Images at Librifly

Decanter, 1820–30, American, Cut glass, 7 3/4 in. (19.7 cm), Glass, Apsley Pellatt

Spring (Le Printemps), 1882–88, Drypoint, unique state, sheet: 12 3/16 x 6 5/16 in. (31 x 16 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Upper Part of a Hippo Goddess, Old Kingdom, Dynasty 3-4, 2649–2528 BC, Country of Origin Egypt; From Egypt, Indurated limestone, plaster, paint, H. 16.5 cm (6 1/2 in.); W. 12.9 cm (5 1/16 in.); D. 11.5 cm (4 1/2 in.), This powerful

Benoit. Antoine. 29 ans, né à Paris Xle. Journalier. Anarchiste, vagabondage. 4/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Ruins and Trees, 17th century, Red and black chalk on cream paper, 4-5/8 x 7-5/16 in. (11.7 x 18.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Portrait of J. J. Régis de Cambecérès, n.d., Brush and brown washes over graphite underdrawing., 6 11/16 x 4 1/2in. (17 x 11.5cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

The Baptism of Christ (recto); The Baptism of Christ (verso), late 16th–early 17th century, Recto: pen and brown ink and brown wash; verso: graphite, 7 3/8 x 6 3/4 in. (18.7 x 17.1 cm), Drawings, Gabriel Weyer (German, Nuremberg 1576–1632

Figures on a Beach, Northern France, 1830, Watercolor and gouache over graphite with stopping out, sheet: 5 1/2 x 8 15/16 in. (13.9 x 22.7 cm), Drawings, Thomas Shotter Boys (British, Pentonville 1803–1874 London), Dark rain clouds move

Belt Buckle Plate, 6th–7th century, Made in northern shore, Black Sea, Ostrogothic, Silver with garnets, gilt., Overall: 1 11/16 x 3 7/16 x 3/8in. (4.3 x 8.8 x 0.9cm), Metalwork-Silver

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 3/4 x 4 1/8 in. (4.4 x 10.5 cm), Terracottas

Madonna and Child, Tempera and gold on wood, 29 5/8 x 22 1/4 in. (75.2 x 56.5 cm), Paintings, Master of the Lanckoronski Annunciation (Italian, Florentine, second quarter 15th century

Trees and Houses, 17th century, Black and red chalk on cream paper, 3 x 7-3/4 in. (7.6 x 19.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Temple of Vesta, 1850s, Salted paper print from paper negative, Mount: 19 3/8 in. × 27 1/16 in. (49.2 × 68.7 cm), Photographs, Pietro Dovizielli (Italian, 1804–1885), Dovizielli was awarded a bronze medal at the 1855 Exposition Universelle

The Beech Tree of the Madonna at La Verna, 1605–7, Pen and brown ink, brush and brown wash and with traces of gray wash, over black chalk, 15-13/16 x 10-1/8 in. (40.2 x 25.7 cm), Drawings, Jacopo Ligozzi (Italian, Verona 1547–1627

Linen cloth with fringe, Ptolemaic or Roman Period, 304 B.C.–A.D. 364, From Egypt, Linen, 87 x 82 cm (34 1/4 x 32 5/16 in.); fringe: 24 cm (9 7/16 in.); mounted in plexi box with fringe displayed 1976 : 88.3 x 38.1 x 8.3 cm (34 3/4 x 15 x 3

Peter Denying Christ, engraver's copy after a painting by Lorenzo Pasinelli, 17th century, Red chalk on cream paper. Framing outlines in red chalk, and black chalk, along right edge, 10-11/16 x 13-15/16 in. (27.2 x 35.4 cm), Drawings,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Franz Xavier Habermann, Carl Pier, Martin Engelbrecht, German,

Mezzanine Window, Palazzo Madama, ca. 1750–55, Pen and brown ink, brush and gray wash over graphite, sheet: 8 15/16 x 12 1/2 in. (22.7 x 31.8 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

The Goddess Durga Slaying the Buffalo Demon (Mahisasura Mardini), 10th century, India (Rajasthan), Sandstone, H. 9 in. (22.9 cm); W. 6 in. (15.2 cm); D. 3 in. (7.6 cm), Sculpture, The multi-armed Durga tramples the slain buffalo with her raised

Portrait of a Lady, mid-17th century, Black chalk and traces of red chalk, on vellum, sheet: 14 1/16 x 10 1/16 in. (35.7 x 25.6 cm), Drawings, Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam

The Seated Clowness (Mademoiselle Cha-u-ka-o) (from the series Elles), 1896, Crayon, brush and spatter lithograph with scraper printed in five colors on wove paper with watermark (G. Pellet / T. Lautrec); only state, Image: 20 9/16 × 15 13/16

Moses and the Chosen People Behold the Drowning of the Egyptian Army in the Red Sea, 1627–1703, Pen and brown ink, brush and brown wash, over traces of charcoal, 11-3/8 x 16-5/8 in. (28.9 x 42.3 cm), Drawings, Domenico Piola (Italian, Genoa

Design for Side Ottoman, Later Arabesque or Morisco Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Terracotta model of a 'cart', Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; hand-made, H. 4 1/4 in. (10.8 cm), Terracottas, Three figures are shown reclining on a horizontal surface with wheels. The larger figures, man and woman,

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Tumbler, ca. 1885, Made in West Midlands, England, British, Blown satin peach and pink glass, H. 3 5/8 in. (9.2 cm), Glass

Design for the Frontspiece of The British Sportsman, late 18th–early 19th century, Watercolor, sheet: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm), Drawings, William-Samuel Howitt (British, ca. 1756/57–1822/23 London

Movie Being Filmed, early 20th century, Pen and black ink over pencil. Touches of whiteout., 10 15/16 x 13 3/4 in. (27.8 x 35 cm), Drawings, Karl Wolfgang Böhmer (German (?), early 20th century

The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception, 1625–1713, Pen and brown ink, red chalk, and a trace of brush and red wash, 17-15/16 x 10-1/8 in. (45.6 x 25.7 cm), Drawings,

Architectural Support, 1500–1510, Made in London or Calais, British or French, Oak, Overall: 96 x 7 1/2 x 9 1/2 in. (243.8 x 19.1 x 24.1 cm), Woodwork-Architectural

Hercules and the Twelve Labors, ca. 1895, French, Enamel on copper, Overall: 7 3/16 x 5 7/8 in. (18.3 x 14.9 cm), Enamels, Paul Grandhomme (1851–1944), Alfred Garnier (French, 1848–1908)After a composition by Gustave Moreau (French,

2 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Male Nude Lying on a Table, 1567 (?), Brush and black wash, watercolor, gouache, sheet: 13 7/16 x 10 5/8 in. (34.1 x 27 cm), Drawings, Monogrammist AW (German, active ca. 1567

Men singing, 1882, Pen and ink, brush and wash, sheet: 7 1/8 x 5 in. (18.1 x 12.7 cm), Drawings, Francisco Domingo y Marqués (Spanish, Valencia 1842–1920 Madrid

The Judgment of Paris, late 16th–mid-17th century, Pen and brown ink, brown wash, framing lines in brown ink lines, 7-7/8 x 10-5/8 in. (20.0 x 27.0 cm), Drawings, Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

'The Tortoise', Folio from an `Aja'ib al-Makhluqat (Wonders of Creation) of Qazwini, second half 16th century, Attributed to Iran, Khurasan, Opaque watercolor and gold on paper, Page:H. 5 3/4 in. (14.6 cm), Codices

The Man of Sorrows, ca. 1525, Oil on oak, Arched top, 17 1/2 x 11 1/4 in. (44.5 x 28.6 cm), Paintings, Workshop of Aelbert Bouts (Netherlandish, Leuven ca. 1451/54–1549), Aelbert Bouts, one of Dieric's sons, is known for his gruesome

Tile with Niche Design, 12th century, Attributed to Syria, probably Raqqa, Stonepaste; molded, glazed in transparent turquoise, H. 16 3/4 in. (42.5 cm), Ceramics-Tiles, The original use of this panel is unknown, although the Qur'anic content

Diana with Attributes of the Hunt, 16th century, Black chalk, pen and brown ink, brush and brown wash, heightened with white gouache on buff paper, 8 5/8 x 5 11/16 in. (21.9 x 14.4 cm), Drawings, Antoine Caron (French, Beauvais 1521–1599

Champagne flute, 1824–35, Made in Jersey City, New Jersey, United States, American, blown and cut glass, 4 7/8 in. (12.4 cm); Diam . 2 7/8 (7.3 cm), Glass

Gold Belt Mount with Loop, 700s, Avar, Gold, 1 15/16 × 1 9/16 × 1/2 in., 2 Troy Ounces (5 × 3.9 × 1.2 cm, 64g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

Marble portrait bust of a man, Trajanic, ca. A.D. 110–120, Roman, Marble, H. 24 5/8 in. (62.5 cm), Stone Sculpture, This man’s resolute expression and the simple yet studied arrangement of locks at his forehead bring to mind official

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and green wash, over lead point or graphite underdrawing; framing outlines in lead point or graphite, 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm), Drawings, Anonymous, Italian,

Vase, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 4 in. (10.2 cm), Glass

Christ and the Pharisees; verso; Christ and a Pharisee, early 17th century, Pen and brown ink, brush and brown wash, 6 x 8 7/16 in. (15.2 x 21.5 cm), Drawings, Anthony van Dyck (Flemish, Antwerp 1599–1641 London), Although best known as a

Dye-Patterned Silk, 17th century, India, Silk (clamp resist, dyed), Mount (a): 96 x 44 in. (243.8 x 111.8 cm), Textiles-Printed, This multicolored Indian silk made its way to China, where it was used to line the embroidered Chinese coverlet

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 5), Artist, Publisher, Artist, After, Georges

Book of Prayers, dated A.H. 1109/ A.D. 1697, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 7 3/4 x 5 in. (19.7 x 12.7 cm), Codices, This prayer book with gold writing on dark blue paper was copied by Muhammad Hussain Kaziruni

Bronze patera (shallow bowl), Late Classical, late 4th century B.C., Etruscan, Bronze, H. 2 3/4 in. (7 cm); diameter 14 in. (35.6 cm), Bronzes, Shallow dish with a wide horizontal lip. 'Suthina' in Etruscan letters is inscribed on the patera

Contrabands Aboard U.S. Ship Vermont, Port Royal, South Carolina, 1861, Albumen silver print from glass negative, Image: 12.9 × 20.8 cm (5 1/16 × 8 3/16 in.), Photographs, Henry P. Moore (American, 1833–1911), In late fall 1861 or spring

Universal Gateway, Chapter 25 of the Lotus Sutra, 『妙法蓮華経』「観世音菩薩普門品」, Kamakura period (1185–1333), dated 1257, Japan, Handscroll; ink, color, and gold on paper, Overall with mounting: 9 11/16 in. × 30 ft.

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 40 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Velvet panels from a chasuble, mid-15th century, Italian, Silk and metal thread, a) Gr. L. 49 1/2 x Gr. W. 11 3/8 inches, Textiles-Velvets

Assumption of Mary Magdalen, 17th century, Pen and brown ink, brush with blue-green wash, over black chalk and over pricked outlines on light tan paper, 10-7/8 x 8 in. (27.6 x 20.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Border Design from a Classical Frieze, Decorated with Vines and Leaves, 1776–79, Graphite, sheet: 5 5/8 x 12 5/8 in. (14.3 x 32.1 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Folio from a Qur'an Manuscript, probably 9th century, Attributed to Central Islamic Lands, Ink on parchment, H. 6 1/2 in. (16.5 cm), Codices, The tradition of dyed manuscripts developed in Byzantium for making valuable books, such as the

Life of Abraham, third quarter 17th century, British, Silk on canvas, H. 12 1/2 x W. 16 inches (31.8 x 40.6 cm); Framed: H. 18 x W. 20 1/4 x D. 1 1/2 inches (45.7 x 51.4 x 3.8 cm), Textiles-Embroidered, After a design by Gerard de Jode

Morvan. Félicien. 45 ans, né le 8/6/49 à Kerity (Côte du Nord). Menuisier. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Deep Dish, late 15th–early 16th century, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 3 1/8 × 19 1/8 in. (8 × 48.5 cm), Ceramics

A View of the Obelisk and Saint John in Lateran (above) and a View of an Egyptian Site (?) (below), before 1704, Black and brown ink and grey wash over graphite and red chalk. Incised., 13 3/16 x 8 1/8 in. (33.5 x 20.6 cm), Jan Goeree (Dutch,

Flask, 1835–40, Made in Vernon, New York, United States, American, Free-blown molded green glass, H. 6 3/4 in. (17.1 cm), Glass, Mount Vernon Glass Works (1810–44

Cup and saucer, ca. 1775, German, Thuringia, Ilmenau, Hard-paste porcelain, Height (cup .167): 1 3/4 in. (4.4 cm); Diameter (saucer .168): 5 1/4 in. (13.3 cm), Ceramics-Porcelain

Les Singuliers et Nouveaux Portraicts... page 25 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

They Strut About Elegantly ('Lindamente se pavonean'), 1807–45, Pen and dark brown ink with brush over traces of black graphite underdrawing (in one of the faces at the bottom) on off-white paper, 7-3/8 x 5-5/16 in. (18.7 x 13.5 cm), Drawings,

Design for a Funerary Monument, 18th century, Pen and black ink, brush and gray wash, with mauve wash. Laid paper., 10 3/8 x 17 1/2 in. (26.4 x 44.5 cm), Drawings, Anonymous, German, 18th century

Boreas and Orithyia from a set of scenes from Ovid's Metamorphoses, designed ca. 1690, woven before 1730, French, Beauvais, Wool, silk, metal thread (19-22 warps per inch, 7-9 per cm.), H. 140 x W. 179 inches (355.6 x 454.7 cm), as measured

Bronze crested helmet, Geometric, 9th century B.C., Villanovan, Bronze, Overall: 12 5/8 x 12 1/2in. (32.1 x 31.8cm), Bronzes, Pointed cap and a triangular crest decorated with two rows of small repouseé bosses that follow the crest's

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 22 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Half-lenth Figure of St. Andrew in an Oval., 1616–68, Pen and light brown ink over traces of black chalk underdrawing on cream paper. Composition outlined with pen and brown ink in an oval shape, 4-1/2 x 3-1/16 in. (11.4 x 7.8 cm), Drawings,

A Poultry Market in a Dutch Town, 1621, Pencil, pen and brown ink, gray wash, pen and brown ink framing lines, sheet: 4 15/16 x 7 7/16 in. (12.6 x 18.9 cm), Drawings, Willem Pietersz. Buytewech (Dutch, 1591–1624

Townscape with a Walled Street and Distant Villa (Smaller Italian Sketchbook, leaf 7 recto), 1774–75 (?), Brush and ink and grey wash over graphite, touches of pen and ink, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright

Prophets and Saints in Glory, after Bernardino Poccetti, 1735–90, Black chalk, 8-3/8 x 12-1/2 in. (21.2 x 31.8 cm), Drawings, Sante Pacini (Italian, Florence 1735–ca. 1790 Florence), This composition was drawn by Sante Pacini after

The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum', ca. 1662, Engraving, Sheet: 13 3/4 x 9 9/16 in. (35 x 24.3 cm), Prints, After Pietro

原羊遊斎作・酒井抱一下絵　梅木蒔絵印籠, Inrō with Design of Blossoming Plum Tree, Edo period (1615–1868), 19th century, Japan, Sprinkled gold lacquer with gold, silver, and red makie, takamakie, and coral inlay,

Esemplario di lavori, August 1529, Woodcut (pages inlaid, modern vellum binding), 9 5/16 x 7 1/4 x 15/16 in. (23.7 x 18.4 x 2.4 cm), Published by Nicolo Zoppino, Italian, active 16th century, Venice. Illustrated title page, preface, 31

Les Singuliers et Nouveaux Portraicts... page 53 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Emmy G., 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

14th century Ornament from Blickling Church, Norfolk, ca. 1880, Graphite on tracing paper, sheet: 3 5/16 x 2 1/8 in. (8.4 x 5.4 cm), Richardson Ellson & Co. (British

Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi, Kamakura period (1185–1333), 13th century, Japan, Section of a handscroll mounted as a hanging scroll; ink on paper, Image: 11 3/4 x

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Jeremias Wachsmuth, Franz Xavier Habermann, Martin Engelbrecht, German,

The Triumph of Courage and Wisdom, late 17th–early 18th century, Pen and brown ink, brush and gray wash and brown ink over black chalk and graphite, 11-3/8 x 8-3/8 in. (28.9 x 21.3 cm), Drawings, Johann Michael Rottmayr (Austrian, Laufen,

George Washington, ca. 1876, Made in Trenton, New Jersey, United States, American, Parian porcelain, 11 x 6 1/4 x 5 3/8 in. (27.9 x 15.9 x 13.7 cm), Ceramics, Probably designed and modeled by Isaac Broome (1835–1922

Studio delle virtuose Dame, page 15 (recto), 1597

Aumaréchal. Auguste. 44 ans, né à Chateaumeillant (Cher). Ébéniste. Association de malfaiteurs. 8/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 3r, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Swan, Song (960–1279)–Yuan (1271–1368) dynasty, 12th–14th century, China, Jade (nephrite), H. 1 3/4 in. (4.4 cm); W. 2 1/2 in. (6.4 cm); L. 3 1/8 in. (7.9 cm), Jade

Necklace with Gold Marriage Medallion and Hematite Amulet, 400–450 (medallion); 100–200 (amulet), Byzantine, Gold, hematite, Length chain: 31in. (78.7cm), Metalwork-Gold, The marriage of the two figures on the gold pendant is blessed by

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 26 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

One of a pair of lamps, Qing dynasty (1644–1911), Qianlong period (1736–95), mid-18th century, China, Jade, wood and ivory, H. 17 1/8 in. (43.5 cm), Jade, The removable sides of the lamps are jade plaques in carved wood frames, each

[Carpenter with Saw, Hammer, and Jointer], 1860s–70s, Tintype, Image: 7.9 x 4.8 cm (3 1/8 x 1 7/8 in.), Photographs, Unknown (American

Design for a Pediment, ca. 1700, Ink and wash, sheet: 8 5/8 x 15 in. (21.9 x 38.1 cm), Attributed to Bouget (French, active England, ca. 1700

Studies of a Boy Playing the Flute; verso: Studies of Seated Man, 1811–89, Graphite, sheet: 7 3/8 x 8 11/16 in. (18.7 x 22.1 cm), Drawings, Eduard Julius Friedrich Bendemann (German, Berlin 1811–1889 Düsseldorf

Base for a Water Pipe (huqqa) with Floral Medallions, Qing dynasty (1644–1911), early 18th century, China, Porcelain painted with cobalt blue under transparent glaze, and with brown glaze (Jingdezhen ware), H. 10 1/2 in. (26.7 cm), Ceramics,

Four Panels with Rinceau Motif, 17th century, Pen and brown ink, blue and gold watercolor, white lead highlighting (now oxidized), sheet: 10 5/16 x 6 7/8 in. (26.2 x 17.5 cm), Drawings, Anonymous, Italian, 17th century

Carraglia. Charles. 39 ans, né à Moceto (It). Homme de lettres. Anar, infraction à la loi du 21/6/73. 13/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse

Design for a Festival Float or Barge, ca. 1530–40, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on faded blue paper, 10-1/4 x 16-7/8 in. (26.1 x 42.8 cm), Drawings, Circle of Perino del Vaga (Pietro

Kaision. François. 39 ans, né à Reims. Mégissier. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Disk Brooch, 6th century, Frankish, Silver, glass and garnets, Overall: 15/16 x 1/4 in. (2.4 x 0.6 cm), Metalwork-Silver