Images at Librifly

Spring Showers, the Coach, 1899–1900, Platinum print, Image: 3 3/8 × 1 13/16 in. (8.6 × 4.6 cm), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), When he made this photograph, Stieglitz was vice

元 玉帽頂, Headdress ornament, Yuan dynasty (1271–1368), 13th century, China, Jade (nephrite), H. 2 3/16 in. (5.6 cm); W. 1 3/4 in. (4.5 cm), Jade

Plaque, Sasanian, ca. 3rd–7th century A.D., Mesopotamia, Ctesiphon, Sasanian, Marble, 7.62 x 4 in. (19.35 x 10.16 cm), Stone-Reliefs, Fragments of shaped tiles made from variegated stones were found in the palace of Khusraw I at Ctesiphon.

Figurine of a Woman with Her Baby, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Pit 6L, Brick Vault, 1923–24, Faience, h. 7.4 cm (2 15/16 in

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 80 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Relief of armed figure collapsing (Capaneus ?), Archaic, ca. 500–450 B.C., Etruscan, Bronze, H.: 1 3/4 x 1 5/16 in. (4.4 x 3.3 cm), Bronzes, From the handle of a jug; the relief shows a falling warrior

Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John, n.d., Pen and brown ink, brush and brown wash, over traces of black chalk, 15 7/8 x 9 5/16 in. (40.3 x 23.6 cm), Drawings, Polidoro da Caravaggio (Italian,

Statue of the Goddess Sakhmet, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, Upper Egypt, Thebes, Karnak, Granodiorite, H. 176 cm (69 5/16 in); w. 45.7 cm (18 in); d. 94 cm (37 in), This lion-headed figure represents the

The Empress and Porphyrius Visit St. Catherine in Prison, ca. 1430, South Netherlandish, Silk and metal thread on linen, Diamter: 6 1/2in. (16.5cm), Textiles-Embroidered

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 3/4 in. (2.5 x 9.5 cm), Terracottas

Capriccio with a Seaport and Classical Ruins, 1712–93, Pen and brown ink, brush and brown wash, over black chalk, 9-13/16 x 18-7/16 in. (24.9 x 46.9 cm), Drawings, Francesco Guardi (Italian, Venice 1712–1793 Venice

[Rural Group with Horse], 1850s, Salted paper print, 6 3/8 x 7 15/16, Photographs, Unknown (British

[Travelers By Ancient Monument], 1880s, Albumen silver print, Photographs, Unknown

Bhutan and Nepalese People at Darjeeling, Sunday Morning Market Scene, 1860s–70s, Albumen silver print from glass negative, 23.6 x 19.5 cm (9 5/16 x 7 11/16 in.), Photographs, Unknown

Design for a Public Building in the Italian Renaissance Palazzo Style, ca. 1840, Pen and brown ink over graphite, sheet: 9 1/4 x 14 1/2 in. (23.5 x 36.8 cm), Attributed to Sir Charles Barry (British, London 1795–1860 London

Two Alternate Designs for a Door Frame, 1700–1780, Pen and brown ink, over lead point or graphite, with ruled construction (recto). Lead point or graphite (verso), sheet: 11 x 7 1/8 in. (27.9 x 18.1 cm), Drawings, Anonymous, Italian,

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 6 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Bit, ca. 1575–1625, possibly Italian, Iron, tin, gold, silver, copper alloy, 12 x 8 1/2 in. (30.5 x 21.6 cm), Equestrian Equipment-Bits, Many fully functional bits of the time were enhanced with lavish decoration, such as this example

Figure 73: Head of Niobe, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.6 × 20.4 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien

Le château de Kerjean, 1777, Pen and gray ink, gray wash, over graphite, 8 9/16 x 12 1/8 in. (21.8 x 30.8 cm), Drawings, Louis François Cassas (French, Azay-le-Ferron 1756–1827 Versailles

Earring, 8th–9th century, Avar, Silver, Overall: 2 3/16 x 1 5/16 x 5/16 in. (5.5 x 3.3 x 0.8 cm), Metalwork-Silver

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 36 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Portrait of Mark Akenside, n.d., Brush and brown wash over graphite underdrawing., 6 5/8 x 4 5/8in. (16.8 x 11.7cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

View on Tennessee River looking toward Chattanooga, ca. 1864, Albumen silver print from glass negative, 7.9 x 9.1 cm (3 1/8 x 3 9/16 in. ), Photographs, George N. Barnard (American, 1819–1902

Paul Poujaud, Mme. Arthur Fontaine, and Degas, 1895, Gelatin silver print, 29.4 x 40.5 cm. (11 9/16 x 15 15/16 in.), Photographs, Edgar Degas (French, Paris 1834–1917 Paris), Degas set up his camera and posed with Marie Fontaine and Paul

Comedy and Tragedy, 1814, Black chalk and stumping, 9 1/4 x 12 1/2 in. (23.5 x 31.8 cm), Drawings, Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris

[Le Colonnacce, Rome], ca. 1855, Salted paper print from paper negative, Photographs, Unknown (British), This photograph by an unknown British maker was discovered at Malmsbury House, an estate near Talbot’s ancestral home in Wiltshire,

Punchinellos Felling (or Planting) a Tree, late 18th–early 19th century, Pen and brown ink, brown wash, over rough black chalk, 13 7/8 x 18 5/8 in. (35.3 x 47.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Brooch in the Form of a Cicada, 350–450, East Germanic, Copper alloy, cast; copper alloy pin/spring, Overall: 1/8 x 1 3/16 x 11/16 x 5/8 in. (0.3 x 3 x 1.8 x 1.6 cm), Metalwork-Copper, The winged insect was a popular motif in both Germanic

Deer, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink and color on silk, 48 1/2 x 13 5/16 in. (123.2 x 33.8 cm), Paintings, Suzuki Kiitsu (Japanese, 1796–1858

Maurin. Émile, Auguste. 31 ans, né à Marseille (Bouche du Rhône). Ex photographe. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Two-Story Facade of a Palace with a Mansard Roof, 1710–27, Pen and brown in, brush and gray wash, over ruling in graphite, 13 3/4 x 19 1/8in. (34.9 x 48.6cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Cascade, 1732–67, Black chalk and sepia, 4 7/8 x 4 1/4 in. (12.4 x 10.8 cm), Drawings, Johann Georg Wagner (German, Meissen 1732–1767 Meissen

Design for an Egyptian-style Interior, 1810, Pen and black ink, gray wash, sheet: 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Drawings, Gaetano Landi (Italian, born Bologna, active Britain, early 19th century

Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

Sketches of Six Statues: 'Magdalene by Canova, ' 'Divine Love, ' 'Angelo Pregniera, ' 'Boxer by Canova, ' 'Confidence in God by Bartolini, ' and 'Madonna by Raphael', ca. 1850, Pen and brown ink, graphite, sheet: 9 3/16 x 7 3/8 in. (23.4 x 18.7

Sketch of a Female Nude Resembling the Medici Venus (Smaller Italian Sketchbook, leaf 20 recto), 1774–75 (?), Graphite and green wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Terracotta situla (bucket), Hellenistic, early 3rd century B.C., Etruscan, Terracotta; black-glaze, H. 8 1/2 in. (21.6 cm), Vases, The story of Apollo and the satyr Marsyas is depicted in high relief around the vessel. Under each handle are

Apollo, 17th century, Pen and brown ink, brush and brown wash, over black chalk, brush and white gouache highlights, on light blue paper, faded to light brown, 9-9/16 x 5-11/16 in. (24.3 x 14.4 cm), Drawings, Anonymous, Italian,

Figure of a Girl, 17th century, Pen and brown ink on light tan paper, faded from light blue?, traces of black chalk, 11 x 5-7/8 in. (27.9 x 14.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

[Stereograph, Universal Exposition of 1855, Interior, Paris], 1855, Daguerreotype, Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16 in.), each, Photographs, Unknown (American

Mrs. Onslow, 1850s, Salted paper print from paper negative, 20.0 x 15.5 cm (7 7/8 x 6 1/8 in.), Photographs, Unknown (British

'Buzurjmihr Masters the Hindu Game of Chess', Folio 639v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530–35, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: 9 5/8 x 6 7/8 in. (24.4 x 17.5 cm),

Landscape, 17th century, Pen and brown ink on cream paper, 3-3/4 x 5-3/16 in. (9.6 x 13.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Véret. 0ctave-Jean. 19 ans, né à Paris XXe. Photographe. Anarchiste. 2/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

[Draped Nude Lounging on the Grass], ca. 1897, Platinum print, Image: 11.8 x 15.8 cm (4 5/8 x 6 1/4 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 46r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Still Life No. 16, ca. 1920, Oil and charcoal on paperboard, 27 x 19 in. (68.6 x 48.3 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine

Two Demons and Two Legs, probably after Michelangelo (Smaller Italian Sketchbook, leaf 16 recto), 1774–75 (?), Graphite, pen and brown ink and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of

The Diva and Her Most Trusty Friend and Companion, 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Tumbler, 18th century, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 6 1/2 in. (16.5 cm), Glass

The Assumption of the Saint Mary Magdalen, 1700–1739, Graphite and brush and red washes, sheet: 5 13/16 x 4 3/16 in. (14.8 x 10.7 cm), Drawings, Cosmas Damian Asam (German, Benediktbeuern 1686–1739 Munich

Saucer, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Diam. 5 1/2 in. (14 cm), Ceramics

Queen Esther hears of the Decree against the Jews., 16th–mid 16th century ?, Pen and brown ink, brush and brown ink on greenish paper, highlighted with white, sheet: 9 1/4in. circular., Drawings, Circle of Pseudo-Aert Ortkens (Flemish,

Communion cup (one of two), I T (British, early-mid 17th century), 1631/32, British, London, Silver, Overall (confirmed): 7 1/16 in., 10 oz. 5 dwt. (17.9 cm, 0.3195kg), Metalwork-Silver, I T (British, early-mid 17th century), In the

清 松石苦瓜擺件, Bitter melons, Qing dynasty (1644–1911), 18th century, China, Turquoise, H. 3 1/4 in. (8.3 cm), Hardstone

Planning the Capture of Booth, 1865, Albumen silver print from glass negative, Image: 27.1 × 24.5 cm (10 11/16 × 9 5/8 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Alexander Gardner’s

Design for a Pediment with Putti and a Blank Escutcheon, 1680–1730, Pen and brown ink, brush and gray wash, over leadpoint; some lines constructed with a ruler; some traces of red chalk., 4 11/16 x 15 1/2 in. (11.9 x 39.4 cm), Anonymous,

[Winter Quarters, troops with row of cabins]. Brady album, p. 128, 1861–65, Albumen silver print from glass negative, 12.9 x 20.3 cm (5 1/16 x 8 in.), Photographs

Creamer, ca. 1888, Made in New York, New York, United States, American, Silver, silver-gilt and enamel, 2 7/8 x 5 3/8 x 3 1/8 in. (7.3 x 13.7 x 7.9 cm); 8 oz. 18 dwt. (276.3 g), Silver, Tiffany & Co. (1837–present), An 1898 article in

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 6.1cm (2 3/8in.); W 6.4 cm (2 1/2in.); D 1.8 cm

Glass oinochoe (perfume jug), Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 5 15/16 in. (15.1 cm), Glass, Translucent cobalt blue, with handle and pad-base in same color;

The Visitation, ca. 1310–20, Made in Constance, German, Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts, Overall: 23 1/4 x 11 7/8 x 7 1/4 in. (59.1 x 30.2 x 18.4 cm), Sculpture-Wood, Attributed to Master

Earrings with ibex head terminal, Ptolemaic Period, 2nd century B.C., perhaps, From Egypt, Gold, a. As Worn: H. 1.4 × W. 1.5 cm (9/16 × 9/16 in.), Hoops with animal head terminals are the commonest type of Hellenistic earring. The heads on

Terracotta cinerary urn, Hellenistic, 2nd century B.C., Etruscan, Terracotta, Height: 28 1/4 in. (71.8 cm), Terracottas, The inscription, THANA : VIPINEI : RANAZUNIA : CREICESA, attests that this is the ash urn of Thana Vipinei Ranazunia,

Falcon, ca. 1200–1220, South Italian, Bronze, traces of gilding, Overall: 11 x 6 1/2 x 3 1/8 in. (27.9 x 16.5 x 7.9 cm), Metalwork-Bronze, This skillfully cast falcon, said to have been found in Italy in 1925, has been associated with the

Glass cage cup fragment, Late Imperial, 4th century A.D., Roman, Glass, dichroic; blown or cast and cut, H.: 2 3/16 x 3 in. (5.6 x 7.6 cm), Glass, Translucent honey brown, appearing olive green in reflected light., Flaring rim, with

清 翡翠仿古璧, Ornament in the shape of an archaic jade disk, Qing dynasty (1644–1911), 18th century, China, Jade (jadeite), H. 3 3/4 in. (9.5 cm); W. 1 3/4 in. (4.4 cm), Jade

Parinirvana (Extinction of the Buddha) and Attendant, Ming dynasty (1368–1644), dated 1503, China, Glazed pottery, H. 7 in. (17.8 cm); W. 4 1/4 in. (10.8 cm); D. 6 1/2 in. (16.5 cm), Ceramics, Qiao Bin (Chinese, active 1481–1507),

Design for a Wall with Three Windows, 1841–84, Graphite, sheet: 10 5/8 x 13 11/16 in. (27 x 34.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33, Oil on canvas, transferred from wood, with letterpress-printed paper labels, 8 1/4 x 5 7/8 in. (21 x 14.9 cm), Paintings, Workshop of Lucas Cranach the Elder (German,

Interior of the New Church in Delft with the Tomb of William the Silent, early 19th century, Pencil, 17-5/16 x 11-3/16 in. (44.0 x 28.4 cm), Drawings, Jan Hendrik Verheyen (Dutch, Utrecht 1778–1846 Utrecht

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 21 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

3 of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Duomo Milan, 1846, Salted paper print from paper negative, Image: 8 1/2 × 6 5/8 in. (21.6 × 16.9 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England), Jones set out from England on an ambitious

The Holy Family with the Young Saint John the Baptist, Oil on wood, 53 1/2 x 39 5/8 in. (135.9 x 100.6 cm), Paintings, Andrea del Sarto (Andrea d'Agnolo) (Italian, Florence 1486–1530 Florence), This grand Holy Family was painted in 1528 or

Piece, 1700–1710, Italian, Venice, Silk and metal thread, Overall: 29 1/4 x 17 1/4 in. (74.3 x 43.8 cm), Textiles-Woven

Egyptian Hall, Mansion House, London, 1795–1825, Watercolor over pen and black ink with touches of pen and yellow ink, sheet: 5 11/16 x 5 1/8 in. (14.5 x 13 cm), Attributed to Auguste Charles Pugin (British (born France), Paris

Virgin and Child with Saint Anna, 16th century, Pen and brown ink, highlighted with white, 6-1/2 x 4-11/16 in. (16.5 x 11.9 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Three Vignettes for Book Illustration, late 19th–early 20th century, Pen and black ink, brush and black wash over graphite underdrawing on board., 12 5/8 x 11 1/16 in. (32 x 28.1 cm), Drawings, Franz von Bayros (Austrian, Zagreb 1866–1924

Classic Kerma Beaker, Middle Kingdom, Dynasty 13, ca. 1802–1640 B.C., From Egypt, Northern Upper Egypt, Abydos, Tomb 525, Garstang excavations 1908, Pottery, H. 10.8 cm (4 1/4 in.); Greatest diam. 14.2 cm (5 9/16 in.), The bell-shaped

Arm Reliquary, 13th century, with 15th century additions, French, Silver, silver-gilt, glass and rock crystal cabochons over wood core, Overall: 20 5/16 x 6 1/4 x 2 15/16in. (51.6 x 15.8 x 7.4cm), Metalwork-Silver, Glistening silver, rock

Tea caddy (one of a pair), Augustin Courtauld (British, 1685–1751), 1726/27, British, London, Silver, Height: 4 1/2 in. (11.4 cm), Metalwork-Silver, Augustin Courtauld (British, 1685–1751

Drawing Room with Seated Woman, 1848, Watercolor, sheet: 9 5/8 x 13 5/8 in. (24.4 x 34.6 cm), Drawings, Anonymous, British, 19th century

Painted limestone funerary stele with a woman in childbirth, Early Hellenistic, late 4th–early 3rd century B.C., Greek, Limestone, paint, H.: 29 in. (73.7 cm), Miscellaneous-Paintings, The dying woman leans back, supported on either side

Terracotta lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta, Overall: 2 1/4 x 4 3/8 in. (5.7 x 11.1 cm), Terracottas

Design for a Tribune., ca. 1866, Pen and brown ink, watercolor, over graphite with ruled and compass construction, 10 7/8 x 7 1/4 in. (27.7 x 18.4 cm), Drawings, Anonymous, Italian, 19th century

Wine cooler (one of a pair), William Lukin I (British, active 1699– ca.1755), 1716/17, British, London, Silver, Overall (confirmed): 8 1/4 x 9 1/2 x 7 3/4 in., 135.276 oz. (21 x 24.1 x 19.7 cm, 3.835kg), Metalwork-Silver, William Lukin I

'Russian Bassoon' (Bass Horn), early 19th Century, France?, probably French, wood, brass, L. 99.4cm (39 1/8in.); Bell diam. 26.5cm (10 7/16in.); L. butt section 38.5cm (15 3/16in.); L. wing section-protrudes 28.3cm (11 1/8in.); L. long section

Lewis House. Battlefield of Bull Run, 1861–62, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

The Abduction of Helen from a set of The Story of Troy, probably first half 17th century, Chinese, Macao, Cotton, embroidered with silk and gilt-paper-wrapped thread, pigment, Overall: 142 3/4 x 189 in. (362.6 x 480.1 cm),

Glass grape flask, Early or Mid Imperial, late 1st–2nd century A.D., Roman, Glass; mold-blown, 1 7/8 × 1 3/16 in. (4.8 × 3 cm), Glass, Translucent deep emerald green. Rim folded out, over, and in, and pressed flat into flaring mouth;

Two Studies of Bearded Men; verso: Studies after Antique Sculpture, mid-18th–early 19th century, Red and black chalks; verso: pen and brown ink, sheet: 8 1/16 x 11 5/8 in. (20.5 x 29.5 cm), Drawings, Bartholomaeus Ignaz Weiss (German, Munich

Page from Ein new kunstlich Modelbuch...(Page 16v), 1544

Le Pompe: Opera Nova, page 10 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 6 horizontal registers. Each

Tankard, mid-18th century, Hungarian, Brassó, Gilded silver, Overall: 10 1/4 x 5 5/8 in. (26 x 14.3 cm), Metalwork-Silver, This elegantly proportioned, gilded tankard is a late example of its type. The maker, who was a member of a

Tennessee River at Bridgeport, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Design for a Gold and Silver Bishop's Reliquary, late 18th century, Pen and black ink, brush with gray, yellow, red and blue wash, highlighted with white gouache over lead or graphite on cream laid paper. Framing lines in brown ink, 16-1/4 x

Headquarters of General Hooker, 1861–65, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C