Images at Librifly

Title Page: L'oiseau de Feu et d'autres contes populaires Russes, ca. 1925, Gouache, metallic inks, and black ink, heightened with white over graphite., 13 11/16 x 10 1/2 in. (34.8 x 26.7 cm), Drawings, Boris Zvorykin (Russian, Moscow

Curtain tie-back, ca. 1810–30, Possibly made in France; Possibly made in England, Stamped brass, lacquer, Diam. 3 in. (7.6 cm), Metal

A Syce (Groom) Holding Two Carriage Horses, ca. 1845, Made in India, Calcutta, Opaque watercolor on paper, H. 12 in. (30.5 cm), Codices, attributed to Shaikh Muhammad Amir of Karraya (active 1830s–40s), Many of the East India Company

Candelabra Grotesque on a Pedestal with Fantastical Creatures and a Lobster, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 x 6 3/8 in. (22.9 x 16.2 cm), Anonymous, Italian, 16th century ?, After Cornelis Bos (Netherlandish,

Comedy, ca. 1736, Oil on canvas, enlarged, 18 3/4 x 23 1/2 in. (47.6 x 59.7 cm), Paintings, Pierre Charles Trémolières (French, Cholet 1703–1739 Paris), Between 1736 and 1738 Trémolières painted large canvases of Comedy and Tragedy.

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 5v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Figure Studies, 17th century, Brush and brown wash, heightened with white, on brown paper., 11 x 8 1/4 in. (27.9 x 21 cm), Drawings, Eduard Dubois (Flemish, Antwerp 1619–1697 London

[Young Man with Up-turned Collar and Bow Tie], 1850s, Daguerreotype, Image: 7 x 5.5 cm (2 3/4 x 2 3/16 in.), Photographs, Unknown (American

[Piazza S. Pietro, Rome], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Carved Panel and Ornament (Smaller Italian Sketchbook, leaf 9 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby

Voyages Pittoresque ou, Description des royaumes de Naples et de Sicile, 1781–86, Engraving, Overall: 19 11/16 x 13 3/16 x 1 3/8 in. (50 x 33.5 x 3.5 cm), Books

Terracotta kyathos (ladle), Archaic, ca. 650 B.C., Etruscan, Terracotta; bucchero sottile, H.: 4 1/2 in. (11.4 cm), Vases, Shallow cup, incised rosette inside, and high loop-handle

Textile, Ming dynasty (1368–1644), 16th century, China, Silk embroidered in colored silks, 31 1/4 x 17 3/4 in. (79.4 x 45.1cm), Textiles-Embroidered

Veduta di Tutta la Basilica Vaticana (...) from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...), 1665–69, Etching, Plate: 7 3/16 x 11 3/8 in. (18.2 x 28.9 cm), Designed by Giovanni Battista Falda (Italian,

[Stereograph, Older Woman Wearing Flowered Bonnet], 1850s, Daguerreotype, Image: 7 x 5.9 cm (2 3/4 x 2 5/16 in.), each, Photographs, Unknown (American

Folio from a Qur'an Manuscript, 8th–9th century, Made in Egypt or Iraq, Ink on parchment, H. 8 1/2 in. (21.6 cm), Codices, While the earliest surviving Qur’ans were copied in a tall, streamlined script known as hijazi on a vertical

Medallion of the Marquis de Lafayette, 1775–1883, Probably made in France, French, Porcelain, Diam. 2 1/2 in. (6.4 cm), Ceramics

Piece with pheasants and exotic flowers, 1765–75, British, Bromley Hall, Middlesex, Fustian, copperplate printed, L. 96 x W. 31 inches, Textiles-Printed, These long-tailed pheasants and bold, fanciful flowers are European interpretations

'The Lion king, With his Mother, Receives Dimna', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Floral Canopy or Screen, 17th–18th century, Attributed to India, Bikaner, Cotton, gold leaf; plain weave, painted, L. 76.3/4 in. (195 cm), Textiles, The flowering plants decorating this cotton hanging are applied in gold leaf glued to the

Mouth of Wisconsin River, 1885, Cyanotype, Image: 10 9/16 × 13 1/2 in. (26.8 × 34.3 cm), oval, Photographs, Henry P. Bosse (American, born Germany, 1844–1893), With the goal of developing the Mississippi River into a secure

Tree II, 1934, Ink and watercolor on paper, 5 x 6 7/8 in. (12.7 x 17.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 1/2 x 1 3/8 x 2 3/8 in. (6.4 x 3.5 x 6 cm), Ceramics

Appliqué from a Vestment, 17th–18th century, Greek, Silk, with silk and silver wrapped silk threads, Diameter: 4 in. (10.2 cm), Textiles-Embroidered

U.S. Monitor Onondaga, James River, 1861–65, Albumen silver print from glass negative, Photographs

Cologne decanter, 1876, Made in East Cambridge, Massachusetts, United States, American, Glass, cut and engraved, H. 9 in. (22.9 cm), Glass, Louis Friedrich Vaupel (1824–1930), Louis Vaupel was one of the most skilled glass engravers

Virgin and Child, early 16th century, Made in Troyes, French, Limestone, traces of polychromy, Overall: 29 7/8 x 17 1/4 x 12in. (75.9 x 43.8 x 30.5cm), Sculpture-Stone

Acrobats; Images of Spain Album, 67, ca. 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-13/16 in. (20.5 x 14.71cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Gold Disk Brooch, 6th–7th century, Frankish, Silver-gilt on bronze, with iron pin, Overall: 1 3/8 x 1/2 in. (3.5 x 1.3 cm), Metalwork-Gold, The impression was taken from a Roman coin of the emperor Domitian (r. 81–96). The relief pattern

Covered Box, Goryeo dynasty (918–1392), 13th century, Korea, Stoneware with inlaid and reverse-inlaid decoration of chrysanthemums and floral scrolls under celadon glaze, H. 3 in. (7.6 cm); Diam. 7 1/2 in. (19.1 cm), Ceramics, This

Design for a Ceiling Decoration, 1800–1900, Pencil and watercolor, 6-3/4 x 11-1/4 in (17.1 x 29.8 cm), Drawings

Landscape with Villa Surrounded by Trees (Smaller Italian Sketchbook, leaf 22 recto), 1774–75 (?), Graphite with brown wash, touches of pen and brown ink and blue wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright

'The Attack on the Camel by the Lion, Crow, Wolf, and Jackal', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

三幅神吉原通い図巻 「全盛季春遊戯」, Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring”, Edo period (1615–1868), early 19th century, Japan, Handscroll; ink and color on silk,

Sampler made at the British and Foreign School Society, 1825, British, Wool embroidery on cotton, H. 3 7/8 x W. 3 1/2 inches (9.8 x 8.9 cm), Textiles-Embroidered, This small sampler worked with the alphabet in upper and lower case, as well as

Schön Neues Modelbuch, 1597, Etching, Overall: 6 1/8 x 7 13/16 in. (15.5 x 19.8 cm), Designed by Johann Sibmacher, German, active 1590-1611, published by Caimox, Nürmberg. Illustrated title signed CM and Jo. Sibmacher, 7 pages of text

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 111 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Three Putti Holding Cross Before Two Male Saints, 1601–67, Pen and medium brown ink over traces of black chalk underdrawing on cream paper. Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 23r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Pot, 1882, French, Longwy, Stoneware, Overall (confirmed, irregular diameter at rim): 18 × 23 1/2 × 20 in. (45.7 × 59.7 × 50.8 cm), Ceramics-Pottery

Two Sections of a Columbarium, 1710–27, Pen and brown ink, brush and brown wash, over ruling in graphite, 12-11/16 x 17-3/8 in. (32.3 x 44.2 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Panel, 19th century, Japan, Silk, 63 x 27 3/8 in. (160.02 x 69.50 cm), Textiles-Woven

Mounting for a Short Sword (Wakizashi Goshirae), mounting 19th century; grip ornaments 16th century; hilt collar (fuchi), dated 1849, Japanese, Wood, lacquer, ray skin (samé), thread, copper-gold alloy (shakudō), brass, iron, L. 26 1/8

Design for a Ceiling, ca. 1520–50, Pen and brown ink, brush and brown wash, over ruled perspective orthogonals, sheet: 4 13/16 x 3 13/16 in. (12.2 x 9.7 cm), Anonymous, Italian, 16th century

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 22 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Fort Brady, Building Quarters, ca. 1865, Albumen silver print from glass negative, Photographs, William Frank Browne (American

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Monarda didyma/Scarlet Lion's Tail, ca. 1791 (?), Paper mosaic: cut piece of laid paper colored with watercolor, laid onto a supporting sheet colored entirely with black ink and marked with a white paper label, sheet: 11 3/4 x 8 1/2 in. (29.8 x

Chinese Bellflowers, Edo period (1615–1868), Japan, Folding fan remounted as a hanging scroll; ink and color on paper, Image: 15 1/4 × 22 3/8 in. (38.7 × 56.8 cm), Paintings, Follower of Ogata Kōrin (Japanese, 1658–1716), This painted

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 7 cm (2 3/4 in.); W. 7.3 cm (2 7/8 in.); D. 1.6

Deforge. Henri, Walter. 19 ans, né à Bruxelles (Belgique). Porteur de journaux. Anarchiste. 6/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Page of Calligraphy from a Mantiq al-tair (Language of the Birds), dated A.H. 892/ A.D. 1486, Opaque watercolor and gold on paper, Codices

'King Sal Visits Kala Yavana', Folio from a Harivamsa (Legend of Hari (Krishna)), ca. 1590–95, Attributed to present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Page: 13 9/16 x 8 15/16 in. (34.4 x 22.7 cm),

[Rustic Cottage with Figures and Carts], ca. 1855, Albumen silver print, Image: 6 3/8 × 8 9/16 in. (16.2 × 21.7 cm), Photographs, Unknown (British

Belt Mount, 8th century, Avar, Copper alloy, gilt, Overall: 1 7/8 x 1 9/16 x 1/4 in. (4.7 x 3.9 x 0.6 cm), Metalwork-Copper

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 44r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

'Abundance' Textile, Designed ca. 1911; manufactured after 1918, Silk, Length 100 1/2 in. (255.3 cm), width 49 3/4 in. (126.4 cm), Textiles-Woven

Study for the Ascension of the Virgin, 16th century, Pen and brown ink, brush and brown wash, squared in black chalk, 8-1/2 x 6-11/16 in. (21.6 x 17.0 cm), Drawings, Marco Pino (Italian, Costa del Pino, Siena ca. 1525–ca. 1587 Naples

Manchester, Virginia, 1861–65, Albumen silver print from glass negative, Photographs

Design for a Lunette, 16th century, Pen and brown ink, over black chalk, brown wash, 3-7/8 x 10-3/16 in. (9.8 x 25.9 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Design for a Rectangular Mirror over a Side Table, 1841–84, Graphite, Charles Hindley and Sons (British, London 1841–1917 London

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 8 7/8 x 3 5/8 x 2 1/2 in. (22.5 x 9.2 x 6.4 cm), Ceramics

Corner of a pleated linen sheet of queen Neferu, Middle Kingdom, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, ), 1922–23, Linen, 7 1/2 x 9 7/16 in. (19 x 24 cm

Dirham, dated A.H. 93/ A.D. 711–12, Made in Iraq, Wasit, Silver, Diam. 1 1/16 in. (2.7 cm), Coins

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/4 x 3 7/8 in. (3.2 x 9.8 cm), Terracottas

The Last Communion of Saint Jerome, ca. 1491–1503(?), Pen and brown ink, brown wash, traces of black chalk., 6 1/4 x 7 3/4 in. (15.9 x 19.7 cm), Drawings, Workshop of Botticelli (Alessandro di Mariano Filipepi) (Italian, Florence

Tibia, Late Roman, ca. 1–500, Syria, Syrian, Ivory, silver, chalcedony, Height: 23 1/16 in. (58.6 cm), Aerophone-Reed Vibrated-double reed, The tibia was sounded with a double reed, and two pipes would have been played simultaneously.

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 30 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Table Spoon, ca. 1796, Made in Albany, New York, United States, American, Silver, L. 8 7/8 in. (22.5 cm); 2 oz. 2 dwt. (65.6 g), Silver, Isaac Hutton (American, New York 1766–1855 Albany, New York

Jacquet. Hippolyte, Edouard. 49 ans, né le 15/3/45 à Paris Ille. Sellier-maroquinier. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 5 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

四季琵琶湖図屏風, Lake Biwa in Four Seasons, Edo period (1615–1868), 1834, Japan, Pair of six-panel folding screens; ink and color on paper, Image: 24 9/16 × 60 5/8 in. (62.4 × 154 cm), Screens, Nukina Kaioku (Japanese,

Stoneman's Station, Virginia, 1861–65, Albumen silver print from glass negative, Photographs

Pair of Tiles with Qur'anic Inscription from Sura 36 (Ya-Sin): 9 and 15, second half 13th century, Made in Iran, Kashan, Stonepaste; molded and luster-painted on opaque white glaze under transparent glaze, 6 x 10 3/4 in. (15.2 x 27.3 cm),

Circe and the Companions of Ulysses, 16th century, Pen and brown ink on brown paper, 9-5/8 x 8-1/8 in. (24.5 x 20.6 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), After Parmigianino

[Boy in Profile], 1850s, Daguerreotype, Image: 8.6 x 7.3 cm (3 3/8 x 2 7/8 in.), Photographs, Unknown (American

Hawk Grasping a Small Bird, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink and color on paper, 65 7/8 x 33 1/4 in. (167.3 x 84.4 cm), Paintings, Tsubaki Chinzan (Japanese, 1801–1854), Tsubaki Chinzan's versatility as a

Head of a Bearded Man, ca. 1820–25, Black chalk, sheet: 9 3/8 x 7 13/16 in. (23.8 x 19.8 cm), Drawings, Johann Friedrich Overbeck (German, Lübeck 1789–1869 Rome

Beatrice, 1866, Albumen silver print from glass negative, 34.6 x 26.3 cm. (13 5/8 x 10 3/6 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Battle Scene, 13th century, Attributed to Probably Egypt, Opaque watercolor on paper, H. 5 1/2 in. (14 cm), Codices, This scene depicts a battle in which the central figure appears to be the only one who has not lost a limb. Severed heads,

Studies for Grotesque Decorations (Recto); Small Sketches and Writing (Verso), 17th century, Pen and brown ink (recto and verso), sheet: 14 1/4 x 8 9/16 in. (36.2 x 21.7 cm), Anonymous, Italian, 17th century

Hunting for Wild Boar (from the Hunting Parks Tapestries), ca. 1515–35, South Netherlandish, Wool, and silk thread, 11 ft. 1 in. × 8 ft. 3 in. (337.8 × 251.5 cm), Textiles-Tapestries

Design for a Theatre, or Hall for a Special Fête, 1688–90, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, 10 1/2 x 17 1/16 in. (26.6 x 43.4 cm), Attributed to Giacomo Chiavistelli (Italian, Florence 1621–1698

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 12 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Georgia O'Keeffe – Hands and Thimble, 1919, Palladium print, 23.5 x 18.4 cm (9 1/4 x 7 1/4 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 48r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 13 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 11 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Lot and His Daughters (?), 17th century, Pen and brown ink, brush and brown wash, over black chalk on cream paper. Squared in black chalk, 13-7/16 x 9-1/2 in. (34.1 x 24.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

'Black Buck', Folio from the Shah Jahan Album, recto: ca. 1615–20; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39 cm), Codices, Painting attributed to Manohar (active ca.

Arabs Resting, 1817–70, Brush and gouache with brush and black ink on beige paper, 9-3/4 x 13 in. (24.8 x 33 cm), Drawings, Eugenio Lucas (Spanish, Madrid 1817–1870 Madrid

God the Father Surrounded by Angels and the Four Animals, Symbols of the Evangelists, 18th century, Brush and gray ink over graphite, cut out and adhered to blue paper, sheet: 14 15/16 x 9 5/8 in. (38 x 24.5 cm), Drawings, Anonymous, German,

Watch, Watchmaker: François Czapek (Bohemian, 1811–before 1895), ca. 1850–55, Swiss, Geneva, Case: partly enameled gold; Dial: white enamel with gold hands; Movement: gilded brass and steel, Overall: 2 1/2 × 1 3/4 × 1/2 in. (6.4 × 4.4

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 3, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Fish Series, No. 2, 1917, Watercolor and graphite on paper, 8 x 10 in. (20.3 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Taste a la Mode in the Year 1753, 1753, Pen and ink and wash, sheet: 8 1/4 x 12 1/8 in. (21 x 30.8 cm), Drawings, Attributed to Louis Pierre Boitard (British, died 1758

The Rape of Lucretia, late 15th–early 16th century, Tempera and gold on wood, Overall 15 3/4 x 27 3/4 in. (40 x 70.5 cm); painted surface 15 1/8 x 27 1/2 in. (38.4 x 69.9 cm), Paintings, Master of Marradi (Italian, Florence, active late

The Good Shepherd, 1715–70, Pen and black ink and brush and gray wash, sheet: 8 3/4 x 6 3/16 in. (22.2 x 15.7 cm), Drawings, Gottfried Eichler the Younger (German, Augsburg 1715–1770 Augsburg

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 4 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,