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An Emaciated Horse Led by His Master, late 16th century, Attributed to Iran, Ink and watercolor on paper, H. 2 1/8 in. (5.4 cm), Codices, A man with a water skin or possibly a saddle slung over his shoulder leads an emaciated horse across a

明 佚名 釋教三尊曼陀羅圖 軸, Mandala of Vajradhara, Manjushri and Sadakshari -Lokeshvara, Ming dynasty (1368–1644), dated 1479, China, Tangka; ink, opaque watercolor on gold, Image: 58 x 37 1/2 in. (147.3 x 95.3 cm), Paintings,

Flowers: Roses, late 19th–early 20th century, Watercolor on brown paper, 20 15/16 x 14 5/16 in. (53.2 x 36.3 cm), Drawings, Paul de Longpré (French, Lyon 1855–1911 Hollywood

Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna), ca. 1695, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, H. 7 1/4 x W. 11 3/8 in. (18.4 x 28.9 cm), Paintings, Vegetation and architecture divide

Monument du Costume. La Vie Mondaine a Paris. 70 aquarelles (...) pour Mr. Henri Béraldi, celebre bibliophile., ca. 1913, Watercolor, Overall: 16 x 12 3/8 in. (40.6 x 31.4 cm), Portfolios, Marie-Louis-Pierre Vidal (French, Tours,

Woman in oriental dress selling lemons, 1903, Watercolor, gouache, sheet: 3 9/16 x 5 7/16 in. (9.1 x 13.8 cm), Drawings, Wilhelm Geissler (German, 1848–1928

'Kai Khusrau Crosses the Sea', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, Page: 8 x 4 7/8 in. (20.3 x 12.4 cm), Codices, These leaves come

Sarah Ann Beck, ca. 1818, Watercolor on ivory, 3 x 2 1/2 in. (7.6 x 6.4 cm), Paintings, Anna Claypoole Peale (1791–1878), The sitter (1804-1877) was the daughter of Daniel Beck and Katherine Krider of Philadelphia

Ada Brown, 1847, Watercolor on ivory, 1 15/16 in. (4.9 cm) x 1 7/16 in. (3.61 cm), Paintings, John Henry Brown (1818–1891), The sitter was the artist's daughter

Design for a Chair Seat Cover, ca. 1850–70, Pen and ink and watercolor, 5 9/16 x 5 11/16 in. (14.2 x 14.5 cm), Anonymous, French, 19th century, This small drawing shows a design for a seat cover in the Louis XVI style of artist such as

The Three Roads, ca. 1840, India (Hyderabad), Ink and opaque watercolor on paper, 7 5/16 x 6 7/16 in. (18.6 x 16.4 cm), Paintings

Celestial Performers: Folios from a Kalpasutra Manuscript, ca. 1490, India (Gujarat), Ink and opaque watercolor on paper, Overall: 4 1/2 x 11 1/2 in. (11.4 x 29.2 cm), Paintings, In Jain cosmology, Shakra’s heaven is a blissful place where

'Farhad Carves a Milk Channel for Shirin', Folio 74 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Painting: H. 8 3/8 in. (21.3 cm), Codices,

Nude Female Figure Holding Left Foot, n.d., Graphite with watercolor wash on cream paper, 19 7/16 x 12 9/16 in. (49.4 x 31.9 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon

Council of Heroes: Page from a Dispersed Mahabharata (Great Descendants of Mahabharata), ca. 1800, India (Maharashtra, Paithan), Ink and opaque watercolor on paper, 11 x 16 1/4 in. (27.9 x 41.3 cm), Paintings

'Rustam's First Encounter with Afrasiyab', Folio from a Shahnama (Book of Kings), dated A.H. 1077/ A.D. 1666–67, Attributed to Iran, Isfahan, Ink, opaque watercolor, silver, and gold on paper, Codices, Attributed to Mu'in Musavvir (active

'The Fire Ordeal of Siyavush', Folio from a Shahnama (Book of Kings) of Firdausi, 1482, Attributed to Iran, probably Shiraz, Ink, watercolor, and gold on paper, 12 3/16 x 7 15/16in. (31 x 20.2cm), Codices, After Prince Siyavush rejected the

Folio from a Buddhist Manuscript of Pancavimsatisahasrika Prajnaparamita, Pala period, ca. 1090, India (Bengal) or Bangladesh, Opaque watercolor on palm leaf, 2 1/4 x 22 1/2 in. (5.7 x 57 cm), Paintings

Krishna Brings the Messenger Akrura Inside Nanda’s House: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1620–30, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, 6 1/2 x 13 1/4 in. (16.5 x 33.7 cm), Paintings, Akrura

'Alexander Executes Janusiyar and Mahiyar, the Slayers of Darius', Folio from a Shahnama (Book of Kings) of Firdausi, dated A.H. 887/A.D. 1482, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 8 3/4 x 5 3/8in. (22.2 x

Watercolor of musician playing sona, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Head of a Youth with a Diadem, late 15th–early 16th century, Italian, Pen and brown ink, brown wash, red and blue watercolor, on tinted paper., 6 15/16 x 5 5/8 in. (17.6 x 14.3 cm), Drawings, Cristoforo Caselli (1460–1521) (?), Caselli,

Shading Des Waiter Nos 8880–5767, 1889–91, (none assigned) New York, New York, United States, American, Graphite, watercolor, and ink on green wove paper, Overall: 14 3/4 x 11 in. (37.5 x 27.9 cm), Drawings, Tiffany & Co.

'Bahram Chubina Kills the Lion-Shaped Ape Monster', Folio from a Shahnama (Book of Kings), ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Text block: 6 5/16 x 5 in. (16 x 12.7

Page from a Dispersed Book of Dreams, mid-late 19th century, India (Rajasthan), Ink and opaque watercolor on paper, 6 1/4 x 8 7/8 in. (15.9 x 22.5 cm), Paintings

Double Sided Painting; Male with Flower/ Soldier, mid-late 19th century, India, Ink and opaque watercolor on paper, 6 1/4 x 8 7/8 in. (15.9 x 22.5 cm), Paintings

Design for a tapestry of medieval ladies and lords, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white artist board, 17 x 15 3/8 in. (43.2 x 39 cm), Drawings, Possibly Tiffany Glass

Design for window of Angel Gabriel, 'Annunciation Angel [?]', late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, graphite, and ruled white ink on off-white wove paper - shaped and mounted on warm

Revised Design For Hunt Room Mantel, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and brown inks, and graphite on artist board paper, Overall: 16 9/16 x 13 11/16 in. (42 x 34.7 cm), Drawings,

Design for church interior with Noli Me Tangere window, ca. 1890–1900, Made in New York, United States, American, Watercolor, gouache, photograph, collage, pen and colored inks, graphite, Overall: 20 7/8 x 20 3/4in. (53 x 52.7cm),

Portrait of a Gentleman, 1800, Watercolor on ivory, 3 1/4 x 2 11/16 in. (8.3 x 6.8 cm), Paintings, Jeremiah Paul, 1775-1820

'Muhammad Revives the Sick Boy', Folio from a Falnama (Book of Omens) of Ja'far al-Sadiq, 1550s, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, Painting: H. 23 1/16 in. (58.6 cm), Codices, This illustration belonged

Göetz von Berlichingen Being Dressed in Armor by His Page George, 1826–27, Watercolor and bodycolor with stopping out and gum arabic on wove paper, 8 3/8 x 5 5/8 in. (21.3 x 14.3 cm), Drawings, Eugène Delacroix (French,

Tea Party at the Prince de Conti's, mid-19th century, Pen and black ink, brush and gray wash, watercolor, over graphite, 11 x 24 9/16 in. (28 x 62.4 cm), Drawings, Henry-Bonaventure Monnier (French, Paris 1799–1877 Paris

Maharana Sangram Singh Hunting Wild Boar, ca. 1725, Western India, Rajasthan, Udaipur, Ink and opaque watercolor on paper, 12 1/4 x 17 13/16 in. (31.1 x 45.2 cm), Paintings, Riding a light gray stallion, the maharana of Mewar, Sangram

Facade of Chartres Cathedral, 1906, Watercolor, pen and green ink over graphite, sheet: 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm), Drawings, Roger Eliot Fry (British, Highgate, Middlesex 1866–1934 London

'Bahram Gur in the Sandal Palace on Thursday', Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 7 13/16 in. (19.8

Hanuman before Rama and Lakshmana, ca. 1710–25, India (Punjab Hills, Mankot), Ink and opaque watercolor on paper, 8 x 12 1/8 in. (20.3 x 30.8 cm), Paintings, When Hanuman, as the messenger of Sugriva, first encounters Rama and Lakshmana,

Watercolor of musician playing jiaoluo, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Design for a University (entrance facade and plan), n.d., Ink and watercolor, sheet: 14 1/4 x 9 15/16 in. (36.2 x 25.2 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Procession of Carriages Carrying Booty: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1640–50, India (Gujarat), Ink and opaque watercolor on paper, Image: 9 in. × 7 1/2 in. (22.9 × 19.1 cm), Paintings, This scene of recovered booty

Studies of the trunk, blossoms and fruit of a wild apple tree (Malus sylvestris), 1788, Watercolor, over a sketch in black chalk or graphite. Double framing in pen and black ink., sheet: 21 x 14 15/16 in. (53.4 x 38 cm), Drawings, Ludwig

The Death of the Giant Shankachura: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), 1680–90, India (Bikaner), Ink and opaque watercolor on paper, Overall: 8 7/8 x 12 1/4in. (22.5 x 31.1cm), Paintings, As the songs of

'Rustam Pleads for Tus Before Kai Khusrau, ' Folio from a Shahnama (Book of Kings), A.H. 741/A.D. 1341, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Page: 14 1/2 x 11 7/8 in. (36.8 x 30.2 cm), Codices

'Battle Between Iranians and Turanians', Folio from a Shahnama (Book of Kings), 1562–83, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Codices

Plan for the Renovation of a Chapel in the Nave of the Cathedral of Notre Dame, Paris, 1843, Watercolor, shell gold, pen and black ink, traces of graphite, gouache guidelines., sheet: 23 5/8 x 37 3/16 in. (60 x 94.5 cm), Drawings,

'Portrait of a Persian Lady', Folio from the Davis Album, ca. 1736–37, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Page: H. 13 1/8 in. (33.3 cm), Codices, This folio depicts a lady seated on a balcony before an expansive

A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, dated 1694–95, India (Punjab Hills, Basohli), Opaque watercolor, ink, silver, and gold on paper, Overall: 8 5/8 x 12 3/4in. (21.9 x 32.4cm), Paintings,

'Preparing Medicine from Honey', from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides, dated A.H. 621/ A.D. 1224, Attributed to Iraq, Baghdad, Ink, opaque watercolor, and gold on paper, H. 12 3/8 in. (31.4

Design for 'Angel of Faith' window, 1896, Made in New York, United States, American, Watercolor, gouache, and graphite on paper [photostat?] mounted on board, Overall: 13 1/2 x 6 3/4 in. (34.3 x 17.1 cm), Drawings, Tiffany Glass and

View of the Massif of Mont Blanc near the 'Petit Jorasse, Grand Jorasse, le Géant' with the 'Glaciers des Périades et Jorasse' and the 'Glacier de la Venval' as seen from the 'Col de Fenêtre près du Gd. St. Bernard', late 18th–19th century,

Queen Choladevi Before the Hermit-Sage Angiras: Page from a Dispersed Vrataraja: (King of Vratas, Rites Undertaken to Fulfill a Vow), ca. 1790, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, 8 1/4 x 11 1/2 in. (21 x 29.2 cm),

Page from a Dispersed Rasikapriya (Lover's Breviary), 1685, India (Rajasthan, Bikaner), Ink, opaque watercolor, gold and silver on paper, Image: 7 3/8 × 5 1/8 in. (18.7 × 13 cm), Paintings, Nuruddin, Within a palace courtyard, Krishna

'Arjuna Battles Raja Tamradhvaja', Folio from a Razmnama, ca. 1616–17, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: 15 1/2 x 14 9/16 in. (39.3 x 37 cm), Codices, Akbar was the first of the Mughals to commission

Watercolor of musician playing drum, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Bakasura, the Crane Demon, Arrives in Brindavan: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1700, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 5/8 x 14 in. (19.4 x 35.6 cm), Paintings,

Hanuman Revives Rama and Lakshmana with Medicinal Herbs, ca. 1790, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, 9 15/16 x 13 15/16 in. (25.2 x 35.4 cm), Paintings, Workshop active in the generation after Nainsukh (active

'Amr has the Infidels Thrown into the Sea', Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din, ca. 1476–86, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 15 11/16 x 11 1/4in. (39.8 x 28.6cm),

Youth and Dervish, second quarter 17th century, Made in Iran, Isfahan, Ink, opaque watercolor, and gold on paper (tinted drawing), 9 1/2 x 7in. (24.1 x 17.8cm), Codices, While the inscription in the drawing assigns it to the celebrated

Leaf from a Kalpa Sutra (Jain Book of Rituals), 15th century, India (Gujarat), Ink, opaque watercolor, and gold on paper, (Average size .1–.71): 4 1/2 x 11 3/8 in. (11.4 x 28.9 cm), Paintings, Bhadrabahu (Indian, died ca. 356 B.C

The Emperor Aurangzeb Carried on a Palanquin, ca. 1705–20, Made in India, Opaque watercolor and gold on paper, H. 22 7/8 in. (58.1 cm), Codices, Painting by Bhavanidas (active ca. 1700–1748), The emperor Aurangzeb (r. 1656–1707) and his

Courtyard of House at no. 29, Rue de la Tannerie, Abbeville, Somme, France; said to be from the reign of François I, 1865, Watercolor, sheet: 19 1/8 x 13 5/8 in. (48.6 x 34.6 cm), Drawings, Lewis John Wood (British, London 1813–1901

'Caesar Makes a Talisman', Folio from a Shahnama (Book of Kings), ca. 1330–40, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, Painting: 1 5/8 x 4 5/16 in. (4.2 x 11 cm), Codices

Folio from a Qur'an Manuscript, late 15th–early 16th century, Attributed to India, probably Delhi or Jawnpur, Ink, opaque watercolor, and gold on paper, 20 9/16 x 12 3/8 in. (52.2 x 31.4 cm), Codices

Portrait of a Boy, 1840s, Made in United States, Watercolor on ivory, Sight: 3 1/8 x 2 3/8 in. (7.9 x 6 cm), Paintings, The boy holds a bird squeak toy

Krishna and Balarama Fight the Evil King Kamsa’s Wrestlers: Page from a Dispersed Bhagavata Purana, ca. 1650, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, Image: 6 1/2 × 7 3/4 in. (16.5 × 19.7 cm), Paintings, Kamsa

Celestial Performers: Folios from a Kalpasutra Manuscript, ca. 1490, India (Gujarat), Ink, opaque watercolor, and gold on paper, Overall: 4 1/2 x 11 1/2 in. (11.4 x 29.2 cm), Paintings, In Jain cosmology, Shakra's heaven is a blissful place

Page from a Dispersed Rasikapriya (Lover's Breviary), ca.1650, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, Image: 9 in. × 7 1/8 in. (22.9 × 18.1 cm), Paintings

The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series, ca. 1800–10, India (Kangra, Himachal Pradesh), Ink and opaque watercolor on paper, Page: 11 1/2 x 15 9/16 in. (29.2 x 39.5 cm), Paintings, Attributed to Ranjha,

Portrait of a Gentleman and His Daughter, ca. 1805, Watercolor on ivory and painted paper, 3 1/2 x 4 9/16 in. (8.9 x 11.6 cm), Paintings, Francois M. Guyol de Guiran (1773/77–1849), Guyol de Guiran is known exclusively by this signed work of

View of Vietri with Young Country Women Dancing for Shepherds in the Foreground, 1800, Dark gray ink, watercolor, gouache, black chalk, black ink, sheet: 24 5/16 x 37 3/8 in. (61.7 x 95 cm), Drawings, Joseph Anton Koch (Austrian, Obergibeln

Madame Jerome Bonaparte (Elizabeth Patterson), ca. 1805–10, Watercolor on ivory, 3 13/16 x 3 1/2 in. (9.7 x 8.9 cm), Paintings, Attributed to Thomas Sully (American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania), After

View into the Courtyard of an Inn at Colmar, 1821–77, Watercolor, over a sketch in graphite, sheet: 10 7/8 x 8 9/16 in. (27.7 x 21.7 cm), Drawings, Eduard Gaertner (German, Berlin 1801–1877 Zechlin

Tonsure of Mahavira: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519), India (Gujarat), Ink, opaque watercolor, and gold on paper, 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings

'Timur before Battle', Folio from a Dispersed Copy of the Zafarnama (Book of Victories) of Sharaf al-din 'Ali Yazdi, A.H. 839/A.D. 1436, Attributed to Iran, Ink, opaque watercolor, silver, and gold on paper, 11 1/2 x 8in. (29.2 x 20.3cm),

Watercolor of musician playing diangu, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

A Treatise on the Theory and Practice of Landscape Gardening, 1841, Illustrations: wood engraving, with watercolor tipped in at front, 9 1/2 × 6 1/16 × 1 7/16 in. (24.2 × 15.4 × 3.7 cm

Bifolium from the 'Nurse's Qur'an' (Mushaf al-Hadina), ca. A.H. 410/ A.D. 1019–20, Made in Tunisia, probably Qairawan, Ink, opaque watercolor, and gold on parchment, H. 17 1/2 in. (44.5 cm), Codices, This double-page from a Qur'an comes

Project for a Chinese Pavillion, n.d., Pen and black and brown ink, with watercolor over a ruled graphite underdrawing on off white laid paper, 13 x 17 in. (33 x 43.2 cm), Michel Barthelemy Hazon (French, Paris 1722–1818 Paris

'Bahram Gur in the Turquoise Palace on Wednesday', Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Image 4 7/8 in x 7 7/8

Unidentified Scene from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, OveralL. 12 5/8 x 8 1/2in. (32.1 x 21.6cm), Codices

Davis Album, 1802–3, Attributed to Iran. Attributed to Iran, Papier-maché; painted in opaque watercolor and gold, and lacquered , H. 13 1/8 in. (33.3 cm), Codices

Page from a Book of Omens, ca. 1800, India, Ink and opaque watercolor on paper, 3 3/16 x 4 1/2 in. (8.1 x 11.4 cm), Paintings

'Bahram Gur on the Chase', Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 11 in. (27.9 cm), Codices,

Kneeling Youth, late 16th century, Attributed to Iran, Qazvin, Ink, watercolor, and gold on paper, 6.37 in. high 3.50 in. wide (16.5 cm high 8.9 cm wide), Codices, This drawing of a kneeling youth wearing a fur-lined gold cap is based on a

Cross-section of a chapel (?); verso: Pavillion in Neogothic style, ca. 1800, Pen and black ink, brush and gray wash, watercolor, over a sketch in graphite, sheet: 5 1/2 x 9 1/16 in. (13.9 x 23 cm), Drawings, Anonymous, Swedish, 19th

'Alexander Visits the Sage Plato in his Mountain Cave', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, Page: 9 7/8 x 6 1/4 in. (25.1 x 15.9 cm),

'Marriage of Khusrau and Shirin', Folio 104 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Painting: H. 7 in. (17.8 cm), Codices, Painting

'Bizhan Slaughters the Wild Boars of Irman', Folio from a Shahnama (Book of Kings), ca. 1300–30, Made in Iraq, possibly Baghdad, Ink, opaque watercolor, and gold on paper, Image 5 5/16 in x 6 3/8 in., Codices

Foundry at Canon, 1792, Watercolor over graphite, 7-1/4 x 8-7/8 in. (18.4 x 22.5 cm), Drawings, John Baptist Malchair (British, Cologne 1731–1812 Oxford), When he made this atmospheric study of a working foundry during a trip to

A Raja Smoking a Hookah, ca. 1690–1710, India (Rajasthan, Kota), Ink, opaque watercolor, and gold on paper, 6 1/4 x 4 5/16 in. (15.9 x 11 cm), Paintings, By the last quarter of the seventeenth century, artists at Kota had already begun

Suggestion for Window, “I Am the Resurrection and the Life”, ca. 1907, Made in New York, United States, American, Watercolor, black India ink, and graphite on artist board with original dark gray window matt, 14 x 10 1/2 in. (35.6 x 26.7

Start of the Race of the Barberi Horses, Rome, 1860, Pen and ink, watercolor, and gouache on wove paper, 6-7/8 x 11-1/8 inches (17.4 x 28.3 cm), Drawings, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie), The race of the

Design drawing of magnolia blossom of floral capital from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Double Title Page from a `Aja'ib al-Makhluqat wa Ghara'ib al-Mawjudat (The Wonders of Creation and the Oddities of Existence), 1414–35, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Ht. 11 3/4 in. (29.8 cm),

Villa Pamphili, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/8 × 32 5/16 in. (58.7 × 82 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne

The Brahmin Delivers Rukmini's Letter to Krishna: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1610, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 6 3/4 x 9 7/8 in. (17.1 x 25.1 cm), Paintings,

Shri Rama Putra Raga: Page from the Dispersed 'Boston' Ragamala Series (Garland of Musical Modes), ca. 1760, India (Rajasthan, Kota or Bundi), Ink, opaque watercolor, silver and gold on paper, Painting 7 1/4 x 4 7/8 in. (18.4 x 12.4 cm),

'Rustam Kills the Commander of the Dehz', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 5/8 x 8 7/16in. (32.1 x 21.4cm), Codices

Krishna, Balarama, and the Cowherders: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), 1800–1825, India (Orissa), Ink and opaque watercolor on paper, 9 5/8 x 15 1/4 in. (24.4 x 38.7 cm), Paintings, Krishna and

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