Images at Librifly

The Tears of Saint Peter, ca. 1612–13, Oil on canvas, 63 3/4 x 45 in. (161.9 x 114.3 cm), Paintings, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples), This painting, powerfully expressive and of exceptional

Limestone votive toe, Late Classical–Hellenistic, 4th or 3rd century B.C., Cypriot, Limestone, H. 3in. (7.5 cm); W. 2 7/8 in. (7.4 cm), Miscellaneous-Stone, The toe is vertical and there are remains of another digit. The nail is well

“Duval” Cabinet (Model AR 1511 / NR 2300), designed 1924, probably made ca. 1926, Brazilian rosewood, ivory, amboyna burl, mahogany, oak, plywood, 56 × 40 × 19 in. (142.2 × 101.6 × 48.3 cm), Furniture, Émile-Jacques Ruhlmann

Tea Spoon, 1775–1800, Made in New York, New York, United States, American, Silver, L. 5 1/4 in. (13.3 cm), Silver, Daniel Van Voorhis (1751–1824

Knife, 1850–60, United States, Alaska, Tlingit, Wood, metal, abalone shell, ivory, Native-tanned skin, H. 18 1/4 x W. 3 1/8 in. (46.4 x 7.9 cm), Wood-Sculpture

Ein ney Furmbüchlein, Page 15, verso, ca. 1525–29

Demitasse Cup and Saucer, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Cup: H. 2 in. (5.1 cm), Ceramics

The Head of a Recumbent Lion, Black chalk on wove paper, 6-3/8 x 10-11/16 in. (16.2 x 27.1 cm), Drawings, Attributed to Pierre Andrieu (French, 1821–1892

October (one of a series representing the labors of the months), 1690 or slightly earlier, Red chalk, 2 3/8 x 4 1/4 in. (6.0 x 10.8 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Decorative Frieze with Putti Playing on a Swing, 16th century, Pen and brown ink, over traces of black chalk, sheet: 3 x 10 1/16 in. (7.6 x 25.5 cm), Drawings, Anonymous, Italian, 16th century

Bracelets and Anklets of Senebtisi, Middle Kingdom, Dynasty 12, late–early 13, ca. 1850–1775 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret, burial of Senebtisi, 1906–07, Faience, gold, : L. 6.8 cm (2 11/16 in.);

Capitoline, Antique Tripod, ca. 1750–55, Pen and gray wash, sheet: 14 1/2 x 21 1/2 in. (36.8 x 54.6 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Symphonium, ca. 1835, London, England, United Kingdom, British, nickel silver, ivory, brass, mother-of-pearl, Width across top 61 mm (2 3/8 in.); Height 70 mm (2 3/4 in.), Depth including ring 37 mm (1 7/16 in.), Aerophone-Free Reed-mouth

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Brooch, ca. 1770, Made in United States, British, silver and garnet, 1 1/8 x 1 1/4 in. (2.9 x 3.2 cm), with pin, Jewelry, This heart-shaped brooch, which secures William Duguid’s ruffled shirt in a portrait by Prince Demah Barnes,

Camp of 34th Massachusetts Infantry, Miner's Hill, VA. Skirmish Drill., 1862–63, Albumen silver print from glass negative, Photographs

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, German,

De la Salle. Gabriel. 45 ans, né à Nantes (Loire-Inf.). Publiciste. Disposition du Préfet de Police. 16/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 7, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Compote, 1815–30, Made in Paris, France, French, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm), Ceramics

Project of Altar Decoration (Stage Setting ?), 16th century, Pen and brown ink, washed, 10-3/8 x 12-7/8 in. (26.4 x 32.7 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

U.S. Monitor 'Casco' on James River, taken from a lookout tower on bank., 1861–65, Albumen silver print from glass negative, Photographs

Small drinking vessel, ca. 1855, Made in New York, New York, United States, American, Glass, 4 3/4 in. (12.1 cm), Glass, This drinking glass is one of three graduated sizes of glasses made for a large luxury table service

The Ancient Vestry, 1845, Salted paper print from paper negative, 16.4 x 20.7 cm (6 7/16 x 8 1/8 in. ) irregular, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Wooded Landscape with a House beside a River, 17th century, Pen and brown ink, brown, blue, and gray wash, 6 1/4 x 10 1/16 in. (15.9 x 25.6 cm), Drawings, Lucas van Uden (Flemish, Antwerp 1595–1673 Antwerp

Covered Cup, 1800–1900, Pen and ink, 13-1/4 x 6-5/8 in, Drawings, Anonymous, Italian, 19th century

An Artist and His Model, 1758–1823, Pen and brown ink, brush and brown wash, highlighted with white, on gray-brown washed paper, 17-1/2 x 12-1/16 in. (44.4 x 30.6 cm), Drawings, Felice Giani (Italian, San Sebastiano Curone near Alessandria

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 43v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Loie Fuller Dancing, ca. 1900, Gelatin silver print, Image: 3 15/16 × 5 13/16 in. (10 × 14.7 cm), Photographs, Samuel Joshua Beckett (British, Shadwell, Stepney [London] 1870–1940 Bournemouth

Design for trapezoidal panel, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache and graphite on paper mounted on board, Overall: 16 15/16 x 13 9/16 in. (43 x 34.4 cm), Drawings, Possibly Tiffany

Essempio di recammi, page 14 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk and pen, black and gray ink, with slight traces of red chalk, 2 7/8 x 3 15/16 in. (7.3 x 10 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 32), Artist, Publisher, Artist, After, Georges

Design for a Painted Perspective Wall Decoration, 1700–1780, Pen and brown ink, brush and gray and yellow wash, over black chalk, with ruled construction. Measuring scale in pen and brown ink, 11 5/16 x 17 1/16 in. (28.7 x 43.4 cm),

Copy of a Repose in Egypt painted by Giovanni da San Giovanni (Giovanni Mannozzi) 1592-1636, for a chapel in the Garden of Crocetta, now in the Accademia in Florence, 17th century, Graphite, highlighted with white gouache on light brown tan

청자 철채 국화 무늬 매병 고려, 青磁鐵彩菊花文梅瓶 高麗, Maebyeong with chrysanthemum decoration, Goryeo dynasty (918–1392), 13th century, Korea, Stoneware with iron-brown and white-slip decoration of chrysanthemums

Flask, 1770–1880, Made in United States, American, Blown pattern-molded lead glass, H. 5 1/4 in. (13.3 cm), Glass

Oriental Rider, Pen and black ink, 6 3/16 x 4 15/16 in. (15.7 x 12.5 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Outline Drawing: Stage Set Design for a Performance of 'Iphigenia'. Verso: Two Designs for Palace Interiors., 1709–90, Pen and black ink, over black chalk or graphite. Verso: pen and dark brown ink over black chalk; separate design in black

Archer's Arm Guard (Bracer), dated 1752, Belgian, Copper alloy, L. 6 5/16 in. (16 cm); W. 3 3/4 in. (9.5 cm), Archery Equipment, An archer wears a bracer to protect the inner forearm against whiplash from the bowstring. Most bracers were made

Elephant Goad, late 17th–early 18th century, Attributed to India, Deccan, Steel or iron, inlaid with gold and silver, L. 22 3/4 in. (57.8 cm), Metal

Wooden bell tower and spire, late 19th–early 20th century, Pen and black ink, sheet: 10 1/4 x 5 11/16 in. (26 x 14.4 cm), Ernest Geldart (British, London 1848–1929

Visitors Inspecting Classical Ruins, n.d., Pen and black ink, brush and brown wash, 18 5/8 x 26 in. (47.3 x 66.1 cm), Drawings, attributed to Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm

Cup and Saucer, ca. 1844–47, Made in Berlin, Germany, German, Porcelain, Cup: H. 3 5/8 in. (9.2 cm), Ceramics, Koenigliche Porzellan Manufaktur (German, founded 1763

Madame Alexandre Lethière and Her Daughter Letizia, ca. 1815, Graphite, 11 13/16 x 8 11/16 in. (30 x 22.1 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 39v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Elevation of the Façade of the Marché à la Volaille, Quai des Grands Augustins, Paris, 18th century, Pen and black ink, brush and gray, brown, blue, and rose wash, 17 1/8 x 33 11/16 in. (43.5 x 85.5 cm), Drawings, Célestin-Joseph

Frame for a Painting of Saint Christopher, 18th century, Pen and brown ink, brush with brown and yellow wash, over graphite, on cream laid paper, 17-3/16 x 10-1/2 in. (43.6 x 26.7 cm), Drawings, Anonymous, Italian, first half of the 18th

Bridge. U.S. Military Railroad at City Point, 1861–65, Albumen silver print from glass negative, 16.4 x 21.3 cm (6 7/16 x 8 3/8 in.), Photographs, Attributed to Andrew Joseph Russell (American, 1830–1902

The Plains of Musashi, 武蔵野図屏風, Edo period (1615–1868), 17th century, Japan, Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper, Image: 60 1/16 x 140 in. (152.6 x 355.6 cm), Screens, A full moon, once

[Assyrian Court, Facade Towards the Nave; Elevated View of Assyrian Court; Greek and Roman Sculpture Court; The Three Graces], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed

Cupboard, 1800–1850, Probably made in New Lebanon, New York, United States, American, Shaker, Pine, 73 1/4 x 31 3/4 x 18 3/4 in. (186.1 x 80.6 x 47.6 cm), Furniture

Cabinet with Design of Butterflies, Edo period (1615–1868), 18th century, Japan (Ryūkyū Islands), Red lacquer with painted decoration, inlaid with mother-of-pearl, H. 20 1/8 in. (51.1 cm); W. 16 1/2 in. (41.9 cm); D. 10 3/8 in. (26.4 cm),

Winter - Fifth Avenue, 1893, printed 1905, Photogravure, 21.8 x 15.4 cm. (8 9/16 x 6 1/16 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 27 (recto), 1601

The Continence of Scipio, 1646–79, Pen and brown ink, brown and grey wash, over a sketch in red chalk. Framing line in pen and brown ink, sheet: 12 13/16 x 11 1/4 in. (32.5 x 28.5 cm), Drawings, Pieter Crijnse Volmarijn (Dutch, 1626–1679

Snuff Bottle with Floral Design, Qing dynasty (1644–1911), late 18th century, China, Aquamarine with rose quartz stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Sofa, 1805–15, Made in New York, New York, United States, American, Mahogany, white pine, tulip poplar, 37 x 80 1/4 x 25 in. (94 x 203.8 x 63.5 cm), Furniture, Attributed to the Workshop of Duncan Phyfe (1770–1854), In its quality and

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Flask, 1840–60, Made in Louisville, Kentucky, United States, American, Free-blown molded green glass, H. 7 in. (17.8 cm), Glass, Possibly Kentucky Glass Works (ca. 1850–55

The Temple of Dendur, Watercolor and graphite on off-white wove paper, 4 7/8 x 7 9/16 in. (12.4 x 19.2 cm), Drawings, Frederick Arthur Bridgman (1847–1928

The Judgment of Paris, ca. 1528, Oil on beech, 40 1/8 x 28in. (101.9 x 71.1cm), Paintings, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar), Cranach became a celebrated court painter for the electors of Saxony in Wittenberg. Among

Section of bed curtain, second half 18th century, Irish, Linen and cotton, copperplate printed, 78 × 29 1/2 in. (198.1 × 74.9 cm), Textiles-Printed

Sampler, 1840, Made in New York, New York, United States, American, Silk on linen, 17 × 17 1/2 in. (43.2 × 44.5 cm), Textiles, Mary Elizabeth Morse (American, born New York, 1832

Punchinello in the House of Death, 1923, Lithograph, image: 16 1/4 x 19 1/4 in. (41.3 x 48.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

[F. Holland Day], ca. 1898, Platinum print, 18.0 x 13.6 cm (7 1/16 x 5 3/8 in.), Photographs, Gertrude Käsebier (American, 1852–1934

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 32 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Cow II, 1935, Ink and watercolor on paper, 5 x 7 1/8 in. (12.7 x 18.1 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

'The Tortoise Ferries the Monkey', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 15 (recto), 1610

Hydrangeas, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, 43 5/16 x 16 1/4 in. (110 x 41.3 cm), Paintings, Attributed to Ogata Kōrin (Japanese, 1658–1716

Ornamento delle belle & virtuose donne, page 18 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Neugeborenes Kaninchen, 1896, Photogravure, Image: 2 11/16 × 5 7/16 in. (6.9 × 13.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the

Flute, ca. 1867–1869, New York, NY, United States, American, Silver-plated brass, Length: 28 1/2 in. (72.4 cm), Aerophone-Blow Hole-side-blown flute (transverse), Charles Monzani (American

Nude Couple Embracing, 1780–1827, Watercolor, Sheet: 8 9/16 x 6 13/16 in. (21.8 x 17.3 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Sketchbook page with drawings of sculpture, late 18th century, Pen and ink, wash and graphite, sheet: 14 3/16 x 9 1/8 in. (36.1 x 23.2 cm), Drawings, Anonymous, British, 18th century

Stereograph, the Doctor and His Daughter, 1850s, Daguerreotype, Image: 6.5 x 5.6 cm (2 9/16 x 2 3/16 in.), each, Photographs, Unknown (French

Terracotta lekythos (oil flask), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, white-ground, H. 6 13/16 in. (17.3 cm); diameter 2 13/16 in. (7.2 cm), Vases, Athena fighting giant

Elevations and Plans of Two Boxes, 1710–27, Pen and brown ink, brush and gray wash, over traces of ruling in graphite, 17-3/4 x 13-1/4 in. (45.1 x 33.6 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Landscape, early 17th–mid 17th century, Black chalk, washed with India ink on white paper., Overall: 4 3/4 x 9 9/16 in. (12.1 x 24.3 cm), Drawings, Attributed to Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Design for a cabinet, 18th century, Pen and brown ink, brush and gray wash, sheet: 16 15/16 x 12 11/16 in. (43 x 32.2 cm), Drawings, Anonymous, 18th century

Relief panel showing two baboons offering the wedjat eye to the sun god Khepri, who holds the Underworld sign, Late Period–Ptolemaic Period, 400–200 BC, From Egypt, Limestone, H. 30.9 cm (12 3/16 in.); W. 39.3 cm (15 1/2 in.); D. 6 cm (2

View of the Rhine and Remagen from the North (?), 1815–33, Graphite, brush and gray wash, sheet: 11 1/4 x 14 11/16 in. (28.5 x 37.3 cm), Drawings, Ernst Fries (German, Heidelberg 1801–1833 Karlsruhe

Covered Toddy Jug, 1792–96, Made in China, Chinese, Porcelain, H. 11 1/8 in. (28.3 cm), Ceramics

元 王振鵬 維摩不二圖 卷, Vimalakirti and the Doctrine of Nonduality, Yuan dynasty (1271–1368), dated 1308, China, Handscroll; ink on silk, Image: 15 7/16 x 85 15/16 in. (39.2 x 218.3 cm), Paintings, Wang Zhenpeng (Chinese, active

Design for a Wall with Two Windows, 16th century, Pen and brown ink, 5 x 3-1/2 in. (12.7 x 8.9 cm), Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Silvie, London 1743, Etching, Books, After Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris), Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Design for a Mirror, 1820–80, Ink, watercolor and gouache, Anonymous, British, 19th century

Collage picture with scenes from the story of Abraham, last quarter 18th century, Austrian, Paper, silk and isinglass, H. 12 3/4 x W. 16 inches (32.4 x 40.6 cm), Textiles-Embroidered

明恵房高弁筆　『夢の記』 断簡, Section of the Dream Diary (Yume no ki), Kamakura period (1185–1333), dated 1225, Japan, Hanging scroll; ink on paper, Image: 13 1/4 x 21 5/8 in. (33.7 x 54.9 cm), Calligraphy, Myōe Kōben

Box of an Anthropoid Coffin, New Kingdom, Ramesside or later, Dynasty 20–21, ca. 1186–945 B.C., From Egypt; Said to be from Upper Egypt, Thebes, Wood, paint, L. 191cm (75 3/16 in.); w. 54 cm (21 1/4 in.); d. 31 cm (12 3/16 in.), The

Marble bust of Herodotos, Imperial, 2nd century A.D., Roman, Marble, Island ?, H. 18 3/4 in. (47.6 cm), Stone Sculpture, Inscribed HERODOTOS Copy of a Greek bronze statue of the first half of the fourth century B.C. Herodotos (ca. 484–424

Portfolio, ca. 1925, Leather, chrome-plated metal, fold leaf, H. 11-1/2, W. 7-1/4 in. (29.2 x 18.4 cm), Leather

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 in. × 3 in. (7.5 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Reliquary Cross with Christ Crucified and the Virgin and Child, 9th–12th century, Byzantine, Copper alloy, niello, Overall: 3 3/4 x 1 5/8 x 1/2 in. (9.5 x 4.1 x 1.2 cm), Metalwork-Copper alloy, This cross represents a more refined example of

Ein new getruckt model Büchli...Page 22, verso, 1529

Terracotta kylix (drinking cup), Late Archaic, ca. 490–480 B.C., Greek, Attic, Terracotta; red-figure, 5 1/8 x 16 1/16in. (13 x 40.8cm), Vases, Interior, satyr and maenad; inscribed Panaitios is fair, Exterior, obverse, satyrs and

Nephthys amulet, Ptolemaic Period, 332–30 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Ptolemaic vaulted graves (Birabi), Faience, H. 4 cm (1 9/16 in.); W. 1 cm (3/8 in.); D. 1.5 cm (9/16 in.), The four small figures of Isis, Khnum,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, German,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, German,