Images at Librifly

Mendicant Pilgrim, 1870s, Albumen silver print from glass negative, 25.2 x 19.9 cm (9 15/16 x 7 13/16 in.), Photographs, Unknown

Block-printed Talismanic Circular Leaf, 11th century, Attributed to Egypt, Ink on paper, 3 x 2 3/4 in. (7.6 x 7cm), Codices

Pair of Earrings, 11th–12th century, Attributed to Iran, Gold; filigree and granulation, Jewelry, This pair of crescent-shaped earrings is constructed entirely with gold wire and filigree; details of the decoration are achieved through the

A Man with a Boy and a Geisha Visiting the Kinryusan Temple, Edo period (1615–1868), ca. 1787, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 7 5/8 in. (26 x 19.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Print, Edo period (1615–1868), ca. 1730, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 3/4 in. (30.8 x 14.6 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

Silver ring, Orientalizing, ca. 7th century B.C., Greek, Silver, Length: 1 1/8 in. (2.9 cm), Gems, Winged griffin

Mosaic glass fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/4 x 1 11/16 in. (3.2 x 4.3 cm), Glass

Edinburgh. The High Street with John Knox's House, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews,

Bridle Cheekpiece, Western Zhou dynasty (1046–771 B.C.), 10th–9th century B.C., China, Bronze, H. 3 3/4 in. (9.5 cm); W. 3 1/16 in. (7.8 cm), Metalwork

Pottery Whistle, Pre-Columbian, ca. 800–1525, Central Region, Costa Rica, Costa Rican, Clay, H: 44mm; W: 45cm; L: 46mm; Wt: 32g., Aerophone-Whistle Flute-whistle

Terracotta askos in the form of a dog, Hellenistic, 2nd–1st century B.C., Greek, Terracotta, h. 3 9/16 in. (9.1 cm); w. 4 7/16 in. (11.3 cm), Vases, inscribed 'EUPLOUS'. This askos in the form of a reclining dog is related to the Magenta

Terracotta oinochoe (jug), Late Classical, late 4th century B.C.–early 3rd century B.C., Greek, South Italian, Terracotta; applied color, H. 6 5/8 in. (16.8 cm), Vases, The use of applied color for decoration was not limited, in Southern

Terracotta hydria (water jar), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, 19 × 16 × 13 1/8 in. (48.3 × 40.6 × 33.3 cm), Vases, Herakles and Hebe in the bridal chariot, On the shoulder, fight. The Mastos Painter

Terracotta vessel fragment with polychrome motifs, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 1 7/16 x 1 7/16in. (3.6 x 3.6cm), Vases, From Knossos, Crete. Polychrome fragment, on each side a dotted

Hermine and Marie Antoine, 1850s–60s, Albumen silver print from glass negative, 19.2 x 11.1 cm (7 9/16 x 4 3/8 in. ), Photographs, Franz Antoine (Austrian, 1814–1882

[Garden of Gethsemane and the Tomb of the Virgin, Jerusalem], 1860s, Albumen silver print from glass negative, Image: 12.8 x 16.2 cm (5 1/16 x 6 3/8 in.), Photographs, John Anthony (British, born France, 1823–1901

Lamp, saucer-shaped, Bronze, Other: 5 13/16 x 5 7/8 in. (14.8 x 14.9 cm), Bronzes

Vase fragment, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta, 1 11/16 × 2 3/8 × 1/4 in. (4.3 × 6 × 0.7 cm), Vases

Terracotta trozella (two-handled jar), Classical, 5th century B.C., Native Italic, Apulian, Messapian, Terracotta, H. 7 5/16 in. (18.6 cm), Vases, With its egg-shaped body and decoration confined to two panels on the body, this vase

Dr. Smyttan, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Seated Male Nude, n.d., Red chalk, 15 5/8 x 19 15/16 in. (39.7 x 50.6 cm), Drawings, Louis Lagrenée (French, Paris 1725–1805 Paris), This sheet is of a kind sometimes called an academy, that is, a carefully executed drawing of a nude in a

Young Woman with a Muff, 1860–1919, Pastel, 20 3/4 x 14 1/4 in. (52.7 x 36.2 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer

Cleopatra, dated 1515, Engraving, 8 9/16 x 5 5/16 in. (21.8 x 13.5 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), Designed by Baccio Bandinelli (Italian, Gaiole in Chianti 1493–1560

Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　登戸浦, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14

Terracotta one-handled cup, Middle Minoan IIIA-B, ca. 1750–1600 B.C., Minoan, Terracotta; Fine slipped and painted ware, H. 2 11/16 in. (6.8 cm.), Vases, One-handled, dark brown inside with white band

American Couple, Edo period (1615–1868), 1860, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 x 9 1/2 in. (35.6 x 24.1 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80

Kneeling Female Figure, 2nd century, Mexico, Mesoamerica, Jalisco, San Sabastìan, Ceramic, H. 5 7/8 x W. 3 1/2 in. (14.9 x 8.9 cm), Ceramics-Sculpture

Two Women, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 1/8 in. (39.1 x 25.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro has set these two beauties one above

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, Overall: 3 7/8 x 3 9/16 in. (9.8 x 9 cm), Terracottas, The inscribed sign may have indicated the placement of the piece

Autumn Trees and Grasses by a Stream, 渓流春秋草木図屏風, Edo period (1615–1868), late 17th–early 18th century, Japan, One of a pair of six-panel folding screens; ink, color, gold, and silver on paper, 48 in. x 10 ft. 3 in.

Pond in Sunlight, 1935, Tempera on paper, 5 1/8 x 7 1/8 in. (13 x 18.1 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Limestone funerary kalathos, Roman, Cypriot, Limestone, H. 10 1/2 x 7 7/8 in. (26.7 x 20 cm), Stone Sculpture, The basketwork is indicated with vertical lines separated by smooth bands and lines in relief

Jérusalem, Sainte-Marie-la-Grande, Vue générale, 1854, Salted paper print from paper negative, Image: 23.5 x 33.5 cm (9 1/4 x 13 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Furniture support: lion's leg, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (hippopotamus), 5.47 x 2.99 in. (13.89 x 7.59 cm),

Stencil with Hemp-Leaf Pattern, Edo period (1615–1868), early 19th century, Japan, Paper, 16 1/4 x 10 in. (41.3 x 25.4 cm), Stencils, The design has a naturalistic association—the hemp leaf. Hemp fiber was commonly grown and used for

Fibula with silver bead, Bronze, silver, Other: 3 7/8 in. (9.8 cm), Bronzes

Marble pyxis (box), Classical, late 5th–early 4th century B.C., Greek, Marble, H. 7 15/16 in. (20.2 cm), Miscellaneous-Stone Vases, Greek marble-working of the Classical period is generally associated with architecture and monumental

A View of The Hague from the Northwest, 1647, Oil on wood, 26 x 37 7/8 in. (66 x 96.2 cm), Paintings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Terracotta oinochoe: chous (jug), Classical, ca. 430–420 B.C., Greek, Attic, Terracotta; red-figure, H.: 8 7/8 in. (22.5 cm), Vases, Dionysos and a satyr The artist has produced a noteworthy juxtaposition here between Dionysos, wholly

Seated limestone kourotrophos, Classical, 2nd half of the 5th century B.C., Cypriot, Limestone, Overall:H.: 5 x W.:4 1/8 x D.:3 in. (12.7 x 10.5 x 7.6 cm), Stone Sculpture, Statue of 'nursing mother' seated on a high-backed throne

Roquefavour, ca. 1861, Albumen silver print from paper negative, Image: 33.6 x 42.7 cm (13 1/4 x 16 13/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Cabinet on stand, ca. 1700, British, Pine veneered with marquetry of walnut, burl walnut, and holly; oak drawers; walnut legs; brass hardware, some of it replaced, Overall: 62 3/4 × 45 3/4 × 21 in. (159.4 × 116.2 × 53.3 cm),

Ornament or button for harness, Neo-Assyrian, ca. 9th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Shell, 0.75 in. (1.91 cm), Shell-Equestrian, This small shell piece was found in a well in the Northwest Palace of

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 13/16 x 1/2in. (2 x 1.3cm), Vases

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Yosemite Falls, River View, 2637 Feet, 1861, Albumen silver print from glass negative, Image: 16 1/2 × 19 1/2 in. (41.9 × 49.5 cm), Photographs, Carleton E. Watkins (American, 1829–1916

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Glass amphoriskos with horizontal ribs, Early Imperial, 2nd half of 1st century A.D., Roman, Glass; blown in a two-part mold, H.: 3 1/8 x 1 1/2 x 1 1/16 in. (7.9 x 3.8 x 2.7 cm), Glass, Translucent purple, with one handle in purple streaked

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 x 1 1/4in. (5.1 x 3.2cm), Vases

The Mogusa-uri Scene from the Drama 'Chujo-hime Hibariyama, ' Performed at Yamamura-za, Edo period (1615–1868), 1710–13, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Prints, Okumura

東海道五十三次　赤阪, Akasaka, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

La Coucher, 1860s, Salted paper print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Clothes Chest and Clothes Press, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 7 1/2 x 13 1/8 in. (19.1 x 33.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Sculptures extérieures du Sanctuaire de granit du Palais de Karnac (Thèbes) (Philippe-Aridée conduisant la Barc de Mauth), 1849–50, Salted paper print from paper negative, Image: 6 3/8 × 8 1/4 in. (16.2 × 21 cm), Photographs, Maxime Du

三勝と半七, Sankatsu and Hanshichi, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 24 1/2 in. (62.2 cm); W. 5 7/8 in. (14.9 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Nîmes, Amphithéâtre, ca. 1861, Albumen silver print from glass negative, Image: 32 x 42.4 cm (12 5/8 x 16 11/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Amorous Couple, Edo period (1615–1868), early 18th century, Japan, Monochrome woodblock print; ink and color on paper, 10 3/8 x 14 in. (26.4 x 35.6 cm), Prints, Okumura Masanobu (Japanese, 1686–1764), A man and a woman sit on the veranda

Terracotta neck-amphora, Archaic, early 5th century B.C., Greek, Attic, Terracotta; black-figure, H. 10 1/4 in. (26 cm), Vases, Obverse, man seizing woman at a fountain house Reverse, Dionysos on donkey and maenad While Dionysos is riding

Bowood, 1839–40, Photogenic drawing from paper negative, 16.4 x 21.2 cm (6 7/16 x 8 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Monk, Sui dynasty (581–618), late 6th century, China, Leaded bronze, H. 21 1/2 in. (54.6 cm); W. 5 1/2 in. (14 cm); D. 5 in. (12.7 cm), Sculpture

Terracotta one-handled cup, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta; Dark-on-light ware, H. 3 1/16 in. (7.8 cm.), Vases, Exterior decorated with four bands and a wavy line

Mirror, 6th century B.C., Greek, Cypriot, Bronze, Other: 6 5/16in. (16cm), Bronzes

Kataoka Nizaemon VII and Ichikawa Danjuro VI, Edo period (1615–1868), 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/8 in. (32.7 cm); W. 5 5/8 in. (14.3 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Covered Vessel, Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, H. 9 in. (22.9 cm); W. 5 1/16 in. (12.9 cm) D. 5 9/16 in. (14.1 cm), Metalwork

Wisteria, Edo period (1615–1868), 17th–18th century, Japan, Folding fan mounting as a hanging scroll; ink, color, and gold on paper, 6 3/4 x 20 3/4 in. (17.2 x 52.7 cm), Paintings, Attributed to Ogata Kōrin (Japanese, 1658–1716

[Peacock], ca. 1907, Autochrome, 13.0 x 17.7 cm (5 1/8 x 7in.), Transparencies, Auguste-Marie-Louis-Nicolas Lumière (French, Besançon 1862–1954 Lyon) and, Louis-Jean Lumière (French, Besançon 1864–1948 Bandol

Miniature broad collar, early Ptolemaic Period, 332–246 B.C., From Egypt, Eastern Delta; Probably from Tukh el-Qaramus, Gold, carnelian, turquoise, lapis lazuli, H. 8.6 cm (1/2 in.); W. 10.3 cm (4 1/16 in.), Depictions of Egyptian

Jérusalem, Rue du quartier arabe, 1, 1854, Salted paper print from paper negative, Image: 32.7 x 23.6 cm (12 7/8 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Sparrows Flying, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Glass bottle, Early to Mid Imperial, 1st–early 2nd century A.D., Roman, Glass; blown, H.: 9 5/16 in. (23.6 cm), Glass, Translucent pale blue green. Collared rim, folded out, down, round, and up, with vertical rounded outer lip; tall,

Finger bowl and plate, 1891, Made in White Mills, Pennsylvania, United States, American, Blown, cut, and engraved glass, H. 2 1/2 in. (6.4 cm); Diam. 5 in. (12.7 cm), Glass, C. Dorflinger and Sons (American, White Mills, Pennsylviania,

Terracotta column-krater (bowl for mixing wine and water), Classical, ca. 430 B.C., Greek, Attic, Terracotta; red-figure, H. 15 in. (38.1 cm), Vases, Obverse, horsemen, Reverse, komasts (revelers). The longevity of the black-figure

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 x 1 11/16 in. (2.5 x 4.3 cm), Glass, Translucent deep turquoise blue, partially mixed with yellow appearing green,

The Visit, ca. 1657, Oil on wood, 26 3/4 x 23 in. (67.9 x 58.4 cm), Paintings, Pieter de Hooch (Dutch, Rotterdam 1629–1684 Amsterdam), Two women of uncertain reputation entertain visiting gentlemen. While rich in shadowy effects, this

Yellow Chrysanthemums on a Blue Ground, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print; ink and color on paper, H. 13 7/8 in. (35.2 cm); W. 4 9/16 in. (11.6 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Carnelian scaraboid, Classical, ca. 450–430 B.C., Greek, Carnelian, 1/4 × 11/16 × 15/16 in. (0.6 × 1.8 × 2.4 cm), Gems, woman at laver; heron

江戸名所　高輪月の景, Takanawa Tsuki no Kei, Edo period (1615–1868), 7th month tiger year 1854, Japan, Polychrome woodblock print; ink and color on paper, 9 3/5 x 14 3/8 in. (24.4 x 36.5 cm), Prints, Utagawa Hiroshige (Japanese,

Processione sulla facciata della Grande Scala, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

百人一首　宇波か縁説　藤原道信朝臣, Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1760–1845, Japan, Polychrome woodblock

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 7/16 x 1 3/4 in. (3.7 x 4.5 cm), Glass, Body fragment., Translucent deep purple appearing black,

Topaz ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Beryl, yellow, or Topaz, Length: 9/16 in. (1.5 cm), Gems, Hermes holding the kerykeion (herald's staff) and chlamys. Adaptation of a Greek work of the

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/2 x 1 in. (3.9 x 2.5 cm), Glass, Rim fragment., Translucent blue, purple layered with white appearing opaque brick

Ichikawa Danjuro IV in the Role of Kagekiyo in the Play Enlightenment from a Series of Portraits of Danjūrō, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 x 6 3/4 in. (17.8 x 17.1

遊君出そめ初衣裳　扇屋内花扇, The Oiran Hanaogi of Ogiya attended by Two Shinzo and Her Kamuro Yoshino, Edo period (1615–1868), ca. 1806, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9

Silhouette Image of Kabuki Actor, Meiji period (1868–1912), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Approx. 14 1/2 x 9 1/2 in. (36.8 x 24.1 cm), Prints, Utagawa Kuniteru (Japanese, 1830–1874

Magnolia, Ming dynasty (1368–1644), dated 1549, China, Handscroll; color on paper, Image: 11 x 52 3/8 in. (27.9 x 133 cm), Paintings, Unidentified Artist, After Wen Zhengming (Chinese, 1470–1559

Relief Fragment Depicting Atum and Hatshepsut, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Ramesside Temple (originally valley temple?), debris, 1935–36, Painted limestone, H. 41 cm (16 1/8

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 7/16 × 1 1/8 × 3/16 in. (3.6 × 2.8 × 0.4 cm), Vases

Design for a chandelier, ca. 1750, Pen and grey ink with grey, yellow and brown wash, sheet: 8 3/4 x 5 1/2 in. (22.2 x 14 cm), Drawings, Anonymous, French, 18th century

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 7/8 x 1 3/4 in. (2.2 x 4.4 cm); estimated diam. of base ring 1 3/4 in.(4.4 cm), Glass, Base fragment., Translucent

孫悟空, The Monkey King Songokū, from the Chinese novel Journey to the West, Edo period (1615–1868), probably 1824, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 3/16 in. (20.6 x 18.3 cm), Prints,

Treplau, Kollekolle. 1907., 1905–19, Gelatin silver prints from glass negatives, Image: 3 × 4 in. (7.6 × 10.2 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright

A Mirror of Japan’s Nobility: The Emperor Meiji, His Wife, and Prince Haru (Fūsō kōki kagami), 『扶桑高貴鑑』, Meiji period (1868–1912), August 8th, 1887, Japan, Triptych of polychrome woodblock prints; ink and color on paper,

Fragment, 5th century, Attributed to Egypt, Wool, 15 3/4 in. high 10 7/16 in. wide (40 cm high 26.5 cm wide), Textiles

[Rose Window], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Vase fragment, Neolithic, first period, ca. 4000 B.C., Neolithic, Nemea, Terracotta, length 2 1/8in. (5.4cm), Vases

Deep Dish, ca. 1430, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 2 3/8 x 17 3/8 in. (6.1 x 44.1 cm), Ceramics

Bronze votive statuette of a standing human, Geometric, 8th century B.C., Etruscan, Bronze, H. 2 5/16 in. (5.9 cm), Bronzes, Statuette of a standing human figure

Lagynos fragment, Hellenistic, Terracotta, Overall: 1 3/8 x 1 5/8in. (3.5 x 4.2cm), Vases

Birds and Flowers, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/16 in. (36 cm); W. 8 13/16 in. (22.4 cm), Prints, Keisai Eisen (Japanese, 1790–1848