Images at Librifly

Design for a Candlestick, 1472–1528, Pen and brown ink, brush and brown wash, on vellum, 13 7/8 x 3 5/8in. (35.2 x 9.2cm), Drawings, attributed to Pietro Torrigiano (Italian, Florence 1472–1528 Seville

Portrait of a Woman, Oil on canvas, 47 5/8 x 38 5/8 in. (121 x 98.1 cm), Paintings, Style of Rembrandt (Dutch, mid- to late 1640s

Glass conical bowl, Late Hellenistic, mid-2nd–early 1st century B.C., Greek, Syro-Palestinian, Glass, cast and cut; cast and cut, H.: 2 7/8 in. (7.3 cm), Glass, Translucent honey brown. Upright rounded but uneven rim; undulating side,

Two Geisha, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/8 in. (20.6 cm); W. 5 7/8 in. (14.9 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Blenheim, 1853–56, Salted paper print, Image: 17 × 22.8 cm (6 11/16 in. × 9 in.), Photographs, James Knight (British

South East Angle of the Tirambur Pagoda, January–February 1858, Albumen silver print from waxed paper negative, Image: 26.3 x 36.4 cm (10 3/8 x 14 5/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

Fish in a Whirlpool, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/8 x 10 3/4 in. (35.9 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Terracotta oinochoe (jug), Classical, ca. 430–420 B.C., Greek, Attic, Terracotta; red-figure, 5 3/8in. (13.6cm), Vases, Archer, probably Odysseus. In the Odyssey, Homer recounted the homecoming of the Greek hero Odysseus after years of

Eiffel Tower, 1890s, Albumen silver print, 12.1 x 18.8 cm. (4 3/4 x 7 3/8 in.), Photographs, Unknown (French

Cabinet with Design of Chrysanthemum by a Stream, Edo period (1615–1868), 19th century, Japan, Gold and silver maki-e on lacquered wood with metal fittings, H. 15 in. (38.1 cm); W. 15 7/8 in. (40.3 cm); D. 9 5/8 in. (24.4 cm), Lacquer, This

Goblet, 1791, Made in Frederick County, New Bremen, Maryland, United States, American, Blown and engraved glass, wood, H. 10 in. (25.4 cm), Glass, New Bremen Glass Manufactory (1784–1795), John Frederick Amelung (active 1784–ca.

Nude Man Standing with One Arm Raised, early 19th century, Pen and brown ink, over black chalk, 16 1/16 x 10 1/16in. (40.8 x 25.5cm), Drawings, Anonymous, Italian, early 19th century

The Sibyl, ca. 1654, Oil on canvas, 38 1/2 x 30 3/4 in. (97.8 x 78.1 cm), Paintings, Willem Drost (Dutch, Amsterdam 1633–1659 Venice), Although once a well-known Rembrandt, there is now a strong consensus that this canvas was painted about

Wine Bottle with a Bird on a Rock under a Willow Tree, 染付柳岩鳥文徳利, Edo period (1615–1868), first half of the 17th century, Japan, Porcelain with underglaze blue decoration (Hizen ware), H. 11 1/2 in. (29.2 cm); Diam. 5 1/2 in.

四季の花, Girls Entertained by Performers, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801, Japan, Polychrome woodblock print; ink and color on paper, 6 7/8 x 9 7/8 in. (17.5 x 25.1 cm), Prints,

Temple de Jupiter, à Baâlbek (Héliopolis), September 15, 1850, Salted paper print from paper negative, Image: 8 3/4 × 6 1/2 in. (22.2 × 16.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

Gipsies; Lewitha; Upper Lake; [Untitled], 1853–56, Salted paper print, Image: 5.5 × 5.5 cm (2 3/16 × 2 3/16 in.) (a), circular, Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

[Self-Portrait with Artist's Brother], 1840s, Daguerreotype, Image: 1 7/8 × 1 7/16 in. (4.7 × 3.7 cm); visible, Photographs, John Adams Whipple (American, 1822–1891

Fragments of a terracotta calyx-krater (mixing bowl), Late Classical, ca. 400–360 B.C., Greek, South Italian, Lucanian, Terracotta; red-figure, A-H. 8 11/16 in. (22 cm), Vases, Obverse, Herakles and Busiris, Reverse, Dionysos and

Fragment of a terracotta skyphos (deep drinking cup), Archaic, 6th–5th century B.C., Lydian, Terracotta, 3 15/16in. (10cm), Vases, The incised Lydian inscription has not been read

Carpet, first half 19th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Rug: H. 90 in. (228.6 cm), Textiles-Rugs

Hotel de Sens, rue de l'Hôtel de Ville, Paris, early 1900s, Albumen silver print from glass negative, 16.7 x 20.5 cm (6 9/16 x 8 1/16 in. ), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Letter to Li Ziyuan, Ming dynasty (1368–1644), China, Album leaf; ink on gold-flecked paper, 10 5/8 x 9 7/8 in. (27 x 25.1cm), Calligraphy, Tang Yin (Chinese, 1470–1524

Glass alabastron (perfume bottle), Early Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or South Italian, Glass; core-formed, Group II, H.: 6 15/16 in. (17.6 cm), Glass, Translucent cobalt blue, with handles in same

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/2 × 1 15/16 × 3/16 in. (3.8 × 4.9 × 0.5 cm), Vases

'Bahram Gur in the Sandal Palace on Thursday', Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 7 13/16 in. (19.8

Ornamental Confectionery and Practical Assistant to the Art of Baking, 1893, Illustrations: lithography, 7 11/16 x 5 1/8 x 5/8 in. (19.5 x 13 x 1.6 cm), Books

Electrum vase with lid, Latter part of the Early Bronze Age, ca. 2300–2000 B.C., Anatolian, Electrum, H. with lid 9 1/16 in. (23 cm), Gold and Silver, This vase, along with .46-.48 are said to have been found together, are best paralleled

Terracotta hydria (water jar), Archaic, ca. 560–550 B.C., Greek, Attic, Terracotta; black-figure, Overall: 15 13/16 x 13 7/8in. (40.1 x 35.2cm), Vases, On the shoulder, Achilles waiting to ambush Troilos and Polyxena. The ambush depicted

Shirt of Mail and Plate, late 15th–16th century, possibly Istanbul, Turkey, possibly Istanbul, Steel, iron, silver, as mounted, H. approx. 32 in. (81.3 cm); W. approx. 27 in. (68.6 cm); Wt. 22 lb. 2 oz. (10.07 kg), Coat of mail and plate,

The Wye and Symond's Yat. From Rocklands, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Marble sarcophagus with garlands and the myth of Theseus and Ariadne, Hadrianic or early Antonine, ca. A.D. 130–150, Roman, Marble, Luni and Pentelic, Overall: 31 x 85 3/4 x 28in. (78.7 x 217.8 x 2.3 cm), Stone Sculpture, On the lid, shown

The Actor Ichikawa Komazo II as a Man Armed with a Sword, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 11/16 in. (14.4 cm), Prints, Katsukawa Shun'ei (Japanese,

Hat, Deer-Horn and Plum Branch, Representing Jurōjin, the God of Life, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm), Prints, Totoya Hokkei (Japanese,

Mallet of Daikoku, One of the Gods of Good Fortune, and a Rat, Edo period (1615–1868), probably 1828, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Yashima Gakutei

Layer Marney, 1857, Albumen silver print from paper negative, 21.2 x 27.2 cm. (8 3/6 x 10 11/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Umezawa Manor in Sagami Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei, Sōshū Umezawa zai), 「冨嶽三十六景　相州梅沢左」, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock

Glass pin, Early Imperial, 1st century A.D., Roman, Glass; drawn and tooled, 4 3/8 × 1/8 in. (11.2 × 0.3 cm), Glass, Colorless., Circular cross section; upper end tooled into a flat disk; lower end tapering to a point., Intact; striations

Ankle Bells, early 19th century, Ivory Coast, Dan, Wobe, Metal, Diameter: 8 1/16 in. (20.5 cm), Idiophone-Shaken-crotal bell

Lead grille, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 1/2 in. (3.8 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Gold pendant in the form of a lion's head, Classical, ca. 450–400 B.C., Cypriot, Gold, Diam.: 1/2 in. (1.3 cm), Gold and Silver, The lion's-head is finely modeled in two halves, left and right, with a flat gold sheet closing off the neck

The Actor Ogino Isaburō as an Itinerant Flower Vendor, Edo period (1615–1868), ca. 1738, Japan, Polychrome woodblock print; ink and color on paper, 13 1/4 x 6 1/4 in. (33.7 x 15.9 cm), Prints, Nishimura Shigenobu (Japanese, active

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Other: 11/16 x 13/16 in. (1.8 x 2.1 cm), Glass, Thin-walled rim fragment., Semi-opaque greyish blue, translucent deep purple,

Terracotta stemmed bowl, Archaic, mid-6th century B.C., Greek, Boeotian, Terracotta, H. 7 7/8 in. (20 cm); diameter 9 15/16 in. (25.2 cm), Vases, The stemmed bowl was a characteristic Boeotian vase that was popular from the mid-sixth into the

Terracotta hydria (water jar), Classical, ca. 420–400 B.C., Greek, South Italian, Lucanian, Terracotta; red-figure, H. 18 1/16 in. (45.9 cm), Vases, Two women presenting gifts to two youths The Amykos Painter was a prolific artist who

The Second Nakamura Sukegoro as an Otokodate Seated on a Wooden Bench, Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 13/16 in. (32.1 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese,

南宋 馬麟 松下高士圖 冊頁 絹本, Landscape with great pine, Song dynasty (960–1279), second quarter of the 13th century, China, Album leaf; ink and color on silk, 9 15/16 x 10 1/4 in. (25.2 x 26 cm), Paintings, Ma Lin (Chinese,

The Whole Booke of Davids Psalmes, with an embroidered cover, ca. 1635, British, Canvas worked with silk and metal thread, seed pearls; tent, Gobelin, and couching stitches, Overall: 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Textiles-Embroidered

Alabaster flask, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Calcite (alabaster), Overall: 5 1/2 x 2 5/8 in. (14 cm), Miscellaneous-Stone Vases, The vase has thick walls and a flat base, without lugs, a wide neck, and a convex lip

Glass perfume bottle, Late Imperial, 3rd century A.D., Roman, Glass; blown, Overall: 6 1/4 x 1 5/8 x 1 in. (15.9 x 4.1 x 2.5 cm), Glass, Colorless with greenish tinge., Outsplayed rim, folded unevenly over and in; tall, concave,

Entrée du Tombeau de Sultan Bezkouk, au Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 8 3/4 × 6 5/16 in. (22.3 × 16 cm), Photographs, Maxime Du Camp (French, 1822–1894

Glass ribbed bowl, Early Imperial, late 1st century B.C.–mid-1st century A.D., Roman, Syro-Palestinian or Italian, Glass; cast, tooled, and cut, H.: 2 3/16 in. (5.6 cm), Glass, Translucent purple with colorless streaks. Plain vertical

Le Premier Tome de l'Architecture, 1567, Printed book with woodcut illustrations, Overall: 14 7/8 x 10 3/8 x 1 5/8 in. (37.8 x 26.4 x 4.2 cm

清 徐祥 小鳥水仙 扇面, Birds and Narcissus, Qing dynasty (1644–1911), dated 1883, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 1/4 x 21 in. (18.4 x 53.3 cm), Paintings, Xu Xiang (Chinese,

明 傳仇英 五星二十八宿神形圖 卷, Divinities of the Planets and Constellations, Ming dynasty (1368–1644), 16th century, China, Handscroll; ink and color on paper, Image: 7 9/16 x 158 1/4 in. (19.2 x 402 cm), Paintings,

Birth of St. John, 1857, Albumen silver print, Photographs, Roger Fenton (British, 1819–1869

Terracotta basket bowl, Cypro-Geometric III, 850–750 B.C., Cypriot, Terracotta, H. 1 15/16 in. (4.9 cm); diameter 5 5/8 in. (14.3 cm), Vases, Decorated with triangular openings and concentric bands in black and red

Hanging, mid-18th century, Attributed to India, Deccan, Cotton; plain weave, embroidered in silk, Textile: L. 123 in. (312.4 cm), Textiles-Painted and/or Printed

Glass finger ring, Hellenistic, 3rd–2nd century B.C., Greek, Eastern Mediterranean, Glass; cast and cut, H.: 15/16 in. (2.4 cm), Glass, Translucent cobalt blue. Broad hoop with D-shaped cross section with beveled edges, broadening into

Johann Joachim Winckelmann (1717–1768), ca. 1777, Oil on canvas, 25 x 19 3/8 in. (63.5 x 49.2 cm), Paintings, Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728–1779 Rome), One of the most influential writers on art and

Fuji Seen in the Distance from Senju Pleasure Quarter (Senju kagai yori chōbō no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　従千住花街眺望の不二, Edo period (1615–1868), ca.

Oinochoe, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Canosan, Terracotta, H. 15.49 cm.; diameter 9.26 cm., Vases

Terracotta gorgoneion antefix (roof tile), Archaic, ca. 580–570 B.C., Greek, Terracotta, H. 6 3/4 in. (17.1 cm.), Terracottas, The frightening features of this Gorgon head, its petrifying eyes and sharp teeth, correspond to its Archaic

The Third Azuma Tozo as a Woman in a Black Kimono, Edo period (1615–1868), probably 1782, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 2/3 in. (32.1 x 14.4 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

St. Andrews. The Pends, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Linen, inscribed, New Kingdom, Dynasty 18, ca. 1550–1525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Meritamun (TT 358, ), 1928–29, Linen, ink, L. 15 × W. 8 cm (5 7/8 × 3 1/8 in

Bag with Character for Longevity (Shou), Qing dynasty (1644–1911), 18th–19th century, China, Silk and metallic thread embroidery on silk gauze, Overall: 8 x 4 3/4 in. (20.3 x 12.1 cm), Textiles-Embroidered, This case is decorated with the

Mirror, 12th century, Made in probably Afghanistan, Bronze; cast, D. 3/16 in. (0.5 cm), Metal, This small mirror, despite its fragmentary, worn condition, has preserved its benedictory kufic inscription that surrounds a bird with open wings

外国人物図畫仏蘭西, France, from the series Pictures of People from Foreign Lands (Gaikoku jinbutsu zuga), Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 5/8 in. (35.6 x 24.4 cm), Prints,

Bowl, ca. 1840, Possibly made in Sandwich, Massachusetts, United States; Possibly made in East Cambridge, Massachusetts, United States, American, Pressed glass, Diam. 6 1/4 in. (15.9 cm), Glass

[Ochterlony Monument, Calcutta], 1850s, Albumen silver print, Image: 17.7 x 24 cm (6 15/16 x 9 7/16 in.), Photographs, Captain R. B. Hill

Mandolin, 18th century, Lisbon, Portugal, Portuguese, Maple?, tortoiseshell, various materials, L.: 58 cm, Chordophone-Lute-plucked, Joao Vieira da Silva

Viola d'Amore, second half 18th century, Paris, France, French, Wood, Body L. 41 cm (16.14 in.); Total L. 76.5 cm (30.12 in.); Bowed String L. 36.7 cm (34.39 in.), Chordophone-Lute-bowed-unfretted, Attributed to Jean-Nicolas Lambert (French,

Continental Porcelain Plate, Alabama, ca. 1878–89, American, Porcelain, Body diameter: 8 3/8 in. (21.3 cm), Ceramics, Joseph S. Potter (1822–1904

[Banian Tree in Commissioner Grote's Garden, Alipoor, Calcutta], 1858–61, Albumen silver print, Image: 16.1 x 21.5 cm (6 5/16 x 8 7/16 in.), Photographs, Unknown

The Actor Nakamura Tomijuro, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Limestone statuette of a beardless male votary with a wreath of leaves, Classical, middle or 3rd quarter of the 5th century B.C., Cypriot, Limestone, H. 28 1/4 x 7 1/2 x 6 in. (71.8 x 19.1 x 15.2 cm), Stone Sculpture, Male figure holding a

Terracotta amphora (jar), Late Archaic, ca. 490 B.C., Greek, Attic, Terracotta; red-figure, H. 18 1/2 in. (47 cm), Vases, Obverse, Apollo and Artemis flanking an altar, Reverse, athlete and trainer. The Eucharides Painter worked in the

Head of a Bishop, ca. 1770, Oil on canvas, 18 3/8 x 14 7/8 in. (46.7 x 37.8 cm), Paintings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna), A brilliant painter and draftsman, Gandolfi belonged to a family of artists

Les épaules tombantes, 1860s, Albumen silver print from glass negative, 7.6 x 10.2 cm. (3 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Glass unguentarium (perfume bottle), Hellenistic, 3rd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, H.: 4 1/4 in. (10.8 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque white and

Terracotta amphoriskos (oil flask), Late Corinthian, ca. 575–500 B.C., Greek, Corinthian, Terracotta; black-figure, H. 6 1/4 in. (15.9 cm), Vases, On the shoulder, duck and deer

White Crane Flying across the Sun's Disc, Edo period (1615–1868), 1835?, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 in. (20 x 17.8 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Gathering Water Chestnuts, Qing dynasty (1644–1911), 18th century or later, spurious date of 1706, China, Folding fan mounted as an album leaf; ink and color on paper, 6 3/4 x 20 in. (17.1 x 50.8 cm), Paintings, Unidentified Artist, After

Nude standing female, Isin-Larsa, ca. 2000–1750 B.C., Mesopotamia, Eshnunna (modern Tell Asmar), Isin-Larsa, Ceramic, 6 in. (15.24 cm), Ceramics-Sculpture

Elizabeth Tappenden, 1876, Albumen silver print from glass negative, 9.3 x 5.5 cm (3 11/16 x 2 3/16 in. ), Photographs, Unknown (British), A sobering foil to the cartes-de-visite of the celebrated and powerful, these records from an

Diana and Actaeon, ca. 1580–1585, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink, 16 1/4 x 12 5/8in. (41.3 x 32.1cm), Drawings, Bartholomeus Spranger

Illustrated Books and an Incense Burner, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 10 15/16 in. (21 x 27.8 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

The Geisha To’e as a Vendor of Poems, from the series Gion Festival Costume Parade (Gion mikoshi arai nerimono sugata), 『祇園神輿洗　ねり物姿』「いろは歌の売」, Edo period (1615–1868), ca. 1795, Japan, Polychrome

Mimeguri Zutsumi Matsuchiyama Embo, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 9 11/16 x 14 1/4 in. (24.6 x 36.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Hanuman before Rama and Lakshmana, ca. 1710–25, India (Punjab Hills, Mankot), Ink and opaque watercolor on paper, 8 x 12 1/8 in. (20.3 x 30.8 cm), Paintings, When Hanuman, as the messenger of Sugriva, first encounters Rama and Lakshmana,

近江八景之内 比良暮雪, Evening Snow on Hira, Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 13 23/32 in. (22.5 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese,

Woman Relaxing after Her Bath, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 5/8 in. (24.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro was the

Portrait of a Man, 1645, Oil on canvas, 31 1/4 x 25 1/4 in. (79.4 x 64.1 cm), Paintings, Johannes Verspronck (Dutch, Haarlem, born ca. 1601–3, died 1662 Haarlem), After Frans Hals, Verspronck was the most accomplished portraitist in

Limestone statuette of a female votary holding pieces of fruit, Classical, middle or second half of the 5th century B.C., Cypriot, Limestone, H.: 17 1/4 x 7 x 4 1/4 in. (43.8 x 17.8 x 10.8 cm), Stone Sculpture, Female figure carrying fruit in

Terracotta stemless kylix (drinking cup), Late Archaic, ca. 500–475 B.C., Greek, Attic, Terracotta; black-glaze, coral red, 1 7/8 × 4 7/8 in. (4.8 × 12.4 cm), Vases, Stemless cup with two handles and black band around the rim

Steamfitter, 1921, Gelatin silver print, 42.1 x 30.9 cm (16 9/16 x 12 3/16 in.), Photographs, Lewis Hine (American, 1874–1940), Hine’s iconic photograph of a mechanic in a Pennsylvania power plant celebrates the worker as a noble

Le Magnifique Chateau de Richelieu, ca. 1660, Etching, album: 24 13/16 x 18 1/2 x 3/16 in. (63 x 47 x 0.5 cm), Books

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 1/8in. (8cm), Glass, Translucent pale blue green. Rim folded out, over, and in; flaring mouth; cylindrical neck, tooled in around base;