Images at Librifly

Saint Francis in Ecstasy, ca. 1650, Oil on canvas, 77 × 53 1/4 in. (195.6 × 135.3 cm), Paintings, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua), Wearing a Capuchin habit, Saint Francis (1181/1182–1226)

Bronze bowl from a thymiaterion (incense burner), Late Classical, late 4th century B.C., Etruscan, Bronze, H. 4 7/16 in. (11.3 cm), Bronzes, Suthina' is deeply inscribed in Etruscan letters around the inner rim of the bowl

Design, 1841–84, Graphite and ink wash, sheet: 13 1/16 x 9 3/8 in. (33.1 x 23.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

Description of a Plan with Three Figures and Divan Below, 18th century, Pen and brown and gray ink, brush and gray wash, sheet: 19 5/16 x 14 15/16 in. (49 x 38 cm), Drawings, Flaminio Innocenzo Minozzi (Italian, Bologna 1735–1817 Bologna

Surcoat (Jinbaori) for a Boy, 18th–early 19th century, Japanese, Textile (silk), silver metallic thread, ivory, copper, 26 1/2 x 20 1/2 in. (67.3 x 52.1 cm), Surcoat, Japanese surcoats (jinbaori) for boys are relatively rare. In addition,

Tile with a King Holding Flowers, 13th–14th century, Made in Warwickshire, England, British, Glazed earthenware, 5 × 5 1/16 × 15/16 in. (12.7 × 12.8 × 2.4 cm), Ceramics-Tiles

'Shah Shuja with a Beloved', Folio from the Shah Jahan Album, verso: ca. 1632; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Govardhan (active ca.

Vase, 1877, Made in New York, New York, United States, American, White earthenware, 6 1/2 in. (16.5 cm), Glass, John Bennett (1840–1907

Mars Crowned by Victory and Listening to Moderation, n.d., Black chalk, 11 15/16 x 9 1/8 in. (30.3 x 23.2 cm), Drawings, baron Antoine Jean Gros (French, Paris 1771–1835 Meudon

Ruins of the Forum of Nerva (above) and Another View of the Ruins (below), before 1704, Red chalk, pen and black and brown ink, brush and grey wash, over black chalk., 13 1/8 x 8 7/64 in. (33.3 x 20.6 cm), Drawings, Jan Goeree (Dutch,

'The Ox Shanzabeh Left Behind, Grazing in the Territory of the Lion King', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Seated Male Nude (recto); Crouching Male Nude (verso), 1864–74, black chalk, heightened with white (recto); black chalk (verso), Sheet: 13 x 9 5/16 in. (33 x 23.7cm), Drawings, Paul Baudry (French, 1828–1886

Cattle at a Watering Hole in a Valley, 1830–86, Watercolor over graphite with gouache and scratching out, sheet: 13 x 19 7/16 in. (33 x 49.4 cm), Drawings, John Henry Mole (British, Alnwick, Northumberland, 1814–1886), Born in

Limestone funerary stele (shaft) with a 'Cypriot capital', Classical, 5th century B.C., Cypriot, Limestone, Overall: 54 x 32in. (137.1 x 81.3cm), Stone Sculpture, Rectangular shafts topped by capitals such as this were carved on Cyprus from

Equal-Arm Brooch, 7th–8th century, Made in Northern France, Frankish, Copper alloy, Overall: 1 1/2 x 1/2 x 3/8 in. (3.8 x 1.3 x 0.9 cm), Metalwork-Copper alloy

Schaffer. Charles. 28 ans, né à Paris Xle. Ébéniste. Association de malfaiteurs. 2/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Square Plaque, 7th century (?), Made in France, Frankish, Copper alloy, Overall: 13/16 x 11/16 x 3/16 in. (2.1 x 1.8 x 0.5 cm), Metalwork-Copper alloy

Le petit Russe, 1860s, Albumen silver print from glass negative, 9.5 x 13.7 cm. (3 3/4 x 5 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Le Grand Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Case (Inrō) with Design of Two Hawks on Tasseled Perches, Edo period (1615–1868), 19th century, Japan, Lacquer, roiro, mura nashiji, gold and coloured hiramakie, takamakie; Interior: nashiji and fundame, 3 1/4 x 2 1/16 x 3/4 in. (8.3 x

Hexagonal dish, 1696, Hungarian, Transylvania, Silver, partly gilded, Diameter: 9 9/16 in. (24.3 cm), Metalwork-Silver, The center of each dish in this set bears an engraved laurel wreath encircling a coat of arms. Small differences in these

Two penguins , male and female, n.d., graphite, brush and black ink, gouache, watercolor, modern mount, sheet: 10 13/16 x 9 1/2 in. (27.5 x 24.1 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Juno Appearing to Sea Gods, late 16th–early 17th century, Pen and brown ink, brown wash, heightened with white over traces of chalk, on pink-toned paper. Traces of framing line in pen and brown ink., 12 1/8 x 8 3/4 in. (30.8 x 22.2 cm),

Mrs. Robinson as Perdita, ca. 1779, Graphite, blue chalk, and watercolor, with touches of gouache, oval sheet: 7 13/16 x 6 in. (19.9 x 15.3 cm), Drawings, Richard Cosway (British, Oakford, Devon 1742–1821 London), This lovely young woman

The Antique Shop, ca. 1906, Oil on cardboard, 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), Paintings, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset), This is one of three sketches of an antique shop in Dieppe that Sickert

Elevation and Section, 16th century, Pen and brown ink, washed, 9-3/4 x 7 in. (24.8 x 17.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Disk Brooch, 7th century, Frankish, Gold, filigree, garnets, blue glass; copper alloy support, Overall: 1 1/4 x 3/8 in. (3.1 x 1 cm), Metalwork-Gold

元 佚名 倣趙孟頫 九歌圖 冊, Nine Songs, Yuan dynasty (1271–1368), 14th century (?), China, Album of eleven paintings; ink on paper, 10 3/8 x 6 1/4 in. (26.4 x 15.9 cm), Paintings, After Zhao Mengfu (Chinese, 1254–1322), The

Breakfront Bookcase, early to mid-18th century, Pen and black ink, gray and pink wash, sheet: 9 1/8 x 6 3/16 in. (23.1 x 15.7 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

Essempio di recammi, page 11 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

明晚期 黑漆彩繪花鳥紋委角四方盤, Dish with Persimmons, Flowers and Birds, Ming dynasty (1368–1644), 16th century, China, Black lacquer with painted decoration, W. 6 5/16 in. (16 cm), Lacquer, The blue used in the depiction

Marble seated harp player, Late Early Cycladic I–Early Cycladic II, 2800–2700 B.C., Cycladic, Marble, H. with harp 11 1/2 in. (29.21 cm), Stone, A male figure playing a stringed instrument sits on a high-backed chair. This work is one of

Washington. Harewood Hospital, 1861–65, Albumen silver print from glass negative, Photographs

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 109 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Metal Bracket, Rue de Grenelle, St. Honoré, second half 19th century, Graphite, sheet: 5 3/4 x 4 1/8 in. (14.6 x 10.5 cm), Anonymous, British, 19th century

Statue of a seated baboon, Late Period–Ptolemaic Period, 4th century B.C., From Egypt, Memphite Region, North Saqqara, Sacred Animal Necropolis, Baboon catacombs, EES excavations 1968–69, Limestone, paint, H. 70.5 cm (27 3/4 in.); W.

The Empress Kneels Before Saint Martin, ca. 1430, South Netherlandish, Silk and metal thread, and linen, Diameter: 6 1/8in. (15.5cm), Textiles-Embroidered, This roundel originally formed part of an extensive series illustrating the life of St.

Dish, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, 1 7/8 x 10 3/8 x 7 7/8 in. (4.8 x 26.4 x 20 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based glaze

Trinity Bay, Newfoundland, Exterior View of the Telegraph House in 1857-1858, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 13/16 × 10 1/4 in. (17.3 × 26 cm), Drawings, Robert Charles Dudley (British, 1826–1909),

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 14 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 4r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Side chair, 1879, Made in New York, New York, United States, American, Rosewood, brass, mother-of-pearl, and reproduction upholstery, 14 1/2 x 19 1/2 x 44 in. (36.8 x 49.5 x 111.8 cm), Furniture, Herter Brothers (German, active New York,

Cup and saucer, ca. 1780, German, possibly Thuringia, Rauenstein, Hard-paste porcelain, Height (cup .169): 2 3/4 in. (7 cm); Diameter (saucer .170): 5 3/8 in. (13.7 cm), Ceramics-Porcelain

Letter Box with Design of Chrysanthemums and Autumm Grasses, Muromachi period (1392–1573), 15th century, Japan, Gold and silver maki-e on black lacquer, L. 8 3/4 in. (22.2 cm); W. 2 7/8 in. (7.3 cm); H. 2 3/4 in. (7 cm), Lacquer

Table Spoon, 1780–90, Made in New York, New York, United States, American, Silver, L. 9 1/2 in. (24.1 cm), Silver, Benjamin Halsted (1734–1817

[Three Painters, with Brushes and a Can of Paint, in Front of a Painted Window Backdrop], 1870s–80s, Tintype, Image: 8 x 5.4 cm (3 1/8 x 2 1/8 in.), Photographs, Unknown (American

The Risen Christ Appearing to Souls in Purgatory, 1782, Red chalk over traces of black chalk, 5 1/8 x 6 1/4 in. (13 x 15.9 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Meeting with a Friend on an Autumn Day, Edo period (1615–1868), 1822, Japan, Hanging scroll; ink and color on silk, Image: 53 3/4 x 26 7/8 in. (136.5 x 68.3 cm), Paintings, Noro Kaiseki (Japanese, 1747–1828), The artist's long

The South Downs, 19th century, Brush, black ink, gray wash, sheet: 3 3/8 x 6 in. (8.6 x 15.2 cm), Drawings, Anonymous, British, early 19th century

Spoon, 1906, Made in New York, United States, American, Silver, pearls, Spoon: 6 7/8 in. (17.5 cm), Silver, Marcus and Co. (American, New York, 1892–1942

Square-Headed Bow Brooch, first half of 6th century, Langobardic, Copper alloy, gilt, silvered on inner face, Overall: 2 1/2 x 1 1/4 x 1/2 in. (6.4 x 3.2 x 1.2 cm), Metalwork-Copper alloy

Disk Brooch, 6th century, Frankish, Copper alloy, partial gilt, remnant of iron pin, Overall: 1 3/8 x 5/16 in. (3.5 x 0.8 cm), Metalwork-Copper alloy

Two Nude Girls, 1929, Ink on paper, H. 13-3/4, W. 19-3/4 inches, Drawings, Jules Pascin (American (born Bulgaria), Vidin 1885–1930 Paris

Mormon Emigrant Train, Echo Canyon, ca. 1870, Albumen silver print from glass negative, Image: 6.1 × 10.3 cm (2 3/8 × 4 1/16 in.), Photographs, Charles William Carter (American, born Britain, 1832–1918), Born in London, Charles Carter

Design for a Ceiling, 18th century, Graphite, sheet: 10 x 15 in. (25.4 x 38.1 cm), Anonymous, British, 18th century

Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Statues and Figures, Including the Venus Pudica and Scipio and his Lictor, ca. 1628–32, Pen and brown ink; verso: pen and brown

Landscape with River in the Center, with Ferryboat, 18th century (?), Pen, brown ink and watercolor over black chalk. Framing line in pen and brown ink, cut off at either side., 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Drawings, Anonymous,

Design for a Part of a Ceiling and a Pediment, 18th century, Pen and brown ink, brush with green-brown, yellow, mauve, blue, green, red gray, and red-brown wash, over traces of black chalk on cream laid paper, 16-1/4 x 13-11/16 in. (41.2 x

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 25 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Wine glass, 1824–35, Made in Jersey City, New Jersey, United States, American, blown and cut glass, 4 7/8 in. (12.4 cm); Diam . 2 7/8 (7.3 cm), Glass

Custard Cup, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 3 1/2 in. (8.9 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Bowl, ca. 1897, Made in Trenton, New Jersey, United States, American, Porcelain, overglaze enamel decoration, H. 3 in. (7.6 cm); Diam. 7 13/16 in. (19.8 cm), Ceramics, Ceramic Art Company (American (Trenton, New Jersey), 1889–1896

Woman Carrying Beer Steins, 1912, Brush and black ink., 9 x 5 13/16 in. (22.8 x 14.7 cm), Drawings, F. Droimer (German, ca. 1912

Jane Hading, 1898, Crayon lithograph on china paper, sheet: 15 3/8 x 12 7/16 in. (39 x 31.6 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Landscape with Rising Sun, December 1, 1828, 8:30 a.m., 1828, Watercolor over graphite on white wove paper, sheet: 4 3/16 x 6 3/4 in. (10.6 x 17.1 cm), Drawings, Joseph Michael Gandy (British, London 1771–1843 London), Gandy, who made

A Drapery Study of a Seated Man, early 19th century, Graphite, sheet: 11 5/8 x 8 7/8 in. (29.5 x 22.6 cm), Drawings, Johann Friedrich Overbeck (German, Lübeck 1789–1869 Rome

Tombstone, 12th century, Found/excavated Iran, Hamadan, Limestone; carved, H. 14 1/2 in. (36.8 cm), Sculpture, This sarcophagus-shaped stone would have been attached to the lid of a grave marker. Each of the long sides has three sections. On

The Ring Toss, 1899, Gum bichromate print, 18 x 13.9 cm (7 1/16 x 5 1/2 in.), Photographs, Clarence H. White (American, 1871–1925), White was a founding member of the Photo-Secession, a friend of Alfred Stieglitz, and a highly praised

Fête du Trône, 1925, printed ca. 1929, 23.4 x 17 cm (9 3/16 x 6 11/16 in. ), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Yankees trying to be Turkish from my album - Esquisses at the Centenial [sic] Leon y Escosura (?), 1834–1901, Graphite on paper, sheet: 4 x 6 5/8 in. (10.2 x 16.8 cm), Drawings, Ignacio de León y Escosura (Spanish, Oviedo 1834–1901 Toledo

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 50 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Glass Fragments, 4th–early 5th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Glass, Storage (petri dish diam.): 5 3/4 in. (14.6 cm), Glass-Vessels

Disk Brooch, 7th century, Frankish, Gold, wire, paste cabochons, Overall: 5/8 x 3/8 in. (1.6 x 1 cm), Metalwork-Gold

Footed Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 2 5/8 in. (6.7 cm); Diam. 3 3/4 in. (9.5 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Two Cottages, ca. 1636, Pen and brown ink (gallnut ink, possibly only partially), corrected with white chalk and/or body color., 5 7/8 x 7 1/2 in. (15 x 19.1 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam),

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper mounted on board in original matt, Overall: 14 1/16 x 8 in. (35.7 x 20.3 cm), Drawings, Tiffany Studios (1902–32

Terracotta bell-krater (bowl for mixing wine and water), Classical, ca. 470–450 B.C., Greek, Attic, Terracotta; red-figure, H. 15 1/4 in. (38.8 cm), Vases, In this magnificent vase, the shape and the gloss of its surface are paramount. The

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 3 (1 3/16 in.); W. 3.1 cm (1 1/4 in.); D. 0.7 cm

Design for a Ceiling, 18th century, Pen and brown ink and gray wash, 8-1/4 x 7-3/4 in, Drawings, Anonymous, Italian, Bolognese, 18th century

Head of a figure wearing a turban, graphite, 7-3/8 x 6-1/4 in. (18.7 x 15.9 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

The Apparition of the Virgin of El Pilar to St. James, 1773, Oil on copper, 22 1/4 × 16 1/2 in. (56.5 × 41.9 cm), Paintings, Nicolás Enríquez (Mexican, 1704–1790), This painting depicts the miraculous appearance of the Virgin Mary to St.

Terracotta lamp: on discus, oak wreath, 2nd century A.D., Roman, Terracotta, Overall: 1 7/8 x 3 3/4 in. (4.8 x 9.5 cm), Terracottas

Glass dish, Late Imperial, 4th century A.D., Roman, Glass; blown, H.: 1 7/8 in. (4.8 cm), Glass, Colorless with slight blue tinge. Slightly everted, rounded, vertical rim; short, concave side to body, then turned in to tall, tubular,

Panel, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, 8.74 x 14.49 in. (22.2 x 36.8 cm), Stucco-Reliefs, The shallowness and nearly perfect repetition of the two bushy plants on this fragment suggests that it was

The Return to Life, 1923, Lithograph, image: 18 x 14 1/2 in. (45.7 x 36.8 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Drawings and Prints, Album Prints Ornament & Architecture, Trophées Nouvellement Inventez par J.B. Toro., Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731

Bowl, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted (mina'i), H. 3 5/8 in. (9.2 cm), Ceramics

Tumbler, 1775–1820, Made in Bohemia, Czech Republic, Non-lead glass with engraved decoration, H. 6 3/4 in. (17.1 cm), Glass

元 姚彥卿 (廷美) 雪山行旅圖 軸, 요언경, 눈 덮인 산 속 나그네 중국 원, Traveling through Snow-Covered Mountains, Yuan dynasty (1271–1368), China, Hanging scroll; ink on silk, Image: 38 5/8 x 21 1/4 in. (98.1 x 54

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, title page (recto), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Design for a Wall with a Fireplace and Side Tables, 1841–84, Graphite with touches of white gouache, sheet: 14 1/2 x 10 3/4 in. (36.9 x 27.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Designs for an Overdoor Decoration (recto); Various Sketches (verso), 1740–60, Pen and brown ink, brush and wash, over traces of black chalk (recto). Black chalk (verso), 5-1/2 x 3-1/8 in. (14.0 x 7.9 cm), Anonymous, Italian, Bolognese,

Tea Caddy, ca. 1810, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: H. 4 7/8 in. (12.4 cm); 6 oz. 17 dwt. (212.7 g), Silver, Browne and Seal (active ca. 1810

Death of Saint Joseph, 17th century, Red chalk, pen and brown ink, highlighted with white gouache and blue-green gouache, squared for transfer in black chalk on light brown laid paper, 10-13/16 x 7-1/16 in. (27.4 x 18 cm), Drawings,

Glass aryballos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 2 3/8 in. (6 cm), Glass, Translucent dark cobalt blue, with handles in opaque turquoise blue; trails in

Two Studies for a Grotesque Head, 16th–17th century, Black chalk, over graphite or black chalk, sheet: 7 3/16 x 13 in. (18.2 x 33 cm), Drawings, Anonymous, Italian, 16th to 17th century

Africa, 1728–74, Black chalk (and graphite?), 9 x 13 5/8 in. (22.8 x 34.6 cm), Drawings, Gottfried Bernhard Goetz (German, Velehrad 1708–1774 Augsburg

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 20v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Double kohl tube with lid, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial E 3, In coffin, 1915–16, Wood, h.

Red-Cornered Box (Sumiaka), Momoyama (1573–1615)–early Edo (1615–1868) period, early 17th century, Japan, Gold maki-e and silver foil inlay on black lacquer, red lacquer over coarse cloth, H. 9 1/2 (24.1 cm); W. 11 1/2 in. (29.2 cm); L.