Images at Librifly

Wearing Blanket, 1840–60, United States, Arizona or New Mexico, Navajo, Wool, H. 60 x W. 71 in. (180.3 x 152.4 cm), Textiles-Woven

Portrait of the Artist (Selbstbildnis), 1912, Soft-ground etching and aquatint; seventh state, Plate: 5 1/2 × 3 7/8 in. (13.9 × 9.9 cm), Prints, Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg

Outbuilding with Three Gears, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray ink, gray and tan washes, sheet: 12 7/8 x 9 1/8 in. (32.7 x 23.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779

Havari., 1905–19, Gelatin silver prints from glass negatives, Image: 4 1/8 in. × 3 in. (10.5 × 7.6 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright brothers'

Imhotep, donated by Padisu, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt; Possibly from Memphite Region, Memphis (Mit Rahina), Cupreous metal, H. 17.9 cm (7 1/16 in.); W. 5.4 cm (2 1/8 in.); D. 12.9 cm (5 1/16 in.), Imhotep was

本朝名所　相州七里ヶ浜, Seven-ri Beach, Province of Soshu, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/8 in. (23.2 cm); W. 14 1/16 in. (35.7 cm), Prints, Utagawa Hiroshige (Japanese,

Paneling from Marmion, the Fitzhugh Family House, Tidewater, Virginia, ca. 1756, Made in King George County, Virginia, United States, American, Pine and walnut, 253 x 197 x 131 in. (642.6 x 500.4 x 332.7 cm), Architecture, Marmion, a

Artist's Sketch of Ramesses IV, New Kingdom, Ramesside, Dynasty 20, ca. 1153–1147 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Tomb of Ramesses IV (KV 2), in front of tomb, Davis excavations, 1905–06, Limestone, ink,

Terracotta relief from a lamp with Leda and the swan, Imperial, Roman, Terracotta, W. 2 13/16 in. (7.15 cm.), Terracottas, Leda and the swan

Plateau de la Mare aux Fées. Forest of Fontainebleau, 1854, Graphite on pale gray wove paper, 13 11/16 x 18 5/8 in. (34.7 x 47.3cm), Drawings, Claude-Félix-Théodore (called Caruelle) d'Aligny (French, Chaumes, Nièvre 1798–1871 Lyon

Bronze handle attachment with duck heads, Late Republican or Augustan, 1st century B.C., Roman, Bronze, w. 6 in. (15.2 cm), Bronzes, This handle attachment would have been mounted to the rim of a basket-shaped vase, with the swinging loop

The Annunciation, ca. 1330–40, Made in Florence, Italy, Italian, Silk, cotton, and metallic threads, 11 3/8 x 16 1/2 in. (28.9 x 41.9 cm), Textiles-Embroidered, To create these panels, a Florentine artist first drew the figures on the

Bronze phallic ornament, Imperial, 1st century A.D., Roman, Bronze, W. as preserved 2 11/32 in. (5.94 cm.), Bronzes, Flat-backed, with many holes for attachment, this ornament was likely intended to be fastened to another, larger object

東海道五十三次　土山, Tsuchiyama, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Knife, Bronze, Other: 3 1/8 in. (7.9 cm), Bronzes

Rue de la Montagne-Sainte-Geneviève, 1924, Matte albumen silver print from glass negative, Image: 17.4 x 22.1 cm (6 7/8 x 8 11/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), In his early work, Atget often

Plate, ca. 1831–ca. 1835, Made in Staffordshire, England, British (American market), Earthenware, transfer-printed, Diam. 10 1/4 in. (26 cm), Ceramics, Job & John Jackson (active 1831–35

Hercules Delivering the Erymanthean Boar to Eurystheus, last quarter 17th century, French, probably Paris, Bronze, Overall, maximum dims. (confirmed): H. 16 3/8 x W. 14 [edge of base to cuff of sleeve] x D. 11 1/4 in. [boar crest to boar hoof]

Pitcher, 1870–1900, Made in Brooklyn, New York, United States, American, Porcelain, H. 12 in. (30.5 cm); Diam. 11 in. (27.9 cm), Ceramics, Union Porcelain Works (1863–ca. 1922

Limestone head of a man wearing a helmet, Archaic, middle or 3rd quarter of the 6th century B.C., Cypriot, Limestone, H.: 7 1/8 x 4 1/2 x 3 1/2 in. (18.1 x 11.4 x 8.9 cm), Stone Sculpture, The face has a smiling expression, the nose is

Terracotta kylix (cup), Cypro-Archaic II, 600–480 B.C., Cypriot, Terracotta, H. 6 15/16 in. (17.6 cm); diameter 7 1/8 in. (18.1 cm), Vases, Kylix with zone of lotus flowers, above it a zone of vertical bands and dots

Vase fragment, Early Minoan II or later, Minoan, Terracotta, 2 9/16 × 2 3/8 × 5/16 in. (6.5 × 6 × 0.8 cm), Vases

The Actor Iwai Hanshiro IV as a Woman in a Black Kimono, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 3/8 x 6 in. (31.4 x 15.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

[Abbey Ruins], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Jérusalem, Vallée de Josaphat, Grotte sépulcrale, 1, 1854, Salted paper print from paper negative, Image: 23.2 x 33.5 cm (9 1/8 x 13 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Vase fragment, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta, 1 7/16 × 3 7/8 × 1/16 in. (3.7 × 9.9 × 0.2 cm), Vases

Jérusalem, Tombeau des rois de Juda, Frise supérieure et centrale, 1854, Salted paper print from paper negative, Image: 23.2 x 32.2 cm (9 1/8 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), For Salzmann history was in

Chalcedony scaraboid seal, Classical, ca. 5th–4th century B.C., Greek, Ionian, Chalcedony, L. 3.7 cm, Gems, Wolf on top of a prostrate deer

Fibula, Greek, Cypriot, Bronze, Other: 1 9/16in. (4cm), Bronzes

Krishna's Parents Search for Him, ca. 1615, India, Ink and opaque watercolor on paper, 5 1/8 x 5 1/8 in. (13 x 13 cm), Paintings, Krishna's foster parents, Yashoda and Nanda search for him after he has jumped into the Yamuna River. The

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

The Milliner, 1877, Pastel on paper, 21 x 16 1/4 in. (53.3 x 41.3 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Like Degas, Renoir depicted Parisian milliners in the late 1870s and 1880s. Whereas Degas derived

Mosque Lamp of Sultan Barquq, ca. 1382–99, Attributed to Egypt or Syria, Glass, colorless with brown tinge; blown, applied blown foot and handles, enameled and gilded, H. 14 5/8 in. (37.1 cm), Glass, As the ambitious design on this lamp

Inkwell, after 1909, Made in New York, New York, United States, American, Bronze, Overall: H. 3 5/8 in. (9.2 cm), Metal, Tiffany Studios (1902–32), Interest in Native American heritage pervaded the United States at the turn of the

Terracotta calyx-krater (bowl for mixing wine and water), Classical, 2nd half of 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 12 in. (30.5 cm), Vases, Obverse and reverse, Dionysos and Ariadne reclining among satyrs and

Bronze handle of an oinochoe (jug), Archaic, early 5th century B.C., Greek, Bronze, maximum H. 5 9/16 in. (14.2 cm.), Bronzes, The top of the handle is decorated with the head of a lion, the bottom with the head of a panther skin. The choice

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 3 3/4 in. (9.5 cm), Glass, Colorless with pale blue green tinge. Lopsided rim folded out, over, and in, and pressed flat; slender, cylindrical neck, tooled in

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/16 x 1 9/16 in. (3 x 4 cm), Glass, Rim fragment., Translucent blue, blue layered with yellow appearing dull

Border Fragment, 2nd century B.C., Peru, Nasca, Camelid hair, Overall: 1 x 67 in. (2.54 cm), Textiles-Woven

Bronze fitting decorated with a bust of Neptune, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 6 3/16 in. (15.7 cm); W. at front 6 1/8 in. (15.6 cm), Bronzes, This fitting may have decorated the prow of a boat

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 8 3/4 in. (22.2 cm), Glass, Tall candlestick unguentarium. Translucent deep blue green. Tubular rim folded out, down, over and in, with beveled upper

[Valley of the Kings, Thebes], ca. 1857, printed 1870s, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France), Francis Frith and Company (British

東都名所　駿河町の図, Suruga Street, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, 9 9/16 x 14 1/2 in. (24.3 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Glass hexagonal bottle, Early Imperial, Julio-Claudian, ca. A.D. 25–50, Roman, Glass; blown in a three-part mold, H.: 3 in. (7.6 cm), Glass, Opaque white., Rim folded out, round, and in, then pressed into flaring mouth; misshapen

The Bible, The Book of Common Prayer, The Book of Psalms with Royal Stuart arms, ca. 1624, British, Satin worked with silk and metal thread., H. 13 1/4' x W. 9 1/4' x D. 3 3/8' (17.5 x 12.1 cm), Textiles-Embroidered

Orandajin, Dutchmen, Edo period (1615–1868), 1860, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 9 3/4 in. (37.5 x 24.8 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus, begun 1858, Etching; eighth state of eight, sheet: 6 1/4 x 7 15/16 in. (15.8 x 20.2 cm), Prints, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

Garden Carpet, ca. 1800, Made in Northwestern Iran or Kurdistan, Cotton (warp and weft), wool (pile); symmetrically knotted pile, Rug: H. 223 1/2 in. (567.7 cm), Textiles-Rugs, The earliest Persian garden carpets date from the seventeenth

東海道五十三次　府中　二丁町廓之図, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Limestone head of a beardless male votary, Late Hellenistic (?), 2nd century B.C.(?), Cypriot, Limestone, 12 1/4 x 9 x 8 in. (31.1 x 22.9 x 20.3 cm), Stone Sculpture, Figure wearing wreath

Tombeau de Sidi-Ambarek, à Garara, 1850, Salted paper print from paper negative, Image: 5 1/2 × 8 3/8 in. (14 × 21.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Actor, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 9 3/4 in. (24.8 cm); W. 13 7/16 in. (34. 1 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Arles, Cloitre St. Trophime, ca. 1861, Albumen silver print from glass negative, Image: 34 x 42.7 cm (13 3/8 x 16 13/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

In the Kitchen, Edo period (1615–1868), ca. 1794–95, Japan, Right-hand sheet of a diptych of polychrome woodblock prints; ink and color on paper, Image: 15 × 10 in. (38.1 × 25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Vue prise à Béni-Souef, 1850, Salted paper print from paper negative, Image: 5 3/4 × 8 7/8 in. (14.6 × 22.6 cm), Photographs, Maxime Du Camp (French, 1822–1894

Processional Cross, 15th century, Ethiopia, Central and Northern Highlands, Amhara or Tigrinya peoples, Copper, H. 10 1/4 x W. 5 1/2 in. (26 x 14 cm), Metal, Metal processional crosses have historically been cast through the lost-wax process,

Cincinnatus at the Plough, mid-15th century, Italian, Rome, Bronze, Overall (confirmed): H. 2 1/2 x W. 5 5/16 x D. 1/8 in. (6.4 x 13.6 x 0.4 cm), Medals and Plaquettes, Filarete (Antonio di Pietro Averlino) (Italian, Florence ca. 1400–ca.

Standard, early 18th century, Attributed to Iran, Silver with black inlay, H. 19 1/4 in. (48.9 cm), Metal, Under the Ottomans, Safavids, and Mughals, steel or silver standards were used in military, royal, and religious ceremonies. The

Boat of Good Fortune, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 5/16 in. (20.6 x 18.6 cm), Prints, Teisai Hokuba (Japanese, 1771–1844

Riche Annamite montant à cheval, Cochinchine, 1866, Albumen silver print from glass negative, 19.1 x 25 cm (7 1/2 x 9 13/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Two Women Looking in Mirrors, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/8 x 6 5/8 in. (20.6 x 16.8 cm), Prints, Kubo Shunman (Japanese, 1757–1820), This composition is activated by a

Vase with cover (vase pot-pourri triangle) (one of a pair), ca. 1761, French, Sèvres, Soft-paste porcelain, H. 12 7/8 in. (32.7 cm.), Ceramics-Porcelain, This unusual form of vase, which appears to have been used either for pot pourri or for

Glass head pendant, Late Classical, mid-4th–3rd century B.C., Phoenician or Carthaginian, Glass; rod-formed and trailed, H.: 1 in. (2.5 cm), Glass, Semi-opaque cobalt blue, with opaque white and yellow, and translucent cobalt blue.,

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 9/16 x 15/16in. (3.9 x 2.3cm), Glass, Small perfume bottle Colorless with pale greenish tinge. Rim folded out, over, and in; flaring mouth; concave,

Bronze cylindrical fitting, Late Bronze Age, ca. 1600–1050 B.C., Minoan, Bronze, L. 3 7/8 in. (9.9 cm.), Bronzes, Perhaps used as a sceptre stem. With two pairs of opposite holes

Talismanic Scroll, 10th century, Attributed to Egypt, Ink on tan paper, 10 7/8 x 1 13/16 in. (27.6 x 4.6 cm), Codices

Glass base, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, H.: 1 1/8 in. (2.9 cm), Glass, Translucent pale yellow green Tall conical base with tubular lower edge; traces of pontil scar around center of bottom. Complete, but

Viola, 1757, New York, New York, United States, American, Wood, Height: 16 7/16 in. (41.8 cm), Chordophone-Lute-bowed-unfretted, Robert Horne (British, active United States ca. 1767–1773), This viola is the oldest extant American violin

Horse Mask, mid-Western Zhou dynasty (1046–771 B.C.), China, Bronze, H. 8 1/4 in. (21 cm); W. 3 1/2 in. (8.9 cm), Metalwork

Wild Geese Flying under the Full Moon, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 15 x 4 29/32 in. (38.1 x 12.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Glass bowl, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, Overall: 2 5/8in. (6.7cm), Glass, Translucent blue green; trails in same color., Outsplayed rim, with rounded lip; side of body tapers downwards, then curves

Vase fragment, Helladic, Greek, Laconian, Terracotta, 2 3/16 x 2 5/8in. (5.5 x 6.6cm), Vases

Terracotta lekythos (oil flask), Classical, ca. 420–400 B.C., Greek, Attic, Terracotta; white-ground, H.: 17 3/4 in. (45.1 cm), Vases, Youth seated at a tomb with bearded, draped man

Louksor (Thèbes), Construction Postérieure - Galeries Parallèles, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.2 x 29.7 cm. (9 1/8 x 11 11/16 in.), Photographs, Félix Teynard (French, 1817–1892

Ladle, 1775–1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, 14 3/16 x 3 5/8 in. (36 x 9.2 cm); 5 oz. 6 dwt. (165.4 g), Silver, Richard Humphreys (1750–1832

Vase fragment, Geometric, ca. 800–700 B.C., East Greek/Sardis, Lydian, Terracotta, Overall: 1 15/16 x 1 5/16in. (4.9 x 3.4cm), Vases

Scene from a Shosa Act, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 1/8 in. (38.1 x 25.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

琉球八景　龍洞松濤, Pines and Waves at Ryūtō (Ryūtō shōtō), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei), Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 9

The Angel Appearing to Zacharias, 1799–1800, Pen and black ink, tempera, and glue size on canvas, 10 1/2 x 15 in. (26.7 x 38.1 cm), Paintings, William Blake (British, London 1757–1827 London), Blake devoted much of the year 1799–1800

Grande Pagode - Colonnade de l'Esplanade, 1866, Albumen silver print from glass negative, 17.3 x 12 cm (6 13/16 x 4 3/4 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Decanter with stopper, 1890–1900, Made in New York, New York, United States, American, Glass, wheel cut, 8 7/8 × 3 3/8 × 3 3/8 in. (22.5 × 8.6 × 8.6 cm), Glass, Possibly Baccarat (French, founded 1764

Chalcedonic quartz seal set in a gold ring, Late Classical, 4th century B.C., Greek, Glass, brown paste, gold, Length: 13/16 in. (2 cm), Gems, Bacchic demon, half lion, half winged satyr

Terracotta bell-krater (mixing bowl), Late Classical, ca. 350–325 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, H. 15 7/8 in. (40.3 cm), Vases, Obverse, two Oscan warriors and two women Reverse, three youths Like the

Small limestone jar, Archaic or Classical?, 6th–3rd century B.C.?, Cypriot, Limestone, H. 4 3/4 in. (12.1 cm); Diam. 3 1/4 in. (8.3 cm), Miscellaneous-Stone Vases, High shoulder and two vertical handles

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.42 x 0.87 x 0.31 in. (3.61 x 2.21 x 0.79 cm), Ivory/Bone-Reliefs

Interior of the Oude Kerk, Delft, probably 1650, Oil on wood, 19 x 13 5/8 in. (48.3 x 34.6 cm), Paintings, Emanuel de Witte (Dutch, Alkmaar ca. 1616–1692 Amsterdam), De Witte's earliest architectural views, like this one, borrow

The Clinging Crab, Edo period (1615–1868), 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Terracotta bowl fragment, late 1st century B.C.–early 1st century A.D., Roman, Terracotta, diameter of medallion 5.11, Vases, The center of the base is decorated with a tondo depicting in relief a portrait bust of the emperor Augustus holding

Moss agate ring stone, Imperial, ca. 2nd century A.D., Roman, Agate, moss, Length: 3/4 in. (1.9 cm), Gems, portrait bust of a bearded man facing a larger portrait bust of a woman. The coiffure of the woman points to the time of the Younger

Terracotta stamnos (jar), Classical, ca. 480 B.C., Greek, Attic, Terracotta; red-figure, H. 14 3/8 in. (36.5 cm); diameter of mouth 8 3/4 in. (22.2 cm); diameter of foot 5 15/16 in. (15.1 cm), Vases, Obverse, men and women, Reverse, men

Glass eye bead, Late Classical, ca. 4th century B.C., Greek, Eastern Mediterranean, Glass; rod-formed, Diam.: 1 1/16 in. (2.7 cm), Glass, Blue bead covered with blue and white eyes

Carinated Stone Jar with Rope Pattern, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial D 1, Beside or on inner coffin, 1915–16, Limestone, H. 16.7 cm (6

Limestone finial of a funerary stele with volutes and the head of Hathor, Archaic, second or third quarter of the 6th century B.C., Cypriot, Limestone, Overall: 18 x 31 x 2 1/2 in. (45.7 x 78.7 x 6.4 cm), Stone Sculpture, Tombstone with Hathor

東海道五十三次之内　嶋田　大井川駿岸, Shimada, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 9 x 13 5/8 in. (22.9 x 34.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Terracotta oinochoe (jug), Geometric, late 8th century B.C.–early 7th century B.C., Greek, Attic, Terracotta, H. 4 5/16 in. (11 cm), Vases, From the Hymettos deposit

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 7/8 in. (9.8 cm); Diam. 3 1/2 in. (8.9 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Ichikawa Danjuro V and His Family, Edo period (1615–1868), 1782, Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 10 in. (38.7 x 25.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815), Kiyonaga depicts Danjūrō V and

Biscuit jar, 1878–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 9 3/8 in. (23.8 cm); Diam. 4 3/4 in. (12.1 cm), Glass, This three-face pattern, patented in 1878 by John Ernest Miller, was a favorite

Vue du Divan et du Palais du Gouverneur, à Syout, 1849–50, Salted paper print from paper negative, Image: 5 9/16 × 8 1/2 in. (14.2 × 21.6 cm), Photographs, Maxime Du Camp (French, 1822–1894

Mace, 19th century, Iranian, Steel, gold, L. 32 1/2 in. (82.6 cm); Wt. 1 lb. 15 oz. (879 g); head: 4 3/4 x 5 3/4 in. (12 x 14.5 cm), Shafted Weapons, The ox-headed mace is associated with the heroes of the Shahnama (Book of Kings), the poet