Images at Librifly

A Geisha with a Shamisen, Edo period (1615–1868), ca. 1815, Japan, Polychrome woodblock print; ink and color on paper, Aiban; H. 13 3/4 in. (34.9 cm); W. 9 1/16 in. (23 cm), Prints, Kitagawa Kikumaro (Japanese, died 1830

Upper Lake, 1853–56, Salted paper print, Image: 19.2 × 24.1 cm (7 9/16 × 9 1/2 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Carnelian scarab, Archaic, 3rd quarter of the 6th century B.C., Greek, Carnelian, h. 29/32 in. (22.8 mm); w. 41/64 in. (16.2 mm), Gems, youth or girl washing hair

Nobleman Before His Carriage with a White Dog, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 5/16 in. (21.1 x 18.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

明, 王穉登, 行草書札, 冊頁, Letter, Ming dynasty (1368–1644), China, Album leaf; ink on paper, Image: 9 11/16 x 5 5/16 in. (24.6 x 13.5 cm), Calligraphy, Wang Zhideng (Chinese, 1535–1612), A child prodigy, Wang Zhideng

Terracotta calyx-krater (bowl for mixing wine and water), Late Classical, early 4th century B.C., Greek, Boeotian, Terracotta; red-figure, H. 11 5/16 in. (28.7 cm); diameter 11 3/8 in. (28.9 cm), Vases, Obverse, the abduction of Helen by

Prism, triangular seal, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Steatite, 5/8 × 1/2 × 5/16 in. (1.6 × 1.2 × 0.7 cm), Gems, Three sided gem with man with jug; quadruped; goat

Vase fragment, Early Helladic, ca. 3000–2000 B.C., Aegean, Terracotta, Other: 1 5/8in. (4.2cm), Vases

Crabs and Reeds, Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 11 5/8 x 9 in. (29.5 x 22.9 cm), Paintings, Unidentified Artist

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/16 x 1 9/16 in. (2.7 x 4 cm), Glass, Body fragment., Translucent blue, purple appearing opaque brick red,

Christ Presented to the People, Oil, gold, and silver on linden, 10 7/8 x 18 in. (27.6 x 45.7 cm), Paintings, Copy after Lucas van Leyden (German, probably late 16th century

東海道五十三次　大磯, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

忠臣蔵　十一段目　夜打　押寄, The Loyal Ronin Crossing the Long Bridge to Embark for the Night Attack upon Moronao, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 in.

The Mother of the Forest - Calaveras Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare

Moldings and Fretwork for China Case, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 13 5/8 x 7 1/2 in. (34.6 x 19 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Mantle Fragment, 3rd–2nd century B.C., Peru, Paracas, Camelid hair, cotton, Overall: 5 1/2 x 5 1/2 in. (13.97 x 13.97 cm), Textiles-Woven

Frieze Fragment, late 12th century, Made in Latium, Italy, Central Italian, Stone (Peperino di Viterbo from Viterbo (Italy)), Overall: 11 3/4 x 33 5/8 x 5 1/4 in. (29.8 x 85.4 x 13.3 cm), Sculpture-Stone

[The Harbor at Valletta, Malta], 1850s, Salted paper print from paper negative, Photographs, Attributed to Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Design for a church interior, 1906–08, Made in New York, United States, American, Watercolor, gouache and graphite and transparent paper, mounted on paper, 17 3/4 x 25 1/2 in. (45.1 x 64.8 cm), Drawings, Tiffany Studios (1902–32

Terracotta cup-kantharos (drinking cup), Late Classical, ca. 400–350 B.C., Greek, Attic, Terracotta; black-glaze, H. 2 13/16 in. (7.2 cm); diameter 4 5/8 in. (11.8 cm); width with handles 7 in. (17.8 cm), Vases, Ring foot, high squared

Terracotta rim fragment with triglyph and metope motif, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 1 1/2 in. (3.8 cm), Vases, From Gournia, Crete. Rim fragment with 'metopes

Orange, Théâtre Antique, ca. 1861, Albumen silver print from glass negative, Image: 42.7 x 33.9 cm (16 13/16 x 13 3/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Decanter, 1815–41, Made in Keene, New Hampshire, United States, American, Blown-molded glass, H. 7 in. (17.8 cm), Glass

Alfons, Eugen, Marie, and Hermine Antoine, 1850s–60s, Albumen silver print from glass negative, 23.1 x 18.5 cm. (9 1/16 x 7 1/4 in.), Photographs, Franz Antoine (Austrian, 1814–1882

W. C. Bryant - Calaveras Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album

Ichikawa Monosuke II, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 12 x 6 in. (30.5 x 15.2 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

The Actor Sakata Hangoro II and the Actor Matsumoto Koshiro IV, Edo period (1615–1868), Japan, Diptych of polychrome woodblock prints; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 11 1/4 in. (28.6 cm), Prints, Katsukawa Shunshō

Karnak (Thèbes), Enciente du Palais Vue du Point H, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.8 x 30.7 cm (9 3/8 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Terracotta kantharos (drinking cup with high handles), Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H. 4 9/16 in. (11.6 cm), Vases, Although black-glazed wares often represent cheaper versions of

Donner Lake. C. P. R. R, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album features

Terracotta bell-krater (bowl for mixing wine and water), Classical, late 5th century B.C., Greek, Attic, Terracotta; red-figure, Other: 14 3/4 x 15 5/8 in. (37.5 x 39.7 cm), Vases, Obverse, Nike (the personification of victory), driving a

Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Edo period (1615–1868), ca. late 18th century, Japan, Polychrome woodblock print; ink and color on paper, H. 10 11/16 in. (27.1 cm); W. 8 in. (20.3

Giovanni de' Medici, ca. 1550–1600, Engraving, sheet: 18 3/4 x 12 1/16 in. (47.7 x 30.6 cm) sheet trimmed to borderline, Prints, Engraved by Anonymous, Italian, 16th century, After Enea Vico (Italian, Parma 1523–1567 Ferrara

An Oiran Seated in a Parlor Applies the Fire Treatment to the Bared Back of Another Woman, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu

Terracotta oinochoe (jug), Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H.: 12 1/8 in. (30.8 cm), Vases, Trefoil lip, with two stags, two lion-heads, and two human heads in relief

Young Man and Woman in an Inn ('Yonker Ramp and His Sweetheart'), 1623, Oil on canvas, 41 1/2 x 31 1/4 in. (105.4 x 79.4 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), The traditional title dates from the eighteenth

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and cut, 2 5/16 x 1 7/16in. (5.9 x 3.6cm), Glass, Small perfume bottle Colorless with pale bluish tinge and streaked with purple. Beveled rim, folded out, over, and

Watercolor of musician playing bo (tongbo), late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Charger, 1877, (none assigned) New York, New York, United States, American, ceramic, 17 in. diameter x 2 in. deep (43.2 x 5.1 cm), Ceramics, John Bennett (1840–1907), The rare charger embodies John Bennett’s penchant for Anglo-Japanese

Innocentia, ca. 1581, Engraving, Sheet: 11 x 8 1/8 in. (27.9 x 20.6 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Standing Lakshmi(?), 13th century, Cambodia or Thailand, Bronze with gilt, H. 13 1/4 in. (33.7 cm); W. 4 1/2 in. (11.4 cm); D. 2 1/4 in. (5.7 cm), Sculpture

Filles de Shanghai, 1870s, Albumen silver print from glass negative, 23.8 x 19.3 cm (9 3/8 x 7 5/8 in.), Photographs, Unknown

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 1/2 × 2 5/8 × 5/16 in. (3.8 × 6.7 × 0.8 cm), Vases

Acrobats, Edo period (1615–1868), ca. 1800, Japan, Handscroll; ink and color on paper, 10 9/16 in. × 10 ft. 7 1/8 in. (26.8 × 322.9 cm), Paintings, This handscroll depicts a variety of acrobatic feats, some purely imaginary but many

Tzilinilli, Late Postclassic (Pre-Columbian), 10th–16th century, Mexico, Aztec, leaded copper, H. 4.1 cm (1 5/8 in.) x 1.9cm (3/4in.), Idiophone-Shaken-crotal bell

Henrietta Middleton, ca. 1752–58, Watercolor on ivory, 1 1/2 x 1 in. (3.8 x 2.5 cm), Paintings, Mary Roberts (died 1761 Charleston, South Carolina), The English émigré Mary Roberts was the first known miniaturist in the American colonies.

Hisiu Peak, ca. 1869, Albumen silver print from glass negative, Image: 9 in. × 11 7/16 in. (22.8 × 29 cm), Photographs, Lai Fong (Chinese, 1839–1890

Lovers Walking in the Snow (Crow and Heron), Edo period (1615–1868), 1764–72, Japan, Polychrome woodblock print; ink and color on paper, with embossing (karazuri), H. 11 1/4 in. (28.6 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu

Bottle in the Form of a Pomegranate, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Glass, opaque, H. 12 cm (4 3/4 in); diam. 8.6 cm (3 3/8 in), Pomegranate juice was prized as a drink, but it can also be used as

Terracotta stand, Archaic, ca. 550–500 B.C., Etruscan, Terracotta; bucchero pesante, H.: 9 13/16 in. (24.9 cm), Vases, Cylindrical stand decorated with four lions and four human heads in relief

Glass miniature jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 11/16 in. (4.3 cm), Glass, Translucent pale green. Tubular rim folded over and in to flaring mouth; short, tapering neck; lopsided sholuder, horizontal on one

View at Girgeh, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France), During three trips to the Middle East between 1856 and 1860, Frith made hundreds of

Saber and Dart with Scabbard, 17th century, Mounts and scabbard, Turkish; blade, European, Steel, silver, gold, wood, leather, copper-silver alloy (niello), L. with scabbard 33 1/8 in. (84 cm); L. of blade 28 1/4 in. (71.9 cm); Wt. 1 lb. 3

Bracelet, Cypriot, Bronze, Other (Greatest Diameter): 1 13/16in. (4.6cm), Bronzes

Terracotta hydria: kalpis (water jar), Classical, ca. 430–420 B.C., Greek, Attic, Terracotta; red-figure, H. 12 in. (30.5 cm); diameter 11 1/8 in. (28.2 cm), Vases, Between two youths, Eros tying a woman's sandals. The Washing Painter

Kerchief from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907–08, Linen, w. 68.5

Lovers Beside Flowering Autumn Grasses, Edo period (1615–1868), 1680s, Japan, Woodblock print; ink on paper, 9 1/4 × 13 1/4 in. (23.5 × 33.7 cm), Prints, Hishikawa Moronobu (Japanese, died 1694), Moronobu's recurrent depictions of lovers

Glass eye beads, Archaic or Classical, 6th–4th century B.C., Greek, Eastern Mediterranean, Glass; rod-formed, 11 1/2 in. (29.2 cm), Glass, The eye beads are of various shapes, sizes, and patterns

Bronze bit, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Bronze, Other: 9 5/8 in. (24.4 cm), Bronzes

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/8 in. (30.5 x 13.7 cm), Prints, Attributed to Yuko (Japanese, early 18th century

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 3/4 × 9 5/8 in. (34.9 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Folio from a Qur'an Manuscript, late 12th–early 13th century, Made in Western Iran or Northern Iraq, Ink, gold, and opaque watercolor on paper, 13 7/8 x 8 9/16in. (35.2 x 21.7cm), Codices

Bronze statuette of a runner, Hellenistic, 2nd–1st century B.C., Greek, Bronze, H.: 5 9/16 in. (14.2 cm), Bronzes, Statuette of a dancer, nude

Young Women Playing Kitsune-ken (Fox Game), Edo period (1615–1868), ca. 1768–69, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 8 5/8 in. (28.6 x 21.9 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The

Fibula, late 1st century B.C.–mid-1st century A.D., Roman, Bronze, Other: 2in. (5.1cm), Bronzes

Terracotta feeding bottle, Hellenistic, 3rd century B.C., Greek, Terracotta, H. 5 3/16 in. (13.2 cm), Vases, The vase is in the form of a miniature Hadra hydria. It was probably made in Crete and may have been used as a feeding bottle for

Bonaly Towers, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Fragment, Qing dynasty (1644–1911), 19th century, China, Enamel, H. 1 3/4 in. (4.4 cm); W. 1 1/4 in. (3.2 cm), Enamels

Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.87 x 2.36 in. (2.21 x 5.99 cm), Ivory/Bone-Reliefs

Gold leaf frontlet (band for forehead), Archaic, 7th–6th century B.C., Cypriot, Gold, Other: 3 1/16 in. (7.8 cm), Gold and Silver, Addorsed palmettes Sheet gold ornaments made for the grave are decorated in low relief. The motifs were cut

Furniture plaque with animal head, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 0.55 x 0.59 x 0.91 in. (1.4 x 1.5 x 2.31 cm), Ivory/Bone-Reliefs

Judith with the Head of Holofernes, ca. 1530, Oil on linden, 35 1/4 x 24 3/8 in. (89.5 x 61.9 cm), Paintings, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar), In this panel Judith presents the severed head of Holofernes, the

Chandelier, Attributed to John Gumley (ca. 1670–1726), Attributed to James Moore (died 1729), ca. 1710–15, British, Gilt gesso on wood; gilt metal mounts, H. 46 in. (116.8 cm.); Diam. 46 in. (116.8 cm.), Woodwork-Furniture, Attributed to

Fragment of a terracotta column-krater (mixing bowl for wine and water), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 4 3/8 in. (11.1 cm), Vases, Obverse, Dionysos and four satyrs. The wreaths and gestures characterize

Landscape: Eve of Mid-autumn, Qing dynasty (1644–1911), dated 1686, China, Hanging scroll; ink on paper, Image: 22 1/2 x 16 in. (57.2 x 40.6 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717

Bacchus and Ariadne, 18th century, Black and white chalk, 15 3/8 x 21 1/8 in. (39 x 53.7 cm), Drawings, Jean Hughes Taraval (French, Paris 1729–1785 Paris

Carnelian ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Carnelian, Length: 9/16 in. (1.4 cm), Gems, Man seated on a stool (diphros) opening a chest

Toulon, ca. 1861, Albumen silver print from glass negative, Image: 30.7 x 43.6 cm (12 1/16 x 17 3/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), In July 1861 the Paris-Lyon-Méditerranée (PLM) Railroad

Torquay, Hesketh Crescent and Meadfoot, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Bronze statuette of Osiris, Late Dynastic-Hellenistic, 664–31 B.C., Egyptian, Bronze, H. 4 1/2 in. (11.4 cm), Bronzes, Standing mummiform Osiris

[Dead Roe Buck], ca. 1856–59, Albumen silver print, 14.6 x 18.5 cm (5 3/4 x 7 5/16 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Lead figure of a man with a spear or scepter, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 5/16 in. (3.3 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

[Kelmscott Manor from the Garden], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by

Two Young Women Wrapped in Yukata After a Bath, Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 10 in. (25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Desvarati Ragini: Folio from a ragamala series (Garland of Musical Modes), 1605–06, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, Image: 6 7/8 × 4 5/8 in. (17.5 × 11.7 cm), Paintings, Ragamala texts describe the woman in

Bowl, Cypriot, Bronze, 3 1/8in. (7.9cm), Bronzes

Malmesbury, 1850s–60s, Albumen silver print from paper negative, 20.9 x 27.2 cm. (8 1/4 x 10 11/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Lamp, 1843–55, Probably made in Massachusetts, United States; Made in United States, American, Blown, cut, and engraved glass; marble, H. 39 1/2 in. (100.3 cm), Glass

Pietà (Lamentation), early 16th century, French, Wood, paint and gilding, Overall: 63 3/4 x 55 3/16 x 6in. (161.9 x 140.2 x 15.2cm), Sculpture-Wood, In this lamentation scene, Saint John and Mary Magdalene mourn with the Virgin Mary over the

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 3 9/16 x 1 3/4in. (9 x 4.5cm), Vases

The Actor Ichikawa Yaozo III in the Role of Fuwa Banzaemon from the Play 'Ukiyozuka hiyoku no inazuma', Edo period (1615–1868), 1774, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 9 5/8 in. (37.8 x 24.4 cm), Prints,

羅漢図（十六羅漢図の内）, Arhat from a series of sixteen Arhats, Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; ink and color on silk, Image: 45 7/8 x 19 3/8 in. (116.5 x 49.2 cm), Paintings, According to

Design for firescreen, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white lightweight artist board, Overall: 14 3/16 x 11 in. (36 x 28 cm), Drawings, Tiffany Glass and Decorating

Kabuki Actor Ichikawa Komazō III as Shiga Daishichi in the Play A Medley of Tales of Revenge (Katakiuchi noriaibanashi), 三代目市川高麗蔵の志賀大七, Edo period (1615–1868), 5th month, 1794, Japan, Polychrome woodblock print;

The Actor Ono'e Kikugoro, Edo period (1615–1868), ca. 1750, Japan, Beni-e (rouge) woodblock print; ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 5 1/2 in. (14 cm), Prints, Yamamoto Yoshinobu (Japanese, active 1748–63), This print

Jérusalem, Enceinte du Temple, Face Nord de l'angle Nord-Est, 1854, Salted paper print from paper negative, Image: 32.1 x 22.7 cm (12 5/8 x 8 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 1/16 in. (1.7 x 2.7 cm), Glass, Body fragment., Translucent blue, turquoise blue and opaque yellow appearing

Knife Blade, 11th–13th century, Afghanistani, Steel, gold, L. 6 3/8 in. (16.2 cm); W. 11/16 in. (1.7 cm); Wt. 0.5 oz. (14.2 g), Daggers

Keinen kachō gafu 景年花鳥畫譜, Cormorant and Kerria Rose (Yamabuki), from Keinen kachō gafu (Keinen’s Flower-and-Bird Painting Manual), 1891, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 10 1/16 in. (36.8 x

Terracotta amphora (storage jar), Early Imperial, 1st century A.D., Roman, Terracotta; red-glaze, 10 9/16in. (26.9cm), Vases, This attractive fineware vessel imitates at a smaller scale the shape of the ubiquitous transport amphora, used