Images at Librifly

Man's Tunic, 15th–early 16th century (?), Chile, Arica (?), Camelid hair, feathers, H. 35-1/4 x W. 54 1/2 in., Textiles-Woven

Watercolor of musician playing sheng, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L. 7 cm (2-3/4 in.); W. 6.9 cm (2-7/16 in.), Aerophone-Whistle Flute-vessel flute

Buckle, Bronze, Other: 1 1/16 in. (2.7 cm), Bronzes

The Actor Otani Hiroemon III as Man Ready to Wade into the Sea with a Drawn Sword, Edo period (1615–1868), ca. 1775, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 11/16 in. (14.4 cm), Prints,

Glass monochrome inlay, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 13/16 in. (1.9 x 4.5 cm), Glass, Opaque deep turquoise blue., Flat inlay; two long straight sides with slightly beveled

Two Women in Summer Costume Taking a Young Girl to a Shinto Temple for the Miya Mairi Ceremony, Edo period (1615–1868), ca. 1783, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 7/32 in. (39.1 x 26 cm), Prints, Torii

Gold earring with convex disc, Imperial, 2nd century A.D., Roman, Gold, Other: 1 1/8 in. (2.8 cm), Gold and Silver, Delta-shaped earrings have the free end of the hook-and-eye fastening prolonged beyond the eye into a long free hook with a

Finlay Children, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

The Combat of Manricardo and Zerbino from a set illustrating Ariosto's Orlando Furioso, 1630–50, French, Paris, Wool, silk (16-18 warps per inch, 6-7 per cm.), H. 119 x W. 153 inches (302.3 x 388.6 cm), Textiles-Tapestries

Inlay depicting male torso, Early Dynastic IIIa, ca. 2600–2500 B.C., Mesopotamia, Sumerian, Shell, H. 5.1 cm (2 in.), Shell-Ornaments

Jerusalem, Court of the Mosque of Omar, 1857, Albumen silver print from glass negative, Image: 16.9 x 21.4 cm (6 5/8 x 8 7/16 in.), Photographs, John Anthony (British, born France, 1823–1901

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 5/16 x 1 13/16 in. (3.3 x 4.6 cm), Glass, Translucent turquoise blue and opaque white, partially mixed and appearing

Indian Sweat House, Mendicino County, Colorado, 1863, Albumen silver print from glass negative, Image: 40 x 52.4 cm (15 3/4 x 20 5/8 in.), Photographs, Carleton E. Watkins (American, 1829–1916), In 1857 a reservation was created north of

Interior of the Baths at Caracalla, ca. 1780, Etching, with watercolor and gouache, Mat: 23 5/16 × 32 5/16 in. (59.2 × 82.1 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon

Terracotta kylix: eye-cup (drinking cup), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, H. 5 in. (12.7 cm), Vases, Obverse and reverse, between eyes, Theseus and the Minotaur. In Greek mythology, Athens was once subject to

Cymbal, Bronze, Diam.: 2 1/16 in. (5.2 cm), Bronzes

War Hat, possibly 15th century, Fribourg, European, Steel, H. 9 3/16 in. (23.3 cm); W. 13 in. (33 cm); D. 13 1/4 in. (33.7 cm); Wt. 2 lb. 13 oz. (1264 g), Helmets

Vallée et chapelle d'Héas, St-Sauveur, 1853, Salted paper print from paper negative, Image: 9 1/2 × 14 1/2 in. (24.1 × 36.8 cm), Photographs, Joseph Vigier (French, 1821–1862

Cushion, Short Coat and Fur of Tiger, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/2 x 7 1/2 in. (14 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Mii no Bansho, 近江八景の内　三井晩鍾, Vesper Bells at Mii Temple, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige

Sparrow and Snow-covered Camellia (Tsubaki), Edo period (1615–1868), ca. 1845, Japan, Polychrome woodblock print; ink and color on paper, 13 3/4 x 4 1/2 in. (34.9 x 11.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 11/16 × 1 7/8 × 1/8 in. (4.3 × 4.8 × 0.3 cm), Vases

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, 5 1/8 × 13 3/16 in. (13 × 33.5 cm), Terracottas, Egg without dart pattern

Dress, 1928, French, silk, glass, In Poiret's oeuvre, leitmotifs distinguish his designs that, otherwise, conform to prevailing fashions. This dress, from the year before his couture house closed, reflects the period of transition from the

Palestine. Jérusalem. Mosquée d'Omar, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

The Actor Matsumoto Koshiro IV Seated in an Outer Room, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Sheng, ca. 1850–89, China, Chinese, Overall: 41.9 x 6.4cm (16 1/2 x 2 1/2in.), Aerophone-Free Reed-mouth organ

Cylindrical bag of sawdust from Tutankhamun's Embalming Cache, New Kingdom, Amarna Period, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton

Carnelian ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Length: 11/16 in. (1.8 cm), Gems, Boy with overturned torch and hoop

Terracotta oil lamp, Imperial, late 1st–early 2nd century A.D., Roman, Terracotta, H. 3 1/32 in. (7.69 cm.), Terracottas, This lamp, coated with a vitreous green glaze, features a central floral decoration and two extended griffin heads at

Kylix fragment, Archaic, 2nd half of the 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 2 3/8 in. (6 cm), Vases, Interior, Gorgon's head

Glass jar, Imperial, 1st century B.C.–5th century A.D., Roman, Glass; blown, H.: 1 5/8 in. (4.1 cm), Glass, Colorless. Horizontal, tubular rim, folded out, over, and in; short, concave neck; squat globular body; slight kick in center of

View in the Jungle, Bengal, 1850s, Albumen silver print, Image: 19.3 x 24.1 cm (7 5/8 x 9 1/2 in.), Photographs, Captain R. B. Hill

Terracotta indented beaker, Late Imperial, mid-2nd–early 3rd century A.D., Roman, Terracotta indented beaker, probably made at Trier; Central Gaulish black-slipped ware, H. 7 1/2 in. (19.1 cm); diameter 5 3/4 in. (14.6 cm), Vases, Similar

[Botanical Gardens, Calcutta], 1850s, Albumen silver print, Image: 19.6 x 24.3 cm (7 11/16 x 9 9/16 in.), Photographs, Captain R. B. Hill

Newhaven Boy, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

[Broadway with horse-drawn carriages], ca. 1860s, Albumen silver print, Photographs, Edward Anthony (American, 1818–1888

Terracotta one-handled cup, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta; Dark-on-light ware, H. 3 3/16 in. (9.7 cm.), Vases, One-handled, bands and a row of birds or petals(?), dark-on-light ware

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Needle, netting, Bronze, H.: 7 1/4 in. (18.4 cm), Bronzes

Marble head of a satyr playing the double flute, Imperial, 1st century A.D., Roman, Marble, H. 9 1/2 in. (24.1 cm), Stone Sculpture, Copy of a Greek work of the 3rd century B.C.. This satyr with pointed animal ears is one of the many wild

Ichikawa Monnosuke as a Sarumawashi or Monkey Showman, Edo period (1615–1868), ca. 1720–25, Japan, Polychrome woodblock print; ink and color on paper, 13 1/4 x 6 1/4 in. (33.7 x 15.9 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729

Study of a Draped Figure, ca. 1736–39, Red and white chalk, stumped, on blue prepared paper, sheet: 14 1/2 x 18 3/8 in. (36.9 x 46.6 cm), Drawings, Jean François de Troy (French, Paris 1679–1752 Rome

[Female portrait], 1880s, Glass positive , Transparencies, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

富士三十六景　駿河三保の松原, Pine Groves of Miho in Suruga Province, Edo period (1615–1868), 1858, Japan, Polychrome woodblock print; ink and color on paper, 13 3/8 x 8 3/4 in. (34 x 22.2 cm), Prints, Utagawa Hiroshige

San Francisco, from California and Powell Streets, 1864, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Panel from a Buddhist Ritual Crown Depicting Vairochana, late 13th–early 14th century, Tibet, Distemper on wood, H. 11 3/4 in (29.8 cm); W. 5 1/8 in (13 cm), Paintings, Vairochana presides over the five Tathagatas (Transcendent Buddhas), an

The Ladder, before April 1845, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Skipwith's Landing, Mississippi River, ca. 1864, Albumen silver print from glass negative, Photographs, Unknown (American

Gold ring, Imperial, ca. 2nd–3rd century A.D., Roman, Gold, Length: 1/2 in. (1.3 cm), Gems, Portrait bust of a woman., Inscribed Sophroni

Terracotta oinochoe: chous (jug), Classical, ca. 440–420 B.C., Greek, Attic, Terracotta; red-figure, H. with handle 4 3/4 in. (12.1 cm), Vases, Boy pushing a child in a cart. At the Anthesteria, the festival of the new wine that took place

Limestone altar, Cypro-Classical, 5th–4th century B.C., Cypriot, Limestone, Overall: 10 1/4 × 11 3/4 × 7 1/4 × 11 5/8 in. (26 × 29.8 × 18.4 × 29.5 cm), Miscellaneous-Stone, The altar is carved into the form of a recessed shrine,

扇屋内春日野, The Oiran Kasugano of Ogiya on Parade under Blossoming Cherry Trees, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 10 in. (25.4 cm), Prints, Kitagawa

Suzumibune gomai-e; Ni, A Party of Geisha in a Suzumi-bune, i.e. 'cooling-off boat.' (Second Scene of a Boating Party), Edo period (1615–1868), ca. 1796, Japan, Second sheet of a pentaptych of polychrome woodblock prints; ink and color on

Plaque, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.22 x 6.5 x 0.16 in. (3.1 x 16.51 x 0.41 cm), Ivory/Bone-Reliefs

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 4 1/4 x 3 1/4in. (10.8 x 8.3cm), Vases

Vase on a column stand, Lapidary workshop: Hôtel des Menus-Plaisirs, Versailles, lapidary work probably by Augustin Bocciardi (ca. 1729–1797), after 1771–72, mounts ca. 1780, French, Versailles and Paris, Egyptian porphyry, gilt-bronze

Decanter, 1790–1810, Made in Bohemia, Czech Republic, Bohemian, Blown, cut, and engraved glass, H. 9 5/16 in. (23.7 cm); Diam. 3 3/4 in. (9.5 cm), Glass, American consumers were drawn to imported blown-glass decanters from Europe,

[Bust Portrait of an Indian Woman], 1850s, Albumen silver print, Image: 18.5 x 13.3 cm (7 5/16 x 5 1/4 in.), oval, Photographs, Unknown

Hakone, 東海道五十三次　箱根　夜中松明とり, Edo period (1615–1868), ca. 1848–49, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese,

Terracotta statuette of a doll, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 6 5/8 in. (16.8 cm), Terracottas, Nude, wearing earrings and diadem

The Actor Ichikawa Danzō IV in the Role of Ono Sadakurō, Edo period (1615–1868), ca. 1781, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 1/2 x 5 2/3 in. (31.8 x 14.4 cm), Prints, Katsukawa

Bronze statuette of a woman, perhaps a Hesperid, Mid-Imperial, 2nd century A.D., Roman, Bronze, H. 7 5/8 in. (19.4 cm), Bronzes, Standing, holding up drapery in left hand; a Roman copy of a Greek original

Marsyas, ca. 1680–85, German, executed Rome or Florence, Marble on a black marble socle inlaid with light marble panels, Overall with socle (confirmed): H. 27 x W. 17 3/8 x D. 11 1/8 in. (68.6 x 44.1 x 28.3 cm), Sculpture, Balthasar Permoser

The Third Segawa Kikunojo as Hisamatsu Standing on the Bank, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 5/8 in. (32.4 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Actor as Tokihira, Edo period (1615–1868), probably 1815, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 5 5/16 in. (20 x 13.5 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/8 × 9 7/8 in. (35.9 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Bronze hoof of a horse, Imperial, 1st–2nd century A.D., tRoman, Bronze, Other: 11 in. (27.9 cm), Bronzes, The hoof is from a hind leg

Terracotta mug in the form of a satyr's head, Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 9 1/16 in. (23 cm), Vases, On the lip, Nike (personification of Victory), king and two women

Woman Applying Make-up, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 7/8 in. × 9 in. (35.2 × 22.9 cm), Prints, Juka Sekijō (Japanese, active ca. 1789–1817

Watercolor of musician playing yunlo, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

William Archer Shee (1810–1899), the Artist's Son, ca. 1820, Oil on canvas, 30 x 24 3/4 in. (76.2 x 62.9 cm), Paintings, Sir Martin Archer Shee (Irish, Dublin 1769–1850 Brighton

[Thereza Dillwyn Llewelyn with Her Microscope], ca. 1854, Salted paper print from glass negative, 23.5 x 18.7 cm (9 1/4 x 7 3/8 in. ), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales), The border of

Silk Weave, 18th century, Attributed to India, Cotton and silk, H. 15 1/4 in. (38.7 cm), Textiles-Woven

Umemi Tsuki, Plum-Seeing Month: Second Month, Edo period (1615–1868), 1735–1790, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 7 3/4 in. (26.4 x 19.7 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Bronze statuette of Tyche/Fortuna, Late Hellenistic or Early Imperial, ca. 1st century B.C.–1st century A.D., Greek or Roman, Bronze, H. 4 1/2 in. (11.4 cm), Bronzes, Statuettes of Fortuna, the goddess of Chance, were evidently popular

Shield, ca. 1600, probably Venice, Italian, probably Venice, Wood, leather, gesso, polychromy, gold, silver foil, Diam. 23 1/2 in. (59.69 cm); Wt. 4 lb. 12 oz. (2155 g), Shields, This is one of a large group of shields decorated in a

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 2 7/8 x 2 x 1/4 in. (7.3 x 5.2 x 0.7 cm), Stone-Sculpture

Tombak Gilded Plaque, probably 16th century, Attributed to Turkey, Copper; chased, engraved and gilded (tombak technique), L. 12 3/4 in. (32.4 cm), Metal, This plaque is engraved with a symmetrical arabesque pattern against a ring-punched

Segawa Kikunojo III as a Woman Standing under a Maple Tree in the Autumn, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 8 1/10 in. (31.1 x 20.6 cm), Prints, Katsukawa Shunshō

Covered bean pot, 1849–52, Made in Bennington, Vermont, United States, American, Earthenware, 8 3/4 in. (22.2 cm), Ceramics

Handle, swinging, of a bowl, Bronze, Other: 12 7/8 in. (32.7 cm), Bronzes

Partial coffee service, 1836, French, Sèvres, Hard-paste porcelain, Coffeepot: overall (confirmed): 7 9/16 x 6 15/16 x 4 1/4 in. (19.2 x 17.6 x 10.8 cm), Ceramics-Porcelain, The best of the Sèvres porcelain produced in the mid-nineteenth

Foro e Colonna di Trajano, 1848–52, Albumen print from glass negative, Image: 11 5/16 × 8 11/16 in. (28.8 × 22 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Panel with the Head of a Bishop, 1440–60, South Netherlandish, Colorless glass, silver stain, and vitreous paint, Overall: 8 7/16 x 4 3/16 x 3/16 in. (21.4 x 10.6 x 0.5 cm), Glass-Stained

Two Fan Designs: Plum Blossom and Wave, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/16 in. (21.1 x 18.3 cm), Prints, Totoya Hokkei (Japanese, 1780–1850), On each sheet in this

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 1/8 x 1 1/4 in. (2.9 x 3.2 cm), Glass, Translucent blue with opaque white., Body fragment with two ribs

Saîs coureurs au Caire, 1870s, Albumen silver print from glass negative, Photographs, Félix Bonfils (French, 1831–1885

Courtesan and Her Maid, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 13 x 8 3/4 in. (33 x 22.2 cm), Prints, Chōkōsai Eishō (Japanese, 1793–99

Shōtenyama, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/2 in. (26.7 cm); W. 7 3/4 in. (19.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Drop-leaf dining table, 1795–1810, Made in Baltimore, Maryland, United States, American, Mahogany, tulip poplar, white pine, sycamore, 28 3/4 x 47 7/8 x 39 1/4 in. (73 x 121.6 x 99.7 cm), Furniture, This dining table consists of two

鈴木春信画　将棋・三十六歌仙　「中納言兼輔」, A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen), Edo period (1615–1868),

[Bearded Man with Magnifying Glass Examining a Manuscript], 1870s, Albumen silver print from glass negative, Photographs, Antoine-Samuel Adam-Salomon (French, La Ferté-sous-Jouarre 1811–1881 Paris

The Actor Danjuro III as an Itinerant Peddler, Edo period (1615–1868), 1726–1792, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Fragment, 6th–7th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 5 3/4 in. (14.6 cm), Textiles

商 青銅盉, Spouted Wine Vessel (He), Shang dynasty (ca. 1600–1046 B.C.), late 14th century B.C., China, Bronze, H. 8 1/2 in. (21.6 cm); W. 5 5/8 in. (14.3 cm), Metalwork

'Iranian and Turanian Armies in Combat', Folio from a Shahnama (Book of Kings), A.H. 741/A.D. 1341, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Image 9 9/16 in x 11 3/8 in., Codices

Grasshopper on Rock, Ming dynasty (?) (1368–1644), 15th century, China, Miniature from album of eleven paintings; ink and color on silk, Image: 5 x 6 3/4 in. (12.7 x 17.1 cm), Paintings, Wen Liang (Chinese, active 15th century