Images at Librifly

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/2 x 1 13/16 in. (3.9 x 4.6 cm), Glass, Body fragment., Translucent honey brown, cobalt blue, and opaque white.,

Fragment, 5th–6th century, Attributed to Iran, Silk, 8.5 in. high 8.00 in. wide (21.6 cm high 20.3 cm wide), Textiles-Woven

Gotenyama no yu-zakura, 東都名所　御殿山之夕桜, Evening Cherry Blossoms at Gotenyama, Edo period (1615–1868), 1831, Japan, Polychrome woodblock print; ink and color on paper, 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm), Prints, Utagawa

Actor Yamashita Kinsaku II as Sadato's Wife Iwate, Edo period (1615–1868), 1794–95, Japan, Possibly one sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 1/2 x 5 7/8 in. (31.8 x 14.9 cm), Prints, Tōshūsai

A Monumental Archway with Five Bays in the Corinthian Order, 16th century, Pen and black ink with gray wash and traces of black chalk, sheet: 16 1/2 x 25 3/16 in. (41.9 x 64 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy),

St. George and the Dragon, June 26, 1875, Albumen silver print from glass negative, Image: 11.7 × 16 cm (4 5/8 × 6 5/16 in.), Photographs, Lewis Carroll (British, Daresbury, Cheshire 1832–1898 Guildford), In 1872, Carroll had a studio

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Length: 9/16 in. (1.4 cm), Gems, Silenos with staff and kantharos (drinking cup with high handles

Terracotta statuette of a seated woman, Archaic, ca. 575–550 B.C., Greek, Boeotian, Terracotta, H.: 5 5/16 x 3 1/16 in. (13.5 x 7.8 cm), Terracottas, Because of her seated position and the headdress, this figure probably represents a

Cream No 3737, ca. 1874, (none assigned) New York, New York, United States, American, Ink, graphite, and wax pencil on brown wove paper, 7 5/8 x 6 5/16 in. (19.4 x 16 cm), Drawings, Tiffany & Co. (1837–present

Dish with a Mythological Couple (Perhaps Apollo and Daphne), ca. 2nd century B.C., Pakistan (ancient region of Gandhara), Schist, Diam. 3 15/16 in. (10 cm), Sculpture

Plate, ca. 1810–55, Made in Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, Diam. 11 3/8 in. (28.9 cm), Ceramics

Vanderbilt Mantelpiece date panel, 1881–83, Mahogany, ivory, mother-of-pearl, and coral, 79 1/8 x 24 1/2 x 5 1/8 in. (201 x 62.2 x 13 cm), Architecture, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), This

Dr. Welsh, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Composition Study for 'Castor and Pollux Freeing Helen', 1817, Black chalk and black crayon, squared in red chalk on off-white laid paper, sheet: 16 7/8 x 21 5/16 in. (42.9 x 54.1 cm), Drawings, Joseph-Ferdinand Lancrenon (French, 1794–1874

冨嶽三十六景　尾州不二見原, Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

[Government House, Calcutta], 1850s, Albumen silver print, Image: 17.6 x 24.1 cm (6 15/16 x 9 1/2 in.), Photographs, Captain R. B. Hill

Tiffany Drawing, 1893, Made in New York, New York, United States, American, Watercolor on paper, 43 x 29 in. (109.2 x 73.7 cm), Drawings

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; tapestry weave, 8 1/4 in. high 12 5/8 in. wide (21 cm high 32 cm wide), Textiles

Furniture plaque carved in relief with a falcon-headed figure, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 3.9 x 2.01 x 1.73 in. (9.91 x 5.11 x 4.39 cm), Ivory/Bone-Reliefs-Inscribed,

The Peony Show, 仲の町の牡丹, Edo period (1615–1868), ca. 1790, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each sheet: 15 x 10 in. (38.1 x 25.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Viewing Iris in the Rain, Edo period (1615–1868), 1764–70, Japan, Polychrome woodblock print; ink and color on paper, H. 10 3/4 in. (27.3 cm); W. 7 13/16 in. (19.8 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), Irises bloom in the

Shōki, the Demon–Queller, Edo period (1615–1868), early 18th century, Japan, Polychrome woodblock print; ink and color on paper (Beni-e), H. 27 in. (68.6 cm); W. 10 in. (25.4 cm), Prints, Okumura Masanobu (Japanese, 1686–1764),

Nail, Geometric, ca. 1100–700 B.C., Greek, Laconian, Bronze, Other: 4 7/8 in. (12.4 cm), Bronzes

Black-naped Oriole Perched on a Stem of Rose Mallow, 歌川広重画　芙蓉に高麗鶯, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 14 11/16 x 4 29/32 in. (37.3 x 12.5 cm), Prints, Utagawa

Champlevé furniture or cosmetic box plaque with a griffin and a floral frieze, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.28 x 1.26 x 0.28 in. (5.79 x 3.2 x 0.71 cm), Ivory/Bone-Reliefs,

A Knight of Alcántara or Calatrava, ca. 1650–55, Oil on canvas, Overall, with added strips, 77 x 43 3/4 in. (195.6 x 111.1 cm); original canvas 77 x 38 1/2 in. (195.6 x 97.8 cm), Paintings, Bartolomé Estebán Murillo (Spanish, Seville

'Bahram Gur's Skill with the Bow', Folio 17v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Painting: H. 7 13/16 in. (19.8

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 11/16 in. (2.4 x 4.2 cm), Glass, Fragment of revetment plaque., Translucent deep purple, appearing black, and

Star Ushak' Carpet, late 15th century, Attributed to Turkey, Wool (warp, weft, and pile); symmetrically knotted pile, Rug: L. 169 1/2 in. (430.5 cm), Textiles-Rugs, This fresh colored carpet is one of the earliest, largest, and

Glass mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 3/16 in. (2 x 3 cm), Glass, Translucent deep purple, greyish blue, opaque white, red, yellow, and

Red jasper ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Jasper, red, Length: 7/16 in. (1.1 cm), Gems, Eros chasing a hare

La Psyché, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm. (2 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Belt Hook, late Zhou dynasty (1046–256 B.C.), China, Bronze, W. 1/2 in. (1.3 cm); L. 2 3/16 in. (5.6 cm), Metalwork

Washing a Horse, Ming (1368–1644)–Qing (1644–1911) dynasty, China, Album leaf; ink on silk, 11 13/16 x 16 in. (30 x 40.6 cm), Paintings, Unidentified Artist, After Lu Qing (Chinese, active 1190–1195

清, 錢慧安, 仕女, 扇面, A Beauty, Qing dynasty (1644–1911), dated 1876, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 1/4 x 21 in. (18.4 x 53.3 cm), Paintings, Qian Huian (Chinese, 1833–1911),

Pitcher, 1848–57, Probably made in East Liverpool, Ohio, United States, American, Earthenware, H. 11 3/4 in. (29.8 cm), Ceramics

Triptych of Umbrellas, Edo period (1615–1868), Japan, Undivided triptych of polychrome woodblock prints; ink and color on paper, H. 11 3/4 in. (29.8 cm); W. 16 15/16 in. (43 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Pigeons at Singleton; Caswell, 1853–56, Albumen silver print and salted paper print, Image: 6.4 × 7.4 cm (2 1/2 × 2 15/16 in.) (a), Photographs, James Knight (British), M.D

Fibula, boat-shaped type, Bronze, Other: 1 5/8 in. (4.1 cm), Bronzes

Jupiter and Mercury in the House of Baucis and Philemon, 18th century, Black chalk, heightened with white gouache on buff colored antique laid paper, sheet: 9 13/16 x 13 13/16 in. (24.9 x 35.1 cm), Drawings, Hyacinthe Collin de Vermont (French,

Porringer, ca. 1745, Made in Boston, Massachusetts, United States, American, Silver, Overall: 1 7/8 x 8 5/16 in. (4.8 x 21.1 cm); 8 oz. 13 dwt. (269.3 g), Silver, Paul Revere Sr. (1702–1754

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/2 × 15/16 × 1/8 in. (3.8 × 2.3 × 0.3 cm), Vases

Wine Rinser, 1818, American, Glass, 3 3/4 x 5 5/8 in. (9.5 x 14.3 cm), Glass, Pellatt & Green, William Bayard (1761–1826) commissioned this table service in 1818 for his daughter Harriet (1799–1875) and her husband Stephen Van Rensselaer

Glass pendant in the form of a demonic mask, Classical, mid-5th–4th century B.C., Phoenician, Glass, 3/4 × 7/16 × 7/16 in. (2 × 1.2 × 1.2 cm), Glass, Uncertain color, appearing black, with additions in same color and opaque white.,

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 7 x 4 3/8in. (17.8 x 11.1cm), Vases

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 15/16 x 1 1/4 in. (7.5 x 3.2 cm), Vases

[Empress Eugénie as an Odalisque], 1861–65, Albumen silver print, Image: 17 x 12 cm (6 11/16 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

Glass mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 11/16 in. (2 x 1.8 cm); estimated diam. of rim 3 15/16 in. (10 cm), Glass, Rim fragment., Translucent

Man and Woman in Court Dress Looking at Young Pines for New Year Ceremony, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/2 x 7 3/16 in. (21.6 x 18.3 cm), Prints, Nagayama Koin

Terracotta relief with bust of a woman, Classical, ca. 400 B.C., East Greek, Terracotta, H.: 10 1/8 in. (25.7 cm), Terracottas, With front of body to waist

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Other: 1 15/16 in. (5 cm), Bronzes

Steatite octagonal seal, Geometric, 8th century B.C., Greek, Steatite, gray, Length: 1 11/16 in. (4.3 cm), Gems, Man and linear patterns

Hasp, Cypriot, Bronze, Other: 4in. (10.2cm), Bronzes

Helmet with Aventail, late 15th–16th century, Turkish, in the style of Turkman armor, Steel, iron, silver, copper alloy, H. including mail 22 in. (55.9 cm); H. excluding mail 13 5/8 in. (34.6 cm); Diam. 10 in. (25.4 cm); Wt. including mail

Village de Murols, 1854, Paper negative, Image: 33.9 x 43.9 cm (13 3/8 x 17 5/16 in.), Negatives, Édouard Baldus (French, born Prussia, 1813–1889

Lead disk with a hole in the center, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, 1 1/16 × 1 1/8 in. (2.7 × 2.9 cm), Miscellaneous-Lead

Unidentified Actor in a Female Role, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/8 in. (32.7 cm); W. 5 5/8 in. (14.3 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Terracotta skyphos (drinking cup), Greek, South Italian, Apulian, Terracotta; red-figure, H. 9.53 cm. Diameter 8.9 cm., Vases

Terracotta carinated cup, Middle Minoan II, ca. 1900–1750 B.C., Minoan, Terracotta; Polychrome fine ware, H. as restored 1 3/4 in. (4.5 cm.), Vases, Only a single fragment preserving a complete profile is original; the rest is modern

Manuscript Leaf with the Nativity in an Initial H, from an Antiphonary, second half 15th century, Made in Florence, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 21 7/8 x 15 7/8 in. (55.5 x 40.3 cm), Manuscripts and

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Bodhisattva Avalokiteshvara with One Thousand Hands and One Thousand Eyes (Qianshou Qianyan Guanyin), 大理國（十一至十二世紀）青銅鎏金千手千眼觀音菩薩像, Dali kingdom (938–1253), 11th–12th century, China, Gilt

Fifty-three Stations of Suehiro: Warrior Looks at Passing Steamship, Edo period (1615–1868), ca. 1865, Japan, Polychrome woodblock print; ink and color on paper, 9 7/16 x 13 7/16 in. (23.9 x 34.2 cm), Prints, Tsukioka Yoshitoshi (Japanese,

Panorama de Jaffa, ca. 1880, Albumen silver print, Photographs, Félix Bonfils (French, 1831–1885

Tumbler, 1825–40, Possibly made in Sandwich, Massachusetts, United States; Possibly made in East Cambridge, Massachusetts, United States, American, Blown, pattern-molded glass, H. 3 in. (7.6 cm); Diam. 3 in. (7.6 cm), Glass

Terracotta neck-amphora (jar), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; black-figure, H. 40.49 cm., Vases, Obverse, Herakles, Athena, and Hermes., Reverse, frontal chariot and archer

Chariot fragments, S-shaped braces, Archaic, ca. 500–480 B.C., Etruscan, Bronze, Iron, K9 & K10: 5 1/4 in. (13.3 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 3/4 in. (2.1 x 4.4 cm), Glass, Body fragment., Translucent blue, blue largely layered with yellow appearing

Bathers, 1890–92, Watercolor and graphite on wove paper, sheet: 4 15/16 x 8 1/8 in. (12.6 x 20.6 cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence

Jarro de Pico, late 16th century, Spanish, Valladolid, Silver, parcel-gilt, Overall (confirmed): max ht. 7 5/8; ht. from upper edge of body: 6 5/16 x 8 3/8 x 4 3/16 in., 2.1lb. (19.4; 16 x 21.3 x 10.6 cm, 04kg), Metalwork-Silver, A luxury

Vase, Roman, Terracotta, H. 8.31 cm. Diameter 8.25 cm., Vases, Red vase with gray glaze; barbotine pattern dots and festoons

Archer's Thumb Ring, 16th–17th century, Turkish, Jade, gold, emeralds, ruby, L. 1 1/2 in. (3.8 cm); W. 1 in. (2.5 cm); Wt. 0.4 oz. (11.3 g), Archery Equipment-Archer's Ring, A thumb ring provided the archer with a firmer grip of the

Bronze head of a youth, Classical, ca. 480–470 B.C., Greek, Bronze, H.: 2 in. (5.1 cm), Bronzes, The finely articulated head is provided with a suspension hole at the top of the crown, and there is another hole in the underside of the neck.

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

百人一首　うはかゑとき　源宗于朝臣, Poem by Minamoto no Muneyuki Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/8 x 2 3/4 in. (3.4 x 7 cm); estimated diam. of rim 7 5/8 in. (19.4 cm), Glass, Translucent purple and opaque

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 1/2 x 1 3/4in. (6.3 x 4.5cm), Vases

Vase fragment, Greek, Lydian, Terracotta, Overall: 1 13/16 x 9/16in. (4.6 x 1.5cm), Vases

Bronze statue of the emperor Trebonianus Gallus, Imperial, A.D. 251–253, Roman, Bronze, H. 95 in. (241.3 cm), Bronzes, This bronze monumental statue is one of the very few nearly complete Roman bronze statues of the third century preserved

Terracotta volute lamp with sea monster, Imperial, 1st century B.C.– 1st century A.D., Roman, Terracotta, L. 3 15/16 in. (10cm.), Terracottas, On the lamp, a sea monster is depicted before a walled city

Sword and Scabbard, 16th–18th century, Southern or eastern Tibetan, Iron, gold, silver, wood, ray skin, leather, L. with scabbard 33 3/4 in. (85.7 cm); L. without scabbard 32 in. (81.3 cm); L. of blade 26 1/4 in. (66.7 cm); W. 2 1/2 in.

魚づくし　黒鯛　小鯛に山椒, Kurodai and Kodai Fish with Bamboo Shoots and Berries, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1830s, Japan, Polychrome woodblock print; ink and color on paper, 10

Cherry Flowers, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/4 x 7 5/8 in. (14.6 x 19.4 cm), Prints, Yosai (Japanese, 1788–1878

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 4 1/2in. (11.5cm), Glass, Colorless. Uneven, rounded rim, folded out, over, and in; cylindrical neck, expanding slightly near base, and tooling marks around

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, Overall: 3 1/8 x 2 3/8 in. (7.9 x 6 cm), Terracottas, Decorated terracotta tiles were fixed to the roof line and upper walls of Lydian houses

近代, 何維樸, 山水, 冊頁八開, Landscapes, early 20th century, China, Album of eight leaves; ink and color on paper, 8 1/2 x 10 1/4 in. (21.6 x 26.0 cm), Paintings, He Weipu (Chinese, 1844–1925), He Weipu takes traditional

Embroidered Sampler made at the Female Association Quaker School, December 23, 1813, Made in New York, New York, United States, American, silk on linen, 7 3/4 x 7 1/2 in. (19.7 x 19.1 cm), Textiles, Embroidered by Charlotte Gardner (born

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Other: 2 9/16 in. (6.5 cm), Bronzes

Egyptian Musicians (Rawabí) and Almée, February 20, 1852, Salted paper print from paper negative, Image: 6 9/16 × 8 1/8 in. (16.7 × 20.6 cm), Photographs, Ernest Benecke (German, born England, 1817–1894

Cup and saucer, Manner of Jacques Stella (French, Lyons 1596–1657 Paris), ca. 1750–55, Italian, Florence, Hard-paste porcelain, Overall (cup .1): 2 × 3 1/8 in. (5.1 × 7.9 cm); Diameter (saucer .2): 5 in. (12.7 cm), Ceramics-Porcelain,

百人一首　乳母か縁説　素胜法師, Poem by Sōsei Hōshi, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Taishō period (1912–26), 1921, Japan, Polychrome woodblock print; ink and color on

[Male Nude in Studio], late 1850s, Albumen silver print, 21.7 x 18.6 cm (8 9/16 x 7 5/16 in. ), Photographs, Unknown (French

Gilt bronze spiral with griffin terminal, Classical, ca. 400–350 B.C., Cypriot, Gold, bronze, Other: 1 1/2 in. (3.8 cm), Gold and Silver, Such spirals, which often come in pairs, may have been used as earrings or to hold locks of hair

Sash, 17th century, Attributed to Iran, Silk, metal thread, Textile: H. 182 in. (462.3 cm), Textiles-Costumes, Sashes like this one became popular in seventeenth-century Iran, where they were tied around the waist with the ends hanging down.

Orange, Dried Persimmons, Herring-Roe and Different Nuts; Food Used for the Celebration of the New Year, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 7/16 in. (14 x

Wreaths, 6, Greek, Laconian, Lead, fragmented 3 pieces, Miscellaneous-Lead

Landscape, Ming dynasty (1368–1644) or later, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 7 1/8 x 20 1/2 in. (18.1 x 52.1 cm), Paintings, Unidentified Artist, After Wen Zhengming (Chinese, 1470–1559

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 9 x 5 3/4in. (22.8 x 14.6cm), Vases

Still Life Fruit and Wine Glass, 1865–70, Made in United States, Oil on board with gold leaf frame, Oval: 16 in. (40.6 cm), Paintings, Severin Roesen (American (born Prussia), Boppard-am-Rhein 1816–72

琉球八景　城嶽霊泉, The Sacred Spring at Jōgaku (Jōgaku reisen), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei), Edo period (1615–1868), 1832, Japan, Polychrome woodblock print; ink and color on paper, H. 10