Images at Librifly

Glass beaker with inscription, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; blown in a three-part mold, H. 3 in. (7.6 cm), Glass, Translucent pale green. Outsplayed unworked rim; cylindrical body with vertical

Ikegami Bansho, 江戸近郊八景之内　池上晩鐘, Vesper Bells at Ikegami, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 5/8 in. (25.4 x 37.1 cm), Prints, Utagawa Hiroshige

Snow Plum, Song dynasty (?) (960–1279), China, Album leaf; ink on silk, 9 9/16 x 10 in. (24.3 x 25.4 cm), Paintings, Unidentified Artist, Formerly Attributed to Ma Lin (Chinese, ca. 1180– after 1256

Bronze handle of a hydria (water jar), Classical, ca. 460–450 B.C., Greek, Bronze, Other: 8 3/8 in. (21.3 cm), Bronzes, The attachment at the bottom of the vertical handle is in the form of a siren. Part woman, part bird of prey, sirens

Gallant Company in a Park, mid-18th century, Pen and black ink, brush and gray wash, heightened with white gouache, over black chalk. Framing line of pen and black ink and brush and black wash. Incised for transfer, sheet: 9 1/8 x 14 5/16 in.

Puriya Ragaputra: Page from the Dispersed 'Boston' Ragamala Series (Garland of Musical Modes), ca. 1760, India (Rajasthan, Kota or Bundi [?]), Ink, opaque watercolor, and silver, on paper, 7 15/16 x 4 7/8 in. (20.2 x 12.4 cm), Paintings,

Pair of Screens with Landscapes and Flowers and Birds, Qing dynasty (1644–1911), late 17th–early 18th century, China, Carved red lacquer, Screen (each): 8 5/8 x 5 in. (21.9 x 12.7 cm), Lacquer, Small screens such as this pair were made in

Buckle, Han dynasty (206 B.C.–A.D. 220), China, Gilt bronze, jade, glass, W. 2 1/8 in. (5.4 cm); L. 4 1/4 in. (13.3 cm), Metalwork

Bronze and iron fittings from a cart or chariot, Late Archaic–Early Classical, ca. 500–480 B.C., Etruscan, Bronze, Other: 9 3/4 × 6 1/8 in. (24.8 × 15.6 cm), Bronzes, This large collection of bronze fittings, many with their iron or

東海道五十三次之内　赤阪, Akasaka Station, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 13 1/2 in. (22.5 x 34.3 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Handle with Eros, Bronze, H.: 6 in. (15.2 cm), Bronzes

Hanging Shelves, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 1/16 x 12 3/4 in. (20.5 x 32.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

'Peter', 1860, Albumen silver print from glass negative, 10.2 x 14.2 cm. (4 x 5 9/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

St. Andrews. College Church of St. Salvator, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Pair of bronze handle attachments from a situla (bucket), Classical, 4th century B.C., Etruscan, Bronze, H.: 2 7/8 x 3 13/16 in. (7.2 x 9.7 cm), Bronzes, A symmetrical volute provides the holes for two swing handles, now missing. Two small

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 4 x 2 5/8in. (10.2 x 6.7cm), Vases

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 1/8 in. (2.5 x 7.9 cm), Terracottas, With statue of Athena

The Courtesan Nishikigi of the Yotsumeya Brothel, from the series A Pattern Book of the Year’s First Designs, Fresh as Spring Herbs (Hinagata wakana hatsu moyō), 『雛形若菜初模様　四ツ目屋内　にしき木』, Edo period

Fragment, 15th century, Attributed to Spain, Silk; lampas, Textile: H. 10 1/4 in. (26 cm), Textiles-Woven, This silk textile shows pairs of confronting lions on either side of a stylized tree, enclosed by swooping crimson-colored split

春秋 青銅鐘, Bell (Zhong), Eastern Zhou dynasty, Spring and Autumn period (770–476 B.C.), early 5th century B.C., China, Bronze, H. 15 in. (38.3 cm); W. 9 5/8 in. (24.4 cm); D. 7 in. (17.8 cm), Metalwork, Sets of bells were an

本朝名所　相州江ノ嶋岩屋之図, Sōshū, Enoshima Iwaya no Zu, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 7/8 in. (22.5 cm); W. 14 in. (35.6 cm), Prints, Utagawa Hiroshige (Japanese,

Old Age Drives the Stag out of a Lake and the Hounds Cold, Heat, Anxiety, Vexation, Heaviness, Fear, Age, and Grief Attack Him, (from The Hunt of the Frail Stag), ca. 1495–1510, South Netherlandish, Wool warp, wool and silk wefts,

Oeuvres Diverses de Lalonde. Tome 2., late 18th century, Engraving, etching, Overall: 16 15/16 x 11 1/8 x 1 3/4 in. (43 x 28.3 x 4.5 cm), Richard de Lalonde (French, active Paris, 1780–90

Furuichi Dance (No. 2 of a Set of Four), Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Plate 9 from 'Los Caprichos': Tantalus (Tantalo.), 1799, Etching and burnished aquatint, Plate: 8 1/16 × 5 7/8 in. (20.5 × 14.9 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Cathedral Rock, Down the Valley, 1861, Albumen silver print from glass negative, Image: 16 1/2 × 20 9/16 in. (41.9 × 52.3 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Bronze mace head, Geometric, 8th century B.C., Cypriot, Bronze, Overall: 6 3/4 x 3in. (17.1 x 7.6cm), Bronzes, The finned form of mace head represented by this example is considerably rarer than the cylindrical, scepter type. It is not known

Lead figure of a winged goddess, possibly Artemis Orthia, Archaic, late 7th–6th century B.C., Greek, Laconian, Lead, Height: 1 5/8 in. (4.1 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

Ichikawa Danjuro II as Kanto Koroku and Yamamura Ichitaro as Oichi, Edo period (1615–1868), ca. 1721, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/16 in. (31.6 cm); W. 6 1/2 in. (16.5 cm), Prints, Torii Kiyotomo

Four-Legged jar, Heian period (794–1185), 9th century, Japan, Earthenware with green glaze and relief decoration (Sanage ware), H. 7 5/16 in. (18.6 cm); Diam. 8 3/4 in. (22.2 cm), Ceramics

Porringer, ca. 1800, Made in Newport, Rhode Island, United States, American, Silver, Overall: 2 1/4 x 7 1/2 in. (5.7 x 19.1 cm); 9 oz. 3 dwt. (283.8 g), Silver, Nicholas Geffroy (1761–1839

The Fifth Ichikawa Danjuro as a Samurai, Edo period (1615–1868), ca. 1785?, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Helmet, 17th century, Vijayapur, Karnataka, Indian, Deccan, probably Bijapur (Vijayapur), Steel, iron, copper alloy, H. including nasal 12 in. (30.5 cm); H. including nape defense 10 in. (25.4 cm); H. excluding nasal and nape defense 5 1/2

Crow on a Branch, 木に鴉図, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Amulet in the form of a couchant lion, Early Dynastic I, ca. 2900–2700 B.C., Southern Mesopotamia, Shell, 7/8 x 4 1/8 in. (2.2 x 10.6 cm), Shell-Ornaments, This small object carved from a piece of shell depicts a reclining lion with head

Leather Shoe with Gilded Medallions, 2nd–9th century, From Egypt, Akhmim (former Panopolis), Leather; gilded, 9 3/4 in. long (24.7 cm long), Leather, Many types of footwear existed in the Byzantine world. Boots were worn by soldiers and

Right View of a Garden with Three Female Figures, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 x 7 1/4 in. (20.3 x 18.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Lady with Black Hood and Umbrella Out Walking with Young Attendant, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 5/8 in. (19.4 cm), Prints, Suzuki Harunobu (Japanese,

Seated limestone kourotrophos, Archaic, late 6th–early 5th century B.C., Cypriot, Limestone, Overall: H.:7 1/4 x W.:3 3/4 x D.:2 1/8 in. (18.4 x 9.5 x 5.4 cm), Stone Sculpture, Statue of 'nursing mother' seated on a high-backed throne

Cossack Bay, Balaklava, 1855, Salted paper print from glass negative, Image: 28.5 x 36.2 cm (11 1/4 x 14 1/4 in.), Photographs, Roger Fenton (British, 1819–1869

Swiss Glacier, 1850s, Albumen silver print from glass negative, Approx. 20.3 x 15.2 cm (8 x 6 in.), Photographs, John Joscelyn Coghill (Irish, 1826–1905

Group of Young Women on the Veranda of a Tea House, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 14 × 9 11/16 in. (35.6 × 24.6 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Stylus or tool, Bronze, Other: 6 in. (15.2 cm), Bronzes

Amagoi Komachi, Komachi Praying for Rain, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 11 5/16 in. (28.7 cm); W. 8 1/2 in. (21.6 cm), Prints, Attributed to Torii Kiyomitsu (Japanese,

Fischernetze auf Isola Bella, ca. 1930, Gelatin silver print, 17.5 x 23.5 cm. (6 7/8 x 9 1/4 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois

'Manteau D'Auto', 1912, French, linen, silk, cellulose, From just before World War I to the closure of his maison de couture in 1929, Poiret's strongest narrative thread was his fantasy of the seraglio and his orientalizing evocations of the

[Profile of the Prince Imperial], 1863, Albumen silver print from glass negative, Image: 25.1 x 18.3 cm (9 7/8 x 7 3/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

青楼美人合, The Courtesan Kasugano Writing a Letter, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print (Yonkyokuban); ink and color on paper, 8 3/8 x 5 3/4 in. (21.3 x 14.6 cm), Prints, Suzuki Harunobu (Japanese,

Ceremonial Arrowhead, 1437–39, probably Prague, Bohemian, probably Prague, Steel, copper alloy, L. 12 9/16 in. (31.9 cm); W. 2 7/16 in. (6.2 cm); Wt. 28.1 oz. (797 g), Archery Equipment-Arrows & Quivers, Originally mounted on a wooden

Vue prise au Sud-Est de Philae - Cherk-el-Hesseh, 1849–50, Salted paper print from paper negative, Image: 6 in. × 7 15/16 in. (15.3 × 20.1 cm), Photographs, Maxime Du Camp (French, 1822–1894

'Bahram Gur in the Green Palace on Monday', Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 7 1/4 in. (18.4 cm),

Winter Journey in the North, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 7 1/2 x 19 1/2 in. (19.1 x 49.5 cm), Calligraphy, Zhu Yunming (Chinese, 1461–1527), Even Zhu Yunming, one of the most

[Japanese Woman in Traditional Dress Posing with Cat and Instrument], 1870s, Albumen silver print from glass negative, 25.2 x 20 cm (9 15/16 x 7 7/8 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Swallows and Kingfisher with Rose Mallows, 紅蜀葵に燕と川蝉図, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print, 10 7/16 x 7 11/32 in. (26.5 x 18.7 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Teheran. Prime Minister's House (Nezanneh), 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Carnelian ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Carnelian, Length: 1/2 in. (1.3 cm), Gems, Mask of a bearded man

Vase fragment, Early Minoan II, Minoan, Terracotta, 3 15/16 × 5 5/8 × 7/16 in. (10 × 14.2 × 1.1 cm), Vases

Double beaker, 1609–29, German, Nuremberg, Silver-gilt, Overall (confirmed): 8 1/8 × 4 3/16 × 4 3/16 in., 15oz. (20.6 × 10.6 × 10.6 cm, 430g), Metalwork-Silver, The barrel-shaped beaker was in use since sixteenth century, at a time

Glass bottle, Late Imperial, 4th century A.D., Roman, Glass; blown and cut, 7 1/4in. (18.4cm), Glass, Translucent light green. Slightly uneven rim, cracked off and ground; funnel-shaped neck; broad, globular body, tapering downwards;

Pair of candelabra, ca. 1865–70, French, Paris, Gilt brass, enamel, Overall (confirmed): 22 3/8 x 13 1/4 x 6 3/8 in. (56.8 x 33.7 x 16.2 cm), Metalwork-Brass, The decoration was inspired by motifs from Romanesque metalwork, yet the design

Bronze statuette of a votary, Late Bronze Age or Modern, ca. 1600 B.C. or later, Minoan, Bronze, H. 7 13/16 in. (19.8 cm), Bronzes, Close examination of the patina of this figure indicates that it may be a modern forgery

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 7/16in. (6.2cm), Vases

Courtesans in an Iris Garden, Edo period (1615–1868), late 18th century, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (each): 15 × 10 in. (38.1 × 25.4 cm), Prints, Katsukawa Shunchō (Japanese, active ca.

[Wilton Church, East End and Bell Tower], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Vieux mendiant, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Fragment, 17th century, Attributed to Iran, Wool (warp, weft and pile); asymmetrically knotted pile, Rug: L. 129.5 in.(328.93 cm), Textiles-Rugs

Fibula, Bronze, Other: 2 1/8 in. (5.4 cm), Bronzes

波に丹頂鶴, Crane and Surf, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 6 3/8 in. (35.9 x 16.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Vase fragment, Late Helladic IIIA, ca. 1400–1300 B.C., Mycenaean, Terracotta, 1 15/16 × 1 3/4 × 1/4 in. (4.9 × 4.4 × 0.7 cm), Vases

Glass alabastron (perfume bottle), Early Hellenistic, late 4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 3 in. (7.5 cm), Glass, Translucent cobalt blue, with handles in same color;

Young Lady Playing a Musical Instrument, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 14 in. (35.6 cm); W. 10 in. (25.4 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

東海道五十三次 保土ヶ谷, Hodogaya, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Processional Cross, 12th–13th century, Ethiopia, Lasta region, Tigrinya peoples, Bronze, H. 12 7/16 x W. 5 7/16 x D. 1 in. (31.6 x 13.8 x 2.5 cm), Metal-Ornaments, Imbued with symbolic meaning and protective powers, crosses have been used

Shou Lao (The Taoist God of Longevity), ca. 1735–40, French, Chantilly, Tin-glazed soft-paste porcelain, Overall (confirmed): 10 1/4 x 8 5/8 x 4 1/2 in. (26 x 21.9 x 11.4 cm), Ceramics-Porcelain

[Trying for Snapshots], 1861–67, Albumen silver print from glass negative, Image: 9.6 x 7.7 cm (3 3/4 x 3 1/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Part of Tenby Town and Harbour, 1853, Albumen silver print, Photographs, George Stokes (British, 1819–1903

Cameo glass fragment, Early Imperial, Augustan or Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast and cut, Overall: 1 1/2 x 2 1/16 in. (3.8 x 5.2 cm), Glass, Translucent cobalt blue with opaque white overlay., Flat

Tools for the Carpenter, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

[Queens Proclamation, Government House, Calcutta, November 1858], 1858, Albumen silver print, Image: 17 x 23.9 cm (6 11/16 x 9 7/16 in.), Photographs, Unknown

Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover), ca. 1530–40, Maiolica (tin-glazed earthenware), H. 4 1/8 in. (10.5 cm); Diam. 7 3/4

The Malermi Bible, vol. II, October 15, 1490, Printed book with woodcut illustrations, hand-colored, 11 15/16 x 8 7/8 x 1 3/8 in. (30.3 x 22.5 x 3.5 cm), Books, This 1490 edition of Niccolò Malermi's Italian translation of the Bible is one

Pointed Morion, ca. 1590, Milan, Italian, Milan, Steel, gold, brass, leather, H. 10 1/2 in. (26.7 cm); W. 8 3/4 in. (22.2 cm); D. 13 7/8 in. (35.2 cm); Wt. 2 lb. 11 oz. (1213 g), Helmets

Ono-no-Komachi Looking at Her Reflection, Edo period (1615–1868), ca. 1815, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 5/8 x 8 7/8 in. (19.4 x 22.5 cm), Prints, Katsukawa Shuntei (Japanese, 1770–1820

Sampler made at the Westtown Quaker School, 1802, Made in Chester County, Westtown, Pennsylvania, United States, American, Silk embroidery on linen, 12 3/4 x 16 3/4 in. (32.4 x 42.5 cm), Textiles, Rebecca Marsh (American, born 1791), This

Incense burner, Qing dynasty (1644–1911), 18th century, China, Bronze, H. 2 1/2 in. (6.4 cm); W. 2 1/4 in. (5.7 cm); D. 2 1/4 in. (5.7 cm), Metalwork

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 5/8 x 2 in. (4.1 x 5.1 cm), Glass, Translucent deep turquoise blue and opaque white, partially mixed together and

Spoon or ligula, Roman, Bronze, Other: 4 13/16 in. (12.2 cm), Bronzes

The Porthole / Sergeant and Private of the 42nd Gordon Highlanders, Edinburgh Castle, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert

House of R. Dabney, Powhatan, Virginia (north [rear] side), 1858, Ink and wash, sheet: 9 1/8 x 13 5/8 in. (23.2 x 34.6 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

'Sunrise/Sunset' Screen, ca. 1930, Lacquered wood, gold, Each panel measures 72 3/4 x 19 x 1 in. (184.8 x 48.3 x 2.5 cm), Furniture, For centuries, Asian craftsmen had customarily applied coats of natural lacquer as a decorative and protective

Vase fragment, Neolithic, Terracotta, 11/16 × 1 × 1/4 in. (1.7 × 2.5 × 0.7 cm), Vases

Glass ribbed bowl, Early Imperial, early 1st century A.D., Roman, Glass; cast, tooled, and cut, 1 3/4 × 4 15/16 in. (4.4 × 12.5 cm), Glass, Translucent pale blue green. Vertical rim with rounded top edge; plain, vertical band of irregular

Forehead cloth, 1600–1630, British, Linen worked with silk and metal thread, spangles; satin, long -and-short, braid, buttonhole, and couching stitches, Forehead cloth: H. 7 x W. 17 1/2 inches (17.8 x 44.5 cm), Textiles-Embroidered

Monstrous male figure, Bronze Age, ca. late 3rd–early 2nd millennium B.C., Bactria-Margiana or eastern Iran, Bactria-Margiana Archaeological Complex, Chlorite, calcite, gold, iron, H. 4 in. (10.1 cm), Stone-Sculpture, In the world of the

『和歌三神』衣通姫, Edo period (1615–1868), ca. 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 5 3/8 in. (20.3 x 13.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), Surimono are privately

Salver, ca. 1740, Made in New York, New York, United States, American, Silver, 1 1/16 x 5 11/16 in. (2.7 x 14.4 cm); 8 oz. 6 dwt. (258.8 g), Silver, Simeon Soumaine (baptized 1685–ca. 1750

The Actor Ichikawa Yaozō III Holding a Red Fan, Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Entrapment, ca. 1545–50, Engraving, sheet: 3 3/16 x 3 3/16 in. (8.1 x 8.1 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Attendant Bodhisattva, Five Dynasties (907–60) or Liao dynasty (907–1125), 10th–11th century, China, Wood (willow) with gesso and pigment; single woodblock construction, H. 59 in. (149.9 cm), Sculpture, This sculpture of an attendant