Images at Librifly

Banks of the Nile at Cairo, ca. 1857, printed 1870s, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France), Francis Frith and Company (British

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/8 x 1 1/16 in. (2.9 x 2.8 cm), Glass, Rim fragment., Translucent blue, turquoise blue largely layered with

Alabaster amphoriskos (small flask), Hellenistic, 310–30 B.C., Cypriot, Gypsum (alabaster), H. 5 1/4 x 2 1/8 in. (13.3 x 5.4 cm), Miscellaneous-Stone Vases, With long neck, high handles and pointed base

Spearhead (明/清 矛頭), 17th–18th century, Chinese, Steel, gold, L. 14 7/8 in. (37.8 cm), Shafted Weapons, Despite its heavy surface patina, this spearhead is very similar to the adjacent example in for the form of its blade and the

Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne), ca. 1490–1525,

Bronze phallic amulet, Imperial, 1st century A.D., Roman, Bronze, W. 1 3/16 in (5.6 cm.), Bronzes, The form of this phallic amulet is unique. Commonly, the phallus and arm project from a central pubis or scrotum. On this unusual pendant, the

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Hercules and Cerberus, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

商 青銅觶, Wine Cup (Zhi), Shang dynasty (ca. 1600–1046 B.C.), 13th century B.C., China, Bronze, H. 6 1/4 in. (15.9 cm), Metalwork

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 2 1/8 in. (5.4 cm); W. 2 1/4 in. (5.7 cm), Lacquer, This covered box, part of a wedding trousseau,

Marble vase in the form a of a pyxis (box) surmounted by an oinochoe (jug), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Marble, H.: 11 1/16 in. (28.1 cm), Miscellaneous-Stone Vases, Composite of pyxis below and oinochoe

Lamellar Helmet, 15th–17th century, probably Mongolian or Tibetan, Iron, leather, H. 8 1/2 in. (21.6 cm); Diam. 7 5/8 in. (19.4 cm); Wt. 2 lb. 1.5 oz. (949.7 g), Helmets

Sideboard Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 3/8 x 14 1/4 in. (21.4 x 36.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

[Japanese Woman in Traditional Dress Posing with Instrument], 1870s, Albumen silver print from glass negative, 25.1 x 20.2 cm (9 7/8 x 7 15/16 in.), Photographs, Unknown

『女官洋服裁縫之図』, Court Ladies Sewing Western Clothing, (Jokan yōfuku saihō no zu), Meiji period (1868–1912), August 23rd, 1887, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image: 14 5/16 x 29

Pierced Jug with Harpies and Sphinxes, dated A.H. 612/ A.D. 1215–16, Attributed to Iran, Kashan, Stonepaste; openwork, underglaze-painted, glazed in transparent turquoise, H. 8 3/16 in. (20.8 cm), Ceramics, This jug exemplifies the

Hamamatsu Station, 東海道五十三次　はま松, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 8 9/16 x 13 5/8 in. (21.7 x 34.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Ambroise Bernard Album, 1870s, Albumen silver prints, 43.5 x 37.5 cm (17 1/8 x 14 3/4 in.), Albums, Carleton E. Watkins (American, 1829–1916), Attributed to Carleton E. Watkins (American, 1829–1916), This deluxe 'Ambroise Bernard

Terracotta lekythos (oil flask), Archaic, ca. 550 B.C., Greek, Attic, Terracotta; black-figure, H. 6 7/8 in. (17.5 cm), Vases, Two women wrapped in one cloak Lekythoi were traditionally placed as offerings in tombs or on grave monuments. The

桜に小禽図, Birds on a Flowering Branch, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

[Governor General's Body Guard], 1858–61, Albumen silver print, Photographs, Unknown

St. Gilles, 1853, Albumen silver print from paper negative, Image: 34.5 x 42.9 cm (13 9/16 x 16 7/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Glass bracelet, Hellenistic, late 3rd–2nd century B.C., Celtic, Glass; drawn, tooled, and trailed, 9/16in. (1.4cm), Glass, Translucent cobalt blue; trails in opaque yellow., Seamless broad band with flattened semicircular cross section.,

Fragment, 14th–15th century, Attributed to Spain, Silk, metal wrapped thread; lampas, Textile: H. 8 1/2 in. (21.6 cm), Textiles-Woven, This silk textile fragment is divided into horizontal bands, decorated with interlaced knots,

南宋 佚名 倣馬遠 松陰玩月圖 冊頁, Viewing the Moon under a Pine Tree, Southern Song dynasty (1127–1279), early 13th century, China, Album leaf; ink and color on silk, 10 x 10 in. (25.4 x 25.4 cm), Paintings, After Ma Yuan

A King Seated on His Throne, 1725, India (Gujarat), Ink and opaque watercolor on paper, 4 5/8 x 5 in. (11.8 x 12.7 cm), Paintings

騎龍弁財天, Benzaiten (Goddess of Music and Good Fortune) Seated on a White Dragon, Edo period (1615–1868), 1832, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/2 x 7 1/4 in. (21.6 x 18.4 cm), Prints,

Kabuki Actor, Edo period (1615–1868), ca. 1708, Japan, Polychrome woodblock print; ink and color on paper, 21 3/4 x 11 1/2 in. (55.2 x 29.2 cm), Prints, Attributed to Torii Kiyonobu (Japanese, 1664–1729), Kiyonobu, founder of the Torii

The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, ca. 1514–15, Oil on wood, 25 x 30 in. (63.5 x 76.2 cm), Paintings, Bernard van Orley (Netherlandish, Brussels ca. 1492–1541/42

商青銅鼎, Ritual Tripod Cauldron (Ding), Shang dynasty (ca. 1600–1046 B.C.), ca. 13th century B.C., China, Bronze, H. incl. handles 10 in. (25.4 cm); H. 7 7/8 in. (20 cm); Diam. 8 1/2 in. (21.6 cm); Diam. of rim 7 7/8 in. (20 cm),

Bronze specillum (probe), 1st–2nd century A.D., Roman, Bronze, Other: 5 1/8 in. (13 cm), Bronzes, Article for extracting salves from ointment boxes

Amerapoora, Barracks of the Burmese Guard, 1 September–21 October 1855, Salted paper print from waxed paper negative, Image: 26 x 34.4 cm (10 1/4 x 13 9/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

The 'Juno' in Tenby Harbour, 1853–56, Salted paper print, Image: 15.2 × 20.2 cm (6 in. × 7 15/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

[Betty Reynolds with Doll on Lap], ca. 1885, Gelatin silver print, 5.5 x 5.3 cm (2 3/16 x 2 1/16 in.), Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Scenes from the Life of Saint John the Baptist, ca. 1506–7, Tempera, oil, and gold on wood, 30 9/16 x 59 1/2 in. (77.6 x 151.1 cm), Paintings, Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469–1543 Florence),

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Other: 3/4 x 7/8 in. (2 x 2.3 cm), Glass, Translucent honey yellow with greenish tinge, opaque white, yellow, and pale blue.,

Fuji no Uraha, Edo period (1615–1868), ca. 1790, Japan, Two sheets from a triptych of polychrome woodblock prints; ink and color on paper, 15 1/8 x 20 1/2 in. (38.4 x 52.1 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829), This

Terracotta rim fragment with hatched triangle, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 1 13/16 in. (4.6 cm), Vases, From Gournia, Crete. Rim fragment with hatched spiral

Glass two-handled jar with ashes, Early Imperial, Flavian, 2nd half of 1st century A.D., Roman, Glass; blown, H.: 7 9/16 x 9 3/8 in. (19.2 x 23.8 cm), Glass, Translucent deep blue green; handles in same color., Thick, tubular rim, folded

Long-necked jar, Third Intermediate Period, Dynasty 21–22, ca. 1070–712 B.C., From Egypt, Eastern Delta, Tell Basta (Bubastis), Temple of Bastet, ancient cache, Silver, H. 11 cm (4 5/16 in.), WIne services do not seem to have a long

La Chemise, 1860s, Salted paper print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Haneda Rakugan, 江戸近郊八景之内　羽根田落雁, Wild Geese at Haneda, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 10 in. (37.1 x 25.4 cm), Prints, Utagawa Hiroshige

Necklace, 1845–50, Seed pearls, mother-of-pearl, horsehair, silk and yellow gold, L. 20 in. (50.8 cm), Jewelry, This seed pearl necklace is composed of three floral plaques mounted on thin sheets of mother-of-pearl and joined by two double

Young Lady Taking a Lesson on the Shamisen, Edo period (1615–1868), Japan, Polychrome woodblock print (hand-colored); ink and color on paper, 8 3/4 x 6 1/2 in. (22.2 x 16.5 cm), Prints, Nishikawa Sukenobu (Japanese, 1671–1750

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 4 1/4 in. (10.8 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

Terracotta oinochoe (jug), Hellenistic, ca. 325–300 B.C., Greek, South Italian, Gnathian, Terracotta; applied color, H.: 9 5/16 in. (23.7 cm), Vases, Theatrical mask, alabastron (perfume vase), and fillets (bands) Though associated

The Third Segawa Kikunojo in the Role of Oboshi Rikiya, Edo period (1615–1868), 1787, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Earring, Cypriot, Bronze, Length (w/ pendant): 2 1/4 in. (5.7 cm), Bronzes

Belt Hook, Han dynasty (206 B.C.–A.D. 220), China, Cast silver, W. 1 3/8 in. (3.5 cm); L. 7 1/2 in. (19.1 cm), Metalwork

Scene from a Drama, Edo period (1615–1868), 1710–13, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 13 27/32 in. (26.4 x 35.2 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Lionel Tennyson, Freshwater, 1869, Albumen silver print from glass negative, Image: 24.5 x 30.4 cm (9 5/8 x 11 15/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), Cameron's

Glass cup, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; blown in a four-part mold, Other: 2 7/16 × 4 3/8 in. (6.2 × 11.1 cm), Glass, Translucent yellow green with same color handles., Unworked vertical rim of

清, 鄭燮, 蘭竹圖, 卷, Orchids and Bamboo, Qing dynasty (1644–1911), dated 1742, China, Handscroll; ink on paper, Image: 13 3/4 x 147 1/2 in. (34.9 x 374.7 cm), Paintings, Zheng Xie (Chinese, 1693–1765), Inscribed by the artist

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Finial Ornament, Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 3 in. (7.6 cm); W. 1 1/2 in. (3.8 cm), Metalwork

The Virgin Adoring the Host, 1852, Oil on canvas, 15 7/8 x 12 7/8 in. (40.3 x 32.7 cm), Paintings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), This small, jewel-like devotional painting was made as a gift for

Terracotta vessel fragment, Late Neolithic or Early Helladic I, ca. 4000–3000 B.C., Greek Neolithic, Terracotta; Poychrome ware, length 1 15/16in. (4.9cm), Vases, From Gonia in the Peloponnese

Jérusalem, Sarcophage judaïque, 1854, Salted paper print from paper negative, Image: 23.2 × 32.7 cm (9 1/8 × 12 7/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), Ridiculed by fellow scholars for contending that many

Poem, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on mica-flecked paper, 6 5/16 x 20 5/8 in. (16 x 52.4 cm), Calligraphy, Zou Zhilin (Chinese, 1574–ca. 1654

Porringer, 1720–30, Made in Boston, Massachusetts, United States, American, Silver, Overall: 2 1/16 x 7 1/2 in. (5.2 x 19.1 cm); 7 oz. 16 dwt. (243 g), Silver, William Cowell Sr. (1682/83–1736

Christ and the Woman of Samaria, Oil on wood, 25 x 19 1/4 in. (63.5 x 48.9 cm), Paintings, Style of Rembrandt (Dutch, ca. 1655), The authorship of this painting has been much debated, but most scholars consider it to be by a Rembrandt pupil of

Limestone votive statuette of a hound seizing a hare, Classical or Hellenistic, 5th–1st century B.C., Cypriot, Limestone, L. 6 1/2 in (16.5 cm); H. 2 3/8 in (6 cm), Stone Sculpture, This statue may have been a gift for a hunter. Traces of

Dress, fall/winter 1930–31, French, cotton, silk

Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　尾州不二見原, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

清, 任熊, 牡丹, 扇面, Peony, Qing dynasty (1644–1911), 19th century, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 6 15/16 x 21 in. (17.6 x 53.3 cm), Paintings, Ren Xiong (Chinese,

Second Attempt to Photograph Our Room at Delhi, 1850s, Albumen silver print, Image: 10.8 x 13.3 cm (4 1/4 x 5 1/4 in.), Photographs, Unknown

View of the Seacoast near Wargemont in Normandy, 1880, Oil on canvas, 19 7/8 x 24 1/2 in. (50.5 x 62.2 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), While a guest at the country house of Paul Berard, Renoir was

百人一首　うはかゑとき　源宗于朝臣, Poem by Minamoto no Muneyuki Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1839, Japan, Polychrome woodblock print;

Fille de Lanxchow, 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

青銅斗, Ritual ladle (Shao), Western Zhou dynasty (1046–771 B.C.), late 11th century B.C., China, Bronze, H. 1 3/4 in. (4.4 cm); Diam. 1 1/16 in. (2.7 cm); L. 8 in. (20.3 cm); Wt. 1 lb. (0.5 kg), Metalwork, This elaborate set of wine

Faience amulet of Taweret, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 1 15/16 in. (5 cm), Gold and Silver, Amulet, Thueris

Talismanic Scroll, 11th–12th century, Attributed to Egypt, Ink on tan paper, 11 1/8 x 3 in. (28.3 x 7.6 cm), Codices

Bonnet, 1830–35, French, silk, feathers

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 in. (1.8 x 2.5 cm), Glass, Body fragment., Translucent blue, turquoise blue and opaque yellow appearing dull

Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 2 3/8 in. x 2 in. (6 cm x 5 cm), Terracottas, Upper body of a youth in a long garment

Epichysis, Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 14.27 cm.; diameter 8.96 cm., Vases

A Lady from a Samurai Household with Three Attendants, from the series A Brocade of Eastern Manners (Fūzoku Azuma no nishiki), 「風俗東之錦」 武家の息女と侍女と若党, Edo period (1615–1868), ca. 1820, Japan, Polychrome

冨嶽三十六景　武州玉川, Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on

Faience aryballos (oil flask) in the form of a fish, Archaic, 6th century B.C., East Greek, Faience, H.: 2 1/4 x 4 3/8 in. (5.7 x 11.1 cm), Miscellaneous-Faience, The fish has been identified as a native Egyptian species, tilapia nilotica

William Etty, R.A., 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Mrs. Papendiek and Her Son, 1789, Red and black chalks on wove paper, sheet: 12 x 9 15/16 in. (30.5 x 25.2 cm), Drawings, Sir Thomas Lawrence (British, Bristol 1769–1830 London

Panel, 4th century, Attributed to Egypt, Wool, H. 12 3/8 in. (31.4 cm), Textiles

近代, 陸恢, 美人, 扇面, A Beauty, Qing dynasty (1644–1911), dated 1887, China, Folding fan mounted as an album leaf; ink and color on alum paper, 6 3/4 x 18 7/8 in. (17.1 x 47.9 cm), Paintings, Lu Hui (Chinese, 1851–1920),

Standing Buddha, ca. 3rd–4th century, Pakistan (ancient region of Gandhara), Schist, H. 20 in. (50.8 cm); W. 7 1/4 in. (18.4 cm); D. 4 1/16 in. (10.3 cm), Sculpture, Such Buddha images were found in great numbers in the public sacred

'Cookie' Miller, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

江戸名所四十八景　神田明神, Kanda Temple Snow, Edo period (1615–1868), 1861, Japan, Polychrome woodblock print; ink and color on paper, 7 1/4 x 9 1/4 in. (18.4 x 23.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Gold and variscite earring (one of a pair), Mid-Imperial, 2nd century A.D., Roman, Cypriot, Gold, chalcedony, Diam.: 7/8 in. (2.2 cm), Gold and Silver, Pair of earrings with green beads made from a type of chalcedony known as variscite,

Head of Dionysos (The God of Wine and Divine Intoxication), 4th–5th century, Pakistan (ancient region of Gandhara), Terracotta, H. 9 1/2 in. (24.1 cm); W. 7 in. (17.8 cm); D. 6 1/2 in. (16.5 cm), Sculpture, This mature bearded man has grape

Autumn Shower, Illustration from Bungei Kurabu (Literary Club), Meiji period (1868–1912), 1904, Japan, Frontispiece; polychrome woodblock print; ink and color on paper, Image: 8 3/4 x 12 1/4 in. (22.2 x 31.1 cm), Prints, Suzuki Kason

Bai xian, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 7/8 in. (25.4 x 37.8 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Gold ring with glass paste ring stone, Classical, 5th century B.C., Greek or Cypriot, Gold, glass paste, Other: 1 in. (2.5 cm), Gold and Silver, Ring with a high swivel socket and pale paste stone

Album of Eighteen Arhat Paintings, 17th–18th century, Tibet, Color on Bo tree leaves and mounted on blue paper, 12 1/2 x 7 1/2 in. (31.8 x 19.1 cm), Paintings

Swallow and Wisteria, Edo period (1615–1868), mid-1840s, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 6 3/5 in. (22.5 x 16.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Alabaster mortar or deep bowl, Late Bronze Age(?), ca. 1600–1050 B.C., Cypriot, Gypsum (alabaster), H. 1 9/16 x W. 3 7/8 in. (4 x 9.8 cm), Miscellaneous-Stone Vases, The irregularly shaped bowl has three lugs, only one of which is well

Jérusalem, croix en argent ciselé, donnée par Louis XIII à l'Eglise du Saint Sépulcre, 1854, Salted paper prints from paper negative, Image: 34.8 x 23.5 cm (13 11/16 x 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872),

Terracotta Hadra hydria (water jar), Hellenistic, late 3rd century B.C., Greek, Ptolemaic, Cretan, Terracotta, h. 15 1/4 in. (38.7 cm); d. 9 13/16 in. (25 cm.), Vases, inscribed on shoulder 'of Apollonios' The inscription on this hydria

Fragment, 5th–6th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 9 15/16 in. high 9 1/16 in. wide (25.2 cm high 23 cm wide), Textiles

Terracotta skyphos (deep drinking cup), Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; black-glaze, 3in. (7.6cm), Vases, Black glazed skyphos with reserved foot, band at rim

Inscribed marble base, Imperial, ca. 2nd century A.D., Roman, Cypriot, Marble, red, 3 7/8 x 5 5/16 x 4 3/4 in. (9.8 x 13.5 x 12.1 cm), Cesnola Inscriptions, The base may have held a small statue. The Greek inscription records a dedication by

Boutique de fruits et légumes, Rue Mouffetard, 1925, Gelatin silver print from glass negative, Image: 22.6 x 17.9 cm (8 7/8 x 7 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris