Images at Librifly

Terracotta lebes gamikos (jar) and lid, Hellenistic, late 3rd century B.C., Greek, Ptolemaic, Cretan, Terracotta, h. with lid 10 1/8 in (25.7 cm); d. 8 in. (20.3.cm), Vases

The Fourth Ichikawa Danjuro as a Yakko (servant) seated upon a Large Cake of Mochi Prepared for the New Yer Celebration, Edo period (1615–1868), 1772, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 7/32 in. (29.2 x 13.3

[Six East Indian Men], 1870s, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Pointed Morion, ca. 1570–80, Brescia, Italian, Brescia, Steel, brass, H. 10 5/8 in. (27 cm); W. 9 3/8 in. (23.81 cm); D. 13 1/2 in. (34.3 cm); Wt. 3 lb. 3 oz. (1449 g), Helmets

Frontispiece illustration from the literary magazine Bungei kurabu, Meiji period (1868–1912), Japan, Polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, Takeuchi Keishū (Japanese,

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 in. (1.7 x 2.6 cm), Glass, Thin-walled body fragment. Translucent light blue green, appearing deeper green, purple,

Glass beaker, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 3 5/8 in. (9.2 cm), Glass, Colorless with pale greenish tinge. Knocked-off, uneven rim; slightly bulging collar below rim; convex side tapering downward; small, concave

諸國瀧廻リ　和州吉野義経馬洗滝, The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki

The Fifth Ichikawa Danjuro as a Samurai of High Rank, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Unidentified Woman, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–4th century B.C., Cypriot, Gypsum (alabaster), H. 4 1/4 x 1 5/16 in. (10.8 x 3.3 cm), Miscellaneous-Stone Vases, With a broad flat rim, pointed bottom and one small handle

Young Faun with Heron, 1889–90, cast ca. 1902, Bronze, 26 3/4 x 11 x 16 in. (67.9 x 27.9 x 40.6 cm), Sculpture, Frederick William MacMonnies (American, New York 1863–1937 New York), In 1889, Ambassador and Mrs. Joseph H. Choate

Roadside Halt, 1826, Oil on canvas, 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm), Paintings, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), Set in Normandy, this canvas of 1826 is painted with a fluidity and

Seated Figure (one of a pair), Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel, H. 34 3/4 in. (88.3 cm); W. 13 iin. (33 cm); D. 18 in. (45.7 cm), Cloisonn

Bookstand, 1839, French, Paris, Ebony, ebony veneer, ebonized maple, oak, maple, rosewood, snakewood, ivory, mother-of-pearl; brass hardware and mounts; lined with silk velvet not original to the piece, Overall (at base): 53 x 32 1/8 x

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, Overall: 2 3/4in. (6.9cm), Glass, Colorless with blue green tinge. Knocked-off, uneven rim; slightly bulging collar below rim; sides expanding downward, then

Sword Hilt, possibly 13th–14th century, Tibetan, Mongolian, or Chinese, Iron, gold, silver, L. 4 3/4 in. (12.1 cm); W. 1 3/4 in. (4.5 cm); Wt. 7.5 oz. (212.6 g), Swords

Group of Women Under a Blossoming Cherry Tree, Edo period (1615–1868), ca. 1784, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Each sheet: 15 x 10 in. (38.1 x 25.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Returning Boats at Komagata, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (25.7 cm); W. 7 9/16 in. (19.2 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Esneh (Latopolis), Construction Ensablée - Architrave, Futs, et Chapiteaux, 1851–52, printed 1853–54, Salted paper print from paper negative, 25.0 x 30.7 cm. (9 13/16 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Pardessus de Viole, ca. 1750, Mirecourt, France, French, Wood, Overall: 19 x 10 x 56.8cm (7 1/2 x 3 15/16 x 22 3/8in.), Chordophone-Lute-bowed-fretted, Nicholas Chappuy (French, Mirecourt 1730–1781 Mirecourt), A small treble-range viol

明 阮祖德 老婦像 軸, Portrait of an Old Lady, Ming dynasty (1368–1644), dated 'xinyou' (1561 or 1621?), China, Hanging scroll; ink and color on silk, Image: 61 3/4 x 37 7/8 in. (156.8 x 96.2 cm), Paintings, Ruan Zude (Chinese, 16th

The Compleat Gardeners Practice, Directing the Exact Way of Gardening in three Parts., 1664, Illustrations: engraving, woodcut, 7 9/16 x 5 7/8 x 13/16 in. (19.2 x 15 x 2.1 cm), Books

Jérusalem, Côté Sud de Jérusalem, 1854, Salted paper print from paper negative, Image: 23.4 x 33 cm (9 3/16 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

Cup with a Poem on Wine, second half 10th–11th century, Attributed to Iran, Silver; fire-gilded, hammered, chased, H. 3 1/4 in. (8.3 cm), Metal, This cup is inscribed in Arabic in kufic below the outside rim, Drink! For this day has a

A Masked Ball in Bohemia, ca. 1748, Oil on canvas, 19 x 38 in. (48.3 x 96.5 cm), Paintings, Attributed to Andreas Altomonte (Austrian, Warsaw or Vienna 1699–1780 Vienna), This is the only known study for the decoration of the ballroom at

Mosaic glass fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 3/8 x 7/8 in. (3.5 x 2.2 cm), Glass

Bains de la Raillière à Cauterets, 1853, Salted paper print from paper negative, Image: 9 1/2 × 14 7/16 in. (24.1 × 36.7 cm), Photographs, Joseph Vigier (French, 1821–1862

Statuette of a Royal (?) Woman with the Cartouches of Necho II on her Arms, Late Period, Saite, Dynasty 26, 610–595 B.C., From Egypt, Silver, H. 23.8 cm (9 3/8 in.); W. 5.6 cm (2 3/16 in.); D. 5.4 cm (2 1/8 in.), This nude sensual female

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

[Wilton House with Palladian Bridge by Morris], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Ewer and basin (lavabo set), ca. 1680–85, Moldovan, Silver, partially gilded, H.: 20 1/4 in., Diam.: 15 1/4 in., Wt.: 9.7lb. (51.4 cm, 38.7 cm, 4.4kg, ), Metalwork-Silver, Uniting the ornate Northern Baroque floral style with the exotic

An Oiran Playing the Shamisen to a Young Man Kneeling by Her Side in Rapt Attention, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese,

Two Girls on a Veranda beside a Stream with the Moon, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 11 in. (27.9 cm); W. 8 3/8 in. (21.3 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

冨嶽三十六景　駿州江尻, Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on

Eight Landscape Scenes and Calligraphy, Qing dynasty (1644–1911), 19th century, China, Album of twenty-two leaves; ink and wash on paper, 13 3/4 x 9 5/8 in. (34.9 x 24.4 cm), Paintings, Unidentified Artist Chinese, 19th century

[Manor House with Two Towers Seen from Grounds], 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

[Girl with White Off-the-Shoulder Dress], 1890s, Gelatin silver print, 14.5 x 9.5 cm. (5 11/16 x 3 3/4 in.), Photographs, Frederick Gutekunst (American, born Germany, 1832–1917

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 9/16 in. (2.6 x 4 cm), Glass, Rim fragment., Translucent deep purple, blue, and opaque white., Vertical rim with

Fibula, boat-shaped type, Bronze, Other: 2 3/16 in. (5.6 cm), Bronzes

[Unidentified Woman], 1850s–60s, Albumen silver print, 10.5 x 6.5 cm (4 1/8 x 2 9/16 in.), Photographs, Unknown (British

'Bahram Gur and the Indian Princess in the Dark Palace on Saturday', Folio 23v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper,

Terracotta hemispherical cup, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta; Fine painted ware, H. 2 15/16 in. (7.5 cm.), Vases, Spirals between bands on the body

Suggestion for Marble & Mosaic Floor, ca. 1932–33, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white wove paper, Other (Design): 19 1/4 x 11 13/16 in. (48.9 x 30 cm), Drawings, Louis C. Tiffany

Faience bowl, Late Bronze Age, ca. 1200 B.C., Cypriot, Faience, H. 1 9/16 in. (4 cm), Miscellaneous-Faience, The figure of the woman in the interior of the cup is depicted in an Egyptian style

名所江戸百景　川口のわたし善光寺, Kawaguchi, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 1/2 in. (35.6 x 24.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Knife and Sheath, 18th century, Made in India, Silver; gilded, enameled, and set with rubies over foil and turquoise, 7 in., Arms and Armor

Small Dinner Tables, Edo period (1615–1868), probably 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 1/2 in. (14.3 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 5/8 x 1 15/16in. (6.6 x 5cm), Vases

Beauty Looking at Her Image in a Mirror, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/8 in. (20.5 x 18.1 cm), Prints, Utagawa Sadakage (Japanese, active mid-19th

Portrait of Oribe Yahei Kanamaru, Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 5/8 in. (24.4 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

色絵桃の花と果実文皿, Dish with Peaches, Edo period (1615–1868), ca. 1690–1720, Japan, Porcelain with underglaze blue and overglaze polychrome enamels (Hizen ware, Nabeshima type), Diam. 8 in. (20.3 cm), Ceramics

Katada no Rakugan, 近江八景之内　堅田落雁, Returning Geese at Katada, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 15 in. (24.8 x 38.1 cm), Prints, Utagawa Hiroshige

Bust, ca. 1695–1700, probably French, Elephant ivory, Height (bust only): 5 5/8 in. (14.3 cm), Natural Substances-Ivory, The virtuoso Baroque carver, here signing G Lacroix fecit (under the man's left arm), was a Franco-Flemish native whose

Jérusalem, Ornements arabes, 1854, Salted paper print from paper negative, Image: 23.4 x 32.1 cm (9 3/16 x 12 5/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), For Salzmann history was in the details. Though the ravages of time,

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 1/2 × 9 1/2 in. (34.3 × 24.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Terracotta oon (egg), Classical, ca. 420–410 B.C., Greek, Attic, Terracotta; red-figure, H. 2 in. (5.1 cm), Vases, Youth abducting woman. Eggs are well attested as funerary offerings—real eggs, artistic counterparts in marble and

Fibula, Late Bronze Age, Italic, Bronze, H.: 3/4 x 1 3/8 in. (1.9 x 3.5 cm), Bronzes

The Common Marigold and The Rajoman Flowers, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Le chapeau à brides, 1860s, Albumen silver print from glass negative, 7.3 x 11.1 cm. (2 7/8 x 4 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

清, 王原祁, 倣吳鎮山水圖, 軸, Landscape after Wu Zhen, Qing dynasty (1644–1911), dated 1695, China, Hanging scroll; ink on paper, Image: 42 3/4 x 20 1/4 in. (108.6 x 51.4 cm), Paintings, Wang Yuanqi (Chinese, 1642–1715),

Terracotta hydria (water jar), Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H. 24 1/8 in. (61.3 cm), Vases, An ivy wreath circles the neck

Landscape, Ming dynasty (1368–1644) (?), China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/2 x 20 in. (16.5 x 50.8 cm), Paintings, Lu Kezheng (Ming dynasty

Fibula, Bronze, Other: 6 3/8 in. (16.2 cm), Bronzes

Abou Sembil, Grand Spéos - Statues Colossales, Vues de Trois-Quarts, 1851–52, Salted paper print from paper negative, Image: 30 x 24.4 cm (11 13/16 x 9 5/8 in.), Photographs, Félix Teynard (French, 1817–1892

Vase, ca. 1886, Made in Wheeling, West Virginia, United States, American, Blown peachblow glass, H. 7 1/8 in. (18.1 cm); Diam. 4 3/8 in. (11.1 cm), Glass, Hobbs, Brockunier and Company (1863–1891

Furniture plaque carved in relief with two falcon-headed sphinxes trampling captives, Neo-Assyrian, ca. 9th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 3 1/4 x 7 3/4 in. (8.4 x 19.7 cm), Ivory/Bone-Reliefs, This

Water and Trees of the Viga Canal near Mexico City, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

King Arthur, September 1874 , Albumen silver print from glass negative, 35.9 x 28 cm (14 1/8 x 11 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874 Tennyson asked Cameron to make

Arashi Sangoro as a Ronin Samurai Standing on the Bank, Edo period (1615–1868), ca. 1777, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Unidentified Scene and Text Fragment from a Shahnama (Book of Kings), ca. 1330–40, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, Painting: 2 1/8 x 4 7/8 in. (5.4 x 12.4 cm), Codices

Arashi Otohachi I, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, Hosoe: 11 3/4 x 5 5/8 in. (29.8 x 14.3 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Courtier Playing a Flute to Accompany a Bugaku Dance, 舞楽, Edo period (1615–1868), probably 1810, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/2 x 8 3/16 in. (14 x 20.8 cm), Prints, Kubo Shunman

L'Ornement Polychrome, 1869, Colored lithography, Albert-Charles-Auguste Racinet (French, 1825–1893

Imaginary portrait, Shuihuzhuan of Stage:, Tōryūdai (Mitate Suikoden Tōrōdai) - Actor Ichikawa Sadanji plays Hanaoshō Shinkichi, Meiji period (1868–1912), 1875, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 9 1/2

Terracotta Panathenaic prize amphora, Archaic, ca. 510 B.C., Greek, Attic, Terracotta; black-figure, H. 18 15/16 in. (48.2 cm), Vases, Obverse, Athena Reverse, chariot This amphora is different from the typical prize vase. It does not have

Allegorical Medal in Honor of Louis XIV, n.d., Etching, sheet: 12 5/8 x 11 3/4 in. (32.1 x 29.8 cm) (clipped inside plate line), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris

Dress, 1872–75, American, cotton

Terracotta Nolan neck-amphora (jar), Classical, ca. 470–460 B.C., Greek, Attic, Terracotta; red-figure, H. 12 5/8 in. (32.1 cm), Vases, Obverse, combat between an Amazon and a Greek, Reverse, youth. The Amazons were famous horsewomen. It

Tombs of Great Arab Saints to be seen in the Neighborhood of Rosetta, Egypt, ca. 1800, Graphite, watercolor, and gouache, sheet: 13 5/16 x 21 1/4 in. (33.9 x 54 cm), Drawings, Luigi Mayer (Italian, Rome (?) ca. 1755–1803), Trained in

Paying the Hostess, ca. 1670, Oil on canvas, 37 1/4 x 43 3/4 in. (94.6 x 111.1 cm), Paintings, Pieter de Hooch (Dutch, Rotterdam 1629–1684 Amsterdam), The subject of a disputed reckoning is not common in Dutch art, but is found in one of De

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/4 in. × 10 in. (36.2 × 25.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

江戸名所　芝愛宕山, Shiba Atogayama, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 1/2 in. (25.4 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Shells Under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 15/32 in. (23.2 x 36.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Lace, 1845, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Meditating Buddha with Alms Bowl Enthroned in a Foliated Niche, Pala period, ca. late 10th–early 11th century, India (Bihar), Stone, H. 16 15/16 in. (43 cm), Sculpture, This meditating Buddha with an alms bowl is likely the Amitabha Buddha

Toothpicks and Their Cover, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/2 x 7 7/16 in. (14 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Edinburgh. The Scott Monument, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Dagger, 17th to 18th century, possibly Hyderabad, Andhra Pradesh, Indian, Deccan, possibly Hyderabad, Steel, nephrite, silver, gold, H. 13 13/16 in. (35.1 cm); H. of blade 9 in. (22.9 cm); W. 2 13/16 in. (7.1 cm); Wt. 13.1 oz. (371.4 g),

The Oiran Chōzan of Chōjiya, from the series Love Letters, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, Hosoe: 12 3/4 x 6 in. (32.4 x 15.2 cm), Prints, Ippitsusai Bunchō (Japanese, active

Coca Bag, 5th–7th century, Peru, Moche, Camelid hair, cotton, H. 5 x W. 6 in. (12.7 x 15.2 cm), Textiles-Woven

Theatrum Botanicum, the Theatre of Plants or An Universal and Compleat Herball., 1640, Illustrations: engraving, woodcut, 14 3/16 x 9 7/16 x 4 5/16 in. (36 x 24 x 11 cm), Books

The First Nakamura Nakazo as a Komuso Standing in the Snow by a Fence, Edo period (1615–1868), ca. 1775, Japan, Polychrome woodblock print; ink and color on paper, 11 3/5 x 5 3/4 in. (29.5 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,

Lekythos, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta, 10 1/2in. (26.7cm), Vases

Lead ornament in the form of a rosette, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Diameter: 7/16 in. (1.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Furniture plaque: incised waterbirds, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 2.62 x 0.93 in. (6.65 x 2.36 cm), Ivory/Bone-Reliefs, This

Terracotta vessel fragment with incised lines and punctations, Late Neolithic, ca. 3600–3100 B.C., Cretan, Terracotta; Fine burnished ware, Overall: 15/16 x 1 5/16in. (2.3 x 3.3cm), Vases, From Knossos, Crete. Fragment, gray ware,

Letter-Box and Plum Blossoms, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Newhaven, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Carpet, late 15th–early 16th century, Attributed to Egypt, Cairo, Wool (warp, weft and pile); asymmetrically knotted pile, Textile: L. 98 1/2 in. (250.2 cm), Textiles-Rugs, Documents first refer to Cairo as a carpet weaving center in the