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Design for a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper mounted on board in original mount, 18 7/16 × 27 7/8 in. (46.8 × 70.8 cm), Drawings, Possibly Tiffany Glass Company
'The Mouse Gnaws the Net Imprisoning the Doves', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices
Design for Man's 'Medieval' Costume, n.d., Pen and black ink, watercolor, 12 3/8 x 9 7/16 in. (31.5 x 23.9 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris
Lady Lilith, 1867, Watercolor and gouache on paper, 20 3/16 X 17 5/16 in. (51.3 x 44 cm), Drawings, Dante Gabriel Rossetti (British, London 1828–1882 Birchington-on-Sea), Henry Treffry Dunn (British, Truro 1838–1899 London), Fascinated
Design for [Gas?] Lights for a Church, ca. 1880, Pen and ink, wash and watercolor on tracing paper, sheet: 8 3/8 x 6 1/8 in. (21.3 x 15.5 cm), Richardson Ellson & Co. (British
Neapolitan Woman (recto); Study for an Interior (verso), late 18th–19th century, Watercolor and graphite, 10 3/4 x 12 11/16 in. (27.3 x 32.2 cm), Drawings, Karl Wilhelm Freiherr von Heideck (German, Saaralben 1788–1861 Munich
A Cardinal Examining a Painting in a Cloister, first half 19th century, Pen and brown ink, brush and brown wash, watercolor, over black chalk., 7 11/16 x 10 1/4 in. (19.5 x 26 cm), Drawings, François Marius Granet (French, Aix-en-Provence
Domed Projecting Rectangular Entrance to a House near Russell Square, 19th century, Watercolor and ink, sheet: 4 1/2 x 7 1/8 in. (11.4 x 18.1 cm), Anonymous, British, 19th century
Design for quatrefoil window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper board, Overall: 21 3/4 x 14 13/16 in. (55.2 x 37.6 cm), Drawings, Possibly Tiffany Glass Company
Design for Banknote or Certificate, 1830–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City
Tree, 1931, Watercolor and ink on paper, 6 7/8 x 4 7/8 in. (17.5 x 12.4 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York
Design for double lancet window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and black ink on paper mounted on board in original shaped matt, Overall: 16 5/16 x 10 3/16 in. (41.4 x 25.9 cm),
Ceiling of Dining Room, Spencer House, St. James Palace, London, about 1870, ca. 1870, Watercolor over graphite, sheet: 7 1/16 x 11 3/4 in. (17.9 x 29.8 cm), Frederick Sang (British, active 1868–70
Design for a Glass Chandelier, ca. 1880, Pen and ink, wash, watercolor and metallic pigment, sheet: 12 7/8 x 8 3/4 in. (32.7 x 22.2 cm), Richardson Ellson & Co. (British
Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929
Bridge on the Grand Canal, Venice, 19th century, Watercolor and gouache, Sheet: 5 1/2 × 8 3/8 in. (14 × 21.3 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London
'The Flight of the Tortoise', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices
Design for a Desk, 19th century, Graphite and watercolor on tracing paper, sheet: 5 5/8 x 6 1/8 in. (14.3 x 15.6 cm), Anonymous, British, 19th century
A Successful Hunt, 1906, Made in United States, Gouache, watercolor, gum Arabic glazes, charcoal on white wove paper mounted on board, 14 5/8 × 9 3/16 in. (37.1 × 23.3 cm), Drawings, Henry François Farny (American (born France),
One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano
Design for a wall sconce, ca. 1905–20, Made in New York, United States, American, Watercolor, graphite and pen on heavy paper, Storage (mat size): 22 x 16 in. (55.9 x 40.6 cm), Drawings, Possibly Tiffany Glass Company (1885–92),
Flowers in a Vase, ca. 1884–1904, Watercolor over traces of graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1cm), Drawings, Zacharie Astruc (French, Angers 1835–1907 Paris
Cock Fight, 1900, Watercolor on paper, Sheet: 33 x 23 in. (83.8 x 58.4 cm), Drawings, Arthur Melville (British, 1858–1904), Nearly twenty years after he visited the Middle East, the Scottish painter Melville depicted a cockfight he had seen
Fish Series, No. 5, 1917, Watercolor and graphite on paper, 8 x 13 in. (20.3 x 33 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania
Hunters in an Outlook on a Mountain, ca. 1870, Pen and brown ink, brush and brown ink, brush and blue watercolor, sheet: 15 1/2 x 11 7/8 in. (39.4 x 30.1 cm), Drawings, August Leopold Venus (German, Dresden 1843–1886 Pirna
The Old man and the Youth, second quarter 17th century, Attributed to Iran, Isfahan, Ink, transparent and opaque watercolor, and gold on paper, 5 in. high 2.12 in. wide (12.7 cm high 5.4 cm wide), Codices, Painting by Riza-yi `Abbasi
Design for a Black Cabinet with a Blue Interior, 19th century, Ink and watercolor, sheet: 5 1/2 x 4 5/8 in. (13.9 x 11.8 cm), Anonymous, British, 19th century
Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch, ca. 1768, Pen, ink, watercolor, sheet: 18 1/2 x 9 1/2 in. (47 x 24.1 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London
Section from a Qur'an Manuscript, dated A.H. 588/ A.D. 1192–93, Made in Iraq, Baghdad, Ink, gold, and opaque watercolor on paper, 8 3/16 x 5 11/16 in. (20.8 x 14.5 cm), Codices, Often Qur'ans were divided into thirty sections, each called
A Fisherman's Family at the Beach, the Mother and One of the Children Sitting in a Cart, 1855, Pen and brown ink, brown wash, watercolor, gouache, 8 11/16 x 12 1/16 in. (22 x 30.7 cm), Drawings, Jan Gerard Smits (Dutch, 1823–1910
Design with Dancers in a Cartouche, 19th century, Ink and watercolor, Anonymous, British, 19th century
Folio from a Qur'an Manuscript, 14th century, Attributed to India or Iran, Ink, opaque watercolor, and gold on paper, 19.5 in. high 14.00 in. wide (49.5 cm high 35.6 cm wide), Codices, This Qur’an which probably belongs to fourteenth
Hab.t de la Laponie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century
Design for a White Chasuble, late 19th–early 20th century, Graphite, pen and ink with watercolor, sheet: 17 1/2 x 12 in. (44.5 x 30.5 cm), Ernest Geldart (British, London 1848–1929
Design for Chimney Piece, 18th century, Pen, sepia ink and wash; green watercolor, 10-3/8 x 7-1/8 in, Drawings, Anonymous, Italian, 18th century
One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano
An Allegory of Empress Josephine as Patroness of the Gardens at Malmaison, ca. 1805–6, Watercolor and pen and black ink, over black chalk underdrawing on paper, laid down on board, 5 3/8 x 8 7/16 in. (13.7 x 21.4 cm), Drawings, baron
Bermuda Sky and Sea with Boats, ca. 1917, Watercolor on paper, 10 x 14 1/8 in. (25.4 x 35.9 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), In February 1917, Demuth arrived in Bermuda
Elevation of Fireplace Wall in an Elizabethan Revival Room, ca. 1870–90, Pen and black and brown ink, watercolor over graphite, sheet: 12 5/8 x 17 5/8 in. (32.1 x 44.7 cm), John Dibblee Crace was born into a long line of interior decorators.
In a Welsh Pine Wood, ca. 1891, Watercolor over graphite on paper, 9 7/8 x 13 3/4 in. (25.1 x 34.9 cm), Drawings, James Thomas Watts (British, Birmingham 1850–1930 Liverpool
Portrait of Prince Muhammad Buland Akhtar (known as Nur Achhe Sahib) at Prayer, 17th century, Attributed to India, Ink and opaque watercolor on paper, Image 9 in x 13 1/4 in., Codices, Painting by Hujraj
View on the Coast at Deal, ca. 1846, Watercolor with touches of gouache over graphite, sheet: 6 x 8 3/4 in. (15.2 x 22.2 cm), Drawings, Charles Bentley (British, London 1805/1806–1854 London), Bentley trained as an aquatint engraver of
Two penguins, n.d., graphite, gouache, watercolor, traces of graphite framing lines, sheet: 11 15/16 x 7 1/2 in. (30.3 x 19 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack
Drawings and Prints, Albums Drawings Ephemera, Tattoo Design with a Ship, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, Pen and ink and watercolor
Priam and his Family Mourning the Death of Hector, n.d., Watercolor over graphite. Varnished., 9 1/8 x 11 1/8 in. (23.2 x 28.2 cm), Drawings, Étienne Barthélemy Garnier (French, Paris 1759–1849 Paris
Harbor, Brest, 1840–98, Watercolor and gouache, over black chalk. Lined., 9 1/8 x 14 3/16 in. (23.1 x 36.1 cm), Drawings, Eugène Boudin (French, Honfleur 1824–1898 Deauville
Elevation of a Dining Room Wall with Sideboard, 1850–1919, Pen and black ink, watercolor over graphite with touches of gouache, sheet: 14 7/8 x 12 3/16 in. (37.8 x 31 cm), Attributed to John Dibblee Crace (British, London 1838–1919 London),
Designs for Chests of Drawers, 1841–84, Graphite and watercolor, sheet: 10 11/16 x 14 5/16 in. (27.2 x 36.4 cm), Charles Hindley and Sons (British, London 1841–1917 London
Mountain with Red House, ca. 1913, Watercolor on paper, 9 1/2 x 12 5/8 in. (24.1 x 32.1 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), This mountain landscape with two small houses was
Young woman in a white pleated blouse, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 3/16 x 6 in. (38.6 x 15.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946
A Bumble Bee and a Fulgoroid, 17th century (?), Pen and black ink, gray wash, gouache, and watercolor, sheet: 3 5/16 x 2 5/16 in. (8.4 x 5.9 cm), Drawings, Anonymous, Dutch, 17th century
Chepstow Castle River Wye, Monmouthshire, 1905, Watercolor, Sheet: 9 7/8 x 14 1/2 in. (25.1 x 36.8 cm), Drawings, Philip Wilson Steer (British, Birkenhead 1860–1942 London
Standing Turkish Youth, 1844, Watercolor over graphite, sheet: 13 11/16 x 6 7/8 in. (34.8 x 17.5 cm), Drawings, William James Müller (British, Bristol 1812–1845 Bristol
Design for a Tile: Peacocks in a Garden, 1867–1924, Watercolor, pen and black ink over graphite with touches of gouache, Sheet: 6 5/8 x 10 in. (16.8 x 25.4 cm), Walter J. Morgan (British, Bilston 1847–1924 Birmingham
Design for Panel Decoration, 1828–40, Pen and black ink, watercolor with touches of gold, sheet: 9 1/2 x 14 3/4 in. (24.2 x 37.4 cm), J. Hulme (British, active 1828–40
Design for a Quarter of a Ceiling with Grotesque Decorations, 17th century, Pen and brown ink, brush with light brown wash, watercolor, sheet: 11 x 7 7/8 in. (28 x 20 cm), Anonymous, Italian, 17th century
Design for 'Angel of Faith' window, ca. 1896, Made in New York, United States, American, Watercolor and gouache on paper mounted on board, Overall: 14 1/4 x 8 in. (36.2 x 20.3 cm), Drawings, Possibly Tiffany Glass and Decorating Company
Fort of L'Essillon, Val de la Maurienne, France, 1836, Watercolor and gouache over graphite, sheet: 7 3/4 x 11 in. (19.7 x 28 cm), Drawings, Joseph Mallord William Turner (British, London 1775–1851 London
Design for a Renaissance Style Table, 19th century, Graphite and watercolor, sheet: 11 x 15 in. (27.9 x 38.1 cm), Anonymous, British, 19th century
Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 3/8 in. (29.5 x 18.7 cm), Drawings, Charles Edmund Brock (British, London 1870–1938
Costume Design for 'Adam', 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 7/16 in. (31.4 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris
Designs for the decoration of a ceiling, late 18th–mid-19th century, Graphite, pen and brown ink; brush, wash, and watercolor on wove paper, sheet: 5 11/16 x 7 3/8 in. (14.5 x 18.8 cm), Giuseppe Bernardino Bison (Italian, Palmanova
Studies of Fruits, Insects and Shells, late 16th–mid-17th century, Watercolor on parchment, 3 5/8 x 4 7/16 in. (9.2 x 11.3 cm), Drawings, Attributed to Georg Flegel (German, Olomouc (Olmütz) 1566–1638 Frankfurt
Arcadian Landscape with several Figures and a Statue of Apollo, 18th century, Watercolor and gouache, 8-15/16 x 13-13/16 in. (22.7 x 35.1 cm), Drawings, Gerard Melder (Dutch, Amsterdam 1693–1754 Utrecht
Susanna and the Elders, 1622–60, Pen and black and brown ink, brush and gray ink, and some watercolor, 7 x 5 1/2 in. (17.8 x 14 cm), Drawings, Augustin Medow (German, active 1602, recorded after 1622–1660, Lübeck
One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano
Battle Scene with Church at left, ca. 1790–1800, Watercolor, sheet: 9 13/16 x 14 15/16 in. (24.9 x 38 cm), Drawings, Dirk Langendijk (Dutch, Rotterdam 1748–1805 Rotterdam
Designs for Two Heraldic Cornices, Florid Gothic Style, 1830–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City
Design for the Interior of a Gallery of a Palace, 1760–97, Pen and black ink, brush with gray, yellow, green and pink watercolor, over black chalk or leadpoint; ruler and compass constructed, 11-5/8 x 17-5/16 in. (29.6 x 44 cm), Drawings,
Foilhummerum Bay, Valentia, from Cromwell Fort: The Caroline Laying the Earthwire on July 21st, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 5/16 × 9 7/16 in. (16 × 24 cm), Drawings, Robert Charles Dudley (British,
Composite Camel with Attendant, third quarter 16th century, Attributed to Iran, Khurasan, Opaque watercolor and ink on paper, Painting: H. 7 7/8 in. (20 cm), Codices, While composite animals such as this one are known from earlier periods of
Village à Dieppe, 1843, Watercolor and gouache on cardboard, sheet: 10 3/4 x 7 3/4 in. (27.3 x 19.7 cm), Drawings, Eugène Isabey (French, Paris 1803–1886 Lagny
Costume Study for Robed, Bearded Boyar with Staff; verso: Sketch for the same figure, 1929, Watercolor, gouache, gold paint, over graphite; verso: graphite., sheet: 15 11/16 x 12 15/16 in. (39.9 x 32.9 cm), Drawings, Pavel Petrovic Froman
Hab.t de Terre natal from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century
Design for Hanging Shelves, 1840–99, Ink, watercolor and gouache, Anonymous, British, 19th century
Light and the Shades, ca. 1870, Watercolor and gouache, sheet: 9 3/4 x 7 1/8 in. (24.8 x 18.1 cm), Drawings, Henry George Hine (British, Brighton 1811–1895 London), Probably a design for a print or book illustration, this symbolic image
Lea Castle, Worcestershire, View in the Great Hall, Looking West, ca. 1816, Watercolor, sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm), Attributed to John Carter (British, London 1748–1817 London
Design for diffusing light, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper in original mat, Overall: 14 5/8 x 19 1/2 in. (37.1 x 49.5 cm), Drawings, Tiffany Studios
Emaciated Horse and Rider, ca. 1625, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper; marbleized paper, 4 x 6 3/8in. (10.2 x 16.2cm), Codices, Mystical interpretations about the yearnings of the soul have
'A Ruffian Spares the Life of a Poor Man', Folio 4v from a Mantiq al-tair (Language of the Birds), ca. 1600, Made in Iran, Isfahan, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 7 3/4 in. (19.7 cm), Codices, This painting
Battle Scene with Church at right, ca. 1790–1800, Watercolor, sheet: 9 13/16 x 10 3/8 in. (24.9 x 26.3 cm), Drawings, Dirk Langendijk (Dutch, Rotterdam 1748–1805 Rotterdam
'Dancing Dervishes', Folio from the Shah Jahan Album, recto: ca. 1610; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/16 in. (38.6 cm), Codices, The 'Emperor’s Album, ' to which this folio
Birth and Baptismal Certificate, 1782, Made in Lancaster County, Pennsylvania, United States, American, Ink and watercolor on paper, 12 5/8 x 15 3/4 in. (32.1 x 40 cm), Drawings, Johann Heinrich Otto (ca. 1733–ca. 1800
Snowy Rooftops and Trees, ca. 1935, Watercolor and ink on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York
Hab.ts de Mauritanie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century
Design for a Cabinet with Shelves and Mirrors, 19th century, Ink and watercolor, sheet: 8 11/16 x 6 15/16 in. (22 x 17.7 cm), Anonymous, British, 19th century
Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, and gouache on paper mounted on board in original matt., Overall: 11 7/8 x 6 3/8 in. (30.2 x 16.2 cm), Drawings, Tiffany Studios
Fantaisie sur le costume moderne': Two female haute couture figures, 1910, Graphite, brush and watercolor and bodycolor, 12 3/4 x 9 3/4 in. (32.4 x 24.8 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris), Drawing with two female figures,
Hab.ts de la Zelande from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century
Returning Home, 19th century, Watercolor on paper, 5 3/16 x 4 3/16 in. (13.2 x 10.6 cm), Drawings, Johann Georg Meyer (German, Bremen 1813–1880 Berlin
A Great Green Bush Cricket (Tettigorica viridissima Linneaeus), A Clioniona Spider, and a Beetle, 17th century (?), Pen and ink, watercolor, and gouache, sheet: 4 3/4 x 6 11/16 in. (12 x 17 cm), Drawings, Anonymous, Dutch, 17th century
Futuh al-Haramayn (Description of the Holy Cities), dated A.H. 1089/A.D. 1678, Attributed to India, Deccan, Kharepatan, Ink, opaque watercolor, and gold on paper, Text block: 5 15/16 x 3 in. (15.1 x 7.6 cm), Codices, The Futuh al-Haramayn,
Design for a Ceiling in the Manner of Pergolesi, late 18th century, Ink and watercolor, sheet: 5 x 13 7/8 in. (12.7 x 35.2 cm), Anonymous, British, 18th century
Design for a Fireplace and Mirror, 1841–84, Watercolor and graphite, sheet: 14 3/8 x 10 1/2 in. (36.5 x 26.7 cm), Charles Hindley and Sons (British, London 1841–1917 London), Engravings from the pencil of Lady Diana Beauclerk (British,
Prince and Ladies in a Garden, mid-18th century, Made in India, Lucknow, Ink, opaque watercolor, and gold on paper, 10 5/8 x 7 3/8in. (27 x 18.7cm), Codices, Nidha Mal, This scene of leisure typifies the gracious style of later Mughal
Design for interior, ca. 1830, Watercolor, sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm), Drawings, Charles de Brocktorff (Danish, active 1830
Landscape with Windmill, late 18th century, Pen and brown ink and watercolor, 12 x 17 1/4 in. (30.5 x 43.8 cm), Drawings, Anthonie Erkelens (Dutch, 1774–1804
April, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London
A Hat on a Stand, ca. 1865, Pen and ink, brush and watercolor on wove paper, sheet: 4 13/16 x 3 7/8 in. (12.3 x 9.8 cm), Drawings, Auguste Félix (French, active 1860s
Wind Wheel (recto); Landscape with Weather Vane (verso), 1935, Watercolor, gouache, and ink on paper (recto); ink and graphite on paper (verso), 5 x 7in. (12.7 x 17.8cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946

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32.428 / 2.589.715 Entries   < previous page Page 20 / 325 next page >