Images at Librifly

Mrs. Horton, Later Viscountess Maynard (died 1814/15), Oil on canvas, 36 1/4 x 28 in. (92.1 x 71.1 cm), Paintings, Sir Joshua Reynolds (British, Plympton 1723–1792 London

Cortège d'un mariage, Cochinchine, 1866, Albumen silver print from glass negative, 20.7 x 31.1 cm (8 1/8 x 12 1/4 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Embroidered Sampler, 1795, Made in Burlington County, New Jersey, United States, American, Embroidered silk on linen, 17 x 18 in. (43.2 x 45.7 cm), Textiles, Abigail Ridgway (born 1778

'Bahram Gur in the Turquoise Palace on Wednesday', Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Image 4 7/8 in x 7 7/8

Terracotta head of a bearded man, Classical, early 4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 4 3/4 in. (12.1 cm), Terracottas, The head is certainly part of a representation of a reclining figure, whose identity is

Women Preparing Sashimi, Edo period (1615–1868), 1806–20, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro expanded the scope of the

石橋物, Two Dancers Performing a “Shakkyōmono” Kabuki Dance, from Spring Rain Surimono Album (Harusame surimono-jō), vol. 3, Edo period (1615–1868), ca. 1805–10, Japan, Privately published polychrome woodblock prints (surimono)

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 in. (12.7 cm), Glass, Translucent pale blue with greenish tinge, with handles in same color (?);

Judgement of Solomon, mid-17th century, British, Canvas worked with silk thread; tent, knot, split, and steel stitches, H. 9 x W. 12 7/8 inches (22.9 x 32.7 cm), Textiles-Embroidered

[Tomb of the Virgin, Jerusalem], 1860s, Albumen silver print from glass negative, Image: 13.9 x 17.2 cm (5 1/2 x 6 3/4 in.), Photographs, John Anthony (British, born France, 1823–1901

Terracotta askos (flask with a spout and handle over the top), Classical, mid-5th century B.C., Greek, Attic, Terracotta; black-glaze, Overall: 2 5/8 x 4 1/4in. (6.6 x 10.8cm), Vases, Flask with a spout and handle over the top and no

Plate, ca. 1825, Made in Norwalk, Connecticut, United States, American, Earthenware; Redware with slip decoration, H. 1 3/4 in. (4.4 cm); Diam. 12 1/4 in. (31.1 cm), Ceramics, Possibly by Asa Edward Smith (1798–1880), Attributed to Smith

Frontispiece for the series of 'Figurine', ca. 1656–1657, Etching, sheet: 5 11/16 x 3 3/4 in. (14.5 x 9.5 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Agate ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Agate, Length: 1/2 in. (1.3 cm), Gems, Man measuring with plumbline

Glass perfume bottle, Mid or Late Imperial, 2nd–4th century A.D., Roman, Glass; blown, Overall: 4 5/16 in. (11 cm), Glass, Color uncertain, appering black. Broad, slanting rim, folded out, over, and in, flattened on top, forming

Moss agate scaraboid seal, Archaic, early 5th century B.C., Greek, Agate, moss, Length: 9/16 in. (1.5 cm), Gems, Crouching youth

Bronze doe, Classical, 2nd half of the 5th century B.C., Greek, Bronze, H.: 4 1/4 in. (10.8 cm), Bronzes, Deer are an attribute of Artemis, the goddess of the hunt. This statuette may have been offered as a dedication in a sanctuary

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 9/16 x 20 in. (37 x 50.8 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

Unidentified Scene from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, OveralL. 12 5/8 x 8 1/2in. (32.1 x 21.6cm), Codices

Jacob, from the series Sylvae Sacrae Monumenta...Anachoretarum, 1593–94, Engraving, sheet: 6 5/16 x 8 1/16 in. (16 x 20.4 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice), After Maerten de Vos (Netherlandish,

Bronze handle attachment, Imperial, 2nd century A.D., Roman, Bronze, Total height 3 1/2 in. (8.9 cm), Bronzes, The handle once decorated the side of a situla (wine bucket), and the wreathed mask in high relief may be identified as that of

Sardonyx ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Sardonyx, Length: 11/16 in. (1.8 cm), Gems, Zeus with scepter supporting a child with cornucopia Adaptation of a Greek work of the 4th or 3rd century

Poem Written after Rain, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/4 x 18 13/16 in. (15.9 x 47.8 cm), Calligraphy, Ju Jie (Chinese, active ca. 1531–1585

Gröfin Auersperg, 1850s–60s, Albumen silver print from glass negative, 21.8 x 17.2 cm. (8 9/16 x 6 3/4 in.), Photographs, Franz Antoine (Austrian, 1814–1882

The Tazukuri no Tamagawa, popularly known as the Chofu no Tamagawa, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 x 9 3/5 in. (38.1 x 24.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

The Actor Otani Oniji, Edo period (1615–1868), 1762–1819, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/8 in. (30.5 x 13.7 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Elopers in Musashino, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 x 7 5/8 in. (25.4 x 19.4 cm), Prints, Suikōdō Sakei (Japanese, active ca. 1764), In this episode of The Tales of Ise, the

歌川広重画　雪中芦に鴨, Mallard Ducks and Snow-covered Reeds, Edo period (1615–1868), ca. 1843, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 5 1/16 in. (12.9 cm), Prints, Utagawa

Emperor and Two Attendants, Ming dynasty (?) (1368–1644), China, Album leaf; ink and color on silk, 10 x 5 15/16 in. (25.4 x 15.1 cm), Paintings, Unidentified Artist, Copy after Yan Liben (Chinese, 640–680

Border, 17th century, Italian or Greek, Silk, L. 16 1/2 x W. 4 inches (41.9 x 10.2 cm), Textiles-Embroidered

Lid with Seated Male Figure, 1st–2nd century, Pakistan (ancient region of Gandhara), Bronze, H. 3 3/4 in. (9.5 cm); Diam. 6 3/16 in. (15.7 cm), Metalwork, Such vessels were important to the Buddhist community at Gandhara, as pouring water

Carpet (tapis), mid-17th century, French, Paris, Knotted and cut wool pile (Ghiordes knot) (woven with about 44 knots per sq. inch), Overall (confirmed): H. 146 1/16 x W. 100 in. (371 x 254 cm), Textiles-Rugs, Until 1671 the manufactory known

Plasma scaraboid seal set in a gold band, Archaic, early 5th century B.C., Greek, Plasma, gold, Length: 9/16 in. (1.5 cm), Gems, Youth between rearing horses

[Countess Canning with Guest, Government House, Allahabad], 1858, Albumen silver print, Image: 7.6 x 6.9 cm (3 x 2 11/16 in.), Photographs, John Constantine Stanley (British, 1837–1878

Fibula, Greek, Cypriot, Bronze, Other: 3 1/8in. (7.9cm), Bronzes

Limestone votive relief fragment, Early Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 7 3/4 x 4 x 1 1/4 in. (19.7 x 10.2 x 3.2 cm), Cesnola Inscriptions, Sadly broken, the relief and accompanying Cypro-syllabic inscription

Glass sprinkler flask, Late Imperial, 4th century A.D., Roman, Glass; blown in a two-part mold, H.: 3 x 2 1/2 x 1 1/2 in. (7.6 x 6.4 x 3.8 cm), Glass, Translucent pale green with blue tinge., Broad horizontal rim folded out, down, round,

Asahina Fuji Hyoe, Edo period (1615–1868), 1854 (year of the Horse, 7th month), Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 9 3/4 in. (35.9 x 24.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

衣食住, Attire, Edo period (1615–1868), 1760–1849, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 1/2 in. (14.3 x 19.1 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Courtesan Dreaming of the New Year Procession, Edo period (1615–1868), 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Bolton Priory. The Stepping Stones, 1850s, Albumen silver print, Image: 28.3 x 24.1 cm (11 1/8 x 9 1/2 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,

近江八景之内　瀬田夕照, Sunset at Seta, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Davis Album, 1802–3, Attributed to Iran. Attributed to Iran, Papier-maché; painted in opaque watercolor and gold, and lacquered , H. 13 1/8 in. (33.3 cm), Codices

Terracotta skyphos (deep drinking cup), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, H. 4 in. (10.2 cm); diameter 5 7/16 in. (13.8 cm); width with handles 7 15/16 in. (20.1 cm), Vases, Dogs among fruit trees. Scenes of rural

月二拾八景之内　弓張月, Bow Moon, Edo period (1615–1868), 1832, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 6 7/8 in. (37.5 x 17.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Glass oinochoe (perfume jug), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 4 5/16 in. (11 cm), Glass, Opaque white, with handle and foot apparently in opaque white and translucent

明 佚名 樓閣江帆圖 團扇, Village and Temples in Jiangnan, Ming dynasty (1368–1644), early 15th century, China, Round fan mounted as an album leaf; ink, color, and gold on silk, Image: 9 9/16 x 10 3/16 in. (24.3 x 25.9 cm),

明 唐寅 致若容書 冊頁, Letter to Xu Shangde, Ming dynasty (1368–1644), China, Album leaf; ink on paper, Image: 10 3/4 × 25 1/4 in. (27.3 × 64.1 cm), Calligraphy, Tang Yin (Chinese, 1470–1524), Not only is this letter one of

Terracotta kyathos (cup-shaped ladle), Archaic, ca. 530–500 B.C., Greek, Attic, Terracotta; black-figure, 4 15/16in. (12.5cm), Vases, Battle of Lapiths and centaurs. Although kyathoi were made in Athens for export to Etruria, the

Alfred, Lord Tennyson, 1865, Albumen silver print from glass negative, Image: 22.9 x 18.4 cm (9 x 7 1/4 in.), rounded top, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), A brilliant poet

Fruit or Pomegranate, designed 1865–66, Block-printed wallpaper, Sheet: 27 1/16 x 21 5/8 in. (68.7 x 54.9 cm), Wallpaper

[Woman Seen from the Back], ca. 1862, Salted paper print from glass negative, Image: 30.8 × 25.7 cm (12 1/8 × 10 1/8 in.), Photographs, Onésipe Aguado de las Marismas (French, Evry 1830–1893 Paris), A wealthy amateur photographer and a

Three-light candelabrum (one of a pair), ca. 1785, French, Patinated and gilt-bronze, enameled bronze, marble, H. 40-1/8 x W. 12-1/4 x D. 6-3/4 in. (101.9 x 31.1 x 17.1 cm), Metalwork-Gilt Bronze

Bronze ring, Classical, ca. 5th–4th century B.C., Greek, Bronze, Length: 13/16 in. (2.1 cm), Gems, Eagle perched on top of a ram

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 5/8 in. (9.2 cm), Glass, Opaque dark olive green, with handles in same color; trails in opaque yellow

Yellow Roses and Bees, Pink Roses and Wasps, Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, Image: 9 15/16 × 79 5/8 in. (25.2 × 202.2 cm), Paintings, Unidentified Artist, Formerly Attributed to Zhao Chang (Chinese,

Un Bon Viveur, 1890s–1900s, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London

Pompomasos (Leaping Frogs), Three Brothers, 1861, Albumen silver print from glass negative, Image: 42.4 x 52.2; Mount: 53.7 x 69.3, Photographs, Carleton E. Watkins (American, 1829–1916

Descent from the Cross, ca. 1475–1500, Made in Brussels, The Netherlands, South Netherlandish, Limewood with paint, Overall: 22 5/8 x 13 3/16 x 6 1/4 in. (57.5 x 33.5 x 15.9 cm), Sculpture-Wood, In the fifteenth century the theme of the

Palanquin Ring with Demon Battling a Horse, Angkor period, ca. early 13th century, Cambodia or Thailand, Bronze, H. 9 5/8 (24.5 cm); W. 9 1/16 in. (23 cm), Sculpture

Fragment, 5th–6th century, Attributed to Egypt, Wool, 7 5/16 in. high 4 15/16 in. wide (18.5 cm high 12.5 cm wide), Textiles

Terracotta statuette of a girl playing ball, Hellenistic, 3rd century B.C., Greek, South Italian, Terracotta, H. 7 1/4 in. (18.3 cm), Terracottas, Draped, standing girl, holding a ball in her raised right hand

Plate, ca. 1790–1800, Made in Bucks County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, Diam. 12 in. (30.5 cm), Ceramics, Attributed to John Leidy I (1764–1846

匕, Ritual Spoon (Bi), mid-Zhou dynasty (1046–256 B.C.), late 9th–early 8th century B.C., China, Bronze, W. 2 1/2 in. (6.4 cm); L. 12 3/4 in. (32.4 cm); Wt. 1 lb. (0.5 kg), Metalwork

Handle of a bowl, 7th–6th century B.C., Cypriot, Bronze, Other: 1 11/16 in. (4.3 cm), Bronzes

Attendant Bodhisattva, Northern Song dynasty (960–1127), 10th–11th century, China, Wood (foxglove) with traces of pigment; single-woodblock construction, H. 45 1/2 in. (115.6 cm), Sculpture, The figure's posture suggests that this

The Cemetery at Pronoia near Nauplia, ca. 1841–47, Oil on canvas, 10 x 12 in. (25.4 x 30.5 cm), Paintings, Carl Rottmann (German, Handschuhsheim 1797–1850 Munich), In 1834, King Ludwig I of Bavaria commissioned a cycle of Greek landscapes

Box with Design of Chrysanthemums by a Stream, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 1 1/2 (3.8 cm); W. 8 3/4 in. (22.2 cm); L. 10 in. (25.4 cm), Lacquer, Well-born Japanese brides brought

Apulegio volgare, diuiso in undeci libri, novamente stampato & in molti lochi aggiontoui che nella prima impressione gli manchaua, & de molte più figure adornato, September 3, 1519, Printed book with woodcut illustrations, 5 7/8 x 3 15/16 x

Embroidered Mantle Fragment, 3rd–2nd century B.C., Peru, Paracas, Camelid hair, Overall: 3 3/4 x 5 in. (9.53 x 12.7 cm), Textiles-Woven

Terracotta footed bowl, Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, Other: 6 1/4 x 10 in. (15.9 x 25.4 cm), Vases, On high foot. Four reliefs of two horses' heads attached to edge

Charger, ca. 1745, German, Meissen, Hard-paste porcelain, Overall: 2 3/8 x 13 5/8 x 13 1/2 in. (6 x 34.6 x 34.3 cm), Ceramics-Porcelain, This large dish and another acquired with it were most likely produced as part of an extensive dinner

The First Day of Spring (Risshun), from the series Fashionable Poetic Immortals of the Four Seasons (Fūzoku shiki Kasen), 鈴木春信画「風俗四季歌仙　立春」, Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print;

東海道五十三次　金谷　かなや駅　大井川, Kanaya, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese,

[The Tuileries After Its Destruction by the Communards], 1871, Albumen silver print from glass negative, 20.8 x 27 cm (8 3/16 x 10 5/8 in. ), Photographs, Hippolyte-Auguste Collard (French, 1811–1887

Bottle, 9th–10th century, Attributed to Iran, Glass, colorless with yellowish tinge; blown, cut, H. 6 1/2 in. (16 .5cm), Glass, The main decoration of this iridescent glass bottle is made of horizontal rows of hexagons, in a 'honeycomb'

Dress, ca. 1775, French, silk

Sir William Allan, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

[Government House, Calcutta], 1858–61, Albumen silver print, Image: 22.8 x 28.6 cm (9 x 11 1/4 in.), Photographs, Unknown

Marble statue of Aphrodite crouching and arranging her hair, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 52.71 cm., Stone Sculpture, Copy of a Greek statue of the late 2nd century B.C.. In this small-scale statue, a complex crouching

The Actor Ichikawa Danjuro V, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792) , New York, NY (1936; sold to MMA

Kohl Jar Inscribed for Hatshepsut as God's Wife, New Kingdom, Dynasty 18, ca. 1492–1477 B.C., From Egypt; Probably from Upper Egypt, Thebes, Travertine (Egyptian alabaster), H. 6.5 cm (2 9/16 in.); W. 4.8 cm (1 7/8 in.); D. 5 cm (1 15/16

Hama-Yumi and Buriburi-Gitcho, Boy's Toys, for the New Year Celebration, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 3/16 in. (20 x 18.3 cm), Prints, Kubo Shunman

Jérusalem, Saint-Sépulcre, Intérieur de la Chapelle du Calvaire, 1854, Salted paper print from paper negative, Image: 32.9 x 23.4 cm (12 15/16 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Warm Springs Hotel Lake Tahoe, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album

Vultus trifrons or an Allegory of Prudence, ca. 1340–55, Carrara marble, H: 8 7/8 in. (22.5 cm) W: 4 15/16 (12.5 cm), Sculpture-Marble, Pacio Bertini da Firenze (Florentine, active 1325–ca. 1351), and Giovanni Bertini da Firenze

Terracotta juglet, Late Minoan IIIA2, ca. 1375–1300 B.C., Minoan, Terracotta; Fine painted ware, H. 3 3/8 in. (8.6 cm), Vases, The body is decorated with horizontal bands, and the shoulder is decorated with rays

The Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　甲州犬目峠, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

Mountain Torrent, 1670s, Oil on canvas, 21 1/4 x 16 1/2 in. (54 x 41.9 cm), Paintings, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam), Once thought to be by Allart van Everdingen, this picture reveals his continuing influence on

Mrs. Grierson, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Squat lekythos, Late Classical, ca. 330–320 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, Overall: 9 7/8 in. (25.1 cm), Vases

Grave relief fragment, votive, Cypriot, Limestone, Overall: 4 1/4 x 5 5/8 x 2 1/4 in. (10.8 x 14.3 x 5.7 cm), Cesnola Inscriptions, Grave releif fragment with palmette and inscription

Dendérah (Tentyris), Temple d'Athôr - Face Postérieure - Cléopatre et Cæsarion, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.0 x 25.4 cm. (11 13/16 x 10 in.), Photographs, Félix Teynard (French, 1817–1892

Gold earring in the form of a dove, Hellenistic, 2nd century B.C., Greek, Gold, H.: 3 5/16 in. (8.4 cm), Gold and Silver, Earring with a dove

Terracotta jug with trough spout, Cypro-Geometric III, 850–750 B.C., Cypriot, Terracotta, H. 7 1/2 in. (19.1 cm), Vases, Jug with trough-spout and geometric ornament in black and red

[Countess de Castiglione], August 31, 1895, Albumen silver print from glass negative, Image: 14.3 x 10.1 cm (5 5/8 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Scene From The Drama 'Otokoyama Yunzei Kurabe', Edo period (1615–1868), 12th month, 1768, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 1/2 in. (30.5 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Progress of the Crystal Palace at Sydenham, 1854, Albumen silver prints, Albums, Philip Henry Delamotte (British, 1821–1889), Henry Angelo Ludovico Negretti (British, born Italy, 1818–1879), The Great Exhibition of the Works of Industry

Mrs. Shanker, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, L. 1. 3/16 in. (3.1 cm), Gold and Silver, Of plain wire with two turns