Images at Librifly

The Resurrection, from The Passion of Christ, 1596, Engraving, sheet: 8 1/8 x 5 1/2 in. (20.6 x 13.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

Bust Portrait of a Woman wearing a Hooded Mantle, 18th century, Etching; first state, Sheet: 17 9/16 × 11 11/16 in. (44.6 × 29.7 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Antoine Watteau (French, Valenciennes

Portrait of Charles-Nicolas Cochin II, 1771, Etching and engraving; fifth state of five (Bocher), Sheet: 10 9/16 × 7 3/4 in. (26.8 × 19.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Black Hamburgh, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in 1891

Speculum Romanae Magnificentiae: Plan of St. Peter's, 1549, Engraving, sheet: 22 5/8 x 16 13/16 in. (57.5 x 42.7 cm), Prints, After Antonio da Sangallo, the Younger (Italian, Florence 1484–1546 Terni), After Antonio da Labacco (Italian,

Drawings and Prints, Print, The Reformed Courtier, Artist, Publisher, Artist, After, Grégoire Huret, Pierre Mariette, Jean Couvay, French, Lyon 1606–1670 Paris, French, 1596–1657, French, Arles ca. 1605–1663 Paris, Huret,

The Vine, or Plumpy Bacchus, 1880, Etching on chine collé; fourth state of four, plate: 11 7/8 x 8 9/16 in. (30.2 x 21.7 cm), Prints, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

Pendant Design with Winged Victory Holding a Laurel Wreath, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 7/8 × 4 13/16 in. (17.5 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical

Lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta, Length 7.8 cm. H. 2.5 cm., Terracottas

Mary Anderson, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Frontispiece to the series 'The First Twelve Roman Caesars' with the Coat of Arms of Jacopo Bosio, 1596, Etching; first state of two (Bartsch), Sheet: 12 3/16 × 9 1/16 in. (31 × 23 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630

Harper's, September, 1894, Lithograph, Sheet: 16 3/8 × 10 11/16 in. (41.6 × 27.1 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Roxane, Mammée, Athenais, and Brunehaut, from 'The game of queens' (Le jeu des Reines renommées), 1644, Etching, Sheet: 3 9/16 x 8 3/4 in. (9 x 22.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Design for Rock-work at Virginia Water, Windsor Great Park, 1780s (?), Pen and grey ink and grey wash, over graphite on laid paper; verso: graphite, sheet: 5 1/16 x 6 9/16 in. (12.8 x 16.6 cm), Drawings, Thomas Sandby (British, baptized

Jack Avery, Capturing Ship of the Great Mogul, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the

St. Mary Magdalen, ca. 1512, Woodcut, Sheet: 5 1/8 × 3 7/16 in. (13 × 8.7 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

The Entombment, 1584, Engraving, Sheet: 10 1/4 × 7 15/16 in. (26 × 20.1 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Banknote motif: the word ONE against a rectangle of ornamental basket-like lathe work, ca. 1824–42, Engraving, sheet: 1 1/8 x 3 1/8 in. (2.9 x 8 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

'Les jambes tendues et vibrantes...', 1902, Lithograph, sheet: 12 3/4 x 9 13/16 in. (32.4 x 25 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Harper's, October, 1895, Lithograph, Sheet: 15 in. × 11 1/4 in. (38.1 × 28.5 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Recreation, 1896, Commercial relief process, Sheet: 16 1/2 × 13 7/8 in. (41.9 × 35.3 cm), Henry Sumner Watson (American, Bordentown, New Jersey 1868–1933

Triumphal arch surmounted by a statue of Moses, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598, 1598, Etching, Sheet (Trimmed): 8 9/16 × 5 11/16 in. (21.8 × 14.4 cm), Guido

Lamp, Late Imperial, 3rd–mid-4th century A.D., Roman, Terracotta, Length 8.6 cm. H. 3.7 cm., Terracottas

Drawings and Prints, Print, The Contest at Auckinleck, in Which Ursa Major made a Severe Retort on the Journalist's Father (Picturesque Beauties of Boswell, Part the Second), Artist, Subject, Artist, Publisher, After, Samuel Collings,

Card Number 180, Louise Perkins, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes, 1880s

Seated woman and Bearded Man in a Landscape, 1740–1802, Etching, sheet: 10 1/16 x 13 1/8 in. (25.5 x 33.3 cm), Prints, Attributed to Giuseppe Canale (Italian, 1725–1802), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Study of Clouds (recto); Study of an Elder Bush by a Fence (verso), David Cox (British, Birmingham 1783–1859 Harborne, West Midlands

Drawings and Prints, Photograph, Card Number 172, Lizzie Hughs, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Mrs. Abington as Thalia, August 20, 1783, Stipple engraving and etching, printed in brown ink; first state of seven, image: 9 1/4 x 7 1/4 in. (23.5 x 18.4 cm), Prints, After Richard Cosway (British, Oakford, Devon 1742–1821 London),

Thetis Seated with a Triton, 16th century, Engraving, plate: 9 13/16 x 6 1/2 in. (25 x 16.5 cm) platemark, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Bookplate with the coat of arms of Konrad Peutinger, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), 1516

The Small Dog Standing on Hind Legs, 1741–63, Etching and engraving, sheet: 8 11/16 x 5 11/16 in. (22.1 x 14.5 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Rubens, his wife, Helena Fourment, and their child, ca. 1770, Mezzotint, sheet: 15 1/8 x 11 in. (38.4 x 27.9 cm), Prints, Charles Phillips (British, 1737–1783), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Marble statue of a lion, Classical, ca. 400–390 B.C., Greek, Marble, Parian 2, H. 31 1/4 in. (79.4 cm), Stone Sculpture, Marble statues of lions were sometimes used as tomb monuments or as guardians at both ends of a large tomb facade. Like

Typographic Title Page with a Vignette Depicting the Allegorical Figure of Justice, from Thronus Justitiae, tredecim pulcherrimus tabulis..., 1606, Letterpress and engraving, Sheet: 10 13/16 × 13 7/8 in. (27.4 × 35.2 cm), Prints, Willem van

Smith, Shortstop, Pittsburgh, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco, 1887, Commercial color lithography reproducing drawings, Sheet: 3 1/16 x 1 3/4 in. (7.7 x 4.5 cm), Trade cards from the 'Gold Coin' series (N284),

The Princess Sonia: A Romance of Girl Art Life in Paris, 1895, Commercial relief process and letterpress, Sheet: 18 1/2 × 13 7/16 in. (47 × 34.2 cm), Charles Dana Gibson (American, Roxbury, Massachusetts 1867–1944 New York

Card Number 29, Adelaide Neilson, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes, 1880s

Drawings and Prints, Print, Autumn, Artist, After, Battista Angolo del Moro, Giulio Romano, Italian, Verona ca. 1515–ca. 1573 Murano, Italian, Rome 1499?–1546 Mantua, Angolo, del Moro Battista, Giulio Romano, Italian, 1515, 1499,

Drawings and Prints, Print, Rehearsal of a French Invasion as Performed before the Invalids at the Islands of St Marcou on the Morning of the 7th of May 1798, Loyal Volunteers, Artist, Publisher, Thomas Rowlandson, Ackermann & Co., British,

Drawings and Prints, Print, Diana turning Actaeon into a stag, Artist, Giovanni Battista Palumba, Italian, active ca. 1500–1520, Palumba, Giovanni Battista, Italian, 1495, 1520, 1500–1510, 1500, 1510

Harper's: August, 1897, Lithograph, Sheet: 18 1/2 × 13 1/4 in. (47 × 33.7 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Pendant Design with Mars Standing in a Niche, before 1573, Engraving; second state of three (New Hollstein), Sheet: 5 11/16 × 3 7/8 in. (14.5 × 9.9 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel with a

Studienblätter für Landschaftzeichner, n.d., Etching and letterpress text in original lithographed, ochre-colored paper cover, Overall: 12 3/16 x 9 7/16 x 5/16 in. (31 x 24 x 0.8 cm), Books, Adrian Zingg (Swiss, St. Gallen 1734–1816

A Rake's Progress, Plate 7, June 25, 1735, Etching and engraving; fourth state of four, plate: 14 x 16 1/8 in. (35.5 x 41 cm), Prints, William Hogarth (British, London 1697–1764 London

Harper's: Round Table, Interscholastic Sport, late 19th century, Lithograph, Sheet: 16 1/8 × 10 9/16 in. (41 × 26.8 cm), Prints, Anonymous, American, 19th century

Der Bockhardsee, early 19th century, Etching; proof before letters, plate: 8 x 11 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Man Smoking and Drinking at a Window, March 17, 1774, Mezzotint with etching, Plate: 11 1/2 × 9 1/4 in. (29.2 × 23.5 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London), After Adriaen van Ostade (Dutch,

The Virgin of Sorrows: The Entombment; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 3/16 in. (7.1 × 5.5 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca.

Drawings and Prints, Print, Go Kill My Husband (The Unfaithful Wife), Artist, Émile Bernard, French, Lille 1868–1941 Paris, Bernard, Émile, French, 1868, 1941, 1892, 1892

The Temple of Venus and Roma (erroneously called Temple of Sol and Luna) (Veduta degli avanzi di due triclini che appartenevano alla Casa aurea di Nerone), ca. 1759, Etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

Drawings and Prints, Print, The Crucifixion, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German, Nuremberg ca.

North Aspects of Lea Castle and West Aspect of Wolverly, Cookly, Worcestershire, ca. 1816, Watercolor, sheet: 10 1/2 x 10 in. (26.6 x 25.4 cm), Attributed to John Carter (British, London 1748–1817 London

Woman Alone, from the series the Dancing Pair Vigano, n.d., Etching, hand-colored, Prints, Johann Gottfried Schadow (German, Berlin 1764–1850 Berlin

Card Number 337, Emma Hanley, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

Mary Magdalen Meditating, Engraving; first state of iii (BN), sheet: 9 3/16 x 13 7/16 in. (23.4 x 34.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Sacrifice of Iphigenia, ca. 1755, Pen and brown ink, brush and brown, blue, red and pale yellow wash heightened with white, over traces of black chalk, on brown-washed paper. The sheet consists of fourteen pieces of cream-colored paper

Drawings and Prints, Print, Harmony, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, August 12, 1785

Drawings and Prints, Drawing, View of the Château at Folembray, Artist, Paul Huet, French, Paris 1803–1869 Paris, Huet, Paul, French, 1803, 1869, ca. 1831, 1826, 1836

Drawings and Prints, Print, Off Side Protect, New Guard, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756–1835 London, British, London 1757–1827 London, Angelo, Henry,

The Pyramid of Gaius Cestius, from Vedute di Roma (Roman Views), ca. 1756, Etching; first state of three (Hind), Sheet: 20 11/16 x 27 9/16 in. (52.5 x 70 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Drawings and Prints, Print, Ex Libris Maria DeWitt Jesup, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1914

[Actress portrait in profile], from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes, 1880s

Standing Female Clay Figure, Final Jōmon period (ca. 1000–300 B.C.), Japan, Earthenware with cord-marked and incised decoration, H. 9 1/4 in. (23.5 cm); W. 5 3/4 in. (14.6 cm); D. 3 1/4 in. (8.3 cm), Ceramics

Jesus served by angels, 1652, Etching; only state, Sheet: 3 5/8 × 6 15/16 in. (9.2 × 17.6 cm) cut within image, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Adam Elsheimer (German, Frankfurt 1578–1610 Rome

Looking in a Mirror, 1896, Lithograph printed in three colors on wove paper, 20-7/16 x 15-3/4 in. (51.9 x 40.0 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

'The Beautiful Virgin of Regensburg' Seated in a Landscape, Engraving; second state of two [?], Sheet: 2 1/4 × 1 7/16 in. (5.7 × 3.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Terracotta kantharos (drinking cup with high handles): two female heads, Archaic, ca. 490–480 B.C., Greek, Attic, Terracotta; red-figure, H. 7 3/4 in. (19.7 cm), Vases, Obverse, satyr playing aulos (double flute), Reverse, satyr playing

Still Life, probably ca. 1625–30, Oil on wood, 10 5/8 x 13 3/8 in. (27 x 34 cm), Paintings, Georg Flegel (German, Olomouc (Olmütz) 1566–1638 Frankfurt), Flegel, from Moravia, worked in Vienna and Frankfurt am Main. His style eschews

Beaver, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Drawings and Prints, Print, Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1), Boydell'shakespeare Gallery, Artist, Publisher, Subject, Engraver, After, Robert Smirke, John & Josiah Boydell, William

The Crucifixion, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 2 7/8 × 1 15/16 in. (7.3 × 4.9 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Drawings and Prints, Print, Christ Washing the Feet of His Disciples, from The Passion of Christ, plate 4, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1664

Harpocrates, Philosopher, ca. 1611, Engraving; first state of two, 19 × 14 5/8 in. (48.2 × 37.2 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Captain Lewis, Chasing a Merchantman, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish

The Triumph of Fame on Chastity, from The Triumphs of Petrarch, Engraving; third state of four (Landau), Sheet: 5 7/16 × 8 1/8 in. (13.8 × 20.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Cartouche from Veelderleij niewe inventien van antijckesche sepultueren diemen nou zeere ghebruijkende is met noch zeer fraeije grotissen en compertimenten zeer beqwame voer beeltsniders antijcksniders schilders en all constenaers...Libro Secundo,

Chinoiserie with Figures in a Landscape, 18th century, Etching and engraving, Sheet: 22 13/16 x 16 7/8 in. (58 x 42.9 cm), Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Industrious 'Prentice Out of his Time and Married to his Master's Daughter (Industry and Idleness, plate 6), September 30, 1747, Etching and engraving; fourth state of four, plate: 10 3/8 x 13 9/16 in. (26.4 x 34.4 cm), Prints, William

Drawings and Prints, Print, Pierre Armand du Cambout de Coslin, éveque d'Orléans, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1655

The Virgin and Child with the Parrot, 1549, Engraving; second state of three, Sheet: 3 1/8 × 2 1/4 in. (7.9 × 5.7 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), After Barthel Beham (German, Nuremberg ca. 1502–1540

Drawings and Prints, Photograph, Card Number 209, Vero and Clifton, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Another view of Amsterdam (Autre vue d'Amsterdam), a group of four men stand in center on a seashore, a boat being built to right, a rowboat on shore to left, two ships to left in the background, from 'Views of seaports' (Vues de ports de mar),

Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane', 1756, Etching, Sheet: 20 3/8 x 14 3/4 in. (51.8 x 37.4 cm), Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778

Front and back covers printed on the same sheet for a collection of love letters (number 2), Cupid holding a bow in image at the right, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1910

Warship in the trough of a wave, 1665, Etching; second state of three, Plate: 4 7/8 × 10 13/16 in. (12.4 × 27.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Plate 10: six heads, three bearded men, one soldier, and two children from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 1/4 x 2 1/2 in. (8.3 x 6.4 cm), Prints, Stefano della Bella (Italian,

Design for the Verso of a Pendant with Grapevines Above Axe-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 3/4 × 3 13/16 in. (14.6 × 9.7 cm), Jan Collaert I (Netherlandish, Antwerp ca.

View of Caprarola, from a series of fifteen views of Italy and France, 17th century, Etching, image: 5 1/8 x 9 1/2 in. (13 x 24.2 cm), Israel Silvestre (French, Nancy 1621–1691 Paris

A Young Couple Viewing Ruins near Bingen, 1801, Pen and black ink, watercolor; framing line in pen and black ink, probably by the artist, sheet: 6 9/16 x 7 in. (16.7 x 17.8 cm), Drawings, Christian Georg Schütz the Younger (German,

L'Escalier (The Staircase), 19th century, Etching, Mount: 6 3/16 × 4 5/8 in. (15.7 × 11.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace, late 16th century, Engraving and etching, sheet: 14 x 17 15/16 in. (35.6 x 45.5 cm), Prints, Anonymous

Drawings and Prints, Photograph, Card Number 321, Elinor Hamilton, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Drawings and Prints, Print, Saint Francis, Artist, After, Johann Sadeler I, Bartholomeus Spranger, Netherlandish, Brussels 1550–1600/1601 Venice, Netherlandish, Antwerp 1546–1611 Prague, Sadeler, Johann, I, Spranger, Bartholomeus,

Orpheus and Eurydice, ca. 1500–1506, Engraving, 5 1/16 x 3 7/8in. (12.9 x 9.8cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After? Francesco Francia (Italian, Bologna ca. 1447–1517 Bologna),

Broadsheet relating to a bullfight with the famous bullfighter Rodolfo Gaona in the ring at Puebla on 13 December 1908, a description in the bottom section, Recto: José Guadalupe Posada (Mexican, 1851–1913), Verso: Manuel Manilla (Mexican,

Drawings and Prints, Print, Title-Border with the Story of Salome and St. John the Baptist, Artist, Lucas Cranach the Elder and Workshop, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, and Workshop, German, 1472, 1553

Stags, A Study for the Decoration of a Frame, 1890–98, Softground etching, Image: 2 3/8 x 3 9/16 in. (6.1 x 9 cm), Prints

The vague glimmer of a head suspended in space, 1891, Lithograph, sheet: 17 5/8 x 12 3/8 in. (44.8 x 31.4 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Alexander welcoming Thalestris and the Amazons, mid-16th century, Engraving, sheet: 9 7/16 x 9 7/16 in. (24 x 24 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris