Images at Librifly

Hab.t d'Ardra from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 16 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

The Forest of Fontainebleau, 1874, Oil on wood, 18 5/8 x 23 5/8 in. (47.3 x 60 cm), Paintings, Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808–1876 Menton

Sixteen-lobed box, Qing dynasty (1644–1911), Qianlong period (1736–95), 1736–1795, China, Polychrome lacquer with filled-in and engraved gold decoration, H. 7 1/4 in. (18.4 cm)l Diam. 18 in. (45.7 cm), Lacquer

Frank Wyatt, One of General Dodge's Band, Corinth, Mississippi, September 18, 1863, Albumen silver print from glass negative, Image: 9 x 5.4 cm (3 9/16 x 2 1/8 in.), Photographs, George W. Armstead (American, 1833–1912), This Union

Fragment of cartonnage depicting three deities, Ptolemaic Period--Roman Period, 200 BC–200 AD, Cartonnage, H. 20.5 cm (8 1/16 in.); L. 34.4 cm (13 9/16 in.), Designed to encase a mummy, this cartonnage is composed of about seven layers of

Solier. Auguste. 18 ans, né le 3/3/75 à Cemery-la-Ville. Dessinateur. Anarchiste. 12/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Inlay depicting enthroned god, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 13 cm (5 1/8 in.); W. 10.1 cm (4 in.); D. 1.2 cm (1/2 in.), Shepsi, an

Le triomphe d'Anvers faict en la susception du Prince Philips, Prince d'Espaign[e], 1550, Woodcuts, 10 7/16 x 8 1/16 x 13/16 in. (26.5 x 20.5 x 2 cm), Books, Pieter Coecke van Aelst (Netherlandish, Aelst 1502–1550 Brussels

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 14r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Madonna and Child Surrounded by Female Saints, 1600–1678, Pen and dark gray ink and gray wash, sheet: 12 1/2 x 7 3/16 in. (31.8 x 18.3 cm), Drawings, Joseph Heintz the Younger (German, Augsburg ca. 1600–1678 Venice

Modern reconstruction of ancient beads, Archaic, 7th–6th century B.C., Italic, Amber, Other: 11 x 3/8 in. (27.9 x 0.9 cm), Miscellaneous-Amber

Medallion with Enthroned Figure and Attendants, 12th–13th century, Attributed to Iran, Rayy, Earthenware; carved, 6 1/4 in. (15.9 cm), Sculpture

Curved Metal Brackets Supporting a Shelf outside a Window, Isle St. Louis, ca. 1880, Graphite, sheet: 3 1/16 x 2 5/8 in. (7.7 x 6.6 cm), Richardson Ellson & Co. (British

Private Jacob F. Simmons, Company H, Eighty-second Pennsylvania Volunteers, April–May 1865, Albumen silver print from glass negative, Image: 18.7 × 13 cm (7 3/8 × 5 1/8 in.), oval, Photographs, Reed Brockway Bontecou (American,

Design for Paneled Ceiling, 19th century, Graphite and pen, Anonymous, British, 19th century

Christ Driving the Money Changers from the Temple, ca. 1665–70, Pen and brown ink and gray wash; traced in black chalk and incised for transfer, 10-1/8 x 7-7/8 in. (25.7 x 20 cm), Drawings, Matthias Scheits (German, Hamburg ca. 1625–ca.

Earring, first half 11th century, Attributed to Iran, Gold; filigree and granulation, H. 3.2cm, Jewelry

A Scene of Judgment, ca. 1730, Pen and black ink, touches of brown ink, and gray wash, 10 13/16 x 15 13/16 in. (27.4 x 40.2 cm), Drawings, Johann Melchior Füssli (Swiss, Zurich 1677–1736 Zurich), Johann Daniel Preissler (German,

Terracotta lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 9.4 cm. H. 2.2 cm., Terracottas

Preparatory Study for Plate 34 in 'Maisons de plaisance' Vol. II, 18th century, Red chalk, 6 13/16 x 9 7/8 in. (17.3 x 25.1 cm), Drawings, Jacques François Blondel (French, Rouen 1705–1774 Paris

Vajra Flaying Knife, ca. 15th century, Eastern Tibet, Derge, Steel inlaid with gold and silver, L. 22 11/16 in. (57.7 cm); W. 3 1/4 in. (8.3 cm), Metalwork, This flaying knife is styled in the Indian manner, with a long, hooked steel blade

Scenes at the University with Images of the Ancient Sages; Debate and Banquet at the Administration Offices, Edo period (1615–1868), 17th century, Japan, Pair of six-panel folding screens; innk, color and gold on gilded paper, Image (each):

Fragment of a Frieze, 11th century, Made in Iran, Nishapur, Terracotta; carved, painted, H. 20 7/8 in. (53 cm), Sculpture, This panel is believed to have formed a large frieze along the entrance to a prayer hall that served a densely

Marble portrait of a man, Late Republican or Early Augustan, late 1st century B.C., Roman, Marble, 12 3/8 x 7 3/4 x 7 3/4 in. (31.5 x 19.7 x 19.7 cm), Stone Sculpture, This head with its broad forehead, narrow chin, and long scrawny neck is

Studies of Hounds, 17th century, Graphite, sheet: 7 1/2 x 12 5/8 in. (19 x 32 cm), Drawings, David Teniers the Younger (Flemish, Antwerp 1610–1690 Brussels

Two Boys with a Puppy, mid-17th century, Black chalk and graphite on parchment, sheet: 7 3/16 x 5 1/2 in. (18.2 x 14 cm), Drawings, Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam

Wheellock Rifle, ca. 1640–50, Munich and Augsburg, German, Munich and Augsburg, Steel, gold, fruitwood, staghorn, bone, L. 41 7/8 in. (106.4 cm); L. of barrel 30 9/16 in. (77.6 cm); Cal. .46 in. (11.7 mm); Wt. 7 lb. 6 oz. (3350 g),

Teapot, ca. 1823–ca. 1842, Made in Staffordshire, Stoke-on-Trent, England, British (American market), Earthenware, transfer-printed, H. 7 1/4 in. (18.4 cm), Ceramics, John Rogers & Son (active ca. 1815–42

Bow Brooch, first half 6th century, Made in Italy, Ostrogothic, Silver-gilt, garnets cabochons, Overall: 2 5/16 x 4 3/16 x 1/2 in. (5.8 x 10.6 x 1.3 cm), Metalwork-Silver

Figure Studies, 18th century, Pen and gray ink, brush and brown wash, 10 x 7 3/16 in. (25.4 x 18.2 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

The Funeral of Lucretia, late 15th–early 16th century, Tempera and gold on wood, Overall 15 5/8 x 27 1/2 in. (39.7 x 69.9 cm); painted surface 15 x 27 1/8 in. (38.1 x 68.9 cm), Paintings, Master of Marradi (Italian, Florence, active late

Project for a Chapel, 1700–1780, Pen and brown and gray ink, brush and gray wash over lead point, with ruled and compass construction. Measuring scale at bottom of drawing in pen and brown ink, 17 5/8 x 11 3/8 in. (44.8 x 28.9 cm), Drawings,

Disk Brooch, ca. 600, Langobardic, Gold, Worked in repoussé with twisted wire and filigree, Overall: 3 1/16 x 3/8 in. (7.7 x 1 cm), Metalwork-Gold

Saint John the Evangelist Causes a Pagan Temple to Collapse, ca. 1370, Tempera on wood, gold ground, 14 1/8 x 15 1/4 in. (35.9 x 38.7 cm), Paintings, Francescuccio Ghissi (Francesco di Cecco Ghissi) (Italian, Marchigian, active 1359–74),

Splendore delle virtuose giovani, page 12 (verso), 1564

Study of a Dog Facing Right, 1820–73, Graphite, plate: 5 5/16 x 7 1/4 in. (13.5 x 18.4 cm), Drawings, Sir Edwin Henry Landseer (British, London 1802–1873 London

Saint Martin and the Brigands, ca. 1430, South Netherlandish, Silk and metal thread on linen, Diameter: 6 1/2in. (16.5cm), Textiles-Embroidered

Miel. Eugène, Paul, Léon. 38 ans, né à Creil (Oise). Estampeur. Anarchiste. 2/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 3 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Pivier. Alexandre. 53 ans, né à Rochevan (Savoie). Tailleur d'habits. Anarchiste. 7/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Soup Dish, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Diam. 10 in. (25.4 cm), Ceramics

Ornamental Theater Scene with Trees, 17th–18th century, Pen and brown ink, brush and gray wash, brush and brown wash, possibly incidental, sheet: 10 5/8 x 11 7/16 in. (27 x 29.1 cm), Drawings, Anonymous, Italian, 17th or 18th century

Engraving of Firearms Parts, ca. 1750, Strasbourg, French, Strasbourg, Ink on paper, 18 3/4 x 25 1/4 in. (47.5 x 64 cm), Works on Paper-Prints, Made by a little-known engraver named Perrier, this rare and informative print illustrates and

Arcadian Landscape, n.d., Point of the brush, gray ink and wash, sheet: 11 7/8 x 10 in. (30.2 x 25.4 cm), Drawings, Johannes Glauber (Dutch, 1646–1726

Jar, Momoyama period (1573–1615), Japan, Stoneware with painted decoration in underglaze brown iron (Karatsu ware), H. 4 1/2 in. (11.4 cm); W. 6 in. (15.2 cm), Ceramics, It was in the Karatsu area of the island of Kyushu that Korean potters

Shoulder of a Figure with Blue Drapery, 9th–10th century, Excavated in Iran, Nishapur, Stucco; painted, Obj without setting: H. 6 5/8 in. (16.8 cm) , Stucco, Colored with blue, yellow, black and traces of red, this fragment from a wall

Christ Blessing the Children, ca. 1545–50, Oil on beech, 6 1/2 x 8 3/4 in. (16.5 x 22.2 cm), Paintings, Lucas Cranach the Younger and Workshop (German, Wittenberg 1515–1586 Wittenberg), The story of Christ Blessing the Children is found in

Spoon, 1790–1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, L. 9 1/4 in. (23.5 cm), Silver, Joseph Lownes (1758–1820), J. W. Gethen (active ca. 1811–18

Tiered box, Edo period (1615–1868), 18th century, Japan, Stoneware with polychrome enamels (Ko-Kiyomizu ware), W. 5 in. (12.7 cm), Ceramics

Frontal View of the Main Carved Wooden Structure of a Carriage, Leadpoint, pen and gray and brown wash, left side in leadpoint and on larger scale than right side which is in pen and gray and brown wash, sheet: 12 1/2 x 8 3/4 in. (31.8 x 22.2

[Middle-aged Man with Chinstrap Beard, Hand Tucked Inside Buttoned Jacket], 1840s–50s, Daguerreotype, Image: 12.1 x 8.8 cm (4 3/4 x 3 7/16 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874), Frederick

Garuda Finial, ca. late 12th century, Thailand, Gilt bronze, H. 15 3/4 in. (40 cm), Sculpture

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 64 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Bedei. Hercule. 21 ans, né à Sorli (Italie). Tailleur d'habits. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Head of an 'Ethiopian' depicted in Hellenistic mode, Ptolemaic Period, 332–30 B.C., From Egypt; Possibly from Delta, Black bronze, gold, carnelian, obsidian, h. 3.9 cm (1 9/16 in); w. 2.8 cm (1 1/8 in); d. 3.2 cm (1 1/4 in), All black

Hand with Niello Decoration, 11th–12th century, Excavated in Iran, Nishapur, Bronze, silver, niello; gilded, inlaid, L. (of hand) 1 9/16 in. (4 cm), Metal, This hand, with a long pin for attachment, was initially identified as being

'Sam, ' the Black Peddlar, ca. 1858, Salted paper print, Image: 6 9/16 in. × 5 in. (16.7 × 12.7 cm), Photographs, George Kendall Warren (American, 1834–1884

Design for Stained Glass, ca. 1590, Pen and black ink, brush and gray wash, over black chalk, 14-1/2 x 11 in. (36.8 x 27.9 cm), Hans Jakob Plepp (Swiss, Biel ca. 1557/60–ca. 1597/98 Bern

Ax, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 2, Burial D 3, In coffin, 1915–16, Copper alloy, Wood, leather

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 43r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Baby Monsarrat, 1905, Platinum print, 24.2 x 17.7 cm. (9 1/2 x 7 in.), Photographs, Clarence H. White (American, 1871–1925

Tea Caddy, 1760–70, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 5 1/4 in. (13.3 cm), Glass, Possibly Michael Edkins

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 22 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Marble portrait bust of a man, Early Imperial, Flavian, ca. A.D. 69–96, Roman, Marble, H. 17 in. (43.2 cm), Stone Sculpture, The hairstyle indicates that the head dates from the reign of the emperor Domitian (r. A.D. 81–96). As in the

Bow Brooch with Disk, early 700s, Vendel, Bronze, cast leaded, mercury gilding, garnet backed with patterned..., 8 1/16 x 2 9/16 x 1/2 in. (20.5 x 6.5 x 1.2 cm), Metalwork-Bronze, Originally, these pieces were joined as one: the disk formed

[Mammoth Tree; General View of Nave, Looking South; View from North Gallery; Classical Fountain], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte

Ornament Design, 17th century, Gouache, sheet: 6 5/8 x 7 1/4 in. (16.8 x 18.4 cm), Anonymous, German, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 75r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Relief plaque of cobra on a neb basket, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H. 12.5 cm (4 15/16in.); W. 9.7 cm (3 13/16 in.); D. 1.8 cm (11/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that

Equal-Arm Brooch, 7th–8th century, Made in Northern France, Frankish, Copper alloy, Overall: 1 9/16 x 1/4 x 3/4 in. (4 x 0.7 x 1.9 cm), Metalwork-Copper alloy

Beaker with Relief Decoration, 10th century, Attributed to Iran. Excavated in Iran, Nishapur, Glass, colorless; blown, cut, H. 5 15/16 in. (15.1 cm), Glass, The beaker was the most common glass object found in the Nishapur excavations. This

Marble head of Epikouros, Imperial, 2nd century A.D., Roman, Marble, Pentelic, 19 5/8 × 9 3/4 × 11 1/2 in. (49.8 × 24.8 × 29.2 cm), Stone Sculpture, Copy of a Greek statue of the 1st half of the 3rd century B.C.. The philosopher, who

The Last Supper, early to mid-17th century, Pen and brown ink, brush and brown washes, over black chalk. Incised. Rubbed with black chalk for transfer. Fragment of sheet with Christ and five apostles behind him cut out, backed, and redrawn by

A Saint (Mark?) Reading, ca. 1470, Tempera on wood, gold ground, 18 5/8 x 14 3/4 in. (47.3 x 37.5 cm), Paintings, Bartolomeo Vivarini (Italian, active Venice 1450–91), This depiction of Venice’s patron saint, the evangelist Mark, may

Ragguaglio delle Nozze delle Maesta di Filippo Quinto e di Elisabetta Farnese...Solennemente celebrate in Parma l'Anno 1714, 1717, Overall: 12 1/2 x 8 7/16 x 1 3/16 in. (31.8 x 21.5 x 3 cm), Books

Portrait of Woman and Three Children, 1852, Graphite on wove paper, sheet: 9 x 12 3/4 in. (22.9 x 32.4 cm), Drawings, Gustave Boulanger (French, Paris 1824–1888 Paris

Head of a Buddha, Mon-Dvaravati period, 8th century, Thailand, Stone, H. 7 11/16 in. (19.5 cm); W. 5 1/4 in. (13.3 cm); D. 2 1/2 in. (6.4 cm), Sculpture

Dutch Gap Canal, James River, 1864, Albumen silver print from glass negative, Photographs, Egbert Guy Fowx (American, born 1821), Andrew Joseph Russell (American, 1830–1902

Brush washer with plum blossoms and feline dragons, Qing dynasty (1644–1911), 19th century, China, Chalcedony, H. 2.03 in. (5.2 cm); W. 3.16 in. (8 cm); Diam. 3.88 in. (9.9 cm), Hardstone

Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, April 12, 1532, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Published by Domenico da Sera Lyons. Illustrated title page with advice on verso

Allegory of the Transience of Life, 1618, Pen and ink, brush and brown, blue and pink wash, heightened with white gouache, sheet: 5 x 5 15/16 in. (12.7 x 15.1 cm), Drawings, Christian Richter (German, Altenburg ca. 1585/90–1667 Weimar

Le Pompe: Opera Nova, page 11 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), second half of 18th century, China, Black and white peking glass with coral stopper, H. 3 in. (7.6 cm), Snuff Bottles

Limestone funerary cippus (tomb marker) of Artemidoros, Imperial, 2nd–3rd century A.D., Roman, Cypriot, Limestone, H. 42 1/2 (108 cm); Diam. 14 1/2in. (36.8cm), Cesnola Inscriptions, Pillar-like tomb markers were very popular on Cyprus

Henon. François. 52 ans, né le 5/5/42 à Lyon (Rhône). Caissier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

New Modelbüch allen Nägerin u. Sydenstickern (Page 22v), 1556

Portrait of a Man in a Fur-Trimmed Coat, Oil on canvas, 38 3/8 x 29 1/2 in. (97.5 x 74.9 cm), Paintings, Italian (Lombard) Painter (ca. 1540), The sitter of this handsome portrait has his right hand placed below his heart, suggesting the

Splendore delle virtuose giovani, page 4 (verso), 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3 vertical

Armor (Gusoku), 18th century, Japanese, Iron, lacquer, silk, textile, copper, silver, leather, bear fur, Armor for Man

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 12r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

No. 155a. Lower Lock Des Moines Rapids Canal, 1891, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Design for an Ornamental Panel with the Figure of Astronomy, 1590–1637, Pen and black ink, brush and gray wash and ochre washes., 8 3/8 x 6 9/16 in. (21.2 x 16.6 cm), Johann Matthias Kager (German, Munich 1575–1634 Augsburg

Cup Plate, 1825–60, Possibly made in Midwest, United States, American, Lacy pressed glass, Glass

Bust of a priestly figure, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt, Limestone, H. 19 cm (7 1/2 in); W. 14.6 cm (5 3/4 in.); D. 12 cm (4 3/4 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in

Design for a single lancet window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, graphite, black wash, and black pen on paper, Overall: 25 3/4 x 12 5/16 in. (65.4 x 31.3 cm), Drawings, Possibly

Totem Pole Model, ca. 1885, Canada, British Columbia, Haida, Argillite, H. 26 1/4 x W. 4 5/8 in. (66.7 x 11.7 cm), Stone-Sculpture, Charles Edenshaw, Model totem poles began to be carved in the Pacific Northwest in the mid-1860s, when

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, Carl Pier, German,