, religion, and political structure are brought to life every year in a series of palace rituals

Textile with Birds and Horned Quadrupeds Flanking a Tree of Life, 11th–12th century, Attributed to Iran, Silk; warp faced plain weave, Textile: L. 17 in. (43.2 cm), Textiles-Woven, The motif of confronted animals on either side of a tree has

Ptah-Sokar-Osiris Figure, Ptolemaic Period, 306–30 B.C., From Egypt, Wood, paint, gesso, H. 81.5 cm (32 1/16 in.); base: L. 43 × W. 12 cm (16 15/16 × 4 3/4 in.), Hollow wooden figures of Osiris were used to hold funerary texts on papyrus

Benjamin Franklin (1706–1790), 1778, French, Marble, Overall (weight confirmed): 23 1/8 × 14 1/2 × 11 1/4 in., 87 lb. (58.7 × 36.8 × 28.6 cm, 39.5 kg), Sculpture, Jean Antoine Houdon (French, Versailles 1741–1828 Paris), Houdon's

'Sultan Bayazid before Timur', Folio from an Akbarnama (History of Akbar), ca. 1600, Made in present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Image: H.13 3/8 in. (34 cm), Codices, Painting by Dharam Das,

Coronation of the Virgin, ca. 1455, Tempera on wood, gold ground, Shaped top, 70 5/8 x 51 3/4 in. (179.4 x 131.4 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena), The richly decorated

Scipio Africanus, ca. 1425–30, Italian, Siena, Poplar, bog oak and other wood inlay, rosewood, tin, bone, traces of green coloring, 24-3/16 x 17-1/8 in. (61.5 x 43.3 cm.), Woodwork, Mattia di Nanni di Stefano (1403–1433), This panel

Design for 8 spring Victoria, no. 3224, 1876, Pen and black ink watercolor and gouache with gum arabic, Sheet: 6 3/16 x 9 1/16 in. (15.7 x 23 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New

Textile Fragment with Facing Pairs of Birds Flanking a Tree of Life, 11th–12th century, Attributed to Iran, probably Rayy, Silk; samite, Textile: H. 18 in. (45.7 cm), Textiles-Woven, The motif of facing birds on either side of a tree has a

'The Battle of Shahbarghan', Folio from a Padshahnama (Chronicle of the Emperor), 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 13.62 in. high 9.12 in. wide (34.6 cm high 23.2 cm wide), Codices, An

Design for Cabriolet or Victoria, no. 4148, 1891, Pen and black ink, watercolor and gouache with gum arabic and metallic ink, sheet: 6 x 9 7/16 in. (15.2 x 24 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History

Design for Brougham, no. 3474, 1878, Pen and black ink, watercolor and gouache with gum arabic, sheet: 6 1/16 x 9 1/8 in. (15.4 x 23.2 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven,

Decorated Jug with Feline-Head Handle, Third Intermediate Period, Dynasty 21–22, ca. 1070–712 B.C., From Egypt, Eastern Delta, Tell Basta (Bubastis), Temple of Bastet, ancient cacne, Silver, Diam. 12.9 × H. 15.9 cm (5 1/16 × 6 1/4

Triptych with the Mandylion, The Kremlin Armory Workshops, Moscow, 1637, Russian, Moscow, Silver, partly gilt, niello, enamel, sapphires, rubies, spinels, pearls, leather, silk velvet, oil paint, gesso, linen, mica, pig-skin,

Monkey or meerkat, Late Period–Ptolemaic Period, 500–200 BC, From Egypt, Faience, H. 5 × W. 1.1 × D. 1.9 cm (1 15/16 × 7/16 × 3/4 in.), Depictions of monkeys are popular throughout Egyptian history. Standing monkeys balancing on their

Silver spiral, Geometric-Classical, 9th–4th century B.C., Cypriot, Silver, Diam.: 15/16 in. (2.4 cm), Gold and Silver, Spirals of many coils, made in silver, gold, and bronze, had a very long history in Cyprus. Their form is so simple

L'Amour dans le globe; ou, L'Almanach volant, composé de petites pièces fugitives, légères ou galantes, en prose & en vers: avac un précis historique de l'origine du globe aérostatique, des expériences du Champ-de-Mars, de Versailles,

Scenes from the Legend of Saint Vincent of Saragossa and the History of His Relics, ca. 1245–47, Made in Paris, France, French, Pot-metal glass, vitreous paint, and lead, Overall: 147 x 43 1/2in. (373.4 x 110.5cm), Glass-Stained, The

Amber disk with a nereid riding a triton, Imperial, ca. 1st–early 2nd century A.D., Roman, Amber, Diam.: 2 3/4 in. (7 cm), Miscellaneous-Amber, Valued for its rarity and richness, amber was an increasingly favored precious material from the

The Assumption of the Virgin, ca. 1337–39, Tempera on wood, gold ground, 42 1/2 x 53 7/8 in. (108 x 136.8 cm), Paintings, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Bernardo Daddi

Monkey kneeling and resting its head in a hand, Late Period–Ptolemaic Period, 500–100 BC, From Egypt, Bronze, H. 2.4 × W. 1.6 × D. 1.5 cm (1 5/16 × 5/8 × 9/16 in.), Monkeys are popular subjects throughout Egyptian history, their

View near Rouen, ca. 1825, Oil on millboard, 11 x 13 in. (27.9 x 33 cm), Paintings, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), As Bonington was born in England but received his training in France—with

Shield, ca. 1535, probably Bologna, Italian, probably Bologna, Wood, linen, gesso, gold leaf, polychromy, Diam. 24 5/8 in. (62.53 cm), Shell, Attributed to Girolamo da Treviso (Italian, Treviso ca. 1498–1544 Boulogne-sur-Mer), This is

The Adoration of the Magi, possibly ca. 1320, Tempera on wood, gold ground, 17 3/4 x 17 1/4 in. (45.1 x 43.8 cm), Paintings, Giotto di Bondone (Italian, Florentine, 1266/76–1337), Dating to about 1320, this panel is one of seven showing

Design for Landau, No. 3746, 1882, Pen and black ink, watercolor and gouache with gum arabic, sheet: 6 7/8 x 10 1/4 in. (17.5 x 26 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven,

Costume Armor in the Classical Style, ca. 1788–90, Paris, French, Paris, Linen, papier-mâché, bole, gold leaf, graphite (helmet); silk, cotton, metal coils and spangles, metallic yarn (tunic), armor: H. 26 3/4 (68 cm); W. 22 7/16 (57

Covered Cup, 15th century, German, Rock crystal, gilt silver, glass cabochons and pearls, Overall: 9 7/16 x 3 1/4 in. (24 x 8.2 cm), Lapidary Work-Crystal, Rock crystal was valued most highly throughout history for its hardness and brilliant

Fragment of a Compendium of the Genealogy of Christ, ca. 1230, British, Ink on vellum, Overall: 65 9/16 x 13 1/16 in. (166.5 x 33.2 cm) , Manuscripts and Illuminations, Written by Peter of Poitiers, chancellor at the University of Paris from

Fort Edward (No. 10 of The Hudson River Portfolio), 1822–23, Aquatint printed in color with hand-coloring; first state of three (Koke), Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm), Prints, after William Guy Wall (Irish, Dublin 1792–after

Lyceum of Natural History, New York (front elevation), 1835, Watercolor, ink and graphite, sheet: 20 13/16 x 14 1/2 in. (52.8 x 36.8 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey), Ithiel Town

Gauntlet for the Left Hand, ca. 1557, Augsburg, German, Augsburg, Steel, gold, copper alloy, leather, L. 12 in. (30.5 cm), Armor Parts-Gauntlets, The decoration of this gauntlet matches that of a complete armor (now in the Art History

Design for Pony Phaeton, no. 4136, 1891, Graphite, pen and black ink, watercolor and gouachePossibly owned by, Sheet: 6 x 9 3/16 in. (15.2 x 23.3 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History Established

Veranda Post: Equestrian Figure and Female Caryatid, before 1938, Nigeria, Yorubaland, Efon-Alaiye region, Yoruba peoples, Ekiti group, Wood, pigment, H. 71 x W. 11 1/4 x D. 14 in. (180.3 x 28.6 x 35.6 cm), Wood-Architectural, Olowe of Ise

Kneeling statue of Hatshepsut, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, 'Hatshepsut Hole' (depression east of temple of Thutmose III), 1922–23, Granite, paint, H. 69 cm (27 3/16 in)

Head of a Bearded Man, 1588/89–1623, Black chalk, red, yellow, and pink pastel, highlighted with white on gray-green paper, 13-/4 x 9-11/16 in. (34.9 x 24.6 cm), Drawings, Domenico Fetti (Italian, Rome (?) 1591/92–1623 Venice),

Return of the Prodigal Son, from The History of the Prodigal Son, ca. 1540, Engraving, sheet: 2 1/4 x 3 3/4 in. (5.7 x 9.6 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Marble head of a god, probably Dionysos, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 16 3/8 in. (41.6 cm), Stone Sculpture, The style of this head looks back to early Greek sculpture known as Archaic. Dionysos was the male deity most

Recueil de Decorations Intérieures, 1812, Engravings, 19 5/16 × 13 × 1 3/16 in. (49 × 33 × 3 cm), Books, Pierre François Léonard Fontaine (French, Pontoise 1762–1853 Paris), Charles Percier (French, Paris 1764–1838 Paris), This

Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266, April 18, 1833, Lithograph, hand-colored, Image: 11 1/4 × 14 3/8 in. (28.6 × 36.5 cm), Prints, J. J. Grandville

Versuche über Photographie mittelst der Röntgen'schen Strahlen, 1896, Photogravures, 50 x 36 cm (19 11/16 x 14 3/16 in.), Portfolios, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian,

Private George Ruoss, Co. G, 7th New York Volunteers, 1865–1866, Albumen silver print from glass negative, Image: 16.6 × 21.7 cm (6 9/16 × 8 9/16 in.), Photographs, Reed Brockway Bontecou (American, 1824–1907), According to the medical

Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso), 1520s, Pen and brown ink; at the top, traces of a sketch in red chalk (recto);

Allegory of History, with Time, 1761, Black chalk, stumped, highlighted with white chalk, on dark blue paper, 21-1/16 x 16-3/4 in. (53.5 x 42.5 cm), Drawings, Vittorio Maria Bigari (Italian, Bologna 1692–1776 Bologna

Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind), ca. 1635–45, watercolor on vellum, sheet (c.): 13 3/8 x 17 11/16 in. (34 x 44.9 cm), Drawings, Jacob Marrel

Architectural Design with a Decorated Frieze Containing a History Scene and Landscape, 17th century, Pen and brown ink, brush and brown wash, over traces of graphite underdrawing., sheet: 5 7/16 x 14 7/8 in. (13.8 x 37.8 cm), Anonymous,

Clavichord, 1763, Neuwied, Germany, German, Wood, ebony, bone, walnut, paint, metal, Height (of case, without lid): 4 in. (10.1 cm), Chordophone-Zither-struck-clavichord, Attributed to Christian Kintzing (German, Neuwied 1707–1804

Frösche in Bauch und Rückenlage, 1896, Photogravure, Image: 9 in. × 6 1/2 in. (22.8 × 16.5 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

Funerary jar, Northern Song dynasty (960–1127), 10th–11th century, China, Stoneware with incised and carved decoration under celadon glaze (Longquan ware), H. 15 1/4 in. (38.7 cm), Ceramics, The fanciful shape of this jar, with its six

Plaque with the Calling of Saints Peter and Andrew, ca. 1160–80, Made in England, British, Champlevé enamel on gilded copper, 3 7/16 × 4 15/16 × 1/8 in. (8.7 × 12.5 × 0.3 cm), Enamels-Champlevé, This rare and highly important plaque

Bronze thymiaterion (incense burner), Archaic, late 6th century B.C., Etruscan, Bronze, total H. 13 3/4 in. (34.9 cm); H. of figure 3 3/4 in. (9.6 cm), Bronzes, Incense burners were popular items among the Etruscans, who often buried their

At Nunnery in Cumberland, August 20, 1786, Gray wash over graphite with pen and sepia ink, sheet: 15 7/8 x 14 3/4 in. (40.3 x 37.4 cm), Drawings, Joseph Farington (British, Lancashire 1747–1821 Lancashire), Farington was a leading landscape

Landscape with a Large Building, 1818–83, Graphite, squared, 14 7/8 x 19 1/2 in. (37.8 x 49.6 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883), Von Hauslab is a little known figure in the history of art. A private

Scene from Ancient History: Cup Offered to an Invalid, n.d., Black chalk, 9 7/16 x 11 1/2 in. (24 x 29.2 cm.), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels

Corporal Israel Spotts, Company G, 200th Pennsylvania Volunteers, April–May 1865, Albumen silver print from glass negative, Image: 18.9 x 13.1 cm (7 7/16 x 5 3/16 in.), oval, Photographs, Reed Brockway Bontecou (American, 1824–1907),

Terracotta kantharos (drinking cup), Late Classical, ca. 325–300 B.C., Etruscan, Terracotta; red-figure, H. 6 3/16 in. (15.7 cm), Vases, Obverse and reverse, griffins attacking a deer. The subject of griffins attacking a deer has a long

Tale of a Strange Marriage (Konkai Zoshi), Edo period (1615–1868), ca. 1858, Japan, Handscroll; ink and color on paper, 11 3/4 in. x 25 ft. 6 in. (29.8 x 777.2 cm), Paintings, Ukita Ikkei (Japanese, 1795–1859), Satirical paintings with

Aesculap-Schlange, 1896, Photogravure, Image: 10 3/4 × 8 9/16 in. (27.3 × 21.7 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of

Study for The Lictors Bringing Brutus the Bodies of his Sons, ca. 1788, Black chalk and brown ink on paper, 9 7/16 x 12 1/8 in. (23.9 x 30.8 cm), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels), This drawing is one of

The Meditation on the Passion, ca. 1490, Oil and tempera on wood, Overall 27 3/4 x 34 1/8in. (70.5 x 86.7cm); painted surface 26 3/16 × 33 1/4 in. (66.5 × 84.5 cm), Paintings, Vittore Carpaccio (Italian, Venice 1460/66?–1525/26 Venice),

Frauenhand, 1896, Photogravure, Image: 10 3/16 × 4 1/4 in. (25.9 × 10.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an

Disk Brooch, 600–650, Vendel, Copper alloy, gilt, Overall: 1 5/8 x 3/8 in. (4.1 x 0.9 cm), Metalwork-Copper, This brooch is from the Vendel period in Swedish history, which precedes the Viking age. Abstractly designed small brooches like

Nymph and Putti in a Vintage Scene; Nymph with a Wreath and Putti with Garlands of Flowers, Oil on slate, (a) 9 1/2 x 23 1/4 in. (24.1 x 59.1 cm); (b) 9 5/8 x 23 3/4 in. (24.4 x 60.3 cm), Paintings, Piat Joseph Sauvage (Flemish, Tournai

Study of an Orchid, 'Vanda Roxburgia', before 1822, Watercolor and gouache over graphite on white parchment paper, Sheet: 16 1/2 x 13 1/4 in. (41.9 x 33.6 cm), Drawings, James Sowerby (British, London 1757–1822 London), The Sowerbys were an

Cameen in Goldfassung, 1896, Photogravure, Image: 4 5/8 × 6 5/8 in. (11.7 × 16.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director

狩野探幽筆　『画苑』, Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen), Edo period (1615–1868), 1670, Japan, Handscroll; ink on paper, 10 7/8 in. x 11 ft. 7 7/16 in. (27.6 x 354.2 cm), Paintings, Kano

Christ Appearing to Mary Magdalen, ca. 1490, Pen and brown ink, brush and brown wash, and black chalk, 9 7/8 x 6 5/8 in. (25.1 x 16.8 cm), Drawings, Master of the Drapery Studies (German, Strasbourg, ca. 1470–1500), Although the artist

Wedding ensemble, 1868, American, (a–c) silk/wool, According to family history, Amelia Jane Carley (1844–1892) wore this dress at her marriage to William Edward Chess (1842–1926) in 1868 in West Virginia, the half-mourning colors chosen

Reproduction of the 'Great S-spiral frieze' fresco, Late Helladic III, ca. 1400–1200 B.C., Mycenaean, watercolor on paper, Overall: 36 x 26 1/2 in. (91.4 x 67.3 cm), Excavated 1884 west of the Great Forecourt of the Tiryns palace.. Ornamental

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