Images at Librifly

North and South Dome, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

東海道五十三次之内　大尾　京師　三条大橋, Kyoto, Sanjo Ohashi, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color on paper, 9 3/5 x 14 1/16 in. (24.4 x 35.7 cm), Prints, Utagawa

Limestone statuette of a boy with a chain of amulets, Early Hellenistic, late 4th century–3rd century B.C., Cypriot, Limestone, Overall: 27 x 8 1/2 x 4 1/4 in. (68.6 x 21.6 x 10.8 cm), Stone Sculpture, Figure holding chain of beads and

Embroidered Mantle Fragment, 5th–2nd century B.C., Peru, Paracas, Camelid hair, Overall: 4 3/4 x 5 in. (12.07 x 12.7 cm), Textiles-Woven

Glass amphoriskos (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, 2 1/4 × 1 7/16 in. (5.7 × 3.6 cm), Glass, Translucent deep turquoise blue, with opaque yellow handles, base knob,

Jérusalem, Fontaine du Couvent grec, 1854, Salted paper print from paper negative, Image: 23.4 x 32.3 cm (9 3/16 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Saddle Mounted Cannon, 1860s, Albumen silver print from glass negative, 18.9 x 14.8 cm (7 7/16 x 5 13/16 in. ), Photographs, Unknown (French), The zamburak (Persian for 'little wasp') was a saddle-mounted cannon used in cavalry warfare in

Louise Tiffany, Reading, 1888, Pastel on buff colored wove paper, 20 1/2 x 30 1/4 in. (52.1 x 76.8 cm), Drawings, Louis Comfort Tiffany (American, New York 1848–1933 New York), Here Tiffany depicted his second wife, Louise, reading on a

Terracotta kantharos (drinking cup with high handles), Late Classical, late 4th–early 3rd century B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 4 1/2 in. (11.4 cm), Vases, The knotted handles and the ribbing

南宋 佚名 蘆鷺圖 團扇, Egrets in Water Reeds, Song dynasty (960–1279), late 12th century, China, 9 15/16 x 10 5/16 in. (25.2 x 26.2 cm), Paintings, Unidentified Artist, This painting recalls Ma Hezhi's handscroll Six Odes Starting

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 4 1/8 x 3 1/2in. (10.5 x 8.9cm), Vases

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 4 x 3in. (10.2 x 7.6cm), Vases

King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), August 1, 1792, Stipple engraving; published state, image: 17 3/8 x 23 11/16 in. (44.1 x 60.1 cm), Prints, After Henry Fuseli (Swiss, Zürich 1741–1825

Hautbois Common, Norfolk, probably ca. 1810, Oil on canvas, 22 x 35 in. (55.9 x 88.9 cm), Paintings, John Crome (British, Norwich 1768–1821 Norwich), Hautbois Common lies near the villages of Great Hautbois and Coltishall, some eight miles

Lady Hester King (died 1873), probably 1805, Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), Paintings, John Hoppner (British, London 1758–1810 London

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/4 × 9 3/4 in. (36.2 × 24.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Pendant for Horse Trappings, 15th century, Spanish, Copper alloy, enamel, gold, H. 2 3/8 in. (6 cm); W. 1 11/16 in. (4.3 cm); Wt. 1 oz. (28.3 g), Miscellaneous-Badges, The decoration of this includes heraldic arms, mottoes, and religious

Pin, eyelet type, Cypriot, Bronze, Other: 4 5/8in. (11.8cm), Bronzes

Glass jar, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 4 7/8 in. (12.4 cm), Glass, Translucent cobalt blue. Slightly flaring rim folded out and down, forming thick collar around neck and extending on one side onto upper body;

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 1 1/8 x 9/16in. (2.8 x 1.5cm), Vases

Gold and glass earring with head of a dolphin, Late Hellenistic, 2nd–1st century B.C., Greek, Gold, glass paste, Other: 1 1/8 in. (2.9 cm), Gold and Silver, With three glass paste beads

Eagle in a Tree, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 x 10 3/4 in. (35.6 x 27.3 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Bronze statue of Eros sleeping, Hellenistic period, 3rd–2nd century B.C., Greek, Bronze, 16 1/2 × 14 × 33 9/16 in., 275 lb. (41.9 × 35.6 × 85.2 cm, 124.7 kg), Bronzes, The Hellenistic period introduced the accurate characterization of

Calligraphy, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 7 x 19 3/4 in. (17.8 x 50.2 cm), Calligraphy

Reynold Keen, ca. 1769, Made in United States, Oil on Canvas, Sight: 30 x 25 in. (76.2 x 63.5 cm), Paintings, Matthew Pratt (1734–1805), Soon after his return from London, where he had studied under Benjamin West, Pratt painted the

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and tooled, 1 3/16 in. (3 cm), Glass, Miniature perfume bottle Translucent blue. Rim folded out, over, and in, flattened on top; long, cylindrical neck, tooled in

Caster, 1750–70, Possibly made in Portsmouth, New Hampshire, United States, American, Silver, Overall: 5 x 1 15/16 in. (12.7 x 4.9 cm); 3 oz. 6 dwt. (102.5 g), Silver, Possibly made by Mark Nelson (1733–1787

Landscape, Qing dynasty (1644–1911), China, Handscroll; ink on silk, 14 3/8 x 69 3/4 in. (36.5 x 177.2 cm), Paintings, Unidentified Artist, After Xia Gui (Chinese, active ca. 1195–1230

Nippori Keinai Ebisu-Daikoku, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, H. 9 5/8 in. (24.4 cm); W. 7 1/8 in. (18.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

[Deodars at Annandale, Simla], 1858–61, Albumen silver print, Image: 29.3 x 23.2 cm (11 9/16 x 9 1/8 in.), Photographs, Unknown

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/8 × 9 7/8 in. (36.5 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Cemetery at Foochow, ca. 1869, Albumen silver print from glass negative, Image: 8 3/16 × 11 3/8 in. (20.8 × 28.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

[Japanese Embassy, Navy Yard, Washington, DC], 1860, Albumen silver print from glass negative, Image: 37.5 x 48.1 cm (14 3/4 x 18 15/16 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York

Pendant: recumbent boar, Classical, 5th century B.C., Etruscan or Italic, Amber, Other: 1 1/2 in. (3.8 cm), Miscellaneous-Amber, Pendant of a crouching boar pierced under the thighs

Pair of bronze ankle guards, Classical, 5th century B.C., Greek, Bronze, left guard length 9 1/8in. (23.2cm), Bronzes, The ankle guard is an exceptional piece of equipment, intended to protect the leg below the greave

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Overall: 13/16 in., 6.1lb. (2 cm, 2.8kg), Glass, Rim fragment., Translucent deep purple and opaque white., Vertical,

Glass carinated perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H, 9.2cm D, 4.6cm (rim, 1.6cm), Glass, Translucent cobalt blue., Outsplayed, rounded rim; cylindrical neck, with deep horizontal tooled indent around

Moir (?) and John Wilson, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Glass bowl with cut decoration, Mid–Late Imperial, 2nd–3rd century A.D., Roman, Glass; blown, trailed, and cut, H.: 2 5/16 in. (5.9 cm), Glass, Colorless. Plain vertical rim with thickened, rounded lip; vertical side to body, curving

Plate, ca. 1800, Made in Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, Diam. 8 5/8 in. (21.9 cm), Ceramics

Box, Bronze, 2 x 2 5/8in. (5.1 x 6.7cm), Bronzes

The Actor Morita Kanya Wearing One Sword, Edo period (1615–1868), ca. 1792, Japan, Diptych of polychrome woodblock prints; ink and color on paper, A: H. 12 13/16 (32.5 cm); W. 5 11/16 in. (14.4 cm), Prints, Katsukawa Shun'ei (Japanese,

Nakamura Nakazo II as Prince Koretaka Disguised in the Play Ōshukubai Koi no Hatsune, Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, 12 x 8 1/2 in. (30.5 x 21.6 cm), Prints, Tōshūsai

Talismanic Scroll, 11th–12th century, Attributed to Egypt, Ink on paper, 6 1/8 x 1 1/2 in. (15.6 x 3.8 cm), Codices

Terracotta mug, Classical, late 5th–early 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H. 2 1/2 in. (6.3 cm), Vases, Squat with wide mouth

Plaque fragment, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.02 x 0.83 x 0.2 in. (2.59 x 2.11 x 0.51 cm), Ivory/Bone-Reliefs, Built by the Assyrian king Ashurnasirpal II, the palaces and

Portrait of a Man, Tempera on wood, 21 1/2 x 17 1/2 in. (54.6 x 44.5 cm), Paintings, Domenico Ghirlandaio (Domenico Bigordi) (Italian, Florence 1448/49–1494 Florence), The identity of the sitter of this portrait is unknown. It is an early

Helmet, possibly 15th–17th century, Tibetan or Central Asian, Iron, silver, H. 8 in. (20.3 cm); W. 8 7/16 in. (21.4 cm); D. 9 in. (22.9 cm); Wt. 1 lb. 14.7 oz. (870.3 g), Helmets

Fragment of a terracotta calyx-krater (mixing bowl), Late Classical, ca. 400–380 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, Overall: 7 3/4 x 9 1/16in. (19.7 x 23cm), Vases, The ransom of Hector and Apollo with a goddess.

Flower Study, Ming dynasty (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 9 3/4 x 10 1/16 in. (24.8 x 25.6 cm), Paintings, Unidentified Artist, After Ma Lin (Chinese, ca. 1180– after 1256

Twin Pagodas at Foochow, ca. 1869, Albumen silver print from glass negative, Image: 13 1/16 × 9 3/4 in. (33.2 × 24.8 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Portrait of a Man, ca. 1655–60, Oil on canvas, 32 7/8 x 25 3/8 in. (83.5 x 64.5 cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This portrait is generally considered to be by Rembrandt, and is somewhat

Alabaster mortar, Late Cypriot III, ca. 1200–1050 B.C., Cypriot, Gypsum alabaster, Overall: 1 1/2 in. (3.8 cm); Diam. 4 1/4 in. (10.8 cm), Miscellaneous-Stone Vases, Mortars such as this were more often made of steatite or andesite. They

After Wang Xianzhi's (344–385) Foxglove Broth Letter, Ming dynasty (1368–1644), dated 1567, China, Folding fan mounted as an album leaf; ink on gold paper, 6 x 19 in. (15.2 x 48.3 cm), Calligraphy, Wen Peng (Chinese, 1498–1573

Fragment of a terracotta neck-amphora (jar), Late Classical, ca. 360–350 B.C., Greek, South Italian, Paestan, Terracotta; red-figure, Overall: 3 7/8 x 4 11/16 in. (9.8 x 11.9 cm), Vases, Woman with basket on her head in a finerary

Terracotta guttus (flask with handle and vertical spout), Late Classical, 4th–3rd century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 7/16 in. (8.8 cm), Vases, The medallion depicts Cybele with her attendants

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Wayfarers Looking at the Statue of Jizo Bosatsu in a Pine Grove at Hashiba, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 15/32 in. (25.7 x 36.8 cm), Prints, Utagawa Kuniyoshi

Basket, New Kingdom, Dynasty 18, ca. 1525–1504 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Meritamun (TT 358, ), corridor, 1928–29, Palm leaf, H. 40 cm (15 3/4 in); w. 58 cm (22 13/16 in

Frog Amulet, New Kingdom, Ramesside, Dynasty 19, ca. 1295–1185 B.C., From Egypt, Porphyry, l. 2 cm (13/16 in

Smithfield Sharpers, or the Countryman Defrauded, April 10, 1787, Etching, sheet: 14 1/4 x 17 1/2 in. (36.2 x 44.5 cm), Prints, John Keyse Sherwin (British, East Dean, Sussex 1751–1790 London), After Thomas Rowlandson (British, London

Runners Bottle, 4th–7th century, Peru, Moche, Ceramic, H. 12 1/2 x Diam. 6 1/8 in. (31.8 x 15.6 cm), Ceramics-Containers, A large number of Moche stirrup spout bottles represent men or anthropomorphized creatures running in line in a desert

Vase fragment, Geometric, ca. 800–700 B.C., East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/8 x 1 5/16in. (6 x 3.4cm), Vases

French Commode, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 5 3/8 x 7 3/16 in. (13.7 x 18.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Terracotta kantharos (drinking cup), Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, H. 4 7/8 in. (12.4 cm), Vases, The site of Teano produced a variety of black-glazed pottery that is a

Mother and Children at the New Year, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm), Paintings, Utagawa Toyoharu (Japanese, 1735–1814), Toyoharu, the founder of

The Tower of Lacock Abbey, before February 1845, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Teahouse girl and servant: Snow from the series Comparison of Snow, Moon and Flower Beauty, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 in. × 9 1/2 in. (35.6 × 24.1 cm),

Lessart Viaduct on the Rance River, October 1879, Albumen silver print from glass negative, Image: 36.9 x 47.6 cm (14 1/2 x 18 3/4 in.), Photographs, Louis Lafon (French, active 1870s–90s), In April 1858 the director of the École des Ponts

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Men Preparing Some Sort of Intoxicant in the Country, mid-17th century, Attributed to Iran, Ink, watercolor, and opaque watercolor on paper, H. 6 1/4 in. (15.9 cm), Codices, Gatherings of dervishes preparing and partaking of intoxicants in

Satyr, ca. 1740, French, Villeroy, Soft-paste porcelain, Height: 7 1/16 in. (17.9 cm), Ceramics-Porcelain

Terracotta aryballos in the form of an eagle's head, Archaic, ca. late 7th –early 6th century B.C., Greek, Rhodian, Terracotta, Length: 4 3/8 in. (11.1 cm), Vases, Though known from all parts of Greece, their production is particularly

Fifteen-light chandelier, ca. 1790, French, Gilt bronze, Bohemian glass, H. 5 ft. 5 in. (165.1 cm); Diam. 3 ft. 2 in. (96.5 cm), Metalwork-Gilt Bronze

Vase, 1900–1902, Made in New York, New York, United States, American, Favrile glass, H. 18 11/16 in. (47.5 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902

Ladle, 1790–1800, Made in New York, New York, United States, American, Silver, Overall: L. 13 7/8 in. (35.2 cm); 5 oz. 12 dwt. (174.1 g), Silver, John Burger (active ca. 1786–1807

Banded agate ring stone, Late Classical, 4th century B.C., Etruscan, Agate, Length: 11/16 in. (1.7 cm), Gems, A nude man stands holding the severed torso and arms of another male figure

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 1/4 in. (1.7 x 3.2 cm); estimated diam. of rim 5 1/2 in. (14 cm), Glass, Thin-walled rim fragment., Translucent

Catherina Elmendorf, 1752, Made in United States, Oil on canvas, 50 x 40 in. (127 x 101.6 cm), Paintings, Unknown Artist, Catherina Elmendorf (b. 1747) was a daughter of Petrus Edmundus Elmendorf (1715–1765) and Mary Crooke (b. 1721) of

Terracotta pyxis (box), Middle Corinthian, ca. 590–570 B.C., Greek, Corinthian, Terracotta; black-figure, H. 4 3/4 in. (12.1 cm), Vases, Obverse and reverse, between vertical handles, an eagle

A Breezy Day, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 28 1/8 in. (71.4 cm); W. 5 in. (12.7 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790), The long hashira-e format is

Jérusalem, Vallée de Josaphat, Détails du Tombeau d'Absalom, 1854, Salted paper print from paper negative, Image: 33 x 23.1 cm (13 x 9 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), This Hellenistic-Egyptian limestone tomb

Basketry Work: By the Craftsman Ichida Shōshichirō of Naniwa (Kagosaiku Naniwa saikujin Ichida Shōshichirō), 「籠細工　浪花細工人一田庄七郎」, Edo period (1615–1868), 1819, Japan, Polychrome woodblock print; ink and color

[The Great Wave, Sète], 1857, Albumen silver print from glass negative, 33.7 x 41.4 cm (13 1/4 x 16 5/16 in.), Photographs, Gustave Le Gray (French, 1820–1884), The dramatic effects of sunlight, clouds, and water in Le Gray's seascapes

[Tomb], 1858–61, Albumen silver print, Image: 19 x 24.7 cm (7 1/2 x 9 3/4 in.), Photographs, Unknown

Ilfracombe, The Victorian Promenade, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Quails from an apron-like garment, Archaic, 7th century B.C., Italic, Amber, H.: 3/4 x 15/16 in. (1.9 x 2.4 cm), Miscellaneous-Amber, Each quail is carefully rendered in the round and sits on a perforated rectangular base, suggesting these

Ichimura Kamezo in the role of Ise no Saburo, Edo period (1615–1868), ca. 1748, Japan, Polychrome woodblock print; ink and color on paper, 10 1/2 x 5 17/32 in. (26.7 x 14.1 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

[Gunpowder Agents Bungalow, Ishapoor.], 1858–61, Albumen silver print, Image: 12 x 17.2 cm (4 3/4 x 6 3/4 in.), Photographs, John Constantine Stanley (British, 1837–1878

Terracotta loutrophoros (ceremonial vase for water), Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 29 3/8 in. (74.6 cm), Vases, On the body, obverse, prothesis (laying out of the deceased) with

清, 王翬, 倣巨然燕文貴山水圖, 卷, Landscape in the Style of Juran and Yan Wengui, Qing dynasty (1644–1911), Dated 1713, China, Handscroll; ink and color on paper, Image: 12 1/4 x 158 3/8 in. (31.1 x 402.3 cm), Paintings,

The Three Graces, 272 feet, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

東海道五十三次　府中, Fuchu, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Glass cameo with portrait head of Alexander the Great, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Glass, blue, Length: 11/16 in. (1.8 cm), Gems, Portrait head of Alexander the Great wearing a lion skin

京都名所之内 あらし山満花, Cherry Blossoms at Arashiyama, from the series Famous Places of Kyōto, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 3/8 x 14 15/32 in. (23.8 x 36.8

Graminacea, 1839–40, Photogenic drawing, 20.7 x 16.5 cm (8 1/8 x 6 1/2 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

冨嶽三十六景　武陽佃島, Tsukudajima in Musashi Province (Buyō Tsukudajima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Dakkeh (Pselcis), Vue Générale du Temple, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.1 x 30.2 cm. (9 1/16 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

百人一首　乳母か縁説　在原業平, Poem by Ariwara no Narihira, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1839, Japan, Polychrome woodblock print; ink and color

Lead figure of a woman, Archaic, late 7th–early 6th century B.C., Greek, Laconian, Lead, Height: 1 13/16 in. (4.7 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient