Images at Librifly

Lekanis, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta, Other (width w/ handles): 4 1/2 × 2 13/16 in. (11.4 × 7.1 cm), Vases

Glass ribbed bowl, Early Imperial, late 1st century B.C.–mid 1st century A.D., Roman, Glass; cast, tooled, and cut, Overall: 1 5/8 x 5 1/16in. (4.1 x 12.9cm), Glass, Translucent light yellow green. Plain but slightly uneven, rounded rim;

Roses and Bamboo with Nightingale, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 5/16 x 7 5/16 in. (21.1 x 18.6 cm), Prints, Teisai Hokuba (Japanese, 1771–1844

Fragmentary marble inscription, Late Classical, 1st half of 4th century B.C., Greek, Attic, Marble, H., 6 3/4', W5 5/8', D., 1 3/4', Stone Sculpture, The inscription lists small sums of money expended in connection with an athletic festival;

諸國名橋奇覧　足利行道山くものかけはし, The Hanging-cloud Bridge at Mount Gyōdō near Ashikaga (Ashikaga Gyōdōzan kumo no kakehashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran),

逢身八契　権八小紫の床の通気, Gonpachi ni Komurasaki no Toko no Tsuki, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 9 7/8 in. (25.1 cm), Prints,

The Kiss of Judas, 16th century, Made in Lower Rhine, Germany, German, Oak, Overall: 10 5/16 x 6 1/4 x 2 9/16 in. (26.2 x 15.8 x 6.5 cm), Sculpture-Miniature-Wood

Milkmaid after the painting of G.Dou in the Cabinet of Mr. Poullain, mid-17th century, Engraving, Plate: 6 5/16 x 4 15/16 in. (16 x 12.5 cm), Prints, After Gerrit Dou (Dutch, Leiden 1613–1675 Leiden), Charles François Adrien Macret (French,

Jug, 1815–22, Made in Hartford, Connecticut, United States, American, Stoneware, H. 17 1/2 in. (44.5 cm), Ceramics, George Benton and Levi Stewart (active 1815–22

The Actor Yamashita Kinsaku in the Role of Mutsuhana, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 1/2 in. (14 cm), Prints, Torii Kiyomitsu (Japanese,

Terracotta lekythos (oil flask), Archaic, mid-6th century B.C., Greek, Euboean, Terracotta; black-figure, H. 8 11/16 in. (22.1 cm), Vases, Woman between two youths. The attenuated shape and the lack of real relation between the shape and

Hypètre d'Athor, sur la Terrasse du grande Temple de Dendérah (Tentyris), 1849–50, Salted paper print from paper negative, Image: 6 7/16 × 8 3/8 in. (16.4 × 21.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Branch of Plum Blossoms and Bowl, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 4 1/8 x 5 11/16 in. (10.5 x 14.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Food warmer with insert, ca. 1730–35, Austrian, Vienna, Hard-paste porcelain, Overall (confirmed): 15 9/16 x 6 5/16 x 6 11/16 in. (39.5 x 16 x 17 cm), Ceramics-Porcelain, This vessel was probably intended to be used in the intimate living

Glass short-strip mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 9/16 x 15/16 in. (1.4 x 2.4 cm), Glass, Thin-walled body fragment., Translucent purple, cobalt blue, turquoise

Pitcher, 1829–33, Made in Jersey City, New Jersey, American, Stoneware, 10 3/8 x 7 3/4 x 6 1/2 in. (26.4 x 19.7 x 16.5 cm), Ceramics

Danjuro as a Youth with a Toy Horse under Plum Blossoms, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 11 3/4 x 5 5/8 in. (29.8 x 14.3 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Terracotta statuette of a goat, Archaic, ca. 525–500 B.C., Greek, Boeotian, Terracotta, Other: 3 3/4 in. (9.5 cm), Terracottas, Of all the regions of mainland Greece during the Archaic and early Classical period, Boeotia was particularly

Equivalent, Set C2 No. 5, 1929, Gelatin silver print, 11.7 x 9.3 cm. (4 5/8 x 3 11/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

'Alexander is Lowered into the Sea', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, watercolor, gold on paper, 9 3/8 x 6 1/4in. (23.8 x 15.9cm), Codices, Painting attributed to

Squat lekythos, Greek, South Italian, Apulian, Terracotta, 7 3/4in. (19.7cm), Vases

Faience statuette of Aphrodite, Hellenistic, 334–30 B.C., Egyptian, Ptolemaic, Faience, H.: 1 9/16 in. (3.9 cm), Miscellaneous-Faience, Amulet in the form of a crouching Aphrodite

Bracelet, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Diam.: 3 3/8 in. (8.6 cm), Bronzes

View over Amoy from Pe-Le-Jong, ca. 1869, Albumen silver print from glass negative, Image: 8 7/16 × 10 13/16 in. (21.5 × 27.4 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Tartar Officer with Blond Lady Playing Musical Instruments, Qing dynasty (1644–1911), 19th century, China, Album leaf; ink and color on silk, 10 1/2 x 10 7/16 in. (26.7 x 26.5 cm), Paintings, Unidentified Artist

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 1 3/4in. (4.5cm), Vases

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/8 x 1 1/2 in. (2.9 x 3.8 cm), Glass, Translucent deep purple and opaque yellow., Flat, rectangular panel, with one

Nadar's Pantheon (Panthéon Nadar), 1854, Lithograph, sheet: 32 1/4 x 45 1/4 in. (81.9 x 114.9 cm), Prints, Nadar (French, Paris 1820–1910 Paris

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 1 9/16 × 15/16 in. (4 × 2.4 cm), Glass, Small perfume bottle Translucent pale blue green. Rim folded out, over, and in; slightly flaring mouth; tall cylindrical

Openwork furniture plaque with sphinx, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 4.06 x 2.44 x 0.39 in. (10.31 x 6.2 x 0.99 cm), Ivory/Bone-Reliefs, During the early first

Female Warrior in Armor, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 15/16 x 4 5/16 in. (22.7 x 11 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Prof. Fraser, Rev. Welsh, Rev. Hamilton, and Three Other Men, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St.

Limestone statuette of an oriental god or hero (?), Early Hellenistic, 3rd century B.C., Cypriot, Limestone, Overall: 13 1/4 x 4 x 1 7/8 in. (33.7 x 10.2 x 4.8 cm), Cesnola Inscriptions, The pendants hanging from the ears indicate that the

Game Piece with Menelaus and Companions Battling Proteus, ca. 1125–50, North French, Walrus ivory, Overall: 2 3/8 x 11/16 in. (6 x 1.7 cm), Ivories-Walrus, Objects related to the games of tables and chess were among Salgo’s favorite items.

Three Women on a Veranda Overlooking a Bay, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 15 x 9 7/8 in. (38.1 x 25.1 cm), Prints, Katsukawa Shunzan (Japanese, active 1782–1798

Cascades, Oregon, 1867, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Ichikawa Monnosuke II as a Woman, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 11 7/16 in. (29.1 cm); W. 5 3/4 in. (14.6 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Bronze spout in the form of a lion's head, Classical, 4th century B.C., Greek, Bronze, Overall: 2 3/8 x 2 1/16in. (6.1 x 5.2cm), Bronzes, Lion's head spouts were popular among the Greeks. They were used on the roofs of temples and public

三代目関三十郎の大寺正兵衛　小袖曽我薊色縫, Seki Sanjūrō III as Ōdera Shōbei from 'Kosode Soga azami no ironui', Edo period (1615–1868), 1859, Japan, Right panel of a tryptich of polychrome woodblock prints; ink and

Roger van der Weyden the Younger, from the series Pictorum Aliquot Celebrium.., ca. 1610, Engraving, approx. 8 1/4 x 4 3/4 in. (21 x 12 cm), Prints, after Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Jug, Roman, Terracotta, H. 6.91 cm., Vases, One-handled jug with traces of greenish glaze

Chinese Sage Evoking a Dragon, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 6 15/16 in. (20.3 x 17.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Mucius Scaevola Before King Porsenna, 18th century, Black chalk, with touches of red chalk on off-white antique laid paper, sheet: 16 3/16 x 18 15/16 in. (41.1 x 48.1 cm), Drawings, circle of François Boucher (French, Paris 1703–1770 Paris

The Death of the Buddha (Parinirvana), Kushan period, ca. 3rd century, Pakistan (ancient region of Gandhara), Schist, H. 26 in. (66 cm); W. 26 in. (66 cm); D. 3 in. (7.6 cm), Sculpture, When the Buddha was eighty he died near the city of

Tombeau du Sultan El-Goury, au Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 6 9/16 × 8 11/16 in. (16.6 × 22 cm), Photographs, Maxime Du Camp (French, 1822–1894

Cup, ca. 1730–35, Austrian, Vienna, Hard-paste porcelain, 3 × 3 7/8 in. (7.6 × 9.8 cm), Ceramics-Porcelain

Flora and Zephyr, 1743, Oil on canvas, 20 7/8 x 24 7/8 in. (53 x 63.2 cm), Paintings, Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam

Frances Folsom Cleveland, 1887–92, cast 1902, Bronze, Diameter: 5 1/2 in. (14 cm), Sculpture, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), Saint-Gaudens began modelling a low-relief portrait of Frances

Terracotta rim fragment, Middle Helladic, ca. 2000–1600 B.C., Helladic, Terracotta; Yellow Minyan ware, Other: 3 1/16in. (7.8cm), Vases, Yellow Minyan ware

Chisel, Bronze, Other: 3 in. (7.6 cm), Bronzes

Terracotta rim fragment with cross-hatching beneath band, Late Helladic III, ca. 1400 B.C., Mycenaean, Terracotta; Dark-on-light ware, 2 1/16 × 2 3/4 × 3/8 in. (5.3 × 7.1 × 1 cm), Vases, From Mycenae. Rim fragment with dark cross-hatching

Bottle, 1815–45, Possibly made in Pennsylvania, United States; Possibly made in Ohio, United States, American, Blown, pattern-molded glass, H. 4 in. (10.2 cm), Glass

The Fifth Month, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 3/8 in. (18.7 cm), Prints, Ishikawa Toyomasa (Japanese, active 1770–1790

Newsman, 1870s, Albumen silver print from glass negative, 25.3 x 20.1 cm (9 15/16 x 7 15/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Aniene River at Tivoli, ca. 1786–89, Oil on paper, 12 3/4 x 11 1/2 in. (32.4 x 29.2 cm), Paintings, Simon Denis (Flemish, Antwerp 1755–1813 Naples), A visit to the cataracts of the Aniene River, which courses through and surrounds Tivoli,

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 7 5/16 in. high 6 1/2 in. wide (18.5 cm high 16.5 cm wide), Textiles

George Washington, ca. 1825–50, Sardonyx, 1 3/16 x 7/8 in. (3 x 2.2 cm), Natural Substances

Vase fragments, Early Minoan II, Minoan, Terracotta, 3 7/8 × 3 1/2 × 5/16 in. (9.9 × 8.8 × 0.8 cm), Vases

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/8 × 9 7/8 in. (35.9 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

A Swallow in the Rain, Meiji period (1868–1912), ca. 1891–92, Japan, Album leaf; ink and color on silk, 14 5/8 x 11 in. (37.1 x 27.9 cm), Paintings, Okada Baison (Japanese, 1864–1913

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 × 1 7/8 × 2 7/16 in. (5 × 4.8 × 6.1 cm), Vases

Jérusalem, Vallée de Josaphat, Tombeau d'Absalon, 1854, Salted paper print from paper negative, Image: 32.2 x 23.2 cm (12 11/16 x 9 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Taoist Sages Crossing the Sea, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink on silk, 11 3/8 × 58 in. (28.9 × 147.3 cm), Paintings, Unidentified Artist, Formerly Attributed to Li Gonglin (Chinese, ca. 1041–1106

Limestone statuette of Herakles as an archer, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, H. 15 3/4 x 2 7/8 x 3 3/8 in. (40 x 7.4 x 8.6 cm), Stone Sculpture, With bow, bow-case and quiver, and four arrows in right hand

Fragmentary marble inscription, Late Classical or Early Hellenistic, late 4th–early 3rd century B.C., Greek, Marble, H., 6 3/4', W., 9', D., 2 1/8', Stone Sculpture, Part of a honorary decree from Salamis in honor of a certain Chr...

Design Drawing, ca. 1898–99, Made in New York, New York, United States, American, Watercolor and graphite on paper, 11 3/8 x 16 in. (28.9 x 40.6 cm), Drawings, Tiffany Glass and Decorating Company (American, 1892–1902), This drawing is

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Magic wand, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Outer Court, Pit 504, 1908, Hippopotamus ivory, L. 33.8 × W. 3.8 × H. 15.8 × Th. 0.6 cm (13 5/16 ×

東海道五十三次　袋井　名物遠川だこ, Fukoroi, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese,

Pleasure Parties in Boats on the Sumida River under the Ryogoku Bridge, Edo period (1615–1868), ca. 1796, Japan, One sheet of a hexaptych of polychrome woodblock prints; ink and color on paper, 15 3/32 x 10 1/5 in. (38.3 x 25.9 cm), Prints,

George III, ca. 1820, British, Onyx and gold, Visible cameo: 22.7 x 17.5 mm, Lapidary Work-Gems, Apparently made as a memorial, this cameo captures George III (r. 1760–1820) in old age, pink, roly-poly and bug-eyed but occupying the field

[Tolly's Nullah, Calcutta], 1850s, Albumen silver print, Image: 18.3 x 24 cm (7 3/16 x 9 7/16 in.), Photographs, Captain R. B. Hill

Cup, fragment, Early Minoan II, Minoan, Terracotta, 1 9/16 × 2 11/16 × 9/16 in. (4 × 6.8 × 1.5 cm), Vases

Various Moths and Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 3/4 x 7 3/16 in. (19.7 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Oinochoe, Archaic, 6th–5th century B.C., Greek, Attic, Terracotta; black-figure, H. 7 3/16 in. (18.2 cm), Vases

Palanquin Ring with a Demon Battling a Horse, Angkor period, ca. early 13th century, Cambodia or Thailand, Bronze, H. 9 7/8 in. (25.1 cm); W. 9 5/8 in. (24.4 cm), Metalwork

Glass dish, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, H.: 1 1/8 in. (2.9 cm), Glass, Colorless. Tubular rim, flaring up and outwards, and folded out and down; shallow S-shaped side to body; tubular foot ring, made by

Frets, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 5/8 x 9 1/2 in. (21.8 x 24.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

四季の花, Women on a Bridge, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801, Japan, Polychrome woodblock print; ink and color on paper, 6 3/4 × 9 7/8 in. (17.1 × 25.1 cm), Prints, Kitagawa Utamaro

Pottery Whistle and Rattle, Pre-Columbian, ca. 800–1525, Diquis Region, Costa Rica, Costa Rican, Clay, Overall: 8.7 x 6.1 x 5.8 cm, 76 g (3 7/16 x 2 3/8 x 2 5/16 in., 2.7 oz .), Aerophone and Idiophone-flue blown / vessel rattle

Chariot fragments, socket and plaque, Archaic, ca. 500–480 B.C., Etruscan, Bronze, 5 5/16 × 7 in. (13.5 × 17.8 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

[Elegant Group Outdoors], ca. 1856–59, Salted paper print, 14.8 x 19.7 cm (5 13/16 x 7 3/4 in.), oval, Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Bracelet, Roman, Bronze, diameter 8.10 cm., Bronzes

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 5/16 × 7/16 × 5/16 in. (5.9 × 1.1 × 0.9 cm), Vases

Arrivo, September 1, 1893, Albumen silver print from glass negative, Image: 14.7 x 9.8 cm (5 13/16 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Chakra or Quoit ('Khor Lo), possibly 15th–18th century, Tibetan, Iron, Outer Diam. 5 1/2 in. (14 cm); inner Diam. 4 1/4 in. (10.8 cm), Miscellaneous

River Scene, Qing dynasty (1644–1911), China, Album leaf; ink on silk, 9 3/8 x 11 3/4 in. (23.8 x 29.8 cm), Paintings, Unidentified Artist

Mico Lo Giudice-Berbiredolu 'Il mago del mandolino', 1890s–1900s, Albumen silver print from glass negative, 22.3 x 16.9 cm. (8 3/4 x 6 5/8 in.), Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931

宋 佚名 胡笳十八拍 文姬歸漢圖 卷, Eighteen Songs of a Nomad Flute: The Story of Lady Wenji, Ming dynasty (1368–1644), early 15th century, China, Handscroll; ink, color, and gold on silk, Image: 11 1/4 in. × 39 ft. 3 in. (28.6

Plate Depicting a Flowering Bush in Two-Toned Luster, 9th century, Attributed to Iraq, probably Basra, Earthenware; luster-painted on opaque white glaze, H. 1 1/4 in. (3.2 cm), Ceramics, A highly stylized, flowering bush fills the center of

King Siddharta Listens to an Astrologer Forecast the Conception and Birth of His Son, the Jina Mahavira: Folio from a Kalpasutra Manuscript, late 14th century, India (Gujarat), Opaque watercolor on paper, 3 3/8 x 13 13/16 in. (8.6 x 35.1 cm),

Vue générale de Saint-Ouen, 1852–54, Salted paper print from glass negative, 24.8 x 31.1 cm (9 3/4 x 12 1/4 in. ), Photographs, Edmond Bacot (French, 1814–1875

Statuette of Zeus, Bronze, H.: 4 1/2 in. (11.4 cm), Bronzes

Lekythos, Greek, Attic, Terracotta; black-figure, 12 1/2in. (31.8cm), Vases

Hibiscus Mutabilis and Jay, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 4 3/8 (11.1 cm); W. 6 1/2 in. (16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

[Shipping in the Hooghly near Fort, Calcutta], 1850s, Albumen silver print, Image: 18.3 x 24 cm (7 3/16 x 9 7/16 in.), Photographs, Captain R. B. Hill

Plaque from a Tantric Ritual Apron (Chakrasamvara and Vajravarahi at Center), 16th century or later, Nepal, Bone, H. 6 9/16 in. (16.7 cm), Bone

東都名所　新吉原日本堤衣紋坂曙, Shin Yoshiwara Nihon Tsutsumi Emonzaka Akatsuki, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 10 1/5 x 14 7/16 in. (25.9 x 36.7 cm), Prints,