Images at Librifly

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Architectural Ornaments:, Watercolor, over pen and brown ink Support: coarse white laid paper, Italy, Italy, 1675–1700, architecture, Drawing, Drawing

Peep-show, Veue et Perspective de la Samaritaine de Paris, No. 62, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Peep-show, Vue Perspective du Pont et de la Ville de Ruremonde dans le Pays Bas, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Section of a wall showing groups of painted panels, Oval Chamber, Salon Louis XIV, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, the wainscoting containing groups of

Wall Elevation of Bedroom Alcove, Pierre Ranson, French, 1736–1786, Pen and brown ink, brush and watercolor, gouache, graphite on white laid paper, Elevation of a section of a painted wall showing an alcove at center hung with tasseled

Three Designs for Candlesticks, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on light blue paper, Horizontal rectangle. Three designs for candlesticks with the coat of arms of Cardinal Braschi.

Designs for Mechanical Furniture: Bidet and Reading Washstand, Pen and black ink, brush and watercolor on paper, A bidet is seen in isometric projection and in elevation. Below, a washstand, with drawer extended, which from the other side

Circular snuffbox with portrait miniature, Watercolor on painted on ivory horn, carved ivory, engine-turned foil backing paper; brass, paper, Round box, amber-colored horn, separate cover with portrait of man in green goat, white stock, blue

Study for landscape, Hasliberg, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, gaphite on paper, Sketch of a cabin in a forest., USA, ca. 1856, nature studies, Drawing, Drawing

Fraktur: Baptismal Certificate of Maria Schaeffer, P. Otto, Brush and watercolor, pen and ink, graphite on paper, Stylized floral motifs surround a heart-shaped area inscribed in German script., Pennsylvania, USA, 1820, religion,

Elevation of a Processional Lantern, Graphite, pen and ink, brush and watercolor on paper, Design for a lantern. The burning candle is visible at front. The short oblique sides are decorated with garlands hanging from volutes. The upper part has

Design for a Domed Classical Temple with Portico, Pen and brush and black ink, black wash, blue and brown watercolor, black chalk on heavy cream laid paper, ruled border in brush and black ink, Circular, domed temple in elevation and plan,

Two Girls in a Rowboat, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on heavy cream wove paper, Two girls (female figures) in a rowboat rest in the middle of a river, each caught up in her own thoughts, the oars limp

Wall Elevation of a Bedroom Alcove, Pierre Ranson, French, 1736–1786, Pen and brown ink, brush and watercolor, white gouache, graphite on white laid paper, White-toned walls with blue accents. A day bed is arranged in an alcove, under

Illustration Showing the Triumphal Return of the German Army After the German-French War, Walter Shirlaw, American, b. Scotland, 1838–1909, Charcoal, watercolor and grey wash on paper, Titlepiece showing the triumphal entry of the Crown

Design for the Base of an Oil Lamp, Brush and gouache, watercolor, graphite, and pen and brown ink on cream tracing paper, lined, The body of the lamp is a blue porcelain vase, with a central field depicting a young girl seated in a landscape,

Tangiers, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on gray paper, View of the city from a high vantage point, the city wall and figures in the foreground. The sea is in the background, with the shore line

Peep-show, Vue d'Une Des Maison de Plaisance et d'Une Partie du Comte de Burlington du Côté de la Tamise, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Peep-show, Vüe des Enfers, 7, Vue d'Optique Nouvelle, Representant, La Descente d'AEnée aux Enfers, Avec le Palais de Pluton Dans L'Éloignement, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show

Peep-show, Vue Perspective du Dedans de L'Eglise des Chartreux de Pavie en Italie, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Study of doorway, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a doorway in shadow with a vine growing on left., USA, ca. 1855, architecture, Drawing, Drawing

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of clouds with silhouette of a building in the background., Rome, Italy, 1893–1894, nature studies,

A Seascape, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, Sail and row boats in a shallow bay. Low hills beyond., USA, ca. 1885, seascapes, Drawing, Drawing

Design for Painted Decoration of a Wall, Brush and gouache, watercolor on paper, A dado is shown at the bottom, a frieze with wreaths hanging around a molding and an entablature above. The decoration of the panel is white upon blue. Ribbons,

Wall Decoration, Domus Aurea, Rome, Vincenzo Brenna, Italian, 1745 – 1820, Franciszek Smugliewicz, 1745 – 1807, Brush and gouache, watercolor, over etching trimmed to the plate mark, Design for a wall decoration. View of red colored

Taufschein [Birth Certificate], Pen and black and brown ink, brush and watercolor over letterpress on white wove paper, Letterpress-printed form in English with text entered in with ink. Above, putti on a cloud holding a laurel wreath and an

Design after Paintings by Raphael and Paintings in Bologna by Albani, Francia, Parmigianino; Monument Verso: Anatomical Study, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and sepia, watercolor washes on laid paper,

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow and red-brown watercolor on cream laid paper, Base on cushion feet, front panel represents Cupid, his wings being clipped by four girls. Above, a

Europa, Giovanni Volpato, Italian, 1740 - 1803, Jacopo Amigoni, 1682 - 1752, Etching and brush and watercolor on paper, Allegory of Europe, France, 1740–1803, Print, Print

Design for a Hall Wall, pen and ink, brush and watercolor, black chalk on paper, A panel with an elaborated marble fountain is flanked by two doors, halves of which are shown. The overdoors show griffons flanking urns., France, ca. 1750-1775,

Alternate Ceiling Designs for the Teatro Comunale di Imola, Pen and ink, brush and watercolor on paper, Design for a horseshoe shaped chamber, showing panels opening to simulate sky. The right half is octagonal in shape. Below, ducal arms.,

Design for a Woven or Printed Fabric or Wallpaper, Graphite, brush and purple watercolor on paper, One repeat is shown consistsing of undulated rising flower stems which are crossed at the bottoms by a horizontally disposed bough. Right bottom:

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Elevation of a chimney piece. Tablet at center with four putti dancing and making music. Bucranium and flowers on either side. Profile shown at left., Italy, ca.

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Orchstres places aux Champs elysees, dans le gran carres', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, pen and black ink, graphite Support: light tan paper mounted on off-white paper, Design for two open air pavilions. At right: A

Design for a Ceiling with the Arms of Pope Clement XI, Pen and sepia, brush and watercolor on paper, Ceiling divided into panels. At bottom center, an anchor and two palm branches fastened together by a ribbons. Opposite to this, a crucifix and

Decorative Studies; Verso: Profile Heads of Barbarians, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Three studies of partitions; study of ceiling with grotesque; festoon. Verso: two

Church of St. Paul the Apostle, New York City, Chancel Decoration, Watercolor, gouache, over graphite on buff-colored thick wove paper, A perspective view of the interior looking toward the sanctuary. Behind the altar, the rendering of the

Granada, Arnold William Brunner, American, 1857–1925, Brush and watercolor on tan paper, Steep tower-like walls, right, with window openings near the top, and surmounted by arcades beneath tile roofs. Mountain in background, left., USA,

Design for a Candlestick with a Clock, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a candlestick with clock intended to be executed in gilded and green bronze and

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a landscape with ruins., USA, ca. 1855, landscapes, Drawing, Drawing

Vases and Urns, Jean-Charles Delafosse, French, 1734–1791, Pen and ink, brush and watercolor, graphite on laid paper, Assemblage of vases and urns in a classical cemetary. Some stand on pedestals, others are on the ground. At lower left the

Design for a Fountain, Pen and ink, brush and watercolor, graphite on paper, A fountain, under an architectural canopy, showing on top the royal French coat of arms and dolphins with a crown. A native with a loin cloth, a stick, a bottle, a

Elevation of a Country Villa, Pen and black ink, brush and rose, brown and blue watercolor, black wash, with black chalk indications on paper, Elevation of a free standing villa. The central part of the building has two stories, the upper one

Sketches for Paintings, Pen and ink, brush and watercolor, white heightening on paper, At top, an expulsion. Below, a battle scene with an Amazon., Italy, ca. 1800, figures, Drawing, Drawing

Design for Wallpaper or Textile, Graphite, blotted crayon, brush and purple watercolor on paper, Recto: rising, undulated leaf stem with blossoms and buds, a bunch of grapes and scrolls. Verso: Vertically, top right unfinished: a motif with

Design for Mechanical Furniture: Canopy Bed, Pen and black ink, brush and watercolor on paper, A canopy tent bed surmounted by an urn. Underneath, a drawer for chamber pots, exposed. Bed decorated with batwing fan and bow, arrow and quiver

Sketch for a Fountain in Park, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on laid paper, Double-flighted stairs connecting an upper and a lower levels. Fountain consisting, on the upper level, of a basin with

Design for a Painted Ceiling, Brush and gouache, watercolor on paper, One half of the design is shown. A rosette in a laurel wreath decorates the central oblong panel. Squares are shown in the corners and in the centers of the sides; they are

Vitré, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, Interior of a large kitchen, with a monumental stone fireplace facing the spectator. A woman sits beside a long table, right, and a cat is seated

Design for a Sepulchral Monument, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and ink, brush and watercolor on paper, An obelisk rises before the wall of a narrow bay. Before it stand an urn on a pedestal. A displayed eagle and

Design for the West Wall of the Entrance Hall, Royal Pavilion at Brighton, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor, graphite on white wove paper, Elevation of a wall, with a central niche containing a

Costume Design: No. 29, Two Wealthy Russian Peasants, for Snow Maiden, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1922, theater, Drawing, Drawing

Peep-show, Vuë Perspective du Palais de Ruspoli, à Rome, No. 2, Engraving in ink with watercolor washes on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Entombment of Christ, Brush and bistre wash, red watercolor, red chalk, white gouache (oxidized) on paper, St. John and one of the Elders have begun to carry the corpse away. Mary Magdalene kneels at right, the Virgin sits at left. Two persons

Trophy with Flute, Ivy and Blue Ribbon, Antoine Berjon, 1754 – 1843, Pastel, black chalk, watercolor Support: white laid paper, glued to mount of ruled borders, A wreath of leaves with a flute tied to it below by a ribbon., Lyon, France,

Nypmhs Sacrificing to Mercury, Bonnefoy, Angelica Kauffmann, (Swiss, 1741–1807), Stipple engraving, brush and watercolor on paper, Classical scene with two nymphs making a garland, while a third is about to plae a crown of flowers on a bust

Design for a country villa, Pen and ink, brush and watercolor, graphite on laid paper, A two-story structure with dormers and lateral wings. The central section consists of seven bays and the ground floor projects semicircularly., France,

Design for a Chimneypiece, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and watercolor, graphite on white paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in marble and bronze. Satyrs without

Two designs for andirons, Lefebvre Manufactory, Tournai, Brush and yellow, red-brown, green watercolor, black wash, graphite, on cream laid paper, Above, a lion stands in profile, front right paw on a ball. Pilasters decorated with a

Ceiling light suggestions for a music room, John C. Wolf, Brush and watercolor, graphite on heavy white paper, mounted on gray illustration board, Several stained glass suggestions some containing wreaths with ribbons; others with trophies

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Design for two andirons, Lefebvre Manufactory, Tournai, Brush and yellow, green, red, black watercolor, graphite, on cream laid paper, Above: center panel with a lion mask flanked by pilasters decorated with palmette motif. On top, lowered

Ceiling Ornament, Pen and gray ink, watercolor, traces of graphite, ruled borders in pen and gray, Support: white laid paper, Italy, Italy, ca. 1870, interiors, Drawing, Drawing

Designs for Mechanical Furniture: Wardrobe, Desk and Dressing Table, Graphite, pen and black ink, brush and watercolor on paper, Above, wardrobe; center, desk; lower, combination writing and dressing table; top, two plans, section and

Project for a Case in a Vestry with Alternative Suggestions, Graphite, pen and black ink, brush and watercolor on paper, Measured elevation with alternative suggestions. Front and side view shown. At top, a crucifix in yellow watercolor.,

Window Decoration, Probably for the East Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Watercolor, graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton.

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, red watercolor on cream laid paper, Base supported by tapered legs of descending concentric circles. Front panel decorated with festoons and

Elevation toward Polo Grounds, Clubhouse, Newport, Rhode Island and Golf Club, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Two-story building with pointed roof, balustrades, and greenery. In front of

The Rear Elevation of the Chateau de Boufflers, Pen and ink, brush and watercolor, graphite on paper, France, 1680, Drawing, Drawing

Grotto in the Boboli Gardens, Florence, Brush and watercolor, white gouache, pen and black ink over graphite on off-white laid paper, View across a meadow toward a grotto in the Boboli Gardens which features a fountain. The central portal is

Study of a Linden Branch, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on paper, Vertical sheet depicting a linden branch with leaves and berries. On verso, three studies of raspberry canes., USA, early 20th century,

Design for Bottle Cooler, Glasses, and Tray, Giovacchino Belli, Italian, 1756 - 1822, Pen and black ink, brush and gray wash, yellow watercolor, graphite on cream laid paper, Vertical rectangle. Design for bottle cooler, glasses, and

Elevation of a Reliquary Cross, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and ochre and black watercolor, graphite on paper, Vertical rectangle. Design for a reliquary, the pedestal in the shape of an antae sarcophagus,

Design for a Candlestick, Graphite, pen and ink, brush and watercolor and wash on paper, Two branches formed by leaves rise along the two lateral edges of the hexagonal gaine which forms the shaft. One leaf passes in front, the other behind,

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

The Opening of Trade, Brush and watercolor on paper, mounted, A fashionably dressed man and woman, left, approach a group of people, at right, one of whom rolls a barrel, while another writes on a paper on a bale makred [stylized 4s] and

Decorative Studies; Verso: Anatomical Studies of Toes, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on cream laid paper, Five studies of ceilings with grotesques; friezes; four candalabra. Verso:

Bacchanalian Scene, Johann Sebastian Bach, German, 1685 - 1750, Pen and grey ink, brush and grey, green, and pink watercolor washes on off-white laid paper, with watermark of Fleur-de-lis in a shield surmounted by a crown. (Probably Dutch

Study for 'The Gulf Stream', Winslow Homer, American, 1836–1910, Brush and watercolor, black chalk on heavy white wove paper, Vertical view showing the listing bow of a boat with a broken mast, among swelling waves., USA, 1898–99,

Design for Equestrian Monument of Charles III, Pen and brown ink, brush and blue-gray watercolor on cream laid paper, Design for an equestrian monument of Charles III. The male figure seated upon his horse, whose front legs are raised and hind

Rendering of One Sutton Place, New York City, Graphite, pen and black ink, brush and watercolor on white paper mounted on board, Front and side elevations of a four story brick and limestone trim corner house, erected for Mrs. William K.

West View of Bridge at Blenheim, Oxfordshire, John Buckler, F.S.A., British, 1770 – 1851, Graphite, pen and brown ink, brush and watercolor, View of the lake and bridge at left with the castle in the distance at right. A herd of deer is

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of an octagonal ceiling panel with figures in loose garments., USA, ca. 1894, mural designs, Drawing, Drawing

Hacienda on the Lerma River, San Juan, Mexico, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, pen and red ink, graphite on gray laid paper. Ruled border in graphite, mounted on off-white wove paper.,

Silhouette Portrait of a Young Woman, Brush and black and gray watercolor on off white laid paper, Portrait of a woman with a head dress of feathers facing left in a painted oval frame decorated with a garland and aknotted bow., England, ca.

Stage Design: Walled Courtyard with View of a Garden, Andrea Pozzo, Italian, 1642–1709, Pen and brown, red ink, watercolor on paper, Horizontal rectangle showing a paved courtyard decorated with Tuscan columns, roundels and and sculpture

Design for a Printed Textile: Floral Border with Islands on a Lake, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Pen and black ink, brush and watercolor, graphite on blue laid paper, Flowered border enclosing small

Front Elevation of the Newport Country Club, Harrison Avenue, Newport, Rhode Island, Whitney Warren Jr., American, 1864–1943, Brush and water-colors over graphite on heavy cream illustration board, Elevation, executed in delicate

Study for the Clubhouse of the golf club of Newport, Whitney Warren Jr., American, 1864–1943, Graphite, pen and red ink, brush and brown, red, light blue, green, and black watercolor, on cream wove paper, Elevation, executed in

Plan, Sketch for Library Museum for J. Pierpont Morgan, Esq., New York, Graphite, pen and black ink, brush and blue and yellow watercolor, red and green crayon, on tracing paper mounted on white laid paper, Floor plan of the 'Library Museum'

Courtyard of a Medieval Manor, Arnold William Brunner, American, 1857–1925, Pen and ink, brush and watercolor on grey drawing paper, Courtyard of a medieval manor. Flight of steps leads up to an open gallery, where a figure stands ready to

Design for Ceiling Decoration, Probably for the Entrance Hall, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for the ceiling of a square

Study of Chestnut Tree Branches, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, gouache on brown wove paper, Horizontal sheet depicting two chestnut branches with leaves and blossoms. On verso, a single chestnut branch

Loches, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, Small houses in the foreground, with the tall tower of a chateau rising behind them., USA, 1883, landscapes, Drawing, Drawing

Design for an Earring, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for an earring. Above, a round diamond in a circular frame. In the center, a knot with three drops., Italy, early 18th century, jewelry, Drawing,

Jewelry Design, Connection Between the Disk and the Drop of an Earring, Pen and ink, brush and gray watercolor on light green paper, Jewelry design showing the connection between the disk and the drop of an earring. A spiral of a ribbon with two

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. Design scheme is like 1938-88-833, but the knot consists of a single ribbon with

Project for the Decoration of a Panel, Pen and ink, brush and gray watercolor wash on laid paper., One half of an oblong panel with an escutcheon at top., Italy, ca. 1580, ornament, Drawing, Drawing

Design for an Earring, Pen and sepia ink, brush and gray watercolor on paper, Design for an earring. Above is a kind of escutcheon with a blossom of diamonds. Below, an oval formed by a row of beads, with a vase inside. Both parts are connected

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