Images at Librifly

The Annunciation, “Suggestion for Window”, circa 1920, Made in New York, United States, American, Watercolor, gouache, graphite, and ink on artist board in original shaped black window matt, Overall: 24 1/4 x 12 13/16 in. (61.6 x 32.5

Cup, Goryeo dynasty (918–1392), mid-12th century, Korea, Stoneware with inlaid decoration of chrysanthemums under celadon glaze, H. 2 1/8 in. (5.4 cm); Diam. 2 5/8 in. (6.7 cm), Ceramics

Cabinet Design, 19th century, Ink and watercolor, sheet: 4 3/4 x 3 13/16 in. (12 x 9.7 cm), Anonymous, British, 19th century

Chatel Argent and the Val d'Aosta from above Villeneuve, 1836, Watercolor and gouache over graphite, sheet: 10 1/8 x 12 in. (25.7 x 30.5 cm), Drawings, Joseph Mallord William Turner (British, London 1775–1851 London

Design for 'Les Heures Claires' by Emile Verhaeren, after 1896, Pen and blue and gold ink, brush and light blue wash, over graphite underdrawing., 10 5/16 x 14 1/16 in. (26.2 x 35.7 cm.), Drawings, Julia Eyckholt (Belgian, documented

Drawing for a Letterhead for 'The Court Journal', 1830–62, Pen and black ink, brush and gray wash over graphite with touches of gouache, sheet: 5 11/16 x 9 1/16 in. (14.4 x 23 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862

Martyrdom of St. Peter Martyr, 1840, Pen and ink, 9-1/8 x 7 in. (23.2 x 17.8 cm), Drawings, Anonymous, Italian, 19th century

Hunting Lice; Images of Spain Album (F), page 40, ca. 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-3/4 in. (20.5 x 14.61cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Design for Bed and Canopy, 1841–84, Graphite, sheet: 12 11/16 x 9 13/16 in. (32.3 x 24.9 cm), Charles Hindley and Sons (British, London 1841–1917 London

Shower-Bath, First State, 1917, Lithograph, image: 16 x 23 3/4 in. (40.6 x 60.3 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Mirror Case with Pattern of Rock, Chrysanthemums, and Pomegranates, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Silk threads applied to plain-weave silk crepe, Overall: 14 1/2 x 14 1/2 in. (36.8 x 36.8 cm),

Design for an Urn with Four Putti in Central Cartouche, ca. 1810, Pen and ink with brown and reddish wash, 6-5/8 x 5-1/4 in, Drawings, Anonymous, Italian, early 19th century

Stormy Landscape, 1776, Pen and black ink, brush and gray wash, sheet: 8 3/4 x 9 13/16 in. (22.3 x 24.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Celery Vase, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 7 1/2 in. (19.1 cm); Diam. 4 3/16 in. (10.6 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Design for a Ceiling, 1743–96, Graphite, pink and green wash, sheet: 22 5/8 x 12 7/8 in. (57.5 x 32.7 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Fishey Flies and Fly Fishes (recto); Typeface Designs (verso), 1837–99, Watercolor, pen and brown ink over graphite, Sheet: 5 5/16 x 6 5/16 in. (13.5 x 16 cm), Drawings, John Leech (British, London 1817–1864 London

Irises, 1890, Oil on canvas, 29 x 36 1/4 in. (73.7 x 92.1 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), In May 1890, just before he checked himself out of the asylum at Saint-Rémy, Van Gogh painted four

Rebecca at the Well, 17th century, Black chalk, brush and brown ink, brown wash on paper, sheet: 15 x 23 1/2 in. (38.1 x 59.7 cm), Drawings, Circle of Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Giroux. Hippolyte. 34 ans, né à Montreuil les Mines (Saone & Loire). Mécanicien. Anarchiste. 28/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Winter Landscape with Frozen River, 19th century, Watercolour, framing line in graphite, sheet: 7 11/16 x 10 9/16 in. (19.5 x 26.8 cm), Drawings, Lodewijk Johannes Kleijn (Dutch, Loosduinen 1817–1897 Den Haag

Design for a Small Rectangular Table with Greek Ornament, 19th century, Graphite on grey ground, sheet: 3 5/8 x 4 9/16 in. (9.2 x 11.6 cm), Anonymous, British, 19th century

A Rest by the Way (Open Landscape with Figures, Donkey and Horses), ca. 1780, Black chalk and brown wash, sheet: 9 1/8 x 10 7/8 in. (23.2 x 27.7 cm), Drawings, Thomas Gainsborough (British, Sudbury 1727–1788 London), Using brown wash

Terracotta chalice, Archaic, ca. 575–550 B.C., Etruscan, Terracotta; bucchero pesante, H. 8 1/4 in. (21 cm); diameter 6 5/8 in. (16.8 cm), Vases, High foot with human and rams' heads and conventional ornaments in relief

Spice box, 1730–35, German, Meissen, Hard-paste porcelain, silver, Overall: 2 1/4 × 4 1/2 × 3 1/8 in. (5.7 × 11.4 × 7.9 cm), Ceramics-Porcelain, Divided into three compartments, this octagonal box was meant to hold spices, possibly

Relief fragments from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint

Sketch of a Standing Male Figure Wearing a Cape, 1800–1900, Black chalk and pen and sepia, 8-1/4 x 5-3/4 in, Drawings, Anonymous, Italian, early 19th century

An Aristocratic Family Visiting Paupers, mid-18th–18th century, Pen and gray ink, sheet: 6 7/16 x 8 13/16 in. (16.3 x 22.4 cm), Drawings, Daniel Nikolaus Chodowiecki (German, Danzig 1726–1801 Berlin

Design for a Frame and Sketches of Wall Displays, 1841–84, Graphite, sheet: 12 15/16 x 9 3/16 in. (32.8 x 23.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Standing Male (?) Figure, 17th century, Pen and dark brown ink. On ivory paper, 6-9/16 x 4-9/16 in. (16.7 x 11.6 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Man on a Donkey in a Landscape, 16th century, Pen and dark brown ink, green wash. Laid down on cardboard mount with gold, black, and brown framing lines., Image (diameter): 4 3/4 in. (12cm), Drawings, Anonymous, Netherlandish, 16th century

Saint Benedict and King Totila, 17th century, Pen and brown ink, brush and gray wash, over traces of black chalk, 7-13/16 x 9-15/16 in. (19.8 x 25.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bronze mirror, Late Classical, ca. 350 B.C., Etruscan, Bronze, length 13 1/8 in. (33.3 cm); diameter 7 1/16 in. (18 cm), Bronzes, Aphrodite and Eros fishing. This scene of Eros assisting the fishing Aphrodite may be derived from similar

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 8, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Upright Serpent in D, ca. 1810–20, Italy, Italian, Brass, paint, 35 × 8 15/16 × 16 3/4 in. (88.9 × 22.7 × 42.5 cm), Aerophone-Lip Vibrated-horn, Upright serpents and trombones with dragon heads enjoyed some popularity in Italy, France,

Vessel with two zebu, Early Dynastic II-III, 2600–2350 B.C., Probably from Gulf region, Tarut island (al-Rafiah), Chlorite, calcite inlay, H. 11.4 cm (4-1/2 in.), Stone-Vessels, This vessel is of particular interest for two reasons. First,

Bes with child on finial, Third Intermediate Period–Late Period, Dynasty 21–25, ca. 945–525 B.C., From Egypt, Faience, H. 11.5 cm (4 1/2 in.); W. 3.8 cm (1 1/2 in.); D. 1.3 cm (1/2 in.), This figure is part of a repertoire of figures

Design for a Chapel with Flight into Egypt as Altarpiece, 17th century, Pen and brown ink, brush and gray wash, over traces of black chalk, 9-5/8 x 4-9/16 in. (24.4 x 11.6 cm), Anonymous, Spanish, 17th century

Madonna and Child Among the Clouds, 16th century, Red chalk, stumped and blended, brush and brown wash, with traces of white gouache (?) highlighting, on cream-colored paper, 10- 3/8 x 8- 1/2 in. (26.4 x 21.6 cm), Drawings, Anonymous,

[Earthworks at the edge of a forest]. Brady album, p. 132, 1861–65, Albumen silver print from glass negative, Photographs

Man's Head, 1680–1745, Red chalk with black chalk indications, Sheet: 10 5/8 x 8 3/8 in. (27 x 21.3 cm), Drawings, Jonathan Richardson Sr. (British, London 1667–1745 London

Belisarius, 1806, Engraving with etching, Plate: 21 3/4 x 15 7/8 in. (55.2 x 40.4 cm), Prints, Auguste Gaspard Louis Boucher Desnoyers (French, Paris 1779–1857 Paris), After baron François Gérard (French, Rome 1770–1837 Paris

Lysimachus thrown into the Den of a Lion, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/8 × 4 3/4 in. (8.6 × 12.1 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

The Final Outing (from The Old Tales), 1893, Brush and spatter lithograph printed in black with stencil coloring by another hand in yellow on mounted wove paper; only state, image: 10 7/16 x 7 3/16 in. (26.5 x 18.2 cm), Prints, Henri de

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 17v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Cor omnitonique, 1833, Brussels, Belgium, Belgian, Brass, Height: 21 5/8 in. (54.9 cm), Aerophone-Lip Vibrated, Attributed to Charles Joseph Sax (Belgian, Dinant, Belgium 1790–1865 Paris), The loops of tubing incorporated into the body

Pastoral Vase, ca. 1876, Made in Trenton, New Jersey, United States, American, tinted porcelain, 18 x 10 x 9 in. (45.7 x 25.4 x 22.9 cm), Ceramics, Isaac Broome (1835–1922), Ott and Brewer (1871–1893

June, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

The Milton Shield, 1867, British, Birmingham, Electroformed copper, silver plated, Overall (confirmed): 33 3/4 x 25 1/2 x 3 1/8 in., 10.4lb. (85.7 x 64.8 x 7.9 cm, 47kg), Metalwork-Electrotype

[Reclining Woman Smoking], 1870–90, Albumen silver print from glass negative with applied color, 18.1 x 24.5 cm (7 1/8 x 9 5/8 in.), Photographs, Unknown

The Prince's Progress, and Other Poems, 1866, Illustrations: wood engraving, 7 x 4 1/2 in. (17.8 x 11.4 cm), Books, Binding and illustrations by Dante Gabriel Rossetti (British, London 1828–1882 Birchington-on-Sea), Following the

[Reine d'Etrurie], 1863–67, Albumen silver print from glass negative retouched with gouache, 12.4 x 8.9 cm (4 7/8 x 3 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), There are ten known poses of the countess dressed as the

Bronze mirror, Classical, late 5th century B.C., Etruscan, Bronze, Other: 5 15/16 x 8 3/8 in. (15.1 x 21.3 cm), Bronzes, Symmetrical volute and palmette

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 5 (1 15/16 in.); W. 3.8 cm (1 1/2in.); D. 0.9 cm

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 63 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Landscape near Constantinople, 19th century, Pencil on tracing paper, mounted (backward) on paper., 2 7/16 x 10 13/16 in. (6.2 x 27.5 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Gen. Q.A. Gillmore's Head Quarters - Folly Island, S.C., ca. 1863, Albumen silver print from glass negative, 13.8 x 22 cm (5 7/16 x 8 11/16 in.), Photographs, Unknown (American

'The Crow Spy Talks to the King of the Owls and His Ministers', Folio from a Kalila wa Dimna Manuscript, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Letter to Theo Hanon, from Rops, signed Fély, pen and brown and black ink, top half: 8-5/8 x 10-3/4 in., Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Design for Ecclesiastical Embroidery, 1888, Graphite, pen and ink with watercolor, sheet: 10 1/4 x 15 1/2 in. (26 x 39.4 cm), Ernest Geldart (British, London 1848–1929

Standing Soldier, 1550–91, Pen and black ink, 11 5/16 x 7 3/16 in. (28.7 x 18.3 cm), Drawings, Circle of Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg

Minnie Thackeray, 1865, Albumen silver print from glass negative, 24.8 x 19.6 cm. (9 3/4 x 7 3/4 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 11 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Bronze dragon-type fibula (safety pin), Archaic, ca. 700–650 B.C., Etruscan, Bronze, Other: 5 3/8 in. (13.7 cm), Bronzes, The bow has two loops and two pairs of bosses. The head is formed by a knob. The foot terminates also in a knob

Drawings and Prints, Album Prints Ornament & Architecture, Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro (Title Page), Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas

Architectural Drawing, 18th century, Pen and black ink, brush and green-gray wash, over black chalk, on beige laid paper, 10-5/8 x 10-1/2 in. (27 x 26.7 cm), Anonymous, Italian, first half of the 18th century

Lamp, ca. 1902–18, American, Lead and glass, 26 3/4 x 20 1/2 in. (67.9 x 52.1 cm), Glass, Tiffany Studios (1902–32

Plate, ca. 1760, British, Bristol, Tin-glazed earthenware, Diameter: 8 15/16 in. (22.7 cm), Ceramics-Pottery

Terracotta volute-lamp: on discus, man and centaur, Imperial, 1st century A.D., Roman, Terracotta; mold-made, L. 3 5/8 in. (9.2 cm.)., Terracottas, Man and Centaur on top; concave top and scrolled nozzle

Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti, Sheet: 10 7/8 x 8 3/4 in. (27.6 x 22.2 cm), Drawings, Anonymous, Italian, late 17th to early 18th century

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs, Attributed to Alma A. Pelot (American, active Charleston, South Carolina,

One Half of a Design for a Wall With a Panel or a Mirror., 1700–1780, Pen and black ink, brush and gray wash, over lead point or graphite, with ruled and compass construction, 13 1/8 x 9 5/8 in. (33.4 x 24.5 cm), Drawings, Anonymous,

The Emperor's Carpet, second half 16th century, Attributed to Iran, Silk (warp and weft), wool (pile); asymmetrically knotted pile, Rug: L. 299 in. (759.5 cm), Textiles-Rugs, One of the finest products of the Safavid court ateliers, this

Women in a Carriage, 19th century, Pen and brown ink, brown, gray and black wash, 8 1/4 x 13 1/8 in. (20.9 x 33.3 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Les dernieres, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Ring, ca. 1931, Glass, 7/8 × 1 1/4 in. (2.2 × 3.2 cm), Glass, While Lalique’s early turn-of-the-century incorporation of glass in jewelry was somewhat timid, he eventually created designs made entirely from the material. In so doing, he

Set of wine cups with flowers of the twelve months, Qing dynasty (1644–1911), Kangxi mark and period (1622–1722), China, Porcelain painted with colored enamels over a transparent glaze (Jingdezhen ware), Each: H. 1 15/16 in. (4.9 cm); Diam.

Fisherfolk Hauling their Boat onto the Shore, n.d., Black chalk, pen and brown ink, watercolor, sheet: 6 3/4 x 10 11/16 in. (17.1 x 27.1 cm), Drawings, Adam Willaerts (Netherlandish, London 1577–1664 Utrecht

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 71r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Livre de Moresques, page 6 (recto), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), This book of moresques reproduces designs by the Italian artist Francesco

Cup with ring handle and archaic designs, Ming (1368–1644) to Qing (1644–1911) dynasty, 16th–17th century, China, Jade (nephrite), H. 3 3/4 in. (9.5 cm), Jade, The abstract bodies of the two intertwined birds on the surface of this cup

View of the Old Church of Amsterdam, n.d., Pen and brown ink and watercolor, sheet: 8 3/4 x 7 1/4 in. (22.2 x 18.4 cm), Drawings, Hermanus Petrus Schouten (Dutch, 1747–1822

[Young Man Holding Jacket Lapel], 1840s, Daguerreotype, Image: 6.7 x 5.5 cm (2 5/8 x 2 3/16 in.), Photographs, Unknown (American

Saddle Blanket (?), 1860–70, United States, Arizona or New Mexico, Navajo, Wool, H. 52 x W. 36 in. (132.1 x 91.4 cm), Textiles-Woven

Sculpture of a Wise Man (from a Group with the Adoration of the Magi), ca. 1175–1200, Made in Burgos, Castile-León, Spain, Spanish, Limestone, 50 1/2 × 18 1/2 × 16 1/2 in. (128.3 × 47 × 41.9 cm), Sculpture, The Virgin with Christ

Terracotta calyx-krater (bowl for mixing wine and water), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, H. 18 in. (45.7 cm), Vases, Obverse, Kadmos and the snake, Reverse, man between two women. Kadmos, son of Agenor king

Limestone beardless male head with ivy wreath, Late Archaic–Early Classical, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 7 1/2 x 5 1/2 x 6 3/4 in. (19.1 x 14 x 17.1 cm), Stone Sculpture, He has a prominent chin, rounded

Design for the façade of a building, 18th century, Pen and gray ink, brush and gray and black wash, brown ink framing lines, sheet: 19 7/8 x 14 3/16 in. (50.5 x 36 cm), Drawings, Attributed to Anonymous, German, 18th century

Bird-Shaped Brooch, second half 6th century, Frankish, Silver-gilt, glass paste, Overall: 1 3/8 x 7/8 x 5/16 in. (3.5 x 2.2 x 0.8 cm), Metalwork-Silver

The Man in Armor, 1898, printed 1910, Photogravure, Frank Eugene (American, New York 1865–1936 Munich

Sketch of Statue: 'Bacchante by Bartolini', ca. 1850, Pen and brown ink, graphite, sheet: 3 1/16 x 4 7/16 in. (7.7 x 11.3 cm), Drawings, John Gibson (British, Gwynedd, Wales 1790–1866 Rome

Landscape with Round Tower and Figures Crossing a Bridge, 17th century, Pen and brown ink, brush and brown wash, on light tan paper, 5-3/16 x 10-5/16 in. (13.1 x 26.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Design for a Stage Set: Crypt Scene, 1830–40, Watercolor, 7-1/2 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

Figure of a Woman of Nubian Descent, Middle Kingdom–Early New Kingdom, Dynasty 11, ca. 2030–1981 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, 1921–23, Wood, paint, H. 18 cm (7 1/16 in.); W. 4.5 cm (1 3/4 in.); D. 3 cm

Wine glass, 1824–35, Made in Jersey City, New Jersey, United States, American, blown and cut glass, 4 7/8 in. (12.4 cm); Diam . 2 7/8 (7.3 cm), Glass

Storming a City, 16th century, Red chalk washed with ink, squared, 10-7/8 x 11-3/4 in. (27.6 x 29.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Belt Buckle with a Griffin, second half 6th century, Made in Burgundy, Frankish, Copper alloy, 'tinned' surface, Overall: 1 3/4 x 3 15/16 x 9/16 in. (4.4 x 10 x 1.4 cm), Metalwork-Copper alloy, Belts were important features of early medieval

Two Camels, ca. 1843, Watercolors and gouache over black chalk on brownish paper, sheet: 14 5/8 x 20 5/8 in. (37.1 x 52.4 cm), Drawings, John Frederick Lewis (British, London 1805–1876 Walton-on-Thames), Among the most accomplished of the

Design for a Corner of a Ceiling, 17th century, Pen and brown ink, brush and brown wash, over black chalk, on light tan paper, 7-3/16 x 8-3/16 in. (18.2 x 20.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Carpet, 1881–82, Made in Turkey, American, Wool and cotton, 108 x 144 in. (274.3 x 365.8 cm), Textiles

Platter (one of a set), ca. 1745, Italian, Florence, Hard-paste porcelain, Overall (confirmed): 1 3/8 × 12 1/8 × 9 1/4 in. (3.5 × 30.8 × 23.5 cm), Ceramics-Porcelain, The second of the eighteenth-century Italian porcelain factories was