Images at Librifly

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Elevation of Section of a Wall with Columns and Arch at Right, Graphite, brush and watercolor, pen and brown ink on cream laid paper, Tuscan columns supporting entablatures; scale below. Right side, two columns supporting arches and entablature.

Design for two andirons, Lefebvre Manufactory, Tournai, Brush and yellow, red, green, black watercolor, graphite, on cream laid paper, Above: front panel shows head of Medusa, flanked by sphinx heads atop pilasters, a flower head on center

Festival given by the City of Paris on the occasion of the marriage of the Dauphin, later Louis XVI, and Marie Antoinette., Pierre Louis Moreau Desproux, French, 1727 – 1793, Pen and ink, brush and white gouache and watercolor., A pavillion

Design for a Chimneypiece, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and watercolor, graphite on paper, Horizontal rectangle. Design for a chimney piece intended to be executed in marble with mosaics and bronze appliques.

Stained glass window, John C. Wolf, Brush and watercolor, graphite on illustration board, Design for stained glass window with leading in rhomboid pattern. Colorful border and center rhomboids containing yellow cross on pink circle and filled in

Design for a ceremonial decoration, Carlo Marchionni, Italian, 1702–1786, Graphite, black crayon, brush and gray watercolor on laid paper, In the center a big angel in clouds is supporting a branch, ending as a candlestick with three

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

A Classical Temple, Pen and black ink, brush and watercolor, over black chalk on paper, Elevation and plan, one above the other, of a Classical temple. The building is located on a platform and reached via steps (nine in total). A narrow,

Design for Metal Frame, Johann Alois Seethaler, 1796 – 1835, Pen and ink, brush and watercolor, Rosette and palm-leaf motifs in the center of each side. The cresting is composed of facing swans that terminate in vegetal arabesques, flanking

Design for a Bronze Candlestick, Jean-Jacques-François Le Barbier, French, 1738 – 1826, Pen and black ink, brush and gray, brown wash, yellow watercolor on laid paper lined with paper mount, The design for the candlestick is positioned at

Archbishop's Throne and Canopy; Six Separate Studies for a Throne, Prie-Dieu, and Canopy, Hippolyte-François Joseph Equennez, 1772 – 1854, Pen and black ink, brush and watercolor, white gouache, traces of black chalk, ruled border in pen

Interior of Westminster Hall, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and grey watercolor on paper, Interior of the hall, showing the hammer-beam roof., USA, 1899,

Ceiling with Jupiter, Jun, Giovanni Odazzi, 1663 – 1731, Pen and brown ink, watercolor, over graphite Support: heavy white laid paper, Italy, Italy, 1718–30, interiors, Drawing, Drawing

Study of Dahlias, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on white paper, Vertical sheet with two yellow dahlias at right and two pink dahlias at left on recto. The verso contains one red dahlia., USA,

Section of wall, Guard Room, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Elevation of section of wall. Lower portion, containing groups of painted panels, chiefly including royal monograms and

Design for a Church Festival Setting, Brush and gray watercolor, black chalk on laid paper; verso: graphite, Vertical rectangle, design partially incomplete at upper left. Two stairs lead up to an apse of complicated plan and elevation. Further

Design for a Fan, Mary Morison Brownson, American, Graphite, gold, brush, and watercolor on paper, Design for a fan. Horizontal rectangle: A leaf and grape pattern, outlined in gold, against a neutral green background., Vertical crease, a

Design for a Garden, Jan David Zocher the Younger, 1791–1870, Pen and brown ink, brush and watercolor on cream paper, Landscape design for a canal garden in asymmetrical plan with free-form beds and serpentine walks. A combination of plan and

Design for a Painted Panel, Jean-Guillaume Moitte, French, 1746–1810, Pen and ink, brush and watercolor, sepia, graphite on paper, Vertical bands with candelabrum. At center is a blue circle with the three Graces. At top, Jupiter’s eagle

Design for a Canopy Bed, Pen and black ink, brush and watercolor on paper, Frame of a canopied tent bed seen in elevation, surmounted by a small dome and cluster of feathers. Inside and outside views and plan shown., Germany or Austria, ca.

Design for the Corridor to the Chinese Gallery, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on cream wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. In the

Canal, Venice, Italy, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache, graphite on paper, Sketch of a canal with gondolas and a bridge with houses lining the banks., Venice, Italy, ca. 1880, landscapes,

Six Decorative Studies; Verso, Anatomical Study, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Six decorative studies showing partitions with putti and garlands; allegory of time.

Peep-show, 21e Vue d/Optique Representant Prospectus Purfleet ad Tamesim in Comitatu Essex/Le Purfleet Sur la Tamise Dans le Comté d'Essex, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France,

Theater Design for a Dining Room, Francesco Nicoletti, 1728 – 1776, Pen and black, brown ink, brush and light brown wash, rose watercolor on white laid paper, mounted on blue-green board with gold ruled lines, Theater design for a dining

Design for a Painted Porcelain Salad Bowl, Brush and watercolor, pen and ink, black chalk on cream laid paper, Salad bowl in elevation (above) and plan (below) with slightly scalloped border painted in gold and blue. Interior and exterior of bowl

Wall Decoration for Cosimo III de' Medici, Giovanni Battista Foggini, 1652 – 1725, Pen and brown ink, brush and watercolor, black chalk, graphite on white laid paper, Vertical rectangle. Statue of the armoured king, galloping to the left

Designs for Mechanical Furniture: Bookcase and Shelf Desk, Pen and black ink, brush and watercolor on paper, Left, a bookcase with one-half showing glass door, seen in elevation. Right, isometric projection of a desk with tilting top, shown

Apple Tree (Study for a Decorative Design), Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, Ripening apples are shown. Framed by a colored stripe., USA, 1875–80, nature studies, Drawing,

Peep-show, Le Port Du Vieux Toulon, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Three Designs for Candlesticks, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light blue paper, Horizontal rectangle. Three designs for candlesticks, the same designs that

The Tetons, Idaho, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on thin gray paper, Horizontal view across a flat river valley showing a mountain range in blue in the distance with a group of

Project for a Ceiling, Graphite, pen and ink, brush and watercolor on paper, One quarter view of ceiling is shown. The top of a wall and an entablature are shown from underneath. The parapet forms niches which are filled with escutcheons. A band

Stair at the Cluny, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on light board, Sketch of stair and balustrade in the Cluny Museum., USA, 1887, architecture, Drawing, Drawing

Front entrance group stained glass windows, John C. Wolf, Brush and watercolor on illustration board, Six stained glass window designs with curled vines and red tulips., USA, 1890–1900, glasswares, Drawing, Drawing

Two Projects for Door Frames, Graphite, pen and ink, brush and watercolor on paper, At left, a triangular pediment whose entablature is supported by balustre consoles. Inside is a circle with a star-like blossom. At right, a segmented pediment

Fountain with the arms of Pope Clement XI Albani, Ludovicus Radix, Italian, Pen and ink, brush and watercolor on paper, Wall fountain topped with a pair of trophies and a pediment with the arms of Pope Clement XIV., Italy, 1762, architecture,

Colonnes d partmentales, fetes Juillet 1838', Félix-Jacques Duban, French, 1798 - 1870, watercolor, pen and blue, brown, orange ink Support: off-white paper mounted on off-white paper, Design for a polyhedron column with thin red stripes

Study for an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Brush and brown watercolor, graphite on brown paper, Winged figure shown from feet, on clouds, recumbent and sleeping. The wind blows the drapery upward., USA, 1880–95,

Design for main entrance door for the Bankers' Trust Company, New York, NY, Graphite, brush and watercolor, gold tempera on illustration board, Elevation of design for main entrance to the bank building. A pair of bronze doors surmounted by

Peep-show, Vuë Perspective du Palais Royal de la Sarcuela, Maison de Plaisance du Roy d'Espagne, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. At the corner and below the pocket a large motif of flowers and leaves. Two sprays of small flowers follow the line of the

The Fishing Temple, Virginia Water, England, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache, gold tempera on paper, A large pavilion in the Chinese style. An open porch across the facade, its roof decorated with carved

Design for a Bed, Richard de Lalonde, French, active 1780–96, Pen and ink, brush and watercolor, graphite on paper, Canopy supported by four posts; upon the corners are bunches of feathers; an urn above and scale below., France, ca. 1785,

Peep-show, Vue Perspective de L'Interieur de L'Eglise de St. Marc, à Venise, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

A Water Trough, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A water tough, with two donkeys and several figures around it., USA, ca. 1885, figures, Drawing, Drawing

Stage Design: Villa with Obelisk and Albani Arms, Pen and brown ink, watercolor on white laid paper, Vertical rectangle showing a palace façade and loggia surmounted with balustrade. In the background, an obelisk is capped with a 'mountain and

Sheep Resting, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on white watercolor paper, Recto: A view of three groups of resting sheep partially filled in with color. Also on this sheet are a sketch of a standing sheep,

Peep-show, Vue Perspective de la Place Dauphine à Paris, No. 71, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Design for a Lighting Fixture, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on thin paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A tall shaft rising from a jardinère on a stand. Large and

Peep-show, A View of the Hospital Piazza of St. Mari at Florence, No. 48, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, 1760, Print, Print

Study of Cosmos, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white paper, Vertical sheet depicting studies of cosmos from different angles and in different directions across the sheet including nine pink examples, and

Design for a Tray with Punch Bowl and Glasses, Giovacchino Belli, Italian, 1756 - 1822, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a tray with a punch bowl and glasses. The design corresponds to

Three Designs for Candlesticks, Pen and black ink, brush and gray wash, watercolor, traces of graphite on off-white laid paper, Horizontal rectangle. Three designs for candlesticks, all supported by lion feet. At left, the bottom part of the

Recto: Coronation of the Virgin, Belisario Corenzio, Italian, active 1590–1646, Pen and brown ink, brush and blue watercolor, white gouache on cream laid paper tipped into paper frame; verso: brush and gray, white gouache, graphite, Recto:

Near San Francisco, Mexico, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on tan paper, Horizontal view of a cart road leading straight back over rocky rise of ground to a wagon at crest in

Sitting Room, 7 Owen's Row, Islington, Richard Parminster Cuff, British, 1819 - 1883, Brush and watercolor and gray wash over graphite, The decoration of this row house sitting room shows a simple, domestic arrangement. A center table,

Yellowstone, Hot Springs, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on light tan wove paper, In the center, a hot spring of water, steam, and salt deposits is rendered in white, red

Design for a Sepulchral Monument for Filippo Lovazzi, Vincenzo Gajassi, Italian, 1801 - 1861, Brush and watercolor, graphite, pen and ink on paper, A sculpted figure of a dead man is lying on top of a sarcophagus which is decorated with

Project for a Mace, Pen and ink, brush and watercolor on paper, The upper part of the shaft is ribbed with a bow knot at bottom. At center, two women sit upon scrolls, supporting a globe showing Italy. On top, fits Faith or Religion holding a

Design for Two Andirons and Sconce of Gilt Bronze, Jean Démosthène Dugourc, French, 1749–1825, François-Joseph Belanger, French, 1744–1818, Pen and black ink, brush and watercolor on paper, lined, framed with brown paper and pen and

Peep-show, Vuë du Canal de Delft à la Haye Ville de Hollande, 16, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1766, Print, Print

Bayeux, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, View of a narrow, winding street, with old houses on both sides. Facing the spectator, a two-story house, with high, pitched roof and a large dormer.

Toltec Gorge and Eva Cliff from the West, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on gray wove paper, Under a heavy grey sky, a deep chasm opens to a jagged cliff amid dark

Design for a Monument with Allegories, Pen and grey ink, brush and watercolor on paper, Architectural screen with central arched bay flanked by rectangular panels extending forward and ornamented with columns and trophies above. In the center, a

A mountainous landscape, Jean-Baptiste Huët, (French, 1745–1811), Brush and watercolor, pen on paper, Horizontal drawing of two peasants on a road, at left, with a flock of sheep and a donkey. The younger of the men carries a bundle upon

Design for a Frieze, Pen and sepia, brush and watercolor on paper, Horizontal rectangle showing four rinceaux on a dark ground., Italy, 1725–1750, ornament, Drawing, Drawing

Colonnes rostrales, fetes de Juillet 1838', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, pen and black ink, graphite on off-white paper mounted on off-white paper, Design for a white polyhedron rostral column articulated with

Design for a Jardiniere, Graphite, brush and ink, watercolor, gouache, gold paint on tracing paper, laid down, The body of the jardiniere is of blue porcelain, with a central field containing a spray of roses against a light background,

Mourning Picture, 1815, Unknown, American, Graphite, brush and watercolor, brush and oil paint, pen and ink on wove paper, USA, 19th century, Drawing, Drawing

Ceiling Painted in Pompei, Pen and Black ink, watercolor, ruled borders in pen and black Support: white laid paper, Italy, Italy, ca. 1840, interiors, Drawing, Drawing

Elevation and Plan of the Hearst School for Girls, Washington, D.C., Graphite, brush and watercolor on cream cardboard, Above, elevation and below, plan of school. Scale below., USA, 1896, architecture, Drawing, Drawing

Design for a wall of a ballroom, Louis René Boquet, French, 1717 - 1814, Pen and ink, brush and watercolor, graphite on laid paper, Four and half bays of the elevation of a wall of seven bays are shown. Steps are to lead downwards into the

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow and gray watercolor, graphite on paper, Vertical rectangle. At bottom, a base with two kneeling angels supporting a cloth, on top of

Church on a Hill, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, A large church on the crest of a hill, with numerous small buildings and vegetation below., USA, 1892, landscapes, Drawing, Drawing

Design for Stained Glass Window, Graham Somervell, Scottish, b. ca. 1819, Sir Andrew Orr, Scottish, 1801–1872, W. Cowper, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches, each

Peep-show, Vue de Jerusalem, Jérusalem, Ville Capitale de la Palestine Sous David et Salomon, est Si Célébre Par Son Temple et Les Magnifiques Ouvrages que Ses Deux Princes Firent Batir..., Engraving in ink with washes of watercolor on paper,

Design for the Decoration of Mouldings, C. C., French, active 19th c., Graphite, pen and black ink, brush and gray watercolor, black on light creamy paper, Above is an ogee with a palmette band. In the middle is a flat torus with an

Hotel de Sens, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on paper, View showing the hotel from the corner. Shows the front facade and part of the left side., USA, 1888, architecture, Drawing, Drawing

Street Scene with Medieval Houses, Arnold William Brunner, American, 1857–1925, Graphite, pen and ink, brush and watercolor on greyish paper, Street scene with a wall enclosing the court of a medieval house with an open staircase and

Project for Ceiling Design Depicting Aurora, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and watercolor, black chalk on off-white laid paper, Circular composition. Aurora flies toward right holding leaves above a basket which

Design for an altar for St. Anthony of Padua, Andrea Pozzo, Italian, 1642–1709, Pencil, pen and ink, brush, gray watercolor on paper, Above is the elevation with parts of the adjoining walls and of the entablature shown; below is the plan.

Half Dome, Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on blue-gray wove paper, Vertical vista features the granite peak of Half Dome, Yosemite, looming between boulders in the

Landscape of Countryside, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, View of the countryside, with distant hills. A large tree in middle ground, right., USA, ca. 1890, landscapes, Drawing, Drawing

Design for a Chimneypiece, Pen and ink, brush and gray watercolor on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in white marble. At the sides two female hermae, respectively with flower and grain wreaths upon

The mask of a warrior, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and gray watercolor on laid paper, Seen in profile, a helmet with leaves above and below. Intended probably for the upper half of a window case.,

Project for an Alcove or Mantelpiece, Graphite, pen and ink, brush and watercolor on paper, Wide paneled pilasters flank a recess hung with tasseled lambrequins. Egg and dart molding above., Europe, 1725–1775, architecture, Drawing,

Cupid and Psyche: Four Octagons and Eight Drawings of Cupid, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and brown watercolor wash over traces of graphite, on laid paper, Top center: in a landscape, Psyche lies nude in

Cross Section of a Chamber, Pen and ink, brush and watercolor on paper, View of a domed room. At center, an archway topped with an eagle and pediments. Flanking this are fluted pilasters and door with oval overdoor panels. Ceiling above divided

Four Rowboats with Children, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on white wove paper, Horizontal scene of four rowboats with children at sea. Center boat is seen from the bow, two boats to the left of the

Design for Stained Glass Window, Brush and watercolor, pen and ink on paper, Three tall vertical panels. Left and right panels have the same design of geometric shapes and leaf patterns. The central panel shows the figure of St. Philip holding a

Boats in Trouville, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, Sailing boats harbored, left, with houses visible beyond them. A bridge extends across the center of the composition., USA, 1883, seascapes,

Peep-show, Vue d'Optique, Place de la Basilique de Saint Jean de Latran Mere et Chef de Toutes Les Eglises de Rome, No. 104, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750,

Wall Decoration: Urn, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Watercolor over graphite, pen and black ink, ruled border in brushed black, Support: White laid paper, laid down on white wove paper, London, England, 1777,

Design for a Frame, C. C., French, active 19th c., Graphite, pen and ink, brush and grey watercolor, black on light creamy paper, The upper right corner is shown. Between plain or decorated mouldings is a frieze with a palmette band. The

Study of Red Poinsettias, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on gray paper, Horizontal sheet depicting two studies of poinsettias., USA, early 20th century, nature studies, Drawing, Drawing

Study for 'The Signal of Distress', Winslow Homer, American, 1836–1910, Graphite, brush and blue-green, brown, and yellow watercolor, gray wash, traces of black ink on white heavy wove watercolor paper, Vertical view from bridge of ship,

Design for Ceiling with Triumph of Galatea, Felice Giani, Italian, 1758–1823, Pen and brown and black ink, brush with watercolor over traces of graphite on paper, Horizontal rectangle. Drawn into plan of room. Center oval representation of

Design for a Painted Ceiling of Irregular Shape: Aurora, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and brown and black ink, brush and watercolor, black chalk on paper, Design for a painted ceiling, viewed directly from below.

Studies of the Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Watercolor and graphite on paper, Studies of parts of the stalls, of the railing and of the architectural details., Siena, Italy, ca. 1872, architecture,

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