Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 44r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 4 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Allegory of Sculpture, 1619, Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over traces of black chalk; framing lines in black ink, 6-5/8 x 4 in. (16.9 x 10.2 cm), Drawings, Johann Andreas Rauch (Swiss,

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 4 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Pisa, 1843–44, Watercolor over graphite, Sheet: 2 1/16 x 4 13/16 in. (5.2 x 12.2 cm), Drawings, Sir Francis Seymour Haden (British, London 1818–1910 Bramdean, Hampshire

Jupiter and Ganymede, 1645–98, Pen and brown ink, heightened with white on blue paper, sheet: 5 3/4 x 7 3/8 in. (14.6 x 18.7 cm), Drawings, Johan Carl Loth (German, Munich 1632–1698 Venice

明 王紱 江山漁樂圖 卷, Joys of the Fisherman, Ming dynasty (1368–1644), ca. 1410, China, Handscroll; ink on paper, Image: 10 5/8 x 22 ft. 7 1/8 in. (27 x 688.7 cm), Paintings, Wang Fu (Chinese, 1362–1416), A twelfth-century

Nutmeg Grater, 1785–1810, Probably made in United States, American, Silver and steel, 1 x 1 5/8 x 1 5/16 in. (2.5 x 4.1 x 3.3 cm); 1 oz. 8 dwt. (42.8 g), Silver, Marked by I. K

Fragment of inscribed prism (kudurru), Neo-Babylonian, ca. 7th–6th century B.C., Mesopotamia, Babylon (?), Babylonian, Clay, 3 x 4 x .75 in. (7.62 x 10.16 x 1.9 cm), Clay-Tablets-Inscribed

The Sculptor Antoine Coysevox, Pen and brown ink, brush and gray and brown wash, white gouache, on blue laid paper, faded to brown, 6 7/8 x 5 3/16in. (17.4 x 13.2cm), Drawings, Gilles Allou (French, Paris 1670–1751 Paris

Fan, late 18th century, Italian, Parchment, paint, ivory, silver, colored foil, glass, metal, 20 3/4 x 11 1/4 in. (52.7 x 28.6 cm), Fans

Coronation of the Virgin, 17th century, Red chalk. On beige paper, 10-1/2 x 8 in. (26.7 x 20.3 cm), Drawings, Anonymous, Spanish, 17th century

A Gentleman, a Young Woman, and a Dog, early 16th century, Brush and gray and brown ink, heightened with white, on light brown paper., 7 3/16 x 6 1/2 in. (18.3 x 16.5 cm), Drawings, Michele da Verona (Italian, Verona ca. 1470–Verona

Landscape with Sheep and Two Figures (recto); Faint Sketch of a Figure with a Hat (verso), 1623–73, Brush and brown wash, black chalk (recto); red chalk (verso), 5 9/16 x 7 1/2 in. (14.2 x 19.1 cm), Drawings, Attributed to Jacob van der Does

Study of a Roman Coachman, early 19th century, Graphite and watercolor, sheet: 12 3/4 x 8 5/8 in. (32.4 x 21.9 cm), Drawings, Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen

Vase, 1876–80, Made in Chelsea, Massachusetts, United States, American, Probably earthenware, H. 7 1/2 (19.1 cm); Diam. 3 3/4 in. (9.5 cm), Ceramics, Chelsea Keramic Art Works (1872–1889

Bronze handle from a cista (toiletry box), Late Classical, 4th century B.C., Praenestine, Bronze, H.: 5 1/2 in. (14 cm), Bronzes, These solid-cast handles depict a popular subject in Etruscan art, warriors carrying the body of a fallen

Design for a Painted Ceiling, 1800–1900, Watercolor, 8-5/15 x 13-3/4 in, Drawings, Anonymous, Italian, 19th century

Holly from Autumn Leaves Part 2, 1862, Color lithograph, Sheet: 4 1/8 x 2 7/16 in. (10.4 x 6.2 cm

Terracotta roundel with mask of Pan, Hellenistic, 1st century B.C., Greek, Terracotta, 5 3/4 in. (14.6 cm), Terracottas, Roundel with the face of Pan attached

Baumester. Augustin, Etienne. 49 ans, né le 16/1/45 à Paris VIe. Décorateur. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Town on Plain with Mountain in Background], 1860s, Salted paper print, Photographs, Unknown

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 1/2 in. (2.5 x 8.9 cm), Terracottas, With rosette, inscribed

View of the Monastery in Tegernsee seen from the north-east, late 18th–mid 19th century, Pen and black ink, grey and blue wash, watercolour, over graphite, sheet: 11 1/8 x 16 13/16 in. (28.3 x 42.7 cm), Drawings, Johann Georg von Dillis

Molmerret. Joseph, Camille. 28 ans, né le 20/11/65 à Lyon (Rhône). Graveur. Anarchiste. 26/5/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Terracotta architectural plaque with lotus and palmette designs, Hellenistic, late 4th century B.C., Etruscan, Terracotta, paint, H.: 24 11/16 x 18 3/4 in. (62.7 x 47.6 cm), Terracottas, Said to be from Cerveteri Major portions of most

Table Design with Bacchus and Boar's head, 19th century, Graphite, sheet: 7 1/4 x 8 3/4 in. (18.4 x 22.2 cm), Anonymous, British, 19th century

Saint Martin and Saint Hilary, 1430–35, Flemish, Linen plain weave underlaid with linen plain weave (two layers) and embroidered with silk and gilt-metal-strip-wrapped silk in single satin, split, and stem stitches, laid work, and couching,

Studies of a Blue Beetle and Insects, 17th century (?), Gouache and watercolor, sheet: 3 15/16 x 5 3/16 in. (10 x 13.2 cm), Drawings, Anonymous, Dutch, 17th century

Overall Pattern with Acanthus Scrolls and a Chubby Putto, 17th century, Brush and brown wash, over graphite underdrawing, image: 8 7/16 x 12 3/16 in. (21.4 x 31 cm), Anonymous, Italian, 17th century

Kohl jar, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial B 5, In coffin, 1915–16, Travertine (Egyptian

Wheeler Survey, Season of 1872, 1872, Albumen silver print from glass negative, 28.2 x 20.2 cm (11 1/8 x 7 15/16 in.), each (approx.), Albums, William Bell (American (born England) Liverpool 1831–1910 Philadelphia, Pennsylvania), By the

Fragment with an Armed Dancer, 4th–5th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 4 in. high 6.00 in. wide (10.16 cm high 15.24 cm wide), Textiles, Later Greek writers, such as Nonnos of Panopolis, who flourished in

Study for a frontispiece for 'Histoire de Miss Jenny', 18th century, Pen and black ink, with black and white chalk, 4 13/16 x 2 11/16 in. (12.3 x 6.9 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Cordial, 1850–55, Made in New York, New York, United States, American, Blue-cut-to-clear glass, Height: 4 in. (10.2 cm), Glass, New York City was an important center for machine-cut luxury glass in the middle of the nineteenth century.

Cove, 17th century, Pen and brown ink, brush with brown, green and pink wash, over black chalk, on light tan paper, 8 x 9-5/8 in. (20.3 x 24.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Terracotta stamnos (jar), Late Classical, ca. 350 B.C., Faliscan, Terracotta; red-figure, H. 14 5/16 in. (36.4 cm), Vases, Obverse and reverse, satyr and maenad Falerii Veteres (modern Civita Castellana) was the home of a very active pottery

Design for One Half of a Ceiling with Medaillons with Figure Sketches Inside (recto); Design for an Interior Wall Elevation (verso), 18th century, Black chalk or graphite with ruled and compass construction, 14-1/8 x 16 in. (35.9 x 40.7 cm),

Designs for a Stove, 18th century, The upper drawing is black chalk, and the lower is pen and black ink, both sheets together: 16 9/16 x 5 13/16 in. (42 x 14.8 cm), Drawings, Attributed to Anonymous, German, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 2v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Bronze portrait bust of the emperor Gaius (Caligula), Early Imperial, Julio-Claudian, ca. A.D. 37–41, Roman, Bronze, H. 9 13/16 in. (25 cm), Bronzes, Small-scale busts of the emperor like this one were suitable for display in the household

Figures, Horses, and Sphinx Entwined in Foliage and Strapwork, 19th century, Pen and brown ink, brush and brown wash, heightened with white. Inlaid along, with 48(58a), on paper mount with pink and black framing lines., 2 5/16 x 5 11/16 in.

Chartres, 1850–52, Salted paper print from paper negative, Sheet: 10 13/16 × 8 1/2 in. (27.4 × 21.6 cm), Photographs, Pierre Emile Joseph Pécarrère (French, born 1816), This idiosyncratic view of the thirteenth-century figures on the

Pidoux. Jean. Victor. 45 ans, né au Châtelet (Seine-et-Marne). Estampeur de métaux. Anarchiste 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 13 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Dish with Hydrangeas, 青磁染付紫陽花文皿, Edo period (1615–1868), ca. 1690–1730, Japan, Porcelain with celadon glaze and underglaze blue decoration (Hizen ware, Nabeshima type), H. 2 1/4 in. (5.7 cm); Diam. 8 in. (20.3 cm),

[Two Men Reviewing Plans], 1860s–70s, Tintype, Image: 8.9 x 6.5 cm (3 1/2 x 2 9/16 in.), Photographs, Unknown (American

Portrait of the Composer André-Ernest-Modeste Grétry (1741-1813), 1808, Charcoal heightened with white, Sheet: 7 5/8 x 6 1/4 in. (19.4 x 15.9cm), Drawings, François Dumont (French, Lunéville 1751–1831 Paris

Spoon, 1685–1700, Made in Boston, Massachusetts, United States, American, Silver, 1/2 x 6 7/8 in. (1.3 x 17.5 cm); 1 oz. 8 dwt. (44.2 g), Silver, Jeremiah Dummer (American, 1645–1718

Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso), 16th century, Pen and dark brown ink over black chalk (recto); pen and dark brown ink (verso). Later framing outline in pen and dark brown ink on recto, 8-13/16 x

Finger Ring, 7th century, Made in Niederbreisig, Germany, Frankish, copper alloy, Overall: 7/8 x 7/16 in. (2.2 x 1.1 cm), Metalwork-Copper

Beseeching Couple under a Tree, ca. 1780–1820, Pen and black and brown ink, and graphite, sheet: 8 x 13 1/16 in. (20.3 x 33.2 cm), Drawings, Anonymous, German, 19th century

They Don't Fall Off Their Donkey (They Don't Admit Their Error), ('No caen de su burro'), 1807–45, Pen and dark brown ink with some places reinforced with brush and dark brown ink, and some brush and gray-brown wash. Composition outlined with

Design for a Title Page: A General and His Army Looking at a Map., late 17th century, Pen and brown ink, brush and brown and wash over black chalk, white gouache. Incised., 15 3/8 x 9 41/64 in. (39.1 x 24.5 cm), Drawings, Jan Antoine Coxie

Frederick Douglass, ca. 1880, Albumen silver print from glass negative, Image: 14.7 × 10.2 cm (5 13/16 × 4 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York

Carnelian scaraboid with back in form of lion, Classical, late 5th century B.C., Greek, Carnelian, H.: 11/16 in. (1.7 cm), Gems, flying Eros

Altar frontal, early 17th century, Italian, Silk and metal thread, L. 108 x W. 41 inches (274.3 x 104.1 cm), Textiles-Embroidered

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk and graphite, 2 13/16 x 4 in. (7.2 x 10.2 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper mounted on board, Overall: 17 1/16 x 11 1/2 in. (43.3 x 29.2 cm), Drawings, Possibly Tiffany Glass Company

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 6r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Le Grand Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Figure of a Groom, Tang dynasty (618–907), ca. late 7th–first half of the 8th century, China, Earthenware with three-color (sancai) glaze and pigments, H. 24 in. (61 cm), Tomb Pottery, This Central Asian groom's attire, consisting of a

Cows Crossing a Ford, 1836, Oil on canvas, 14 1/4 x 24 5/8 in. (36.2 x 62.5 cm), Paintings, Jules Dupré (French, Nantes 1811–1889 L'Isle-Adam), The low horizon and broadly painted sky in this picture testify to Dupré’s interest in recent

Part of Construction Corps Building New Military Truss Bridge Across Bull Run, April 1863, Salted paper print from glass negative, Image: 15 x 20.6 cm (5 7/8 x 8 1/8 in.), Photographs, Egbert Guy Fowx (American, born 1821), In 1861, at the

Barricades de la Commune, avril 71. Coin de la place Hotel de Ville & de la rue de Rivoli, 1871, Albumen silver print, 10.6 x 10 cm (4 3/16 x 3 15/16 in.), Photographs, Pierre-Ambrose Richebourg (French, 1810–1893), After the

Bronze portrait bust of a man, Late Republican or Early Imperial, ca. 50 B.C.–A.D. 54, Roman, Bronze, H. 15 in. (38.1 cm), Bronzes, For the Romans, bronze was the material par excellence for honorific portraits of important individuals and

Redware Slip-decorated dish, ca. 1790–1810, Made in Alamance County, North Carolina, United States; Possibly made in Pennsylvania, United States, Red earthenware, 13 1/2 in. Diam, Ceramics, Attributed to Dennis Family Potters

An Execution of Seven Boores Rebels in Lintz, June 16, 1636, after 1636, Pen and black ink, sheet: 4 3/4 x 9 5/16 in. (12.1 x 23.7 cm), Drawings, Anonymous, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Design in Elevation for the Façade of a Building., 1590–1610, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk, on three glued pieces of paper, sheet: 15 7/8 x 5 13/16 in. (40.4 x 14.8 cm), Drawings, Cigoli

Ring, ca. 1931, Glass, 7/8 x 1 1/4 in. (2.2 x 3.2 cm), Glass, While Lalique’s early turn-of-the-century incorporation of glass in jewelry was somewhat timid, he eventually created designs made entirely from the material. In so doing, he

Kohl Stick, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Tomb R 12, Burial C 1, In coffin, 1915–16, Wood, green eye

Wenchang, Stellar God of Literature, Ming dynasty (1368–1644), 16th century, China, Ivory, H. 5 13/16 in. (14.8 cm); W. 2 5/8 in. (6.7 cm), Ivories, Wenchang is one of a host of personified or embodied stars found in Chinese culture.

Design for a Chimneypiece, late 18th–early 19th century, Pen and ink and wash, sheet: 16 1/8 x 11 in. (41 x 27.9 cm), John Yenn (British, London (?) 1750–1821 London

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 1/16 in. (7.8 cm); Diam. 2 15/16 in. (7.5 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Design for an Aedicular Altar with St. Paul at the Left, mid-18th century, Graphite, gray wash, watercolor, and white gouache. Broad framing line in pen and black ink, sheet: 18 1/4 x 12 1/4 in. (46.4 x 31.1 cm), Drawings, Johann Georg Dirr

Garden Pavillion, 1812, Brush and brownish-grey wash over graphite., 10 7/8 x 14 3/8 in. (27.6 x 36.5 cm), Drawings, E. Ender (Austrian

Terracotta stamnos (jar), Classical, early 5th century B.C., Greek, Attic, Terracotta; red-figure, Overall: 15 3/4 x 18 5/8in. (40 x 47.3cm), Vases, On the shoulder, obverse, lion. While a wide variety of vase shapes were imported from

Landscape with Apollo and the Muses, 1674, Pen and brown ink, brush and brown and gray wash and white gouache, over traces of graphite, on blue-green paper, 9 3/8 x 12 5/8 in. (23.8 x 32.1 cm), Drawings, Claude Lorrain (Claude Gellée)

Ewer, 1886–90, Made in Brooklyn, New York, New York, United States, American, Earthenware, H. 15 x 8 in. (38.1 x 20.3 cm), Ceramics, Faience Manufacturing Company (American, New York, 1881–1892), A long-necked ewer with a pinched

Figure 54: Voluntary lowering of the lower jaw, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.6 × 20.6 cm (11 1/4 × 8 1/8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Canal with a Boat and Ducks, 17th century, Pen and brown ink, brush and brown and blue washes, sheet: 8 7/16 x 12 1/4 in. (21.4 x 31.1 cm), Drawings, Anthonie van Borssom (Dutch, Amsterdam 1630/31–1677 Amsterdam

Karnak (Thèbes), Enciente du Palais - Détailes de Sculptures au Point N, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.2 x 30.1 cm. (9 1/2 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Anubis Fetish (Imiut), Middle Kingdom, Dynasty 12, ca. 1919–1885 B.C., From Egypt, Memphite Region, Lisht South, Mastaba of Imhotep, chamber inside the south enclosure wall, 1913–14, Travertine (Egyptian alabaster), cedar, ointment,

South Aspects of Lea Castle, Worcestershire, Great Court, ca. 1816, Watercolor, sheet: 9 1/2 x 17 15/16 in. (24.1 x 45.5 cm), Attributed to John Carter (British, London 1748–1817 London

Sherry Glass, ca. 1888, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 4 3/8 in. (11.1 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Teapot, late 18th century, German, Fürstenberg, Hard-paste porcelain, Height: 4 1/2 in. (11.4 cm), Ceramics-Porcelain

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 16, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Brooch, ca. 1900, Made in New York, New York, United States, American, Plique-à-jour enamel, conch pearl, diamond, platinum and eighteen karat gold, Length: 3 in. (7.6 cm), Jewelry

Deep Dish, 1435–1465, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, 2 1/16 × 18 in. (5.2 × 45.7 cm), Ceramics

Martyrdom of Saint Andrew, 17th century, Pen and brown ink, brush and brown/gray wash, over traces of charcoal, on light brown paper, 9-3/8 x 7-5/8 in. (23.8 x 19.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Chess Piece, King, 13th–14th century, Attributed to Egypt or Syria, Glass; marvered and tooled, H. 1 3/4 in. (4.5 cm), Gaming pieces

[Group of 13 Stereograph Views of Families and Children], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.2 x 17.1 cm (3 1/4 x 6 3/4 in.) to 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Benneville Lloyd Singley (American, Union

Limestone foot (left) with suspension hole, Roman, Limestone, Other: 2 1/2 x 4 3/4 in. (6.4 x 12.1 cm), Stone Sculpture

Punchinellos Outside a Circus, late 18th–early 19th century, Pen and brown ink, brown wash, over black chalk, 13 3/4 x 18 1/4 in. (34.9 x 46.4 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Seated Cavalier, mid-19th century, Chalk and watercolor heightened with gouache, sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.5 cm), Drawings, Jean-Baptiste Madou (Belgian, 1796–1877

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H 8 cm ( 3 1/8 in.); W 10 cm ( 3 15/16 in.); D 1.4

Hedgehog on box pendant, Late Period–Ptolemaic Period, 4th century –30 B.C. perhaps, From Egypt, gold, L. 1/2 in. x W. 7/16 in., This box pendant is topped with a tiny hedgehog whose round eyes and pointed snout have been indicated wire

Studies of a Damned Man, for 'Dante et Virgile aux Enfers' (Musée du Louvre, Paris), 1822, Pen, brown ink, black wash over black chalk and graphite on laid paper, 10-1/2 x 13-1/4 in. (26.7 x 33.7 cm), Drawings, Eugène Delacroix (French,

The Abbatial House, Abbey of St. Ouen, Rouen, 1824–31, Graphite and watercolour, heightened with bodycolour and with scratching out, Sheet: 21 x 28 3/4 in. (53.4 x 73.1 cm), Drawings, John Sell Cotman (British, Norwich 1782–1842 London),

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd,