Images at Librifly

search results: Statue clear search

Marble head of Herakles, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 10 5/8 in. (27 cm), Stone Sculpture, The head comes from a copy of a famous statue that represented the weary Herakles resting after his labors

Osiris offered by the Astronomer of the House of Amun, Ibeb, Third Intermediate Period, Dynasty 21–24, ca. 1070–712 B.C., From Egypt, Middle Egypt, Hiba (Ankyronpolis), Nile east bank, above Benisuef, EEF excavations 1902-1903, Leaded

Limestone statue of a lion, Hellenistic, ca. 3rd century B.C., Cypriot, Limestone, H. 5 1/2 x 6 3/4 x 11 3/4 in. (14 x 17.1 x 29.8 cm), Stone Sculpture, The mane, jutting above the forehead, consists of irregular, flamelike tufts

Marble statue of a bound goat, Imperial, 1st–2nd century A.D., Roman, Marble, Pentelic, h. 15 1/2 in. ( 39.4 cm); w. 20 3/8 in. (51.7 cm), Stone Sculpture, This sensitively rendered goat with bound feet realistically evokes the widespread

Statue of the Goddess Sakhmet, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, Upper Egypt, Thebes, Karnak, Granodiorite, h. 210 cm (82 11/16 in); w. of base 47.5 cm (18 11/16 in); d. 95.5 cm (37 5/8 in), The goddess Sakhmet,

Seated limestone kourotrophos, Archaic, late 6th century B.C., Cypriot, Limestone, H.:7 1/4 x W.:3 1/4 xD.: 2 1/2 in. (18.4 x 8.3 x 6.3 cm), Stone Sculpture, Statue of 'nursing mother' with long veil seated on high-backed throne. The woman

Limestone statue of Artemis with quiver and fawn, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 19 1/2 x 6 x 3 3/4in. (49.5 x 15.2 x 9.5cm), Stone Sculpture, The goddess wears a long, belted chiton, partially hiding the

Limestone statue fragment of a left hand holding a kid, Late Archaic–Early Classical, ca. 500–450 B.C., Cypriot, Limestone, Overall: 7 1/4 x 2 3/4 x 3 1/4 in. (18.4 x 7 x 8.3 cm), Stone Sculpture, The lifesize left hand holds, by the

Limestone statue of Apollo, Hellenistic, ca. 3rd–1st century B.C., Cypriot, Limestone, Overall: 21 x 8 in. (53.3 x 20.3 cm), Stone Sculpture, The figure can be identified as the god Apollo. His hairstyle, with a knot above the forehead, is

Marble statue of Herakles seated on a rock, Imperial, 1st or 2nd century A.D., Roman, Marble, total H. 49 3/4 in. (126.4 cm), Stone Sculpture, Adaptation of a Greek statue of the late 4th or early 3rd century B.C.. The great hero was shown

Rosso antico torso of a centaur, Imperial, 1st –2nd century A.D., Roman, Marble, Rosso antico, H. 17 1/2 in. (44.4 cm), Stone Sculpture, Copy of a Greek statue of the 2nd century B.C.. During the Classical period, centaurs—mythical

Fragmentary Statuette of a Vizier, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Indurated limestone, H. 10 in. (25.4 cm), This statue represents a vizier, an official who had administrative and judicial

Upper Part of the Seated Statue of a Queen, New Kingdom, Late Dynasty 17–Early Dynasty 18, ca. 1580–1550 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, radim, 1915–16, Indurated limestone, paint, H. 28 cm (11 in.);

Marble head of Athena: The so-called Athena Medici, Mid-Imperial, Antonine period, ca. A.D. 138–92, Roman, Marble, H.: 7 7/8 in. (20 cm), Stone Sculpture, Copy of a Greek statue of ca. 430 B.C. attributed to Pheidias. This head is from a

Limestone statue fragment of a left hand holding a bunch of daisies, Late Archaic–Early Classical, ca. 500–450 B.C., Cypriot, Limestone, Overall: 2 5/8 x 2 3/4 x 1 3/4 in. (6.7 x 7 x 4.4 cm), Stone Sculpture, The small left hand holds a

Limestone votive statuette of a hound seizing a hare, Classical or Hellenistic, 5th–1st century B.C., Cypriot, Limestone, L. 6 1/2 in (16.5 cm); H. 2 3/8 in (6 cm), Stone Sculpture, This statue may have been a gift for a hunter. Traces of

Inscribed marble base, Imperial, ca. 2nd century A.D., Roman, Cypriot, Marble, red, 3 7/8 x 5 5/16 x 4 3/4 in. (9.8 x 13.5 x 12.1 cm), Cesnola Inscriptions, The base may have held a small statue. The Greek inscription records a dedication by

Marble statue of Aphrodite, Imperial, 1st or 2nd century A.D., Roman, Marble, H. with plinth 62 1/2 in. (158.8 cm), Stone Sculpture, Copy of a Greek statue of the 3rd or 2nd century B.C., The lower legs have been restored with casts taken

Limestone arm holding a sword, Hellenistic or Roman, 3rd century B.C.–1st century A.D., Cypriot, Limestone, Overall: 7 1/8 x 7 1/2 x 12 3/4 in. (18.1 x 19.1 cm), Stone Sculpture, The left forearm and hand, the thumb of which is missing,

Limestone statue fragment of a hand holding a pyxis or bobbin, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 5 x 4 3/4 x 6 1/2 in. (12.7 x 12.1 x 16.5 cm), Stone Sculpture, The left hand, the nails of which are well

Bronze statue of Eros sleeping, Hellenistic period, 3rd–2nd century B.C., Greek, Bronze, 16 1/2 × 14 × 33 9/16 in., 275 lb. (41.9 × 35.6 × 85.2 cm, 124.7 kg), Bronzes, The Hellenistic period introduced the accurate characterization of

Wayfarers Looking at the Statue of Jizo Bosatsu in a Pine Grove at Hashiba, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 15/32 in. (25.7 x 36.8 cm), Prints, Utagawa Kuniyoshi

Statue of two men and a boy that served as a domestic icon, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt; Probably from Southern Upper Egypt, Gebelein (Krokodilopolis); Probably originally from Middle Egypt, Amarna

Limestone statue of a male votary holding a dove and an apple, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 27 1/2 x 10 1/8 x 6 in. (69.9 x 25.7 x 15.2 cm), Stone Sculpture, The figure wears a long, pleated tunic with

Marble head of a woman, Imperial, 1st–2nd century A.D., Roman, Marble, Overall: 15 1/8 x 8 1/8 x 11 1/2 in. (38.4 x 20.6 x 29.2 cm), Stone Sculpture, Roman copy of a Greek bronze statue with a fine oval face, sharply defined features and

Fragmentary porphyry head of a bearded man, Imperial, 2nd or 3rd century A.D., Roman, Porphyry, H.: 8 1/4 in. (21 cm), Stone Sculpture, Porphyry is a very hard stone and difficult to cut, as can be seen in the shallow, highly simplified

Limestone statue of a seated lion, Late Classical or Early Hellenistic, ca. 4th century B.C., Cypriot, Limestone, H. 17 1/2 x 16 1/2 x 5 1/2 in. (44.5 x 41.9 x 14 cm), Stone Sculpture, This lion likely crowned a tombstone. The type appears on

Limestone lion probably from a statue of Herakles, Classical, early 5th century B.C., Cypriot, Limestone, Overall: 8 3/4 x 9 x 3 1/4 in. (22.2 x 22.9 x 8.3 cm), Stone Sculpture, The animal stands on its hindlegs with the forelegs elevated,

Limestone plinth with the left foot of a statue of Zeus, Roman, 2nd or 3rd century A.D., Cypriot, Limestone, Overall: 7 1/2 x 24 x 14 1/2 in. (19.1 x 61 x 36.8 cm), Cesnola Inscriptions, With two feet; dedication to Zeus Labranios, by

Marble statue of a bearded Hercules, Early Imperial, Flavian, A.D. 68–98, Roman, Marble, Island, H. without pedestal 93 3/4 in. (238.20 cm.), Stone Sculpture, Restorations made during the early 17th century: both legs, the plinth, the

Plasma ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Plasma, L. 1.3 cm, Gems, Copy of the 5th century B.C. chryselephantine statue of Athena Parthenos by Pheidias

Limestone statue of a male votary, Cypro-Classical, first half of the 5th century B.C., Cypriot, Limestone, 41 1/4 x 17 x 10 in. (104.8 x 43.2 x 25.4 cm), Stone Sculpture, The figure carries an aryballos (a small oil bottle) in his left hand

Column Statue of an Apostle, second half 12th century, Made in vicinity of Verona, probably Po Valley, Italy, North Italian, Stone (Encrinite), Overall: 46 1/2 x 8 x 12 1/4 in. (118.1 x 20.3 x 31.1 cm), Sculpture-Stone, Column statues

Limestone plinth with the feet of a statue of Zeus, Roman, 2nd or 3rd century A.D., Cypriot, Limestone, Other: 9 1/2 x 23 3/8 x 17 1/2 in. (24.1 x 59.4 x 44.5 cm), Cesnola Inscriptions, With two feet; dedication to Zeus Labranios, by Oliasos

Column Capital in the form of a Bes-image, Ptolemaic Period, 332–30 B.C., From Egypt; Said to be from Eastern Delta, Tell Basta (Bubastis), Limestone, h. 39.5 cm (15 9/16 in); w. 52 cm (20 1/2 in); d. 21.5 cm (8 7/16 in), This large head

Bishop with a Book, late 15th–early 16th century, German, Wood, polychromy and gilding, 44 1/2 × 15 3/4 × 8 1/4 in., 19.5 lb. (113 × 40 × 21 cm, 8.9 kg), Sculpture-Wood, Identified by his episcopal mitre, the bishop gestures in

Limestone head of Herakles, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 6 1/4 x 7 3/8 x 3 3/8 in. (15.9 x 18.7 x 8.6 cm), Stone Sculpture, Herakles was distinguished among Greek heroes in having been received by the gods into Mount

Large Kneeling Statue of Hatshepsut, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Senenmut Quarry & Mentuhotep Causeway, 1927–28, Granite, H. 295.9 cm (116 1/2 in); w. 82.6 cm (32 1/2

Seated limestone kourotrophos, Classical, 2nd half of the 5th century B.C., Cypriot, Limestone, Overall:H.: 5 x W.:4 1/8 x D.:3 in. (12.7 x 10.5 x 7.6 cm), Stone Sculpture, Statue of 'nursing mother' seated on a high-backed throne

Seated limestone kourotrophos, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, Overall:H.: 7 3/8 x W.:4 15/16 x D.:1 7/8 in. (18.7 x 12.5 x 4.8 cm), Stone Sculpture, Statue of 'nursing mother' seated on a high-backed throne

Port of Livorno with Statue of Ferdinand I, from 'Views of the port of Livorno' (Vues du port de Livourne), 1655, Etching; first state of two, Sheet: 10 1/8 × 14 5/8 in. (25.7 × 37.2 cm), Prints, Stefano della Bella (Italian, Florence

The Round Tower Ruptured to Reveal the Statue of the King of the Romans, 1637, Etching; second state of two (Mannocci), 7 5/8 x 5 3/8 in. (19.4 x 13.7 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Sketches of a Funeral Monument, a Niche with Statues, a Helmet in the Shape of a Human Head, an Entablature and a Female Statue, n.d., Pen and brown ink, brush and brown wash, over some traces of leadpoint, 11 1/8 × 8 3/8 in. (28.3 × 21.2

Drawing of Female Statue with Sword and Scale, 18th century, Graphite, pen and black ink, 6 9/16 x 4 3/16 in. (16.7 x 10.6 cm), Drawings, Anonymous, French, 18th century

Drawing after Male Statue Leaning on Tree Trunk, 18th century, Graphite, pen and black ink, brush and gray wash, 5 15/16 x 3 11/16 in. (15.1 x 9.4 cm), Drawings, Anonymous, French, 18th century

Sacrifice Offered before a Statue of Jupiter, 17th century, Pen and black ink, heightened with white gouache over a preliminary design in black chalk; a separate piece of paper has been cut out and affixed over the seated figure at the left

Marcus Aurelius Statue, pedestal, elevation (recto) Marcus Aurelius Statue, pedestal, plan (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 3/16 x 11 9/16 in. (43.7 x 29.3 cm), Drawings

Equestrian Statue of Marcus Aurelius, between 1515–27, Engraving, 13 3/8 x 9 1/8 in. (33.9 x 23.1 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Drawing of Female Statue with Cornucopia, 18th century, Graphite, pen and black ink, 7 3/4 x 3 1/8 in. (19.7 x 7.9 cm), Drawings, Anonymous, French, 18th century

Design for a Statue of Justice with Sketches at Left and Above., n.d., Pen and brown ink, brush and gray wash over traces of black chalk or graphite, sheet: 5 1/4 x 2 7/8 in. (13.4 x 7.3 cm), Drawings, Designed by Giuseppe Bernardino Bison

Man Seated Beneath a Statue of Bacchus, Receiving an Audience, Etching and engraving, sheet: 14 3/16 x 19 1/2 in. (36 x 49.6 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Study of an Antique Statue, n.d., Pen and brown ink, 8 1/2 x 4 1/4 in. (21.6 x 10.8 cm); maximum; cut to octagonal shape, Drawings, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Design for a Quarter of a Trompe L'Oeil Ceiling with Architecture in the Ionic Order and a Statue of Victory, ca. 1710–40, Pen and brown ink, brush and gray wash, over traces of graphite, sheet: 8 3/8 x 8 7/8 in. (21.3 x 22.5 cm), Vittorio

Statue of Caesar as a Divinity, 1771–1844, Lead graphite, 9 1/4 x 7 1/2in. (23.5 x 19.1cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome

Conversations under the Statue, Luxembourg Gardens, 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on machine-made, tan laid paper, Image: 6 11/16 × 6 1/16 in. (17 ×

Inauguration de la statue equestre de Louis XV, 1766, Etching, third state, sheet: 8 3/8 x 5 5/16 in. (21.3 x 13.5 cm), Prints, After Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris), Etched by Pierre Chenu (French, Paris 1730–late

Design for a Statue consisting of a Satyr and Satyress Lifting a Vase, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 6 15/16 x 3 1/16 in. (17.6 x 7.8 cm), Attributed to Giovanni Battista Foggini

Design for a Statue of Prudence with Sketches at Upper Left Corner., n.d., Pen and brown ink, brush and gray wash over traces of black chalk, sheet: 5 1/4 x 2 11/16 in. (13.4 x 6.9 cm), Drawings, Giuseppe Bernardino Bison (Italian, Palmanova

Inauguration de la statue equestre de Louis XV, 1766, Etching, before legend, image: 7 3/16 x 4 7/16 in. (18.3 x 11.3 cm), trimmed to image, Prints, After Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris), Etched by Pierre Chenu

God The Father Creating (?) (r.); Study of neo-classical statue of a nude male (v.), 1772–1850, Pen and brown ink over graphite (recto); graphite (verso), 8-3/4 x 6-7/8 in. (22.2 x 17.5 cm), Drawings, Luigi Sabatelli (Italian, Florence

Plate 2: La Place Dauphine, on the coast of Pont Neuf, the equestrian statue of Louis XIII in center, seen from the back and numerous figures, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; undescribed state between

Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue., 1772–1842, Pen and brown ink, brush with brown and gray wash, Sheet: 11 x 8 1/8 in. (28 x 20.6 cm), Drawings, Attributed to Mauro Berti (Italian, Bologna

Design for a sepulchral monument with a seated female figure; verso: Design for a statue of a standing male figure and fragment of a letter, late 17th–early 18th century, Pen and brown ink, over red chalk and black chalk or graphite, red and

View of the South side of the church of Santi Giovanni e Paolo in Venice, with Verrocchio's statue of Bartolomeo Colleoni, 1807–78, Graphite, brush and grey wash, sheet: 14 13/16 x 18 1/4 in. (37.7 x 46.3 cm), Drawings, Friedrich Nerly

Design for an Equestrian Statue in a Cartouche (recto); Sketches for a Frieze with Sea-Shells and Floral Ornament (verso)., 1652–1725, Pen and brown ink, over traces of black chalk; verso: Pen and brown ink, over traces of black chalk, sheet:

A Park with Figures at a Statue near Water, 1775 (?), Gouache, watercolour. Framing line in pen and brown ink., sheet: 10 7/8 x 15 3/8 in. (27.6 x 39 cm), Drawings, Salomon Gessner (Swiss, Zurich 1730–1788 Zurich

Plate 3: La Place Royale, equestrian statue of Louis XIII in profile facing the left in center, various horsemen and figures in background, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; undescribed state between second

Male Nude Torso with Raised Arms, ca. 1522–24, Red chalk, 4 1/8 x 2 3/16in. (10.4 x 5.5cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), Popham considered this small, delicately

Male Figure with a Bow and Arrow Shooting at a Statue of a Woman with a Ball on her Head, 1627–1703, Pen and brown ink, brush and brown wash, over charcoal, 10 1/2 x 15 5/16in. (26.6 x 38.9cm), Drawings, Domenico Piola (Italian, Genoa

Lazio Viterbo Montefiascone S. Margherita, Duomo, this is my Italy, the italian country of visual history, Exterior views of domed church facade comprised of a neoclassical portal 1840, by Paolo Gazola, balustrade and flanking bell-towers.

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church, this is my Italy, the italian country of visual history, Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Marches Ancona Sassoferrato Pinacoteca, this is my Italy, the italian country of visual history, Two coats-of-arms of Sassoferrato and the Bishop Aldobrandini a polyptych of saints Anthony, Sebastian, Roch and Martin the Madonna of Sassoferrato

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Abruzzo Chieti Chieti Museo Nazionale di Antichita, this is my Italy, the italian country of visual history, Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita.

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Castel Fusano Castello Chigi, this is my Italy, the italian country of visual history, Architecture exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of maps, salon fresco cycle of New

Marches Macerata San Severino Marche S. Agostino, Cathedral, this is my Italy, the italian country of visual history, Exterior views of the 15th-century facade with its gothic portal. Views also of the oratory and baroque portal. The interior,

Abruzzo Chieti Chieti Museo Nazionale di Antichita, this is my Italy, the italian country of visual history, Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita.

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church, this is my Italy, the italian country of visual history, Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Manziana Parrocchiale, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, painting. Wall and ceiling paintings, statue of Virgin and Child

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral, this is my Italy, the italian country of visual history, Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Marino S. Barnaba, Collegiate church, this is my Italy, the italian country of visual history, Exterior views of facade 1653 including statues of niched saints, angels, volutes and fronton. Interior views of architectural sculpture,

Abruzzo Chieti Chieti Museo Nazionale di Antichita, this is my Italy, the italian country of visual history, Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita.

Abruzzo Teramo Castel Castagna S. Maria di Ronzano, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture 12th century frescoes 12th century baptismal font Objects in treasury ? processional

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Viterbo Montefiascone S. Margherita, Duomo, this is my Italy, the italian country of visual history, Exterior views of domed church facade comprised of a neoclassical portal 1840, by Paolo Gazola, balustrade and flanking bell-towers.

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio Viterbo Montefiascone S. Margherita, Duomo, this is my Italy, the italian country of visual history, Exterior views of domed church facade comprised of a neoclassical portal 1840, by Paolo Gazola, balustrade and flanking bell-towers.

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