Images at Librifly

Bronze statuette of a double-headed lion, Archaic, ca. 550–500 B.C., Etruscan, Bronze, H.: 2 1/4 in., 12.3 cm (5.7 x 12.3 cm), Bronzes, These three solid-cast lions are said to have been found together. Certainly they are closely related

Bamboo, Ming (1368–1644)–Qing (1644–1911) dynasty, China, Album leaf; ink on silk, 10 3/4 x 10 3/4 in. (27.3 x 27.3 cm), Paintings, Unidentified Artist, After Guan Daosheng (1262–1319

江戸名所 御茶之水, Ochanomizu, Edo period (1615–1868), dated 11th month, Ox year, 1853, Japan, Polychrome woodblock print; ink and color on paper, Oban 9 1/8 x 14 in. (23.2 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Bag, 17th century, Attributed to Iran, Silk, metal, H. 6 in. (15.2 cm), Textiles-Costumes, Though there is little historical textual reference to the use of these small purses, extant examples lead to the assumption that this was an optional

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 6 1/16 in. (15.4 cm), Glass, Large candlestick unguentarium. Translucent pale blue green. Tubular rim folded out, over, and in; flaring mouth; tall

[Jerusalem], 1857, Albumen silver print from glass negative, Image: 13.6 x 17 cm (5 3/8 x 6 11/16 in.), Photographs, John Anthony (British, born France, 1823–1901

Vivien and Merlin, September 1874 , Albumen silver print from glass negative, 31.9 x 28 cm (12 9/16 x 11 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874 Tennyson asked Cameron

Jérusalem, Porte de Damas, Vue extérieure, 1854, Salted paper print from paper negative, Image: 22.8 x 32.4 cm (9 x 12 3/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Cross-Shaped Tile, second half 13th–early 14th century, Made in Iran, Stonepaste; overglaze painted and leaf gilded (lajvardina), H. 8 3/8 in. (21.3 cm), Ceramics-Tiles, This cross-shaped tile was decorated using a technique called

Lead ornament in the form of a bud, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 in. (2.6 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

百人一首　乳母かゑとき　猿丸太夫, Poem by Sarumaru Dayū, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1839, Japan, Polychrome woodblock print; ink and color

Bracelet, Cypriot, Bronze, Other (Greatest Diameter): 2 13/16in. (7.1cm), Bronzes

Celery vase, 1845–70, Possibly made in Pennsylvania, United States; Probably made in Ohio, United States, American, Blown, pattern-molded glass, H. 10 1/4 in. (26 cm); Diam. 4 3/4 in. (12.1 cm), Glass

Glass alabastron (perfume bottle), Late Classical or Hellenistic, mid-4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 5 1/16 in. (12.9 cm), Glass, Translucent cobalt blue, with

江戸仕入大津土産　槍持奴　鷹匠, Souvenir Paintings from Ōtsu, Stocked in Edo (Edo shi-ire Ōtsu miyage) Foot-soldier with a Spear and Hawk-handler (Yari mochi yakko to taka shō), Edo period (1615–1868), ca. 1802–3, Japan,

Fragment of a terracotta relief of a woman and child, Classical, mid-4th century B.C., Greek, South Italian, Tarentine, Terracotta, 6 1/2 x 4 3/4 in. (16.51 x 12.07 cm), Terracottas, This fragment very likely belongs to a typical Tarentine

Glass mosaic relief fragment, Hellenistic, late 4th to 3rd century B.C., Egyptian, Ptolemaic, Glass; cast, Other: 1 3/16 in. (3 cm), Glass, Opaque sealing wax red ground; decoration in opaque white, yellow, and red, and translucent blue,

John Gray (1731–1811) of Newholm, Oil on canvas, 49 3/8 x 40 in. (125.4 x 101.6 cm), Paintings, Sir Henry Raeburn (British, Stockbridge, Scotland 1756–1823 Edinburgh, Scotland

Engraved Bowl, ca. 1130, Netherlandish, Copper alloy, wrought, Overall: 10 7/16 x 1 7/8 in. (26.5 x 4.8 cm), Metalwork-Copper alloy, This shallow bowl, engraved with the personification of Pride in the central medallion, was used for hand

Pomegranate carved in the round, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.3 in. (3.3 cm), Ivory/Bone-Sculpture, This small ivory pomegranate is carved in the round, with a pointed

Terre-plein du Pont Neuf, Matinée d'Hiver, 1925, Gelatin silver print from glass negative, Image: 17.5 x 22.8 cm (6 7/8 x 9 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Terracotta lekythos (oil flask) with a bird, Late Classical or Hellenistic, 4th century B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 3 1/4 in. (8.3 cm), Vases, On belly, a bird

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, Overall: 4 7/8 x 2 1/2 in. (12.4 x 6.4 cm), Terracottas, Hindquarters of a quadruped

Limestone statuette of a beardless male votary in Greek dress, late 6th century or early 5th century B.C., Cypriot, Limestone, H.: 26 1/2 x 9 3/4 x 5 3/4 in. (67.3 x 24.8 x 14.6 cm), Stone Sculpture

Amulet, Ptah, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Lapis lazuli, H. 3.5 cm (1 3/8 in

Probe, Cypriot, Bronze, Other: 6 1/16in. (15.4cm), Bronzes

Glass oinochoe (perfume jug), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 3 5/16 in. (8.4 cm), Glass, Translucent cobalt blue, with handle in same color;

Lacquer Paintings of Various Subjects: Sencha Tea Set, Meiji period (1868–1912), 1882, Japan, Lacquer on paper, 7 1/2 x 6 1/2 in. (19.1 x 16.5 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891), The strong color effect seen in this

Glass alabastron (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 7/8 in. (9.8 cm), Glass, Translucent pale blue green, with handles in same color; trails in opaque yellow and

東海道五十三次　四日市, Yokkaichi, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Inrō with Tanabata Story of the Weaver and the Herdboy, 七夕蒔絵印籠, Edo period (1615–1868), active first half of the19th century, Japan, Three cases; lacquered wood with gold hiramaki-e and ivory inlay on mother-of-pearl ground;

青楼俄全盛遊, The New Year Niwaka Festival in the Pleasure Quarters, Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 9 3/4 in. (37.1 x 24.8 cm), Prints, Eishōsai Chōki (Japanese,

Battledore and Shuttlecock, Edo period (1615–1868), 1810, Japan, Polychrome woodblock print (surimono); ink and color on paper, 4 1/8 x 5 11/16 in. (10.5 x 14.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Mars and Venus United by Love, 1570s, Oil on canvas, 81 x 63 3/8 in. (205.7 x 161 cm), Paintings, Paolo Veronese (Paolo Caliari) (Italian, Verona 1528–1588 Venice), Cupid binds Mars (the god of war) to Venus with a love knot. Visually

Print, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 5/16 in. (21.3 x 18.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Scissors for Flower Arrangement with a Bag, Edo period (1615–1868), early 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/8 x 7 1/16 in. (13 x 17.9 cm), Prints, Unidentified Artist

Les Cothurnes, 1861–67, Albumen silver print from glass negative, Image: 5.4 x 7.5 cm (2 1/8 x 2 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown (French

明, 王上宮, 忠孝圖, 卷, Paragons of Loyalty and Filial Piety, Ming dynasty (1368–1644), dated 1593, China, Handscroll; ink on paper, Image: 11 1/8 in. x 14 ft. 8 3/4 in. (28.3 x 448.9 cm), Paintings, Wang Shanggong (Chinese,

Lead figure of a winged goddess, Archaic, late 7th–early 6th century B.C., Greek, Laconian, Lead, H.: 2 1/8 in. (5.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Presentation vase, 1843, Made in East Cambridge, Massachusetts, United States, American, Blown, cut, and engraved glass, H. 13 in. (33 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888),

亜米利加国, American Balloon Ascension (Amerikakoku), 6th month, 1867, Japan, Polychrome woodblock print; ink and color on paper, 14 x 28 1/2 in. (35.6 x 72.4 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80

Glass eye beads, Hellenistic, ca. 330–70 B.C., Phoenician, Glass, 4 7/16in. (11.3cm), Glass, The beads formed a necklace that probably had an apotropaic as well as a decorative purpose

Scene Five from the Life of the Reverend Jean de la Barrière, n.d., Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite, 20 3/8 x 17 9/16 in. (51.8 x 44.6 cm), Drawings, Matthieu Elias (French, Peene

'Isfandiyar's Second Course: He Slays the Lions', Folio from a Shahnama (Book of Kings), ca. 1330–40, Attributed to Iran, probably Isfahan, Ink, opaque watercolor, gold, and silver on paper, Page: 8 1/8 x 5 1/4 in. (20.6 x 13.4 cm),

Xiao, Qing dynasty (1644-1911), 18th–19th century, Fukien province, China, Chinese, Porcelain, Height: 23 1/8 in. (58.7 cm), Aerophone-Blow Hole-end-blown flute (vertical), Bamboo is the typical material for end-blown flutes, but special

Terracotta Nicosthenic neck-amphora, Archaic, 6th century B.C., Etruscan, Terracotta, 7 15/16in. (20.2cm), Vases, On the handles in relief, female figure with two felines The contrast between the narrow neck and the full body, the thinness

Panchama Ragini: Page from a Ragamala Series (Garland of Musical Modes), ca. 1640, India (Rajasthan, Bikaner), Ink, opaque watercolor, and gold on paper, 7 3/4 x 4 7/8 in. (19.7 x 12.4 cm), Paintings, The patron here has inserted himself as

琉球八景　城嶽霊泉, The Sacred Spring at Jōgaku (Jōgaku reisen), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei), Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 9

元 朱面剔犀香草紋漆盒, Incense box with “fragrant grass” design, Yuan dynasty (1271–1368), 14th century, China, Carved black, red, and yellow lacquer, H. 1 1/4 in. (3.2 cm); Diam. 3 3/8 in. (8.6 cm), Lacquer, Carved lacquers

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/8 x 2 1/16in. (6 x 5.3cm), Vases

Design for a rose window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, graphite, and India ink on off-white textured artist board. Green backing paper with printed griffin-like motif on verso.,

Beaker, ca. 1770, French, Strasbourg, Silver-gilt, Overall (confirmed): 4 3/16 x 3 11/16 x 2 7/8 in., 7oz. (10.6 x 9.4 x 7.3 cm, 222g), Metalwork-Silver

Statuette of a Youth, Bronze, H.: 2 1/16 in. (5.2 cm), Bronzes

Two Beauties, Edo period (1615–1868), ca. 1801–4, Japan, Hanging scroll; ink and color on silk, Image: 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm), Paintings, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro, the well-known ukiyo-e painter

Terracotta neck-amphora (jar), Classical, 5th century B.C., Greek, South Italian, Campanian, Terracotta; black-figure, H.: 9 1/2 in. (24.1 cm), Vases, Obverse, seated figure with pomegranate and standing figure, Reverse, man with wreath,

Margaret Eakins, 1880s, Glass positive , Transparencies, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Jar with Scrolling Vine and Gourds, Ming dynasty (1368–1644), 15th–16th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 3 1/2 in. (8.9 cm); Diam. of rim 5 1/4 in. (13.3 cm); Diam. of foot 2

Washing Day, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 9 7/8 in. (25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

An Actor as Sadakuro in the Forty–seven Ronins, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 9 7/16 in. (24 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Crow on Tree, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Wrist Ornament, 11th–15th century, Peru, Chimú, Shell beads (spondylus, coral, orillene, malacite ?), H. 3 9/16 in. (9 cm), Beads-Ornaments

Terracotta mirror stand, Imperial, ca. 2nd century A.D., Roman, Egyptian, Terracotta, H.: 6 15/16 in. (17.6 cm), Terracottas, Pair of Erotes supporting mirror

Toto meisho Sumidagawa zenzu settchukei, 東都名所　隅田川全図雪中景, Celebrated Places in the Eastern Capital: Panoramic View of the Sumida River in Snow, Edo period (1615–1868), ca. 1840, Japan, Triptych of polychrome woodblock

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Length: 1/2 in. (1.2 cm), Gems, Demeter on a chariot drawn by two elephants

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 3/8 x 1 in. (3.5 x 2.5 cm), Glass, Body fragment., Translucent honey brown, cobalt blue, and opaque

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 4 1/8 in. (10.5 cm), Glass, Opaque chocolate brown, with handles in same color; trails in opaque

The Actors Nakamura Tomijirō in the Role of Ono no Komachi and Sanogawa Ichimatsu in the Role of Her Servant, Edo period (1615–1868), ca. 1756, Japan, Polychrome woodblock print (beni-e); ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 5

東海道五十三次　沼津, Numazu, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

東都名所　永代橋佃沖漁舟, Eitai Bashi Tsukudajima Ryosen, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 7/16 x 14 1/16 in. (24.0 x 35.7 cm), Prints, Utagawa Hiroshige (Japanese,

Disconsolate Lovers, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 9 7/8 in. (25.1 cm), Prints, Momokawa Shiko II (Japanese, active ca. 1797–1810

Ruine sulla prima terrazza, Persepolis, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Terracotta stemless kylix (drinking cup), Classical, ca. 500–475 B.C., Greek, Attic, Terracotta; black glaze, coral red, H. 2 1/16 in. (5.3 cm); diameter 5 1/8 in. (13 cm), Vases, Reddish clay with a black band around the rim

Vessel (Ding), late Shang or early Western Zhou (ca. 1600–771 B.C.), China, Bronze, H. 8 1/8 in. (20.6 cm); W. 7 in. (17.8 cm), Metalwork

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 13 7/8 x W. 13 1/4 in. (35.2 x 33.7 cm), Textiles-Featherwork

Terracotta statuette of a man, Hellenistic, 2nd–1st century B.C., Greek, probably Asia Minor, Terracotta, H. 5 1/4 in. (13.3 cm), Terracottas, Statuette of a grotesque man

Vase, 1880–89, Made in Winchester, Virginia, United States, American, Earthenware, H. 9 1/2 in. (24.1 cm), Ceramics, Anthony W. Baecher (1824–1889), A German immigrant considered one of the most accomplished of the Shenandoah Valley

The Meeting of King Solomon and the Queen of Sheba, with the Four Elements, ca. 1700, British, Canvas worked with silk and wool thread, mica; tent, cross, and couching stitches, H. 20 1/4 x W. 24 3/8 inches (51.4 x 61.9 cm); Framed: H. 22 1/2

Pair of Bracelets, 1840, Made in New York, New York, United States, American, Gold, watercolor on ivory, hair, Bracelet (MLP): L. 5 1/4 in. (13.3 cm), Jewelry, Painted by John Carlin (American, Philadelphia, Pennsylvania 1813–1891 New

An Actor of the Ichimura Line Sitting on a Shogi (Wooden Bench) and Holding a Pipe, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 10 1/4 in. (26 cm), Prints, Ippyotei Yoshikuni

Le chapeau à plume (autre), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Kenneth MaCleay, R.S.A., 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

(Frontispiece to) 'Fukuro Monogatari', (by) Izumi Kyoka, Frontispiece to 'An Owl's Story', by Izumi Kyoka, Meiji period (1868–1912), ca. 1900, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 11 1/4 in. (22.2 x

Terracotta jug with incised decoration, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Terracotta, H. 3 in. (7.6 cm), Vases, This jug was likely inspired by Tell el-Yahudieh Ware pottery imported to Cyprus from Egypt

Denise at Her Dressing Table, ca. 1908–9, Oil on canvas, 32 7/8 x 27 1/8 in. (83.5 x 68.9 cm), Paintings, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise), Holding a hand mirror backed with green

Portail Saint-Trophime; Entrée Du Cloître, Arles, Église Métropolitaine de Saint-Trophime, 1852, Relief print, Image: 6 15/16 × 5 7/8 in. (17.6 × 15 cm), Prints, Charles Nègre (French, 1820–1880

Handle attachment for a pail, Bronze, H. 4.60 cm., Bronzes

Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), 1789, Red, black, and white chalk on toned laid paper, Sheet: 20 1/2 x 18 7/8 in. (52 x 48 cm), Drawings, Adélaïde Labille-Guiard (French, Paris 1749–1803 Paris),

The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints), ca. 1470, Made in Baden-Württemberg (Nordwürttemberg), Middle Rhineland, Germany, German, Oil on wood, gold ground, central panel: 68 1/2 x 60 in. (174 x

Horatio Coclès Saving Himself by Swimming, 16th century, Engraving, 9 1/8 x 10 1/2 in. (23.2 x 26.7 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Vase fragment, Late Helladic IIIA, ca. 1400–1300 B.C., Mycenaean, Terracotta, 1 1/2 × 1 1/2 × 1/8 in. (3.8 × 3.8 × 0.4 cm), Vases

Terracotta Nolan neck-amphora (jar), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 13 in. (33 cm), Vases, Obverse, Nike (the personification of victory) holding a fillet, Reverse, youth leaning on staff. The subject of

Square, 4th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 4 in. (10.2 cm), Textiles

Armor, 1891, Charcoal and conté crayon, 20 x 14 1/2 in. (50.7 x 36.8 cm), Drawings, Odilon Redon (French, Bordeaux 1840–1916 Paris), This fantastical drawing of a helmeted woman in profile is one of four similar charcoal drawings Redon

Part of a bronze handle with ram’s head finial, Imperial, 1st century A.D., Roman, Bronze, L. 3 1/8 in. (8 cm), Bronzes, Handle of a patera with a ram's head

Pyxis fragment with a winged, human-headed lion, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 1.73 x 0.67 in. (4.39 x 1.7 cm), Ivory/Bone-Vessels

Tapestry Bag with Pockets, 7th–9th century, Peru, Wari, Camelid hair, cotton, W. 6 5/8 in. (16.8 cm), Textiles-Woven

東海道五十三次之内　藤川　棒鼻の図, Station Thirty-Eight: Fujikawa, Scene at the Border, from the Fifty-Three Stations of the Tokaido, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color

Terracotta amphoriskos (oil flask), Late Classical, 4th century B.C., Greek, Attic, Terracotta; black-glaze, H. 7 3/8 in. (18.8 cm), Vases, With stamped patterns

東都名所　外桜田弁慶桜の井, Soto Sakurada, Benkei Bori, Sakura-no-i, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 3/4 in. (25.7 x 37.5 cm), Prints, Utagawa Hiroshige

清 王翬 倣李成雪霽圖 軸 紙本, Snow Clearing: Landscape after Li Cheng, Qing dynasty (1644–1911), dated 1669, China, Hanging scroll; ink and color on paper, Image: 44 3/8 x 14 1/8 in. (112.7 x 35.9 cm), Paintings, Wang Hui