Images at Librifly

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Peep-show, Vue de Blackwall, en Regardant Vers Greenwich, 62, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Five Studies of Ceiling with Grotesques; Madonna, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on cream laid paper, Recto: five studies of ceilings; madonna. Verso: two anatomical studies showing

Wall Decoration, Plate XII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), Giovanni Volpato, Italian, 1733 - 1803, Pietro Camporesi, Italian, 1726 – 1781, Raphael, (Italian, 1483–1520), Brush and watercolor,

Design for the elevation of a chimney wall of a salon, Jacques-Denis Antoine, French, 1773–1801, Pen and ink, brush and watercolor on white laid paper, Two doors flank a fireplace, surmounted by a mirror between pilasters. The overdoors are

Deck Passengers, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on illustration board, Horizontal view of the deck of a boat, with wheel resting against a wheel-house to the right, and a seated man and woman, who stands

An Altar Lamp in the Family Chapel of the Honorati in the Cathedral in Jesi, Luigi Valadier, Italian, 1726 – 1785, Pen and black ink, brush and watercolor, black chalk on white laid paper, Design for a lamp to be executed in partly gilded

Design for a Chalice, Pen and ink, brush and watercolor on paper, At front of the foot is an escutcheon with a trophy consisting of instruments of the Passion. The edges are scrolls with cherubim at the corners., Italy, late 18th century,

Mâts placés sur le Pont-Neuf aux Fêtes de Juillet 1838 (Flagpole for Pont Neuf, Paris, July Festival 1838), Brush and watercolor, graphite on cream paper, mounted on beige paper, Design for a red flagpole with crimson banding, terminating

Section of a Country Villa, Pen and black ink, brush and rose, brown and blue watercolor, black wash, with black chalk indications on paper, Section of a villa. Three levels are indicated. There are rooms in the basement, with stairs leading

Peep-show, Vue du Palais de l'Ambassadeur de Venise, a Rome, No. 89, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

A Large Fountain, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A large fountain with figures in foreground., USA, ca. 1885, architecture, Drawing, Drawing

Peep-show, Vue Generale de la Ville d'Amsterdan du Côté de Tye (A General View of the City of Amsterdam from the Tye), Thomas Bowles, British, 1712 - after 1753, Peter Van Ryne, Engraving in ink with washes of watercolor on paper, mounted on

Design for a Painted Porcelain Tureen and Tray, Brush and watercolor, black chalk on cream laid paper, Covered tureen shown in elevation (above) with tray (below). Tureen with ovoid bowl on foliated legs from which rise rod-shaped handles with

Peep-show, Vue de la Maison Royale de Somerset Avec l'Eglise de St. Marie Dans le Strand à Londres (A View of Somserset House with St. Mary's Church in the Strand London), Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving in

Design for a Pair of Trophies, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and wash, black chalk on off-white laid paper. (bordered in brush and black, blue watercolor on three sides), Two trophies showing implements

Diana, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, Diana shown as a huntress seated on the ground. She reached into her quiver with one hand. Beside her a

Design for a Reliquary, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Upon a base with lion feet, two angels are standing upon clouds, embracing themselves with their

Study of lagoon, Venice, Italy, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of the lagoon with sailboats and an island on the horizon., USA, ca. 1871, seascapes, Drawing, Drawing

A Chapel; Elevation and Floor Plan, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and chinese black wash with watercolor over red chalk and traces of graphite on wove paper, Architectural details. Top: section of apse;

Peep-show, Entree de la Ville de Venise Venant de Chiogia Avec l'Isle de St. Georges le Majeur Sur le Côté, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Floor plan, Episcopal church at Friendship, N.Y., John C. Wolf, Graphite, brush and brown watercolor, pen and black ink on heavy off-white paper, Plan of a church with exteriors in brown., USA, 1890–1900, architecture, Drawing, Drawing

Peep-show, Vue d'optique Representat le Pont Marie et le Pont Rouge a Paris, No. 66, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

View of the Dining Hall in Magdalen College, Oxford, Joseph Nash The Elder, British, 1808 - 1878, Brush and watercolor, white gouache, gray wash, black ink and graphite on heavy off-white wove paper, The Magdalen College dining hall is

Project for a Chalice, Pen and ink, brush and watercolor, sepia on paper, Only ornaments are architectural forms. On the back, the plan of the base., Italy, 1675–1700, metalwork, Drawing, Drawing

Tower Base, Sketch of Ruins in Forest, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of forest with the ruins of a building., USA, ca. 1855, landscapes, Drawing, Drawing

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor on paper, Lion paws support a base. Upon it, eagles and a vase at left, swans at right, are to support another base, upon which a

Girl in a Wicker Chair, Irving Ramsey Wiles, American, 1861–1948, Brush and watercolor, graphite on illustration board, A woman, dressed in clothing from the 1890s, reclines in a wicker chair, a table with still life behind her. Another

Design for a Painted Wall Decoration, with Alternative Suggestions, Unknown, Austrian, Brush and watercolor, gouache, graphite on heavy white wove paper, Design for a wall covering with rows of great petals alternating with staggered petal

Architectural project for the house of P.J. Hetzel, Eugène Emmanuel Viollet-le-Duc, French, 1814 – 1879, Giuseppe Trombetta, Watercolor, pen and black ink, and graphite on heavy off-white wove paper, Architectural plan for Jules Hetzel

Designs for Silver Tureen, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and sepia ink, brush and gray watercolor on paper, The tureen rests upon birds. Handles and cover finial with fishes. Several sketches of other suggestions for

Study of Cornflowers, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white paper, Vertical sheet depicting blue, violet, and pink cornflowers., USA, late 19th century, nature studies, Drawing, Drawing

Study of palm trees, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, graphite on paper, View of a house in the distance surrounded by palm trees and a stream in the foreground., USA, ca. 1880, landscapes, Drawing,

Index Peak, Clarks Fork, Wyoming, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on wove blue-green wove paper, Horizontal view of a pointed rock peak in the middle distance, placed just left

The Elevation of a Silver or Silver Gilt Tureen, Pen and brown ink, brush and gouache, watercolor on off-white laid paper, The left half suggests a much richer decoration--with rocaille and floral motifs--than the right one. The handle at left is

Landscape with Houses, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, A landscape with clustered groups of small houses with gabled roofs outlined against the sky., USA, ca. 1890, landscapes,

Drawing, Graphite, pen and ink, brush and watercolor on paper, Horizontal rectangle. At left is a wash stand with three legs. In the center is a vanity table, shown obliquely, with four lion feet in green bronze. Ornaments are of the same

Wall Decoration, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and ink, brush and wash, watercolor, graphite on white laid paper, laid down on white woven paper, Three wall panel decor:, First panel: A steak with

Design for the Ballroom of the Royal Palace at Warsaw as Decorated for a Festivity, Victor Louis, French, 1731 - 1802, Pen and black ink, brush and gray and various watercolor washes on white laid paper, France, ca. 1765, architecture,

Design for Printed Cotton, Frederick Schaub, b. 1969, Mulhouse, Pen and ink, brush and watercolor on paper, A single design unit consisting of a serpentine pattern of flowers and foliage. Boundaries of design indicated by red framing line.,

Design for China Decoration, Mary Morison Brownson, American, Gold, watercolor on paper. Red seal., Horizontal. Design for the decoration of a teapot, creamer, sugar bowl, cup, and saucer. Design in gold and blue on a white ground., USA,

Project for the Interior of a Room, Pen and ink, brush and watercolor on paper, Elevation of a room with three doorways, each with a canopy. Between these, candelabras. Panel of strapwork and more candles above., Italy, 1750–1775,

Sketch of Two Angels, Francis Augustus Lathrop, American, 1849 - 1909, Brush and blue watercolor on tracing paper, Two figures center. One above with a harp, looks out to the left. One below looks down to the left., USA, ca. 1895, figures,

Six Designs for Ogees, C. C., French, active 19th c., Graphite, pen and black ink, brush and grey watercolor, black on light creamy paper, The right corners are shown in the four upper designs, top and third rows: with leaf bands; second and

Ceiling Decoration for a Florentine Theater, G. Albergotti, Pen and black ink, watercolor, Italy, ca. 1840, theater, Drawing, Drawing

An English Country House, Carlton Theodore Chapman, American, 1860–1925, Charles Scribner's Sons, New York, New York, USA, Watercolor, pen and ink, with graphite, on cream wove paper, Large red-brick house beyond a pond, in the

Design for Curtains, for the Music Room or the Banqueting Room, Brighton, Royal Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on wove paper, Elevation of a wall, showing a design for the decoration of the

Design for the Decoration of the ceiling of a chapel, Black chalk, pen and ink, watercolor washes on paper., Italy, 1725–1740, architecture, interiors, Drawing, Drawing

Study of Wild Azalea, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on gray paper, Vertical sheet depicting white and pink wild azalea blossoms with green foliage on recto. On verso, sprays of dogwood., USA, early 20th

Glen Eyrie, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, graphite on cream-colored paper, Horizontal view of sandstone cliffs from an elevated point, with mountain range across plain in background.,

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed with green and gilded bronze, and white

March of Intellect, William Heath, British, 1794 - 1840, Engraving in black ink, brush and watercolor on paper, England, 1805-1815, Print, Print

Study of Basin, Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, Holy water basin in Siena Cathedral. A pillar on the left, two figures in right background., Siena, Italy, ca. 1872,

Study of Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, Top: an oblique view of the ceiling of the bay with the apse from the adjoining southern bay. Center: an unfinished view from

Design for a Throne of the Priest of Bacchus, after Ancient Marble, Black chalk, pen and ink, brush and watercolor on paper, Page divided vertically. At left, a view of the throne from an oblique angle. At right, an elevation. Scale below.

Birch Trees, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, graphite on paper, A forest scene with tall birch trees in the foreground extending beyond the limits of the composition, above. Tree-stumps, piles of cut

Stern View of Two Rowboats, England, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on gray paper, Horizontal view of the stern of two rowboats drawn up on sandy beach with steam and sailing vessels on horizon under a

Three Designs for Candlesticks, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light blue paper, Horizontal rectangle. Three designs for candlesticks labeled A, B, C from left

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, brown watercolor on white laid paper, Base supported by lion feet, decorated by festoons of olive branches caught by ribbon. On base, at left, a

Bronze Chandelier, Kaid Bey Mosque, Cairo, Alfred Normand, French, 1822–1909, Pen and black ink, brush and gray wash, red, green watercolor on tracing paper mounted to heavy wove paper, Design for a mosque lamp. Design, pictured center,

Setting a Squirrel Trap, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on wove paper, Sketch of two boys and a girl climbing over rocks in a wood and advancing towards a squirrel trap., USA, ca. 1858, nature studies,

Study of Amaryllises, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on gray, linen-textured paper, Vertical sheet depicting two sprays of pink and red amaryllises with green foliage., USA, early 20th century,

Design for a Ceiling, Graphite, brush and watercolor on paper, Design for a rectangular ceiling with grotesque decorations; only a quarter colored. At center, a cartouche with two putti., Italy, 1750–1800, interiors, Drawing, Drawing

Design for an Andiron, Lefebvre Manufactory, Tournai, Brush and yellow, red, green, black watercolor, pen and black ink, on cream laid paper, Horizontal design, two pilasters, center panel. Large pitcher at left, low bowl with flame at

Design for an Ovoidal Tureen, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for an ovoidal tureen intended to be produced in partly gilt silver. Below is an

Decorative Studies of Candelabra; Verso: Masculine Heads, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor over graphite on laid paper, Eleven decorative studies of candelabra with grotesques; two capitals. Verso: masculine

Study of seascape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a figure fishing off of a rock jetty., USA, ca. 1855, seascapes, Drawing, Drawing

Peep-show, Maison Quiserie de Magasins, pour la Marine du Roy, et une partie du Port de Plimouthe en Angelterre, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print,

Design for Woven Fabric, Brush and dark brown watercolor on cream laid paper, Rising bough with fantastical blossoms, leaves, and seeds in dark brown. Only part of the repeat is shown. Verso: black chalk design blotting., England, 1749–51,

Tureen, Pen and ink, brush and watercolor on paper, Design for a tureen with alternative suggestions. On top of cover is a putto supporting an escutcheon with a crown. C-and S-curve decorations throughout. Scrolling feet and handles with masks.

Frieze, Hobbs, Benton & Heath, Hoboken, New Jersey, Machine-printed paper, Art Nouveau. Alternating large and medium pink lilies connected by foliate/leafy swag. Secondary ribbon swag behind lilies. Outlined on the bottom by a simplified

Peep-show, Vue de l'Ecluse d'Amstel Regardant Par le Dehors d'Amsterdam, Engraving in ink with washes of watercolor on paper, mounted on scrapbook paper, Peep-show print, France, ca. 1750, Print, Print

Peep-show, Vue Perspective de l'Embouchure de l'Escaut et de la Possonnerie d'Anvers, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Looking up the Trail at Bright Angel, Grand Canyon, Arizona, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and watercolor, graphite on blue-green wove paper Verso: Graphite on blue-green wove paper, Vertical view up a gorge

Peep-show, Vue Perspective de la Rue des Peintres du Cote Inferieur Vers la Tour de Perlac à Augsbourg, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Design for a church doorway, Jean-Charles Delafosse, French, 1734–1791, Pen and Chinese ink, brush and watercolor, graphite on laid paper, Arched doorway of church, two angel-like putti at top center. Paned window above. Rosettes decorate

Übersee, Traunstein, Bavaria, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, gouache, charcoal on grey paper, laid down, Two trees in foreground, framing the composition. Water in middle ground, with silhouetted

Old Grist Mill, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache, graphite on paper, View of an old mill seen across the pond, partially hidden by foliage., USA, July 14, 1871, landscapes, Drawing, Drawing

Project for the Elevation of a Monstrance, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor on paper, The sunburst with seraphs is supported by a column issuing from an urn which rests on a spreading fluted base., Italy,

Design for a Pier Glass with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, Elevation of a console table and pier glass. Scrolling base with musical trophy and basket of flowers. The sides of glass have narrow

Designs for Mechanical Furniture: Two Washstands, Pen and black ink, brush and watercolor on paper, Two combination washstands and bidets, each with plan, section and elevation. One shown in plan and elevation only; the other shown in elevation,

Design for a Painted Porcelain Scalloped Salad Bowl, Brush and watercolor, black chalk on cream laid paper, Salad bowl in elevation (above) and plan (below) with scalloped body and rim. The rim is bordered with blue and gold; the shallow base in

Stage Design of a Garden Setting with Fountains and Arbors, Pen and black ink, watercolor, graphite, ruled borders in pen and black on white laid paper, laid down, probably Munich, Germany, France, ca. 1750, theater, Drawing, Drawing

Granada, Arnold William Brunner, American, 1857–1925, Graphite, white chalk, brush and watercolor on tan paper, A stairway on an incline, left, leading to a street of houses at the summit., USA, 1892, landscapes, Drawing, Drawing

Pool in the Woods, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, white gouache, graphite on tan paper, A stream in the woods, with a large tree fallen across it. Rocks in foreground, left and right, with a small

Project for a Painted Ceiling, Black chalk, brush and watercolor on paper, One half of a curved attic of red marble is shown rising upon an entablature., Italy, 1700–1750, interiors, Drawing, Drawing

Design for a Candelabrum., Pencil, ink, watercolor, tempera colors on tracing paper, The body of the lamp is a blue porcelain vase with an oval central field depicting a pair of figures against a light background, enclosed in a narrow gold

Design for Clock, Lefebvre Manufactory, Tournai, Pen and black ink, brush and yellow, red watercolor, graphite, on cream laid paper, Base of clock supported by lion feet, decorated at front with octagonal panel with a bow and quiver crossed,

Peep-show, Vüe Perspective de la Ville de Cadiz du Cote du Port, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Peep-show, Vuë Perspective de Bilbao, Ville d'Espagne dans la Biscaye, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Design for Two Candlesticks, Brush and watercolor, pen and black ink, on cream laid paper, Intended to be executed in green and gilded bronze and marble. At left: A woman in classical attire stands upon a pedestal and carries in each arm a horn.

Design for Nine Circular Paintings in the Bathroom of the Aldini Villa, Montmorency, France, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor over pencil on rough grey paper., Horizontal rectangle. Nine roundels

Study of landscape, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a cabin with mountains in the background., USA, ca. 1856, landscapes, Drawing, Drawing

First Designs for Ickworth House, Suffolk, England, Mario Asprucci The Younger, Italian, 1764 – 1804, Pen and black ink, brush and watercolor, white gouache, graphite on paper, Front elevation of a two-story circular building with engaged

Design for clock, Lefebvre Manufactory, Tournai, Pen and black ink, brush and yellow, red watercolor, on cream laid paper, Base of clock supported by knobbed feet, at front panel are crouching sphinxes ending with rinceaux decoration. Dial

View of Masquerade Ball, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and gray wash, watercolor, black chalk on white laid paper, A crowd in fancy dress in a hall, showing a buffet in the center of a peristyle in the

Design for a Theater Curtain, V. Bertolotti, active 1850–1860, Pen and black, blue ink, brush and watercolor, gouache, gold paint, graphite on wove paper, Horizontal format. Designs in the grotesque style. An exedra forms the central motif

Design for Wallpaper, Watercolor on paper, A stylized design with a repeat motif of wheat, and interlacing leaves, against a neutral background., USA, 1894, ornament, Drawing, Drawing

Overdoors: Kneeling Saint, Pen and gray ink, brush and watercolor, partial ruled border graphite on white laid paper, At left, a door with triangular pediment topped with an oval panel showing a kneeling saint, surrounded with flowers. At

Design for a Pedestal and a Bowl, Intended for Execution in White and Rose Marbles for Marie Antoinette at St. Cloud, Unknown, Pen and Chinese ink, brush and grey and rose watercolor, black ink on paper, The pedestal stands upon a base. It is

Arrival of Ships in America, Brush and watercolor on paper, mounted, In the foreground are white men and women and American Indians smoking the peace pipe, carrying bundles, and embarking from a small boat. Larger ships are in the harbour in the

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