Images at Librifly

Tureen, 1800–1900, Pen and wash, 13 x 15-1/2 in, Drawings, Anonymous, Italian, 19th century

Le montagnard, 1860s, Albumen silver print from glass negative, 8.6 x 12.1 cm (3 3/8 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Opera Nova Universali intitulata Corona di racammi, page 12 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Capriccio View of a Mediterranean Port, 17th century, Graphite, pen and brown ink, brush and gray ink, sheet: 4 7/16 x 10 9/16 in. (11.3 x 26.8 cm), Drawings, Bonaventura Peeters I (Flemish, Antwerp 1614–1652 Hoboken

Cartouche with a Mask, 18th century, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper, 3-13/16 x 5-3/8 in. (9.7 x 13.6 cm), Drawings, Anonymous, Italian, Venetian, 18th century

Disk Brooch, late 5th–early 6th century, Frankish, Copper alloy, garnets and green glass with patterned foil backings, mother-of-pearl; iron back, Overall: 7/8 x 3/16 in. (2.3 x 0.4 cm), Metalwork-Copper alloy

Ane attaché à une charette, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Unknown (French

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 1.8 cm (11/16 in.); W. 2.9 cm (1 1/8 in.); D. 0.6

[Group of 3 Sterograph Views of Aviation, including the Wright Brothers], 1900–1929, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Unknown

Goblet, 1880–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 6 1/16 in. (15.4 cm), Glass, Adams and Company

Head of a Young Boy, n.d., Red chalk. Framing lines in pen and brown ink., 11 7/8 x 9 7/16 in. (30.2 x 24 cm), Drawings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris

Velvet Fragment with Bird and Flower Design, second half 16th century, Attributed to Iran, Kashan, Silk; cut and voided velvet, with continuous floats of flat metal thread, Textile: H. 21 7/16 in. (54.5 cm), Textiles

They Spin Well ('Bien lo hilan'), 1807–45, Pen and black ink with brush and gray wash on off-white paper. Composition outlined with pen and black ink on all sides, 7-1/4 x 5-5/16 in. (18.4 x 13.5 cm), Drawings, Leonardo Alenza y Nieto

Nutmeg Grater, 1705–10, Made in Boston, Massachusetts, United States, American, Silver, steel, 2 9/16 x 3/4 in. (6.5 x 1.9 cm); 1 oz. 1 dwt. (31.9 g), Silver, William Cowell Sr. (1682/83–1736

Table for Writing Implements (Bundai), Muromachi period (1392–1573), ca. 1500, Japan, Gold and silver maki-e on black lacquer, L.25 in.(63.5 cm); W.14-1/4 in.(36.2 cm); H.4-3/4 in. , Lacquer, The bundai, a low rectangular table with cuspate

Telegraph Cable Fleet at Sea, 1865, 1865–66, Watercolor with touches of gouache, Sheet: 5 3/4 x 9 3/16 in. (14.6 x 23.4 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's great technological achievements

Vase, 1915, Made in Gardner, Massachusetts, United States, American, silver and gold, H: 9 7/8 (25.1 cm) x Diam. 8 1/4 in.(21 cm), Silver, Herbert Taylor (1892–1942), These exquisite altar vases are among the finest known examples of

View of Calcar on the Lower Rhine near Cleves, ca. 1640–42, Black chalk and gray wash and graphite, watercolored in green and ochre yellow, partly brushed with gum arabic; framing lines in black ink, Sheet: 7 1/2 x 19 1/2 in. (19.1 x 49.5 cm),

Side Chair, 1791–1818, Made in New York, New York, United States, American, Mahogany, brass, 32 1/2 x 17 7/8 x 16 1/4 in. (82.6 x 45.4 x 41.3 cm), Furniture, Attributed to Duncan Phyfe (1770–1854), This chair is part of a large suite

XIIIe Station. Jésus est remis entre les mains de sa mère. Cet autel est construit sur le rocher où se tenait la vierge marie pendant le crucifiement de son fils., 1860 or later, Albumen silver print from paper negative, Image: 10 1/8 × 7 7/8

Drawings and Prints, Albums Drawings Ephemera, Tattoo Design of an Army Nurse, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

Landscape near Ruhpolding, late 18th–mid-19th century, Black chalk, graphite, heightened with white bodycolour. Framing line in pen and black ink, sheet: 8 7/16 x 10 11/16 in. (21.4 x 27.2 cm), Drawings, Cantius Dillis (German, Gruengiebing

Panel, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, 25 1/2 × 25 1/2 in., 97 lb. for the set of four (64.8 × 64.8 cm), Stucco-Reliefs, These four tiles (MMA , , ), found in the remains of a vaulted reception

Arc Sistrum, Ptolemaic Period, 300–200 BC, From Egypt, Faience, h. 39.4 cm (15 1/2 in); w. 10 cm (3 15/16 in); d. 3.2 cm (1 1/4 in), This arc sistrum depicts the goddess with the curled wig, bound at intervals by ribbons. On both faces below

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 17 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Belle Plain, Virginia, 1864, Albumen silver print from glass negative, Photographs, James Gardner (American, born 1832), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Design for a Chimneypiece, late 18th–early 19th century, Pen and ink and wash, sheet: 10 1/4 x 10 1/4 in. (26 x 26 cm), John Yenn (British, London (?) 1750–1821 London

Lamp, Late Imperial, late 3rd century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/2 x 3 1/2 in. (3.8 x 8.9 cm), Terracottas

Design for the Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk on cream laid paper, 6-3/16 x 4-1/2 in. (15.7 x 11.45 cm), Anonymous, Italian, first half of the 18th century

Footed beaker, ca. 1650, Hungarian, Nagyszeben, Silver, partly gilded, Overall: 7 11/16 x 3 7/8 in. (19.5 x 9.8 cm), Metalwork-Silver, An interest in antiquarianism spread throughout Europe during the Renaissance. Ancient coins, mostly

Design for Bishopsgate Lodge, at Windsor Castle, Berkshire, ca. 1820–30, Pen and watercolor over graphite, sheet: 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm), Sir Jeffery Wyatville (British, Burton-on-Trent 1766–1840 London

Figures Carrying a Fainting (or Dead) Woman, 17th century, Red chalk, pen and brown ink, on light brown paper, 11-5/8 x 8-3/8 in. (29.5 x 21.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Terracotta kylix: eye-cup (drinking cup), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; black-figure, H. 3 3/4 in. (9.5 cm), Vases, Interior, gorgoneion (Gorgon's face), Exterior, obverse and reverse, between eyes, warrior. This is

Textile, 13th century, Attributed to Syria, Silk; warp faced plain weave, Textile: L. 17 in. (43.2 cm), Textiles-Woven, The intricate pattern on this textile features paired griffins, foxes, and birds arranged among vine scrolls and palmette

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 7v), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Folio from a manuscript of the Raga Darshan of Anup, dated A.H. 1214/ A.D. 1799–1800, Made in India, Hyderabad, Gouache on paper, H. 14 5/16 in. (36.4 cm), Codices, This folio from a Ragamala (garland of musical melodies) contains two

Plate, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Diam. 8 in. (20.3 cm), Ceramics

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 6 5/16 x 9 7/16 in. (16 x 24 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Profile Portrait of Miss Wieling, late 18th–19th century, Red chalk, over a sketch in black chalk. Framing line in black chalk., sheet: 14 x 10 7/16 in. (35.5 x 26.5 cm), Drawings, Johann Heinrich Wilhelm Tischbein (German, Haina 1751–1829

The Attarouthi Treasure - Censer, 500–650, Made in Attarouthi, Syria, Byzantine, Silver and gilded silver with copper liner, Overall (without chain): 3 1/4 x 5 3/16 in. (8.2 x 13.2 cm), Metalwork-Silver, With a youthful Christ with a

Candelabra with Three Candles, 1800–1900, Pen, 16-1/2 x 10 in, Drawings, Anonymous, Italian, 19th century

Crucified Christ, second half 13th century, North French or Mosan, Copper alloy with gilding, Overall: 5 5/16 x 5 15/16 x 1 1/16 in., 0lb. (13.5 x 15.1 x 2.7 cm, 332g), Metalwork-Copper alloy

Illustration for Civic Celebration (?), 19th century, Graphite, brush and gray wash with white heightening., 5 9/16 x 9 5/8 in. (14.1 x 24.4 cm), Drawings, Anonymous, German, 19th century

[Snow Crystal], 1890s–1920s, Gelatin silver print, Photographs, Wilson Alwyn Bentley (American, 1865–1931

Seated Bodhisattva with Combined Halo and Mandorla, 5th–6th century, Pakistan (ancient region of Gandhara), Stucco, H. 5 in. (12.7 cm), Sculpture, In Gandhara the appearance of a halo surrounding an entire figure occurs only in the latest

Manuscript Cover with Avalokiteshvara (The Bodhisattva of Infinite Compassion), 12th century, Nepal (Kathmandu Valley), Distemper on wood, 2 3/32 x 17 7/16 in. (5.3 x 44.3 cm), Paintings

Study for The Lictors Bringing Brutus the Bodies of his Sons, ca. 1788, Black chalk and brown ink on paper, 9 7/16 x 12 1/8 in. (23.9 x 30.8 cm), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels), This drawing is one of

Architectural Elevation, Part of a Ceiling and Balustrade, 1600–1800, Pen and bistre, wash, 11-1/2 x 10 in, Drawings, Anonymous, Italian, 17th or 18th century

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 5.3 cm (2 1/16 in.); W. 3 cm (1 3/16 in.); D. 0.3

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 22 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Mummy Board of the Singer of Amun-Re, Henettawy, Third Intermediate Period, late Dynasty 21, ca. 1000–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Henettawy F, 1923–24, Gessoed and painted wood, L. 171.3 cm (67

Panel, 16th century, Attributed to Turkey, Silk, metal wrapped thread; cut and voided velvet, brocaded, Textile a: H. 73 in. (185.4 cm), Textiles

Thetis Transporting Arms for Achilles, ca. 1804–12, British, Bronze, Overall: 50 3/8 × 56 5/16 × 47 1/4 in. (128 × 143 × 120 cm), Sculpture-Bronze, William Theed the Elder (British, 1764–1817), Led by a triton, the sea nymph Thetis

The Coming of the Holy Spirit at Pentecost, Red chalk over traces of black chalk, 3 x 6 7/16 in. (7.6 x 16.3 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Battle Field of New Hope Church, Georgia No. 1, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Fragment of a Design for an Overdoor with Seated Angel Supporting Cartouche, and Seated Putto Holding Garland (recto); Fragments of a Cartouche? (verso), 17th century, Pen and brown ink, brush and brown wash, over leadpoint? on light tan laid

Butterfly Badge, mid-19th–early 20th century, Pen, ink, watercolor, Drawings, Pickford Robert Waller (British, London 1849–1930 Bournemouth

Keep a Movin'! For Monkey * Fan * Tiger or Dove: Dough or Fame: Same Old Game as Love, 1900s, Photogravure, 12.2 x 17.9 cm (4 13/16 x 7 1/16 in.), Frank Eugene (American, New York 1865–1936 Munich

Portrait of William Duguid, 1773, Made in Boston, Massachusetts, United States, Oil on canvas, Canvas: 20 3/4 × 15 3/4 × 1 1/8 in. (52.7 × 40 × 2.9 cm), Paintings, Prince Demah Barnes, William Duguid, a Scottish immigrant textile

Roman Arch with Road Below and Trees Above (Smaller Italian Sketchbook, leaf 34 recto), 1774–75 (?), Graphite, pen and brown ink, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Le Pompe: Opera Nova, page 7 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column

Portrait of Alexander I, Czar of Russia, n.d., Brush and brown wash over graphite underdrawing., 6 5/8 x 4 7/16in. (16.8 x 11.3cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Studies of Two Men and a Woman Teaching a Child to Walk, 1645–50, Pen and brown ink, with framing line in pen and brown ink, sheet: 6 5/16 x 5 1/16in. (16 x 12.9cm), Drawings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam), Circle

Study for a bronze sculpture, Athlète au Repos, n.d., Brown chalk on paper, 11 1/16 x 9 in. (28.1 x 22.9 cm), Drawings, Charles-Albert Despiau (French, Mont-de-Marsan 1874–1946 Paris

Design for large fireplace white tiles produced in Wedgwood's factory, 19th century, Pen and black ink over graphite, mount: 11 7/16 x 8 1/8 in. (29 x 20.7 cm), After John Flaxman (British, York 1755–1826 London

Guardian Lion, Northern Qi dynasty (550–577), mid-6th century, China, Limestone, H. 25 3/4 in. (65.4 cm); W. 22 in. (55.9 cm); D. 23 in. (58.4 cm), Sculpture, One of a pair, this fierce guardian lion bares his fangs, crouches, and grips

Various Sketches for Cartouches, with Satyr Heads, Putti, etc., 1700–1780, Pen and brown ink, over lead point, 8-3/8 x 6-13/16 in. (21.3 x 17.3 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 40r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

21st Michigan Infantry. Sherman's Volunteers, 1861–65, Albumen silver print from glass negative, Photographs

The Hidden Brook, ca. 1873–77, Oil on canvas, 23 3/8 x 29 3/4 in. (59.4 x 75.6 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), From 1873 until his death in 1877, Courbet lived in self-imposed exile in

The Birds of America from Drawings Made in the United States, 1840–44, Illustrations: lithography, hand-colored, book: 10 7/16 x 6 11/16 in. (26.5 x 17 cm), Books

[African-American Man], ca. 1884, Gelatin silver print, Image: 3 13/16 × 2 11/16 in. (9.7 × 6.8 cm), Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

A Seated Couple, Embracing, ca. 1865, White chalk with touches of graphite, sheet: 13 3/16 x 9 15/16 in. (33.5 x 25.2 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Burne-Jones likely made this drawing in the

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 14r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Recueil Des Plans, Élévations et Coupes Tant Géométrales qu'en Perspective Des Châteaux, Jardins, et Dépendances, Que Le Roy De Pologne Occupe en Lorraine..., 1753, Engraving, Overall: 25 3/16 x 19 5/16 x 2 3/16 in. (64 x 49 x 5.5 cm),

Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow, late 16th–early 17th century, Pen and brown ink, 3 1/4 x 4 5/8 in. (8.2 x 11.7 cm), Drawings, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague

Opera Nova Universali intitulata Corona di racammi, page 35 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Half Plan of a Ceiling with an Oval Center and Semicircular Ends, 1743–96, Pen, gray ink, pink wash, sheet: 7 7/8 x 24 3/8 in. (20 x 61.9 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs, Attributed to Alma A. Pelot (American, active Charleston, South Carolina,

Temple Model, 200 B.C.–A.D. 500, Mexico, Mesoamerica, Guerrero, Balsas River region, Mezcala, Greenstone, H. 4 3/4 x W. 4 1/4 in. (12.1 x 10.8 cm), Stone-Sculpture, Stone models in the Mezcala style come largely from the present-day state

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 28 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Salt Bag, last quarter 19th century, Country of Origin Northwest Iran or South Caucasus, Wool; plain weave, brocaded with wool and cotton, H. 19 in. (48.3 cm), Textiles-Woven-Brocade

A Theater Audience, 19th century, Pen and black ink, gouache, and watercolor over black chalk, Sheet: 13 9/16 x 11 11/16 in. (34.4 x 29.7cm), Drawings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Study of Figures, n.d., Graphite on paper, 10 1/16 x 7 5/8 in. (25.6 x 19.4 cm), Drawings, attributed to Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, ca. 1846, Pen and brown ink, brush and gray and brown wash over graphite., sheet: 3 1/2 x 4 in. (8.9 x 10.2 cm), Drawings, J. J. Grandville (French, Nancy 1803–1847 Vanves

Design for a Church with a Central Octagonal Plan, 1570–1620, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink, 17 1/16 x 11 1/8 in. (43.3 x

Crossbow (Halbe Rüstung) with Cranequin (Winder), crossbow, ca. 1575–1650; cranequin dated 1562, possibly Saxony, probably German, possibly Saxony; cranequin, probably German, Steel, wood (fruitwood, probably cherry and plum), staghorn,

Drawings and Prints, Books Prints Ornament & Architecture, Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 3 (recto), Publisher, Author, Alessandro de' Vecchi, Cesare Vecellio, Italian, active Venice, 1570–1629,

The Dark Mountain, No. 2, 1909, Oil on commercially prepared paperboard (academy board), mounted to slatted wood board, 20 x 24in. (50.8 x 61cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine),

Madame Jean-Auguste-Dominique Ingres, née Madeleine Chapelle, 1814, Graphite on off-white wove paper, Sheet: 7 5/8 x 5 11/16 in. (19.3 x 14.4 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Standing Avalokiteshvara, the Bodhisattva of Infinite Compassion, late 8th–early 9th century, Indonesia (Sumatra), Bronze, H. 7 1/8 in. (18.1 cm); W. 2 5/8 in. (6.7 cm); D. 1 5/8 in. (4.1 cm), Sculpture

元 剔紅牡丹紋漆盤, Dish with peonies, Yuan dynasty (1271–1368), 14th century, China, Carved red lacquer, H. 1/4 in. (.6 cm); Diam. 6 11/16 (17 cm), Lacquer, The deep carving of the peonies and leaves in this small dish is typical of

Statue of Roy Chanting the Solar Hymn Written on His Stela, New Kingdom, Dynasty 18, ca. 1427–1400 B.C., From Egypt, Upper Egypt, Thebes, Limestone, paint, H. 31.5 × w. 16.3 × d. 19 cm (12 3/8 × 6 7/16 × 7 1/2 in. ), The scribe Roy

Cabinet Design, 19th century, Ink and watercolor over graphite, sheet: 5 3/16 x 6 7/8 in. (13.2 x 17.5 cm), Anonymous, British, 19th century

Incense burner (koro), late 17th century, Japanese, for European market, Hard-paste porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Kakiemon type), Height: 4 1/8 in. (10.5 cm),

Terracotta statuette of a mime with a shield, Hellenistic, 2nd–1st century B.C., Greek, Terracotta, 5 1/4 x 2 3/4 x 3 3/4 in. (13.3 x 7 x 9.5 cm), Terracottas, Statue of an emaciated old man, with an oversized head and grotesque features. A

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 15v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Terracotta lamp, Early Imperial, ca. A.D. 40–100, Roman, Cypriot, Terracotta; mold-made, 1 1/16 x 4 3/16 in. (2.7 x 10.6 cm), Terracottas, On discus, Silenus carrying wine-skin

Portrait of an Ecclesiastic Flanked by a Female Saint and Athena, 17th century, Pen and brown ink, with white gouache highlighting, on brown washed paper., sheet: 11 15/16 x 9 1/4 in. (30.4 x 23.5 cm), Drawings, Anonymous, Italian, 17th