Images at Librifly

Pitcher, 1889–1906, Made in Trenton, New Jersey, United States, American, Belleek porcelain, with overglaze enamel decoration and gilding, 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm), Ceramics, Ceramic Art Company (American (Trenton, New Jersey),

Plan for Garden Pavilion, early to mid-18th century, Pen and black ink, gray wash, sheet: 1 1/8 x 6 1/16 in. (2.8 x 15.4 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

Mereaux. Émile-Louis. 33 ans, né à Laon (Aisne). Ébéniste. Anarchiste. 23/4/92., 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Model quatrefoil 2-story palmette capital, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H. 15 cm (5 7/8 in.); W. 14.5 cm (5 11/16 in.); D. 7 cm (2 3/4 in.), Small Late Period and Ptolemaic reliefs or sculptures that

Folio from the 'Tashkent Qur'an', late 8th–early 9th century, Attributed to Syria, Yemen, or North Africa, Ink on parchment, Page H. 21 5/8 x 27 9/16 in. (55 x 70 cm), Codices, Magnificent in size, this folio comes from one of the oldest

The Holy Family with Saint Elizabeth and the Infant Saint John, 1513, Pen and dark brown ink highlighted with brush and opaque white on light brown prepared paper., 8 7/16 x 5 13/16 in. (21.5 x 14.8 cm), Drawings, Follower of Albrecht Altdorfer

Saint Gudule, 1475–1500, Made in Brabant, France or Southern Netherlands, North French or South Netherlandish, Colorless glass, vitreous paint, and silver stain, 5 9/16 × 3 9/16 × 3/16 in. (14.2 × 9 × 0.4 cm), Glass-Stained, A

Slit Gong (Kentongan), Eastern Javanese period, ca. 13th century, Indonesia (Java), Bronze, H. 16 in. (40.7 cm), Metalwork

Pyramid of Cestius and the Porta San Paolo, Rome, 17th century, Brush and brown ink over black chalk. Framing line in pen and black ink, sheet: 6 15/16 x 11 1/4 in. (17.7 x 28.6 cm), Drawings, Pieter Moninckx (Dutch, The Hague, 1606–1686

Portrait of a Woman, 1885, Oil on canvas, 39 1/2 x 32 in. (100.3 x 81.3 cm), Paintings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), A notebook kept by Fantin’s wife is said to record the circumstances surrounding this picture.

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 31 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Valance, 17th century, Italian, Linen, embroidered net, 21 × 150 in. (53.3 × 381 cm), Textiles-Laces

Drawings and Prints, Books Prints Ornament & Architecture, La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 13 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, H. 8 5/8 in. (21.9 cm); Diam. 4 in. (10.2 cm), Ceramics

Acanthus Leaf and Flowering Vine Ornament, 19th century, Black ink and gray wash, sheet: 8 3/8 x 5 5/16 in. (21.3 x 13.5 cm), Anonymous, British, 19th century

Fraktur Motifs, ca. 1780, Made in Pennsylvania, United States, American, Watercolor and pen and iron-gall ink on off-white laid paper, 8 1/4 x 13 1/8 in. (21 x 33.3 cm), Drawings, Attributed to Johann Heinrich Otto (ca. 1733–ca. 1800

View of a Park, late 1770s, Black chalk with gray wash and touches of green and pink watercolor over pencil underdrawing; verso: black chalk., 13 15/16 x 16 15/16 in. (35.4 x 43 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806

鳳凰図鷹蓋大壺　有田焼・古伊万里様式, Large Baluster Jar with Phoenix and Figure of Hawk on Lid, Edo period (1615–1868), late 17th–early 18th century, Japan, Porcelain with underglaze blue decoration, overglaze enamels,

Trionfo Di Virtu. Libro Novo..., page 6 (recto), 1563

Bronze jug, Hellenistic or Imperial, 3rd century B.C. or later, Lydian, Bronze, H.: 7 13/16 in. (19.8 cm), Bronzes, Bronze jug with rounded belly and flat handle

Tiraz Fragment from an Ikat Shawl, late 9th–early 10th century, Made in Yemen, Cotton, ink, gold; plain weave, resist-dyed (ikat), painted, Textile: H. 23 in. (58.4 cm), Textiles-Painted and/or Printed, The striped textiles of Yemen were

Terracotta lamp: on discus, wreath, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta; mold-made, Overall: 1 x 4 1/2 in. (2.5 x 11.4 cm), Terracottas

Classical Niche with Figure of a Woman, 18th century, Pen and brown ink, brush and brown and gray wash, traces of black chalk, mounted, sheet: 9 5/8 x 4 1/16 in. (24.5 x 10.3 cm), Drawings, Anonymous, 18th century

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/4 x 3 5/8 in. (3.2 x 9.2 cm), Terracottas

Study for a frontispiece for 'Histoire de Miss Jenny', 18th century, Pen and black ink, with underdrawing in black chalk and traces of white chalk, 4 15/16 x 2 13/16 in. (12.6 x 7.1 cm.), Drawings, Hubert François Gravelot (French, Paris

David and Bathsheba, third quarter 17th century, British, Canvas worked with silk linen thread; tent, Gobelin, knot, rococo, and couching stitches, H. 15 7/8 x W. 20 1/2 inches (40.3 x 52.1 cm); Framed: H. 19 1/4 x W. 24 x D. 1 inch (48.9 x

Openwork Belt Fitting, 7th century (?), Made in Northern France, Frankish, Copper alloy, 'tinned' surface, Overall: 2 13/16 x 1/16 in. (7.2 x 0.2 cm), Metalwork-Copper alloy

Drawings and Prints, Album Drawings Prints Ornament & Architecture, Title to Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Artist, Workshop of, Workshop of, Charles Percier, Pierre

Le Pompe: Opera Nova, page 14 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2

Rosette Brooch, last quarter 6th century, Frankish, Silver-gilt, garnets with patterned foil backings, Overall: 1 3/16 x 3/16 in. (3 x 0.5 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in the luxury

Monkey Bottle, 2nd century B.C.–A.D. 1st century, Peru, Ica Valley, Topará, Ceramic, Overall: 6 7/8 in. (17.46 cm), Ceramics-Containers

Sea Deities, 17th century, Black chalk, brush and blue wash, highlighted with white gouache on cream paper, 5-1/2 x 16-5/16 in. (13.9 x 41.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 31r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Sketch of One Statue: 'Guardian Angel', ca. 1850, Pen and brown ink, graphite, sheet: 7 3/16 x 5 3/8 in. (18.2 x 13.7 cm), Drawings, John Gibson (British, Gwynedd, Wales 1790–1866 Rome

[Workman Holding Brush and Rectangular Tray, Arm Resting on Fake Rock], 1860s–80s, Tintype, Image: 9.6 x 7 cm (3 3/4 x 2 3/4 in.), Photographs, Unknown

White cross-lined ware vase with plant designs, Predynastic, Naqada I, ca. 3900–3700 B.C., From Egypt, Pottery, paint, H: 28 cm (11 in.); diam: 11.1 cm (4 3/4 in

[Medieval Court; Entryway to Byzantine Court; Sheffield Court; French and Italian Mediaeval Vestibule], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry

Iron andiron, Late Classical or Hellenistic, late 4th or early 3rd century B.C., Etruscan, Iron, Other: 14 1/16 in. (35.7 cm), Miscellaneous-Iron, The ends of the andiron are decorated with stylized animal heads

Teapot, 18th century, Chinese, for European market, Hard-paste porcelain, Height: 3 1/2 in. (8.9 cm), Ceramics-Porcelain-Export

Two Alternate designs for a Frame, 1700–1780, Pen and black ink, brush and gray, yellow, and red wash over lead point, with ruled and compass construction., 11 11/16 x 8 1/16 in. (29.7 x 20.4 cm), Drawings, Anonymous, Italian,

Study for 'The Almeh', 1879, Black chalk on tracing paper, Sheet: 8 11/16 x 4 1/16 in. (22.1 x 10.3cm), Drawings, Charles Bargue (French, Paris 1825/26–1883 Paris

Cup, 19th century, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 2 1/2 in. (6.4 cm); Diam. 2 3/8 in. (6 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Seated Man, Precariously Balanced, Playing Bagpipes, 16th century, Pen and brown ink, 11 x 7 11/16 in. (28 x 19.5 cm), Drawings, Anonymous, Netherlandish, 16th century, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Vessel terminating in the head of a ram, Iron Age III, ca. 7th–6th century B.C., Northwestern Iran, Iran, Silver, 14.5 x 8.44 in. (36.83 x 21.44 cm), Metalwork-Vessels

Bronze twisted-wire bracelet, Geometric, 9th–8th century B.C., Italic, Bronze, Diam.: 4 1/16 in. (10.3 cm), Bronzes, A bracelet composed of wire twisted into a tight spiral

The Inn at the Ford, 1775–1827, Watercolor, sheet: 11 1/2 x 17 3/4 in. (29.2 x 45.1 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

The Martyrdom of the seven brothers; verso: Sketch of two men wrestling (?), 1826, Pen and brown ink, over a sketch in graphite; verso: graphite, sheet: 8 7/16 x 9 13/16 in. (21.5 x 25 cm), Drawings, Julius Schnorr von Carolsfeld (German,

清中期 玉仿古小花觚, Miniature vase in the shape of an ancient ritual vessel (gu), Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), H. 3 3/4 in. (9.6 cm); W. 2 5/16 in. (5.9 cm), Jade, The shape, raised ridges, and

Cup and Saucer, ca. 1838, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, Cup: H. 2 7/8 in. (7.3 cm); Diam. 4 1/4 in. (10.8 cm), Ceramics, Tucker Factory (1826–1838

Perfume Sprinkler (Qumqum), 11th–mid-13th century, Attributed to probably Syria, Greenish glass; blown, applied blown foot, applied decoration, H. 10 1/4 in. (26 cm), Glass, This long-necked glass bottle with a ring-shaped body would have

Design for Sculpture, 17th century, Pen and brown ink, brown wash, 11-7/8 x 7-7/8 in. (30.2 x 20 cm), Drawings, Anonymous, Italian, 17th century

The Love Song, 1868–77, Oil on canvas, 45 x 61 3/8 in. (114.3 x 155.9 cm), Paintings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Burne-Jones associated this painting with a refrain from a Breton folk ballad: 'Alas, I

Design for a chancel rail, late 19th–early 20th century, Made in New York, United States, American, Watercolor, metallic ink, and graphite on tracing paper on buff paper board, Overall: 9 1/2 x 14 3/4 in. (24.1 x 37.5 cm), Drawings,

Landscape with Ruins, 17th century, Pen and brown ink, brush and brown wash, on light tan paper, 6-3/8 x 10-5/16 in. (16.2 x 26.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bird-Shaped Brooch, late 6th century, Made in Northern France, Frankish, Silver-gilt, garnets with patterned foil backings; iron spring/pin, Overall: 1 7/16 x 13/16 x 3/8 in. (3.6 x 2 x 1 cm), Metalwork-Silver

The Death of Harmonia, ca. 1740–41, Oil on canvas, 77 1/2 x 58 1/4 in. (196.9 x 148 cm), Paintings, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris), Harmonia, the daughter of Gelon II, king of Syracuse, was threatened by

Velvet Panel with Hunting Scene, ca. 1540, Attributed to Iran, probably Tabriz, Silk, flat metal thread; cut and voided velvet, Textile: H. 23 5/8 in. (60 cm), Textiles, This polylobed velvet panel is from the interior of a tent used by Kara

New Modelbüch allen Nägerin u. Sydenstickern (dedicatory page, 2r), 1556

Portrait of C.-F. du Perier Dumouriez, n.d., Brush and brown wash over graphite underdrawing., 6 3/4 x 4 9/16in. (17.1 x 11.6cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Vase, Southern Song dynasty (1127–1279), 12th century, China, Stoneware with crackled glaze (Longquan ware), H. 8 3/8 in. (21.3 cm), Ceramics, When needed, the Longquan kilns, known primarily for ceramics with olive or gray glazes, also

The Youthful Baptist with his Parents, 1616–68, Pen and black ink with reworking in pen and brown ink, brush and gray wash on light tan paper. Composition outlined at top and right side with lines in pen and black ink, 5-5/8 x 4-3/4 in. (14.3 x

Entrance to Barlboro' Hall, ca. 1820, Black ink and grey, blue, and black wash, sheet: 14 9/16 x 11 9/16 in. (37 x 29.4 cm), William Hurst (British, Doncaster 1787–1844 Doncaster), John Woodhead (British, died ca. 1838

Sallet in the Shape of a Lion's Head, ca. 1475–80, Italian, Steel, copper, gold, glass, pigment, textile, H. 11 3/4 in. (29.8 cm); W. 8 1/4 in. (21 cm); D. 12 1/2 in. (31.8 cm); Wt. 7 lb. 14 oz. (3574 g), Helmets, This helmet is the

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS, 1591–1652, Red chalk and brush and red wash on beige paper. Composition outlined on all borders with ruled lines in black chalk, 6-1/4 x 11 in. (15.9 x 27.9 cm),

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 47 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Otto von Wittelsbach Liberates the Army from a Mountain Pass near Verona, 1604, Pen and black ink, gray wash, over black chalk, sheet: 5 11/16 x 10 9/16 in. (14.5 x 26.8 cm), Drawings, Peter Candid (Pieter de Witte, Pietro Candido)

Magical stela or cippus of Horus, Ptolemaic Period, 332–280 B.C., From Egypt, Chlorite schist, H. 20.5 cm (8 1/16 in.); W. 12 cm (4 3/4 in.); D. 4.5 cm (1 3/4 in.), This small stela is representative of the genre of Egyptian art known as the

Design for an Ornamental Frame, 18th century, Pen and gray ink, brush and gray wash, sheet: 13 15/16 x 8 11/16 in. (35.4 x 22.1 cm), Drawings, Pieter Tanjé (Dutch, Bolsward 1706–1761 Amsterdam

A Sleeping Shepherd Boy, 17th century, Black and white chalk, sheet: 9 x 12 1/8 in. (22.8 x 30.8 cm), Drawings, Gerbrand van den Eeckhout (Dutch, Amsterdam 1621–1674 Amsterdam

Fragment of a White-Ground Velvet Carpet, 17th century, Attributed to India, Silk, linen; cut velvet, Textile: H. 14 in. (35.6 cm), Textiles-Woven, Carpets composed of flowers and vines arranged on neutral backgrounds were produced in great

Figures at a Quayside, mid-17th century, Brush and gray ink and gray wash, 10-1/4 x 17-1/4 inches (26.1 x 43.7 cm), Drawings, Johannes Lingelbach (German, Frankfurt am Main 1622–1674 Amsterdam

Helmet (Hoshi- Kabuto) in the 16th-Century Style, probably late 17th–early 18th century, Japanese, Iron, lacquer, silk, H. 11 3/4 in. (29.9 cm); W. 13 in. (33 cm), Helmets, The overlapping edges of the iron plates form ridges (suji).

Furniture Hardware, 1820–30, Possibly made in France; Possibly made in England, Gilt brass, Backplate: Diam. 2 7/8 in. (7.3 cm), Metal

Homage from Bavarian artists to King Ludwig I, 1874, Brush and grey ink, watercolour, gold paint, sheet: 14 15/16 x 10 1/2 in. (38 x 26.6 cm), Drawings, Peter Herwegen (German, Cologne 1814–1893 Munich

Plate, ca. 1800, Made in Mexico, Mexican, Earthenware, Diam. 8 1/8 in. (20.6 cm), Ceramics

[Two Men, One in Military Garb, and a Woman, Seated Around a Table], 1860s, Ambrotype, Image: 8.8 x 12 cm (3 7/16 x 4 3/4 in.), Photographs, Unknown (American

Stucco relief panel, Early Imperial, 2nd half of 1st century A.D., Roman, Stucco, Overall: 16 7/8 x 13 5/8 x 2 1/4 in. (42.9 x 34.6 x 5.7 cm), Miscellaneous-Stucco, The female figure probably represents a maenad, one of the female followers

Vase, Qing dynasty (1644–1911), 18th century, China, Rose quartz, H. 5 7/8 in. (14.9 cm); W. 4 1/4 in. (10.8 cm); D. 3 5/8 in. (9.2 cm), Hardstone

Tale of a Strange Marriage (Konkai Zoshi), Edo period (1615–1868), ca. 1858, Japan, Handscroll; ink and color on paper, 11 3/4 in. x 25 ft. 6 in. (29.8 x 777.2 cm), Paintings, Ukita Ikkei (Japanese, 1795–1859), Satirical paintings with

Design for a Painted Wall Decoration for Palazzo Massimo all'Aracoeli (Rome), 1683, Pen and ink with green and gray wash, highlighted with white gouache, 8 5/8 x 16 5/8in. (21.9 x 42.2cm), Basilio Briccio (Italian, Rome 1621–1692 Rome),

Lamp, Roman, Terracotta, Overall: 1 x 4 1/8 in. (2.5 x 10.5 cm), Terracottas

The Adoration of the Shepherds, ca. 1565, Pen and brown ink, brush and pale brown wash, over traces of black chalk, highlighted with white, on beige paper, 16-15/16 x 11-1/4 in. (43.1 x 28.5 cm), Drawings, Trometta (Nicolò Martinelli)

Terracotta cinerary urn, Hellenistic, 2nd century B.C., Etruscan, Terracotta, Overall (with lid): 13 3/4 x 13 3/4 x 8 in. (35 x 34.9 x 20.3 cm), Terracottas, The frieze depicts a hero fighting with a plow, a subject found quite frequently on

Wide-Necked Cosmetic Jar, New Kingdom, Dynasty 18, early, ca. 1550–1450 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial B 4, Between head of coffin and wall, 1915–16, Travertine (Egyptian alabaster),

Wine cup with ear handles, 백자 두 귀 (달린) 잔 조선, Joseon dynasty (1392–1910), 15th century, Korea, Porcelain, H. 1 5/8 in. (4.1 cm); Diam. 4 1/2 in. (11.4 cm), Ceramics, The cup here, used in Confucian ancestral rites, may

Grégoire. Alphonse. 27 ans, né à La Montagne (Loire-Inférieure). Mécanicien. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Tomb of Ptahmose, Saqqara (Memphis), 1859, Albumen silver print from paper negative, Image: 8 3/8 × 11 1/16 in. (21.2 × 28.1 cm), irregularly trimmed, Photographs, Théodule Deveria (French, 1831–1871

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 5 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Buddha, 3rd century, Pakistan, Khyber-Pakhtunkhwa province, Schist, H. 36 1/2 in. (92.7 cm); W. 11 in. (27.9 cm); D. 5 1/2 in. (14 cm), Sculpture

Plaque, 1776–1800, Made in France, French, Porcelain, H. 1 3/8 in. (3.5 cm), Ceramics

The Nativity, ca. 1320–40, Tempera on wood, gold ground, Overall, with engaged frame, 11 5/8 x 8 3/8 in. (29.5 x 21.3 cm); painted surface 8 1/2 x 6 7/8 in. (21.6 x 17.5 cm), Paintings, Maestro Daddesco (Italian, Florence, active ca.

Drawings and Prints, Print, Jonah Cast on Shore by the Fish, Artist, Artist, After, Antonius Wierix, II, Hieronymus (Jerome) Wierix, Maerten de Vos, Netherlandish, Antwerp 1555/59–1604 Antwerp, Netherlandish, ca. 1553–1619 Antwerp,

Aesculap-Schlange, 1896, Photogravure, Image: 10 3/4 × 8 9/16 in. (27.3 × 21.7 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Appliqué Plaque with a Standing Eagle, 12th century, Made in Iran, Brass; cast, gilded, H. 2 5/8 in. (6.67 cm), Metal, This small but powerfully rendered plaque depicting a heraldic bird highlights the varied uses of brass in the medieval

Design for the Ornamentation of a Wall or a Private Altar, 1700–1780, Pen and brown ink, over lead point or graphite, with ruled and compass construction. measuring scale, at bottom of design, in pen and brown ink, Overall: 16 5/8 x 12 3/4

Livenais (ou Livenay), André. 39 ans, né à Renazé (Mayenne). Garçon de magasin. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Battle Field of Atlanta, Georgia, July 22nd 1864 No. 2, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

The Conversion of Saint Paul, 17th century, Pen and light brown ink, reinforced with pen and dark brown ink, over black chalk underdrawing. Traces of outlines along borders of composition in pen and dark brown ink, brush and brown wash. On