Images at Librifly

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Project for the Decoration of an Oblong Panel, Brush and watercolor, graphite on white laid paper, A lyre form is composed of two cornucopias from which below stems rise. They are connected above by a vase. The vase contains flower stems and

Cheyenne Youth, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, black crayon on paper, The youth is shown standing, slightly obliquely from the front., USA, ca. 1880, figures, Drawing, Drawing

Designs for Two Cabinets, Pen and black ink, brush and watercolor, graphite on paper, Two cabinets, one with pediment surmounted by a geographer’s globe, the other fitted with a slide for writing. The former in elevation, the latter in

Design for Embroidery, Gentleman's Waistcoat Pocket, Brush and watercolor, gouache, and graphite on cream laid paper, Design for a man's waistcoat or gilet pocket featuring pink and purple flowers with green and brown leaves. A pink flower is

The elevation of a door in Rococo style, Domenico Torti, Italian, 1830 - 1890, Graphite, brush and watercolor on white wove paper, The door shows four vertically and two horizontally oblong panels with painted landscapes. The top part of the

Stained glass window: Young Christ among the doctors, John C. Wolf, Brush and watercolor on heavy paper, Christ at center with three robed older men surrounding him., USA, 1890–1900, glasswares, Drawing, Drawing

Design for a Painted Porcelain Sugar Bowl and Stand, Brush and watercolor, gray wash on cream laid paper, An oval covered sugar bowl with gold knob and matching oval stand. Rim of cover and stand are painted with scalloped band in gold, inside of

Design for an Oil Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, gray watercolor, graphite on light blue paper, Vertical rectangle. Upon a high foliated stand the body of the lamp is supported by the lion feet

Study of Heavenly Figures, Francis Augustus Lathrop, American, 1849 - 1909, Brush and violet watercolor, graphite on cream laid paper, Four figures seated in clouds, the one at left with a halo., USA, ca. 1895, figures, Drawing, Drawing

Designs of Bolts, Richard de Lalonde, French, active 1780–96, Pen and ink, brush and watercolor, graphite on paper, Upper bolt clasp is formed by rinceaux in ogival frames; lower bolt, by two rosettes, with laurel sprigs within rectangular

Design for a Milk Pitcher, Brush and watercolor, gold gouache, graphite on cream paper, Design for a tall milk pitcher with partial handle; spout and lid in graphite. Body decorated with vertical alternating stripes; one with gold roses on vines

Design for Ceiling Decoration, Probably for Conservatory/Music Room or Perhaps Dining Room, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Detail of

Design for trophy of arms, Pen and ink, brush and watercolor, graphite on laid paper, A helmet with a horse tail at the center of the design., France, 1730, Drawing, Drawing

Design for a Trophy, Richard de Lalonde, French, active 1780–96, Richard de Lalonde, French, active 1780–96, Graphite, pen and black ink, brush and rose, brown watercolor, wash, on cream laid paper, Trophy consisting of a ewer

Elevation of the Belmont Menagerie, Newport, Rhode Island, Whitney Warren Jr., American, 1864–1943, Graphite, brush and brown, black, green, blue, red, and yellow watercolor, white gouache, on thin cream illustration board, A

Design for Textile with Fruit, Woodblock in black ink with brush or stenciled orange watercolor on paper, Block printed design in orange with flowers, rinceaux, and fruit., possibly France, early 18th century, wallpaper designs, Print,

Design for the Embroidery of a Man's Waistcoat, Graphite, pen and ink, brush and watercolor, brush and Chinese white on paper, Lower left section of a waistcoat. Below the pocket a spray of large flowers filling the space toward the corner,

Stage Design, Egyptian Courtyard, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and gray wash, watercolor, graphite on white laid paper, Horizontal rectangle. Court of

Design for a Round Tureen, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a round tureen intended to be executed in partly gilded silver. The round base is similar

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

Personification of Poetry, After Raphael, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown watercolor washes on paper, Italy, 1813–18, figures, Drawing, Drawing

Fisherman with His Tackle, Graphite, brush and watercolor on vellum with various fabrics, A standing fisherman wearing red hose and blue knickerbockers and hat, holds a net in one hand and a gaff-hook in the other. A fishing boat, left

Two Cupids, Pen and ink, brush and watercolor on paper, Two cupids, one beside the other. At left, Cupid is flying away with a piece of a broken bow in each hand. At right, standing upon clouds, he is stretching a partially indicated bow.,

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with florals and a mask surrounds an oval reserve., Italy, early 17th century, grotesques, Drawing, Drawing

The Blue Brougham, Constantin Guys, French, 1802 – 1892, Pen and black ink, brush and watercolor on paper, Horizontal rectangle. A blue brougham drawn by a chestnut-brown horse wearing a black harness with silver mountings. Coachman driving

Study for 'Moulin Huet Bay, Guernsey', William Trost Richards, American, 1833–1905, Brush and watercolor, graphite on paper, View from beach looking toward the sea, with steep cliffs at left receding into the distance. Waves lap against

Design for an Embroidered Altar Front, Brush and watercolor, pen and black ink, graphite on paper, Horizontal rectangle. Drawing includes the center and right half of the embroidery design. At bottom left, two crossed green branches with pink

Study of Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, The northwest part of the choir behind the main altar in the Siena Cathedral., Siena, Italy, ca. 1872, architecture, interiors,

Bird, Butterfly, and Pear, Brush and black ink, watercolor, graphite traces on coated wove paper, Bird perched on branch which bears a pear, red and white blossoms, and leaves with a ladybug. Butterfly in upper right corner., England or

Project for an altar, Robert Mylne, Scottish, 1734 – 1811, Pen and ink, brush, sepia, gray watercolor on paper, The mensa stands upon steps, in the interval of two pairs of columns, supporting the entablature and the pediment. Between the

Design for Parts of the Embroidery of a Man's Waistcoat, Brush and watercolor, brush and white on paper, Disposed to form an angle. Flower boughs. A border design, alternating leaves under a stripe. Reverse: tracing; curved edge with halves of

Design for Two Chairs, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, ruled border in pen and black ink., Left: Chair with sloped back, pierced horizontal panel, center

Architectural Details and Figure Study, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on laid paper, Three upper parts of window cases; view of upper part of a house corner, with a pedestal upon which sits a

Design for a Processional Staff, Black chalk, brush and watercolor on paper, Beveled lower edges. The staff has a capital consisting of acanthus calyx and a pedestal. It is marked AB. Above stands an oval frame with acanthus leaves and lily sprays

Design for a door case, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and bistre ink, brush and gray watercolor on paper, Door case with a circular pediment with straight lateral parts. Inside is a console, supporting festoons

Study for The Cypress Trees of Montezuma, Park of Chapultepec, Mexico, Samuel Colman, American, 1832–1920, Recto: Black crayon, pen and brown and black inks, brush and gray watercolor wash on paperboard. Verso: Graphite, pen and brown ink,

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green bronze and white and colored marble.

Design for a Fountain, Charles-François Hutin, French, 1715 - 1776, Pen and ink, brush and gray watercolor, black chalk, graphite on paper, Horizontal format design for a fountain. The figure of Galatea is shown sitting in a shell, leaning

Peep-show, Vue d'Optique Representant les Environs du Marché aux Chevaux de Stetin en Allemagne, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Study of mullein plants, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of three species of mullein plants., USA, ca. 1857, nature studies, Drawing, Drawing

Design for a Chandelier, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a chandelier, on top is a ring. The upper part has the shape of a garden umbrella, from which another umbrella hangs. The

Design for Printed Cotton, Frederick Schaub, b. 1969, Mulhouse, Pen and ink, brush and watercolor on paper, A single design unit consisting of a serpentine pattern of flowers and foliage. Boundaries of design indicated by red framing line.,

Low Tide, Annisquam, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, black crayon on paper, Figure in foreground, standing on a grassy patch surrounded by water and sand. Buildings, beyond, center., USA,

Design for a printed fabric, Pen, brush and black ink, watercolor, gouache on paper, Most of a fantastical flower bough is shown obliquely on dark lilac ground., France, 1820–40, textile designs, Drawing, Drawing

Rookwood Pottery, George Gibson, American, b. England, 1820–1896, Pen and ink, brush and black and brown watercolor, grey gouache, graphite on illustration board, Groups of pottery arranged on four shelves, along the top of the page and

Design for the Elevation of a Mantelpiece, Pen and ink, brush and watercolor, graphite on paper, Horizontal format design for an elevation of a mantelpiece. The opening is framed by a narrow moulding and laterally by pilaster strips. The vertical

Design for a Candelabrum, Graphite, pen and ink, brush and watercolor on white paper, Urn-shaped of mottled blue stone with gilt bronze mounting. About base of urn, rayed laurel leaves; at sides: two vertical volute handles with a satyr mask at

Six Theseus Subjects for the Palazzo Gaddi, Forli, Felice Giani, Italian, 1758–1823, Pen and ink, brush and grey watercolor wash over black chalk on paper, Six octagonal drawings of Theseus subjects. Written top left, 'Camera di/ compagnia/

Design for an Urn on a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush with gray, black, green watercolor on wove paper, A side view of an urn with the spout on the left. The urn is oval in shape, with curved

Design for a Silk Damask, Brush and white, brown, green, lilac, and red opaque watercolor (partly applied at the reverse) on oily traving paper, The right half of a fantastical floral palmette, following the style of about 1730, is shown. A

Noble Interior: Stage Design for the Teatro Marsigli-Rossi in Bologna, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and gray ink, brush and watercolor over black chalk on white paper, Design for a stage set. A richly furnished room in the

Thimbleberry, Elizabeth C. Field, Pencil and watercolor on paper (mounted), Vertical rectangle. Pink blossoms and green serrated, star-shaped leaves., ca. 1860, nature studies, Drawing, Drawing

Lakeside Landscape, Arnold William Brunner, American, 1857–1925, Brush and watercolor, three borders ruled in graphite on off-white wove paper., View, from grassy shore in the foreground, of a lake with trees and dense foliage on far shore,

Cliffs of the Rio Virgin, South Utah, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor with white gouache on light-brown wove paper, A line of eroded cliffs rises from a plateau, while a stream traverses the bottom of a

Elevation of a Chalice, Black chalk, pen and ink, brush and watercolor on paper, Faith with chalice and Hope are seated at the corners of the base. The shaft shows two cherubim and a female mask. An angel with the title of the cross is on the

Flower Stand, E. Bechetti, 19th century, Graphite, watercolor Support: thick white wove paper, Italy, Italy, 1871, furniture, Drawing, Drawing

Design for a Bowl with a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor on paper, A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus

Trial-proof for a printed vertical border, Brush and watercolor on paper, Right, blue and yellow iris blooms (some printed without color) rise vertically among heavy foliage; left, scattered flowers (some indicated in outline only)., France,

Section of wall, Gallery Francis I, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, lower half with carved wood-panelling, containing medallions and trophies; upper half,

Design for a Triumpal Arch for Napoleon I, Bergamo, Italy, Pen and ink, brush and sepia wash, gray watercolor, graphite on cream laid paper, Architectural design for a triumphal arch. Within the archway stands a group of two adult figures and

Design for Two Gilt Bronze Chandeliers, Jean Démosthène Dugourc, French, 1749–1825, François-Joseph Belanger, French, 1744–1818, Pen and ink, brush and watercolor on paper, lined with paper and framed with brown paper stripe, Design

Design for Mechanical Furniture: Secretary Desk, Graphite, pen and black ink, brush and watercolor on paper, A secretary with double fall-front, one above the other, showing alternative treatment of kneehold base; elevation, two sections, and

Study of Pink Begonia, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, gouache on gray paper, Vertical sheet depicting a begonia plant with pale pink blossoms and green leaves with touches of red., USA, early 20th

Project for a Fresco in the Dome of the Cathedral in Citta di Castello, Tommaso Maria Conca, Italian, 1734 – 1822, Graphite, pen and ink, brush and sepia wash, blue and yellow watercolor, on paper, Christ, the Virgin, and Saint Florido

On the Upper Delaware (after a charcoal drawing), Thomas Moran, American, b. Britain, 1837–1926, Calotype with brush and dark-brown and white watercolor on thin off-white wove paper, Horizontal view of the merging of a stream with a river,

Peep-show, Vue Perspective de l'Universite d'Augsbourg fondé par l'Eveque Julien, No. 96, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Green River from the Ferry, Wyoming Territory, Thomas Moran, American, b. Britain, 1837–1926, Graphite, brush and watercolor, white gouache on gray wove paper, Horizontal view of the river and sandbar in the foreground, receding

Peep-show, Vue du Grand Canal, du Palais Balbori, du Pont Realto, et de la Fête des Condoles a Venise, Engraving in ink with washes of watercolor on paper, mounted on scrapbook paper, Peep-show print, France, ca. 1750, Print, Print

Design for a Theater Ceiling, Giuseppe Borsato, Italian, 1770 - 1840, Pen and gray-brown ink, brush and watercolor, gold paint, graphite on paper, Vertical format design for a painted ceiling. Form of a horseshoe, with a base line. Inscribed

Hotel in the Mountains, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache, graphite on paper, Scene of a meadow with fence and stream, female figure in foreground., USA, ca. 1880, landscapes, Drawing, Drawing

Monument to Franz I, Empe, Pen and black ink, watercolor, gold paint, over graphite Support: off-white wove paper, Vienna, Austria, Italy, 1846, architecture, Drawing, Drawing

Peep-show, Le Cingle, la Tour de Jan-Rooden-Poort, et la Nouvelle Eglist Lutherienne, à Amsterdam, No. 15, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

College Friends Out for a Walk, Pierre Alexandre Wille, 1748–1821, Etching in black ink, watercolor on paper, Horizontal rectangle. Three elderly men walking, moving toward the right. The stout figure, center, turns to the man at left,

Peep-show, Vue de la Ville de Richelieu en Poitou construitte par le Grand Cardinal Duc de Richelieu, au Bout des Parteres de Sougid et Superbe Chateau de Richelieu de la Conduitte, No. 147, Engraving in ink with washes of watercolor on paper,

Design for a Chimneypiece, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, brush and watercolor, graphite on paper, Horizontal rectangle. Design for a chimney piece intended to be executed in marble and bronze. Gaines with women, who

Design for a Chimneypiece, Pen and ink, brush and gray, yellow watercolor, graphite on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in white marble with a small band in gilt bronze. Pillars at the sides, the

Wall Elevation, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on wove paper, Vertical rectangle: Two panelled doors center, Greek frieze design above, Greek fret design left and right., 1815–22, interiors,

Study of landscape, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a farmhouse along a river., USA, ca. 1856, architecture, Drawing, Drawing

Design for an entrance wall to a music or dance hall, Ben and ink, brush and watercolor, graphite on paper, Five bays with a door opening with curtains in the center flanked by framed panels with dancers over sofas. The overdoors show Arion at

Olympus, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor on textured laid paper, Jupiter on throne in center middle-distance in front of temple with inscription: Eternita. Jupiter flanked by woman with cornucopia, Mars,

Two Designs for Candelabra, Francesco Santini, Italian, 1763 - 1840, Brush and watercolor, pen and ink, graphite, varnish on paper, Vertical rectangle. At bottom, a molded panel in the entire width of the sheet, with a plan of the bases,

Design for Stained Glass Window, Sir Michael Robert Shaw-Stewart, Scottish, 1826–1903, W. Cowper, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches, each panel containing figures, under

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Design for a Pulpit, Pen and black ink, brush and wash, rose watercolor, graphite on paper, Design for a pulpit without supporting separate columns. Cherubim as brackets at top. The scheme of the project same as 1938-88-3612., Rome, Italy,

Houses by the Shore in Nantucket, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, Groups of small houses in the foreground, seen from a high vantage point. Sailing ships in the background., USA, ca.

Studies for a Wall Panel, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on cream paper, Above, graphite sketch of reclining woman, arm outstretched toward an open book held by putto. Center, similar

Design for Machine-Woven Shawl, Brush and watercolor on paper, Design for a woven, machine-manufactured shawl with Indianizing paisley motifs. Design shows blue ground, ornamented with detached floral forms in pink, blue, and green; brown

Design for a Painted Oblong Ceiling, Pen and ink, brush and gray watercolor, black crayon on paper, Horizontal format design for a painted oblong ceiling. Inscribed into an oblong frame is a view into a cupola from below. It has a hexagonal

Design for an Elevation and Plan of a Doorway Leading into a Park, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and black ink, brush and gray watercolor on laid paper, Vertical rectangle. At top, the elevation of a doorway. The

Peep-show, Veu de Londun en Touraine, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Thirteen Apollo Subjects for Ceiling, Felice Giani, Italian, 1758–1823, Pen and ink, brush with brown watercolor over red crayon on rough grey paper., Center, octagonal representation of Apollo and Muses. Captions written in red crayon:

Design for a Music Pavilion in the Tuileries Garden Fountain, 1834, Brush and watercolor, pen and black ink, graphite on light tan paper mounted on off-white paper, Design for an open-air decagonal (ten-sided) music pavilion with red conical

Design for Machine-Woven Shawl, Brush and watercolor on paper, Design for a paisley machine-woven shawl. Design shows a semicircular arrangement of leaf-like forms and shaped panels with paisley cone motifs, consisting of the colors dark blue,

Project for an Oil Lamp with Alternative Suggestions, Graphite, brush and sepia, watercolor on paper, High foot and plinth. The lamp is nearly in the middle of the shaft. Four spouts. Eye shield hanging on chains. Trimmer, pincer, wrench and

Altar Mensa for the Capella Paolina (Borghese Chapel), Santa Maria Maggiore, Rome, Italy, Mario Asprucci The Younger, Italian, 1764 – 1804, Pen and black ink, brush and watercolor over black chalk on paper, Design for an altar mensa

Cupid Awakens Psyche Overcome by the Content of the Vase Filled by Proserpine, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen and dark ink, brush and black gray watercolor on paper,

Design for a salon wall, Pen and Chinese ink, brush and watercolor, graphite on paper, The elevation section and the plan are show. A chimney piece with an arched mirror as an overmanel, flanked by two embedded comlumns, the pedestals are

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of clouds, Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Study for 'Music', Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch for a panel, shaped like an equilateral cross, decorated with musical instruments., USA, ca. 1894, mural designs,

Stair at the Cluny, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on light board, Sketch of the stair and balustrade in the Cluny Museum., USA, 1887, architecture, Drawing, Drawing

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