Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 4v, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Stamp seal: standing noble holding a flower, Sasanian, ca. 3rd–early 4th century A.D., Iran, Sasanian, Sardonyx, H. 3.3 cm, W. 2.3 cm, Stone-Stamp Seals, This oval seal stone is finely carved with the full-length image of a male figure of

Eyn new kunstlichboich, page 20r, 1529

Terracotta lekythos (oil flask), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 13 9/16 in. (34.4 cm); diameter 4 1/8 in. (10.5 cm), Vases, Poseidon pursuing woman. Poseidon's identity is established by his very

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 3/4 x 2 1/4 in. (12.1 x 5.7 cm), Ceramics

Recco. Grégoire. 35 ans, né à Formia (Italie). Tailleur d'habits. Anarchiste. 11/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Earring, 6th–7th century, Langobardic or Byzantine (?), Gold, Overall: 1 1/16 x 3/8 x 5/8in. (2.7 x 1 x 1.6cm), Metalwork-Gold

Pair of sconces, Isaac Liger (British, active 1704; died 1730), 1709–10, British, London, Silver gilt, Overall (.218, confirmed): 9 1/8 x 5 5/8 x 7 1/8 in., 23 oz. 14 dwt. (23.2 x 14.3 x 18.1 cm, 0.7375kg), Metalwork-Silver, Isaac Liger

Jar with four birds, 1892, British, Southall, London, Stoneware, Overall (confirmed, irregular diameter): 8 5/16 × 6 × 6 1/8 in. (21.1 × 15.2 × 15.6 cm), Ceramics-Pottery

Sheet from the Papyrus of Amenhotep, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Papyrus, ink, pigment, H. 34.9 cm (13 3/4 in.); W. 33.7 cm (13 1/4 in.), Two fragments of a Book of the Dead papyrus

Lamp, 1st century B.C.–1st century A.D., Roman, Cypriot, Terracotta, Overall: 1 x 3 5/8 in. (2.5 x 9.2 cm), Terracottas

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 2 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Console from the drawing room of the William H. Vanderbilt House, 1879–82, Made in New York, New York, United States, American, Gilded wood, mother-of-pearl, Egyptian alabaster, and composition ornament, 35 1/4 × 34 1/4 in. (89.5 × 87

清 孔雀石葉廣羅漢山子, Seated luohan (arhat) in a grotto, Qing dynasty (1644–1911), 18th century, China, Malachite, H. 9 in. (22.9 cm); W. 7 3/4 in. (19.7 cm), Hardstone

不動明王二童子像, Fudō Myōō and Two Attendants, Nanbokuchō period (1336–92), Japan, One of a triptych of hanging scrolls; hand-colored woodblock print on paper, Image: 40 3/8 x 14 in. (102.6 x 35.6 cm), Paintings, After Ryūshū

Trompe L'Oeil Ceiling with the Coronation of the Virgin and a Variant for the Decoration, 17th century, Pen and black ink, brush and gray wash, 11 5/8 in. (29.6 cm) (in diameter), Anonymous, Italian, 17th century

Le furieuse, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/4 x 4 1/4 in. (3.2 x 10.8 cm), Terracottas

Marty. Louis. 20 ans, né à Lacanne (Tarn). Tailleur d'habits. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Ointment jar, Second Intermediate Period, Dynasty 13, ca. 1802–1640 B.C., From Egypt, Black serpentinite, h. 12.2 cm (4 13/16 in

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 62 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Bead, 18th century, Attributed to Morocco, Gold, emerald, ruby, and/or garnet, LengtH. 1 in. (2.5 cm.), Jewelry

Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso), ca. 1545–60, Pen and dark brown ink (recto). On off-white paper. Pen and

X-Ray of Samples of Various Materials, 1896, Photogravure, Image: 9 1/16 × 6 15/16 in. (23 × 17.7 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder

'Ilar (or Irakht) About to Throw the Bowl of Rice at the King', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 16 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Fragment, Qing dynasty (1644–1911), 19th century, China, Enamel, H. 1 3/4 in. (4.4 cm); W. 1 in. (2.5 cm), Enamels

Cup, ca. 1830, Made in Mexico, Mexican, Tin-glazed earthenware, H. 4 7/8 in. (12.4 cm), Ceramics

Chūkei Fan, Edo period (1615–1868), 19th century, Japan, Ink, color, and gold leaf on paper; bamboo and lacquer, 13 1/4 × 19 in. (33.7 × 48.3 cm), Fans, In the refined and simplified performances of the Noh theater, the fan plays an

Landscape, late 17th–mid 18th century, Gouache on paper, 3 5/8 x 9 1/8 in. (9.2 x 23.2 cm), Drawings, Jan Frans van Bloemen (Flemish, Antwerp 1662–1749 Rome

[Seated Young Man Resting Head on Fingers], 1840s, Daguerreotype, Image: 9 x 6.5 cm (3 9/16 x 2 9/16 in.), Photographs, Unknown (American

Abraham Lincoln, 1898, Bronze, Diameter: 10 in. (25.4 cm), Sculpture, Charles Calverley (American, Albany, New York 1833–1914 Essex Fells, New Jersey), Calverley, known for his incisive portrait medallions of prominent Americans, cast

Cup, 19th century, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 2 1/2 in. (6.4 cm); Diam. 2 3/8 in. (6 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Two Gentlemen and a Lady, n.d., Pen and brown ink, brush and brown, green and blue wash, over graphite; touches of red chalk, sheet: 9 5/8 x 7 5/16 in. (24.4 x 18.6 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Crucifixion Group, 1490–1510, Made in Freiburg im Breisgau(?), Upper Rhineland, Germany, German, Limewood, Overall (with framing elements): 37 × 27 1/4 × 9 in. (94 × 69.2 × 22.9 cm), Sculpture-Wood, Attributed to an associate of Hans

Designs for Chests of Drawers, 1841–84, Graphite, sheet: 10 11/16 x 14 7/16 in. (27.2 x 36.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

A Costumed Actor in Front of a Curtain, Pen and black ink, graphite, heightened with white, 7 3/16 x 5 1/2 in. (18.3 x 14 cm), Drawings, Gustave Doré (French, Strasbourg 1832–1883 Paris

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 1 5/8 x 3 3/4 in. (4.1 x 9.5 cm), Terracottas

Beaker, late 13th or early 14th century, French, Mold-blown glass with applied foot, H: 2 3/4 in. (7 cm); Diam. of rim: 3 7/16 in. (8.7 cm), Glass-Vessels, The truncated shape of this beaker—the width of the mouth exceeds it height—is

Table Spoon, 1780–90, Made in Boston, Massachusetts, United States, American, Silver, L. 8 3/8 in. (21.3 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Loggia of the Ducal Palace, Venice, 1849–50, Watercolor over graphite, Sheet: 18 1/8 × 11 7/16 in. (46 × 29 cm), Drawings, John Ruskin (British, London 1819–1900 Brantwood, Cumbria), Ruskin painstakingly depicted the shafts, capitals,

Bronze elliptical leaf, perhaps a waist ornament, Classical, 5th century B.C., Etrucan, Vulci, Bronze, Other: 2 1/4 x 6 3/8 in. (5.7 x 16.2 cm), Bronzes, Leaf-like ornament with a small hole on the tip of each piece

Brush washer with twin dragons, Yuan dynasty (1271–1368), 13th–14th century, China, Bronze, H. 3 7/8 in. (9.8 cm); W. 5 3/4 in. (14.6 cm); D. 4 5/8 in. (11.7 cm), Metalwork

元 剔犀劍環紋盤, Tray with Pommel Scroll, Yuan (1271–1368)–Ming (1368–1644) dynasty, 14th century, China, Carved red and black lacquer, H. 1 3/8 in. (3.5 cm); Diam. 12 1/2 in. (31.7 cm), Lacquer

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 10.5 cm (4 1/8 in.); W 21.9 cm (8 5/8

Earring, 6th–7th century, Frankish, Gold, green and clear glass, pearls(?); hoop copper alloy or base silver, Overall: 2 5/8 x 2 3/8 x 5/8 in. (6.7 x 6.1 x 1.6 cm), Metalwork-Gold

The Crucifixion, 1345–74, Tempera on wood, gold ground, 17 1/8 x 7 7/8 in. (43.5 x 20 cm), Paintings, Allegretto di Nuzio (Italian, Fabriano ca. 1315–1373/74 Fabriano

Young Man Wearing a Beret, 18th century, Red, black, and white chalk on beige antique laid paper, Sheet: 4 1/2 x 3 11/16 in. (11.4 x 9.3 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

Pair of bronze greaves, Late Classical, ca. 4th century B.C., Etruscan, Bronze, H. 19 7/8 in. (50.5 cm), Bronzes, Greaves were used to protect the shins, modeled to fit the lower legs. Deep grooves on the sides indicate calf muscles

Design for a Frieze with Grotesques in the Flemish Style (recto); Winged Term and Other Terms with Grotesque Birds (verso), ca. 1545–60, Pen and dark brown ink (recto); Pen and brown ink (verso), 9-1/16 x 13-1/4 in. (23.0 x 33.7 cm), attributed

清 青金石子母獅, Lion and cub, Qing dynasty (1644–1911), 18th century, China, Lapis lazuli, H. 2 3/8 in. (6 cm); W. 3 7/8 in. (9.8 cm), Hardstone

Entrance Portal: Plan and Elevation, Each Pier Consisting of Two Pilasters, 1688–1782, Drawings, Attributed to Antonio Maria Visentini (Italian, Venice 1688–1782 Venice

Square-Headed Bow Brooch, second half 6th century, Frankish, Silver-gilt, niello, Overall: 3 15/16 x 9/16 x 1 3/4 in. (10 x 1.4 x 4.5 cm), Metalwork-Silver, The bow brooch was a component of many Germanic women's dress. In Frankish territory

Footed beaker, mid-17th century, Hungarian, Brassó, Silver, partly gilded, Overall: 5 15/16 x 2 13/16 in. (15.1 x 7.1 cm), Metalwork-Silver, Literature, Tihamér Gyárfás. A brassai ötvösség története. Brassó, 1912. European Silver

I Saw the Figure 5 in Gold, 1928, Oil, graphite, ink, and gold leaf on paperboard (Upson board), 35 1/2 x 30 in. (90.2 x 76.2 cm), Paintings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Demuth

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 3 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Relief showing procession of offering bearers, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Sanctuary, south wall, 1908–09, Limestone, paint, H. 146.2 cm (57

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Engraved gourd with glass stopper, H. 3 1/4 in. (8.3 cm), Snuff Bottles

The Good Samaritan, ca. 1618–22, Oil on wood, 23 5/8 x 17 in. (60 x 43.2 cm), Paintings, Attributed to Domenico Fetti (Italian, Rome (?) 1591/92–1623 Venice), At the end of his life, about 1618–22, Fetti executed, for the Ducal

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 44r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Four Putti Decorating a Herm with Garlands of Fruit and Foliage, early 18th century, Red chalk. Inlaid into heavy paper mount with brown and gold framing lines., 16 1/8 x 6 3/4 in. (40.9 x 17.2 cm), Jacob de Wit (Dutch, Amsterdam 1695–1754

Deep Vessel, 円筒形深鉢土器, Middle Jōmon period (ca. 3500–2500 B.C.), Japan, Earthenware with cord-marked decoration and sculptural rim, H. 27 1/2 in. (69.8 cm); W. 16 1/2 in. (41.9 cm), Ceramics, Cord-marked pottery is the

Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), 1620, Woodcut, Overall: 12 3/16 x 8 1/4 in. (31 x 21 cm), Written by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, published by Alessandro de' Vecchi. Title

Peasant Woman with Child, ca. 1750–60, French, Mennecy, Soft-paste porcelain, Height: 7 3/16 in. (18.3 cm), Ceramics-Porcelain

Europe, 17th century, Pen and gray ink, brush and gray wash, sheet: 10 3/4 x 8 1/4in. (27.3 x 21cm), Drawings, Godfried Maes (Antwerp 1649–1700 Antwerp

Textile Sample Book, 1836 (?), French, H. 17 1/2 x W. 11 3/4 inches, Textiles-Sample Books

Project for a Chapel in the Church of San Ciriaco, Ancona, 1700–1773, Pen and dark brown ink, over freehand graphite and ruled construction lines in graphite, 17 x 11-5/16 in. (43.2 x 28.7 cm), Drawings, Luigi Vanvitelli (Italian, Naples

The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, Each: 5 3/16 × 2 3/4 in. (13.2 × 7 cm),

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 4), Artist, Publisher, After, Jacob Floris, Georges

Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso), 1505–6(?), Pen and brown ink, touches of brown wash, heightened with white (partly

La Hire, chef de guerre, n.d., pen and black ink, watercolor, heightened with white, sheet: 12 5/16 x 9 7/16 in. (31.3 x 23.9 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 in. × 3 in. (7.5 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso), 1700–1780, Pen and brown ink, brush and gray wash, over ruled construction in lead point or graphite (recto); lead point or graphite

Old Women of Arles, from the Volpini Suite: Dessins lithographiques, 1889, Zincograph on chrome yellow wove paper; first edition, 7 1/2 x 8 1/4 in. (19.1 x 21.0 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas

清 紫晶鼻煙壺, Snuff bottle with stopper, Qing dynasty (1644–1911), late 18th–early 19th century, China, Amethyst, H. 2 1/4 in. (5.7 cm), Snuff Bottles

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 5.6 cm (2 13/16 in.); W. 5.2 cm (2 1/16 in.); D.

Landscape, 19th century, Pencil and two sheets of wove paper pasted together. Squared., 6 5/16 x 12 1/2 in. (16 x 31.7 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Bronze lunate razor, Geometric, 9th–8th century B.C., Italic, Bronze, length 4 7/16in. (11.2cm), Bronzes, Objects resembling this one have often been found in male burials throughout Italy. They were perhaps used to trim hair rather than to

Limestone figure wearing a mask, Archaic, 2nd quarter of the 6th century B.C., Cypriot, Limestone, H. 8 7/16 in. (21.4 cm), Stone Sculpture, The figure wears a mask in the form of a bull's head and neck; the lower edge rests on the shoulders

Design for a Fountain with a Shell Basin Supported by Three Dolphins and Surmounted by a Snake Spouting Water, mid-19th century, Pen and ink and wash, sheet: 16 3/4 x 12 1/4 in. (42.5 x 31.1 cm), Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 56r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

'The Clever Hare with the King of the Elephants at the Spring of the Moon', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Bottle, 1700–1800, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 7 1/4 in. (18.4 cm), Glass

Straw, ca. 1230–50, German, Silver, partly gilt; niello, jewels, 15/16 x 1/4 x 8 1/2 in. (2.4 x 0.6 x 21.6 cm), Metalwork-Silver, This straw is one of an ensemble containing some of the elements needed for the celebration of the Eucharist:

Moses Telling the Israelites to Gather Manna and Moses Striking the Rock, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), In Mariette Album, folio 70

Giuliano de' Medici (1479–1516), Duke of Nemours, Tempera and oil on canvas, 32 3/4 x 26 in. (83.2 x 66 cm), Paintings, Copy after Raphael (16th century), This painting is an early copy of a portrait by Raphael of Giuliano de Medici, Pope

View of the Church of Passy, near Paris, 1770, Pen and black ink and black and gray wash, sheet: 7 x 9 9/16 in. (17.8 x 24.3 cm), Drawings, Reinier Vinkeles (Dutch, Amsterdam 1741–1816 Amsterdam

Toby Jug, 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, 6 1/4 x 5 in. (15.9 x 12.7 cm), Ceramics

Port Royal, Rappahannock River, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Textile with Horned Animals in a Pearl Roundel, 7th–9th century, China (Xinjiang Autonomous Region, Central Asia), Woven silk, a: 10 x 15 1/2 in. (25.4 x 39.4 cm), Textiles-Woven, This piece, showing two confronted animals, likely bulls,

Dish, 1800–1830, American, Earthenware, H. 2 1/2 in. (6.4 cm); Diam. 10 in. (25.4 cm), Ceramics

Guitar, 1912, Madrid, Spain, Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Height (Total): 38 in. (96.5 cm), Chordophone-Lute-plucked-fretted, Workshop of Manuel Ramírez (Spanish, Alhama de Aragon, 1864–1916), This guitar

Chaise rustique, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Schrader. Minna, Appoline. 19 ans, née à Paris XIe. Sculpteur. Association de malfaiteurs. 24/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Landscape with a Towered Building and Domed Church (Smaller Italian Sketchbook, leaf 32 recto), 1774–75 (?), Pen and gray ink and wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Design for 'Angels of Praise' window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and ink on paper mounted on board in original matt, Overall: 21 5/8 x 11 1/16 in. (54.9 x 28.1 cm),

A Half Pay Officer Who Has Been at Dinner with Captain Broad, October 26, 1771, Etching, plate: 6 1/4 x 4 1/8 in. (15.8 x 10.5 cm), Prints

Facade of a Gothic Revival Church, 1745–76, Pen and black ink, gray ink wash and watercolor, image: 6 9/16 x 9 7/16 in. (16.6 x 23.9 cm), Attributed to Henry Keene (British, Ealing 1726–1776 Ealing

Two alternate Design for a wall elevation, 1700–1780, Pen and brown ink, brush and gray, mauve wash over lead point, with ruled and compass construction. Vertical line on the center of the sheet in lead point on recto, and in black chalk on

5 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.