Images at Librifly

Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 1 15/16 x 2 13/16 x 5/16 in. (5 x 7.2 x 0.8 cm), Miscellaneous-Paintings, On red ground with white palmette

Leather Purse with a Buckle in the Shape of a Puppy, Edo period (1615–1868), probably 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 7/16 in. (13.7 x 18.9 cm), Prints, Ryūgetsusai Shinkō (Japanese,

Imperial Court Robe, Qing dynasty (1644–1911), 17th century, China, Silk and metallic thread tapestry (kesi), Overall: 56 x 74 in. (142.2 x 188 cm), Costumes-Tapestries, On this robe, woven from threads of silk and gold, five-clawed

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 3 1/2in. (8.9cm), Glass, Translucent pale blue green. Rim folded out, over, and in, beveled on top and with slight vertical inner lip around mouth;

Wangchuan Villa, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 12 1/2 in. × 16 ft. 1 in. (31.8 × 490.2 cm), Paintings, Unidentified Artist, In the Style of Guo Zhongshu (Chinese, died 977

Glass jug, Late Imperial, 4th century A.D., Roman, Glass; blown and tooled, H.: 6 3/16 in. (15.7 cm), Glass, Translucent light yellow green; handle and trail in same color., Everted rim with thick, rounded lip; short, flaring mouth; tall,

Three Water Carriers at the Shore, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 in. (20.3 cm); W. 13 1/4 in. (33.7 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/8 x 1 1/8in. (6 x 2.8cm), Vases

Vase, ca. 1892, Made in Trenton, New Jersey, United States, American, Porcelain, H. 7 1/2 in. (19.1 cm), Ceramics, Walter Scott Lenox left Willets in 1889 to found the Ceramic Art Company, later Lenox China. Production of art porcelain was

Dish with Three Jars, 色絵三壺文小皿, Edo period (1615–1868), 1680–90s, Japan, Porcelain with underglaze blue and overglaze polychrome enamels (Hizen ware, Nabeshima type), H. 1 5/8 in. (4.1 cm); Diam. 6 in. (15.2 cm), Ceramics,

清 居廉 花卉蟲草 冊頁 八開, Insects and Flowers, Qing dynasty (1644–1911), China, Album of eight leaves; ink and color on paper, 12 3/8 x 14 1/4 in. (31.4 x 36.2 cm), Paintings, Ju Lian (Chinese, 1828–1904), Zhu Lian, unlike

清 吳榖祥 山水 扇面, Landscape, Qing dynasty (1644–1911), dated 1894, China, Folding fan mounted as an album leaf; ink on gold paper, 7 1/4 x 20 5/16 in. (18.4 x 51.6 cm), Paintings, Wu Guxiang (Chinese, 1848–1903

Biographies of Lian Po and Lin Xiangru , 北宋 黃庭堅 草書廉頗藺相如傳 卷, Northern Song dynasty (960–1127), ca. 1095, China, Handscroll; ink on paper, Image: 13 1/4 in. × 60 ft. 4 1/2 in. (33.7 × 1840.2 cm), Calligraphy,

Various Moths and Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 13/16 x 7 13/16 in. (19.8 x 19.8 cm), Prints, Kubo Shunman (Japanese, 1757–1820

[Peel Ross, Son of Horatio Ross], ca. 1858, Salted paper print, 19.9 x 15.1 cm (7 13/16 x 5 15/16 in.), oval, Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

[Mrs. Louis Kentin in Empire Dress], 1880s, Albumen silver print , Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Wall painting fragment from the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, 16 3/4 x 16 1/2 in. (42.5 x 41.9 cm), Miscellaneous-Paintings, Wall painting fragment of

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 2 1/8 in. (1.7 x 5.4 cm); estimated diam. of rim 7 1/16 in. (18 cm), Glass, Rim fragment, probably from a large

Courtesan Dancing, Edo period (1615–1868), early 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 6 5/8 in. (19.7 x 16.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Terracotta statuette of Eros, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 6 7/8 in. (17.5 cm), Terracottas, The surviving traces of blue and purple on the wings give some indication of the original

Up the Hudson, 1908, Oil on canvas, 35 7/8 x 48 1/8 in. (91.1 x 122.2 cm), Paintings, George Bellows (American, Columbus, Ohio 1882–1925 New York), Between 1908 and 1912 Bellows painted a series of landscapes focusing on life by the Hudson

Mosaic glass fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 1/16 in. (2.3 x 2.8 cm), Glass, Body fragment., Translucent deep purple, pale greyish blue, opaque white and

壺天聚樂圖, Merry Gatherings in the Magic Jar, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink on paper, Image: 11 1/2 in. × 12 ft. 3 3/8 in. (29.2 × 374.4 cm), Paintings, Unidentified Artist, In the Style of

Limestone head of a lion from a votive stele (?), Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 8 x 5 1/2 x 7 in. (20.3 x 14 x 17.8 cm), Stone Sculpture, The head of a large lion is turned to the left. The mane is

Naval Combat, early 17th century, Etching, sheet: 9 1/16 x 11 7/8 in. (23 x 30.1 cm), Prints, Jacques Callot (French, Nancy 1592–1635 Nancy

Glass bowl fragment with later inscription, Imperial, ca. 1st–3rd century A.D., Roman, Glass; blown and cut, Overall: 2 1/2 x 3 1/8 in. (6.4 x 7.9 cm), Glass, The fragment has been shown by scientific analysis and examination to be ancient.

Beauty and Holiness, Edo period (1615–1868), probably 1770, Japan, Polychrome woodblock print; ink and color on paper, Hashirae: 25 x 5 in. (63.5 x 12.7 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Sugar bowl, 1875–80, Made in Thurmont, Maryland, United States, American, Earthenware, H. 6 in. (15.2 cm), Ceramics, James C. Mackley (1843–1916), Mackley worked with Anthony W. Baecher before the latter moved to Virginia. The close

Fibula, Aucissa type, late 1st century B.C.–mid-1st century A.D., Roman, Bronze and iron, Other: 1 7/8 in. (4.7 cm), Bronzes

Limestone statuette of a boy holding a bird, Classical, 4th century B.C., Cypriot, Limestone, H.: 28 x 9 3/4 x 5 1/8 in. (71.1 x 24.8 x 13 cm), Stone Sculpture, Standing figure holding dove and incense box

Winter Farming Scene; (verso) Autumn Farming Scene, Edo period (1615–1868), Japan, Folding fan; ink and color on paper, with mounting in ivory, H. 16 1/8 in. (41 cm); W. 29 1/2 in. (75 cm), Paintings, Katsushika Isai (Japanese,

Amharet es Schah, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham, 1748, Oil on canvas, 66 1/8 x 71 in. (168 x 180.3 cm), Paintings, Sir Joshua Reynolds (British, Plympton 1723–1792 London

Gold earring with head of a gazelle, Hellenistic, 3rd century B.C., Greek, Gold, H.: 11/16 in. (1.8 cm), Gold and Silver, Circlet of twisted gold wire, which tapers from the animal's head at the front end to a hooked point which passes

Rose, Iris, Primrose and Daisy, Edo period (1615–1868), 1815, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 7/16 x 11 1/4 in. (21.4 x 28.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Glass mosaic box (pyxis) fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Other: 1 1/16 x 1 1/8 in. (2.7 x 2.9 cm); estimated diam. of rim 2 7/16 in. (6.2 cm), Glass, Translucent cobalt

View of the Sacred Tank in the Great Pagoda, January–March 1858, Albumen silver print from waxed paper negative, Image: 25.8 x 35.1 cm (10 3/16 x 13 13/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

隋/唐 彩繪石雕觀音菩薩像（石灰岩）, Bodhisattva Avalokiteshvara (Guanyin), probably Sui dynasty (581–618), Style of the late 6th–early 7th century, China, Limestone with traces of pigment, H. 39 2/3 in. (100.8 cm),

Glass cup, Early Imperial, 1st century A.D., Roman, Glass; blown and cut, 2 1/2 in. (6.4 cm), Glass, Translucent blue. Knocked off, horizontal rim, with slight bulge below; uneven, convex side to body; rounded bottom, with small concave

Ichikawa Danjūrō II in the Role of Soga Gorō from the Play 'Yanone', Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 14 3/5 x 9 15/32 in. (37.1 x 24.1 cm), Prints, Torii Kiyonaga (Japanese,

St. Peter Baptizing Cornelius (Acts 10: 44-48), n.d., Pen and brown ink, brush and gray wash, over red and black chalk, 20 5/8 x 12 7/8 in. (52.4 x 32.7 cm), Drawings, Laurent Pécheux (French, Lyons 1729–1821 Turin

Limestone statuette of a boy holding a pyxis, Late Hellenistic, 2nd–1st century B.C., Cypriot, Limestone, Overall: 26 x 9 x 5 1/2 in. (66 x 22.9 x 14 cm), Stone Sculpture, Standing figure with incense box

Girl Putting on Her Stockings, 1876–77, Monotype in black ink printed on china paper, mounted on cardboard (monotype), plate: 6 1/4 x 4 5/8 in. (15.9 x 11.8 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

Fishes Swimming, Meiji period (1868–1912), Summer, 1891, Japan, Album leaf; ink and color on silk, 14 3/4 x 11 1/4 in. (37.5 x 28.6 cm), Paintings, Seki Shūkō (Japanese, 1858–1915

Tidal Wave in Moonlight, Song dynasty (?) (960–1279), China, Fan mounted as al album leaf; ink on silk, 8 3/4 x 8 13/16 in. (22.2 x 22.4 cm), Paintings, Unidentified Artist

The Supper at Emmaus, 1622–23, Oil on canvas, 48 1/2 x 52 1/4 in. (123.2 x 132.7 cm), Paintings, Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid), The picture may have been painted in Seville, where

Buckle, Bronze, Other: 2 1/16 in. (5.2 cm), Bronzes

Seated Ascetic, Deified King, Agni (The God of Fire), ca. 3rd century, India (Kaushambi, Uttar Pradesh), Bronze, H. 14 1/2 in. (36.8 cm); W. 6 9/16 in. (16.7 cm); D. 7 in. (17.8 cm), Sculpture, This rare and enigmatic sculpture is difficult

Limestone head of a beardless male votary with a wreath of leaves, 2nd quarter of the 5th century B.C., Cypriot, Limestone, Overall: 8 1/2 x 8 x 8 in. (21.6 x 20.3 x 20.3 cm), Stone Sculpture

Parsvanatha's Austerities: Folio from a Kalpasutra Manuscript, 15th century, India (Gujarat), Ink, opaque watercolor, and gold on paper, Overall: 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings, Parsvanatha, the twenty-third jina, is

Vase, ca. 1915, Made in Flemington, New Jersey, United States, American, Earthenware, H. 37 in. (94 cm); Diam. 15 in. (38.1 cm), Ceramics, Fulper Pottery Company (1899–1935), This monumental vase, one of a pair made specifically for the

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 5 5/8 in. (14.3 cm), Glass, Colorless with pale blue green tinge. Uneven rim folded out, over, and in, with beveled outer edge; broad, flaring mouth;

Vue prise à la première Cataracte (Rive droite), 1849–50, Salted paper print from paper negative, Image: 6 5/8 × 8 7/8 in. (16.9 × 22.6 cm), Photographs, Maxime Du Camp (French, 1822–1894

Vase fragment, Neolithic, first period, ca. 4000–3000 B.C., Neolithic, Hagiorgetika, Terracotta, length 1 7/16in. (3.6cm), Vases

Haystacks: Autumn, ca. 1874, Oil on canvas, 33 1/2 x 43 3/8 in. (85.1 x 110.2 cm), Paintings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon), This picture is from a series depicting the four seasons commissioned in 1868 by the

名所江戸百景　京橋竹がし, Bamboo Market at Capital Bridge, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, 14 1/16 x 9 1/2 in. (35.7 x 24.1 cm), Prints, Utagawa Hiroshige (Japanese,

The Actors IV Iwai Hanshiro and I Bando Mitsugoro as Women Pilgrime in a shosa (Acting and Dancing) Performance, Edo period (1615–1868), ca. 1776, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 8 1/4 in.

Pin, 14th–15th century, Peru, Chimú or Chancay, Silver, H. 12 in. (30.5 cm), Metal-Ornaments

Limestone male banqueter, Late Archaic–Early Classical, late 6th or early 5th century B.C., Cypriot, Limestone, Overall:H.: 4 1/4 x W.: 5 3/8 x D.:1 5/8 in. (10.8 x 13.7 x 4.1 cm), Stone Sculpture, Votary with hair in fillet

Game table, ca. 1780–83, German, Neuwied am Rhine, Oak and walnut, veneered with mahogany, maple, holly (the last two partially stained); iron, steel, brass, gilt bronze; felt and partially tooled and gilded leather, Overall: H. 30 13/16

Evening Snow on the Heater, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print with embossing (karazuri), ink and color on paper, 11 1/8 x 8 1/8 in. (28.3 x 20.6 cm), Prints, Suzuki Harunobu (Japanese,

[Golestan, The Peacock Throne, Teheran, Iran] (Takht-I Taous), 1840s–60s, Photographs, Luigi Pesce (Italian, 1818–1891

An Actor Portrait (Wears a Danjuro Mon), Japan, Polychrome woodblock print; ink and color on paper, 5 3/4 x 12 1/2 in. (14.6 x 31.8 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 × 1 3/4 × 3/16 in. (2.6 × 4.5 × 0.5 cm), Vases

Bronze statuette of a woman, Archaic, 7th century B.C. or later, Greek, Bronze, H.: 4 3/4 in. (12.1 cm), Bronzes, Only the upper part of the figure is ancient. It is characteristic of the style known as Daedalic, which is particularly well

Stand, Box and Writing-Paper, Edo period (1615–1868), probably 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Crow and Reeds by a Stream, 水辺に鴉図, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Terracotta lekythos (oil flask), Classical, ca. 430 B.C., Greek, Attic, Terracotta; white-ground, H. 12 1/2 in. (31.8 cm), Vases, Two women at a tomb which is decorated with fillets

Jérusalem, Casque trouvé dans le Jourdain, 2, 1854, Salted paper print from paper negative, Image: 23.2 x 33 cm (9 1/8 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta plaque with Pelops and Hippodamia, Augustan or Julio-Claudian, 27 B.C.–A.D. 68, Roman, Terracotta, H. 15 in. (38.1 cm), Terracottas, Relief with Pelops and Hippodamaia. The hero Pelops won the hand of Hippodamaia after defeating

東海道五十三次之内　藤枝　人馬継立, Fujieda; Hito Uma Keitatsu, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm), Prints, Utagawa Hiroshige

[Countess de Castiglione as Anne Boleyn], before 1865, Albumen silver print from glass negative, Window: 7 1/2 × 5 1/2 in. (19 × 14 cm), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

Tamagawa Shugetsu, 江戸近郊八景之内　玉川秋月, Autumn Moon on the Tama River, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 9 3/8 x 14 3/8 in. (23.8 x 36.5 cm), Prints, Utagawa

Dunlop Esq. of Craigton, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Newhaven Children, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Vase, Qing dynasty (1644–1911), 19th century, China, Brass (?), cloisonné, H. 2 1/2 in. (6.4 cm), Cloisonn

Ryogoku Hanabi, Edo period (1615–1868), 6th month ox year 1853, Japan, Polychrome woodblock print; ink and color on paper, 9 7/16 x 14 11/16 in. (24.0 x 37.3 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

明 焦竤 行草書札 冊頁, Letter, Ming dynasty (1368–1644), China, Album leaf; ink on paper, 10 5/8 x 6 5/8 in. (27 x 16.8 cm), Calligraphy, Jiao Hong (Chinese, 1541–1620), A native of Nanjing, Jiangsu Province, Jiao Hong was a

Piece, 16th century, Italian, Silk, L. 19 x W. 7 inches (48.3 x 17.8 cm), Textiles-Velvets

Illustration of Poem by the Emperor Kwoko, Edo period (1615–1868), 1797–1861, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 10 in. (37.5 x 25.4 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Gonia, Terracotta, length 1 3/8in. (3.5cm), Vases

Creamer, 1765–85, Possibly made in New York, United States, American, Silver, Overall: 4 5/8 x 3 5/8 in. (11.7 x 9.2 cm); 4 oz. 9 dwt. (152.4 g), Silver, Marked by J. H

The Second Ichikawa Monnosuke as a Man of High Rank Standing in the Snow, Edo period (1615–1868), ca. 1786–87, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Katsukawa Shunshō

Masked Figure Pendant, 10th–16th century, Colombia, Tairona, Gold, H. 5 1/4 x W. 5 3/4 in. (13.3 x 16.6 cm), Metal-Ornaments, The Tairona people of the Sierra Nevada de Santa Marta in northern Colombia produced some of the grandest and most

Tropical Scenery, Limon Bay - Low Tide, 1871, Albumen silver print from glass negative, Image: 20 x 27.6 cm (7 7/8 x 10 7/8 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania

[View of Garden], 1850s, Albumen silver print, Image: 17.8 x 23.8 cm (7 x 9 3/8 in.), Photographs, Unknown

Gold oktadrachm of Ptolemy IV Philopator, Hellenistic, 221–204 B.C., Greek, Ptolemaic, Gold, 1 1/16 in., 0oz. (2.7 cm, 27.77g), Coins, head of Ptolemy III, Euergetes/double cornucopiae, minted in Alexandria, Egypt. Gold and silver were

Fragment from a marble head of a man, preserving the nose and mouth, Mid Imperial, Antonine, mid-2nd century A.D., Roman, Marble, Overall: 3 1/8 x 4 x 2 1/8 in. (7.9 x 10.2 x 5.4 cm), Stone Sculpture, The sensitive modeling, polished

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 3/4 × 2 1/4 × 1/4 in. (4.4 × 5.7 × 0.7 cm), Vases

新板浮絵忍ヶ岡之圖, Perspective Print: Shinobazu Pond, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/16 in. (23.3 cm); W. 13 1/2 in. (34.3 cm), Prints, Utagawa Toyoharu (Japanese,

Cottage Children (The Wood Gatherers), 1787, Oil on canvas, 58 1/8 x 47 3/8 in. (147.6 x 120.3 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), This is one of what were called in the eighteenth century 'fancy

Glass jar, Late Imperial, 3rd century A.D., Roman, Glass; blown and trailed, Overall: 3 1/4 in. (8.3 cm), Glass, Colorless with pale blue green tinge; trail in same glass. Thickened, rounded rim; flaring mouth; short, concave neck; bulbous

Jérusalem, Piscine de Siloe, Canal taillé dans le roc, 1854, Salted paper print from paper negative, Image: 22.7 x 32.3 cm (8 15/16 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta askos (flask) in the form of a jackdaw, Late Classical, 4th century B.C., Etruscan, Terracotta; black-glaze, H. 6 7/16 in. (16.4 cm), Vases, Similar to a small crow, this askos in the form of a jackdaw is adorned with a protective

Harness Trapping, 5th century B.C., China, Bronze, tin, H. 5 1/2 in. (14.0 cm); W. 4 3/4 in. (12.1 cm), Metalwork

Pair of gold earrings with cage and ball pendants, Archaic, 7th–6th century B.C., Phoenician, Gold, Other: 7/8 in. (2.3 cm), Gold and Silver, This type of earring was widely distributed during the Archaic period. It probably originated in

Glass beaker, Early Imperial, 1st century A.D., Roman, Glass; blown and cut, 3 1/2 in. (8.9 cm), Glass, Colorless with greenish tinge. Uneven ground rim; cylindrical body with straight sides tapering slightly downwards; slightly pushed-in

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, with His First Wife (Lady Elizabeth Hamilton, 1753–1797) and Their Son (Edward Smith Stanley, 1775–1851), ca. 1776, Oil on canvas, 50 x 40 in. (127 x 101.6 cm), Paintings,

Maison Close, Versailles, ca. 1921, Albumen silver print from glass negative, Image: 22 × 17.7 cm (8 11/16 × 6 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Reizei Carrying a Teshoku (Hand Lantern), Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/8 in. (25.1 cm); W. 7 1/2 in. (19.1 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790