Images at Librifly

Honey dish, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, Diam. 3 1/2 in. (8.9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Fragment of a terracotta oinochoe (jug), Geometric, ca. 750–740 B.C., Greek, Euboean, Terracotta, H. 6 9/16 in. (16.7 cm), Vases, Two metopes, each containing a horse tethered to a manger and a bird

[Small Bouquets], 1659–99, Engraving, Overall: 16 1/4 x 11 7/16 x 3/16 in. (41.2 x 29 x 0.4 cm), Books

Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 5/8 x 8 7/8 in. (21.9 x 22.5 cm), Prints, Kajita Hanko (Japanese, 1870–1917

Bell, 4th century B.C., Cypriot, Bronze, 1in. (2.5cm), Bronzes

「湯灌場子僧吉三 市川竹之丞」（五代目）, 「近世水滸伝」, Ichimura Takenojō V as Yukanba Kozō Kichiza, from A Modern Water Margin (Kinsei suikoden), Edo period (1615–1868), 1862, Japan, Polychrome woodblock print;

Avignon, ca. 1861, Albumen silver print from glass negative?, Image: 31.8 x 42.2 cm (12 1/2 x 16 5/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Table-Clock and Kakemono of a Treasure Boat, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/16 x 6 9/16 in. (18.3 x 16.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Dish with Abraham and Melchizedek, 1498, South German, Free-blown glass with paint and metallic foils, Overall: 14 1/2 x 1 5/8 in. (36.9 x 4.2 cm), Glass-Miscellany, Hans of Landshut (German, Landshut, active late 15th century), At the

[Young Woman in Dotted Dress], 1850s–60s, Albumen silver print from glass negative, 22.0 x 17.3 cm. (8 11/16 x 6 13/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Red Dragonfly (Akatonbo); Locust (Inago), from the Picture Book of Crawling Creatures (Ehon mushi erami), 『画本虫撰』「赤蜻蛉」「いなこ」, Edo period (1615–1868), 1788, Japan, Page from woodblock-printed book; ink and color

Limestone votary of a bearded male in Egyptianizing dress, Archaic, mid 6th century B.C., Cypriot, Limestone, H.: 31 1/4 x 10 1/2 x 6 1/2 in. (79.4 x 26.7 x 16.5 cm), Stone Sculpture, With Assyrian helmet

Bronze statuette of a striding warrior, Archaic-Early Classical, 6th–5th century B.C., Etruscan or Umbrian, Bronze, H.: 5 11/16 in. (14.4 cm), Bronzes, Statuette of a warrior with right armed raised, wearing a helmet

Fontaine, Sceaux, ca. 1921, Gelatin silver print from glass negative, Image: 22.1 x 17.3 cm (8 11/16 x 6 13/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Silver mirror, Imperial, 4th century A.D., Roman, Silver, Diam.: 5 3/16 in. (13.2 cm), Gold and Silver, The type of mirror with a horizontal handle originated in the Roman world during the first century B.C. It was subsequently adopted in

A Banquet in a Joroya, Edo period (1615–1868), ca. 1680, Japan, Monochrome woodblock print; ink and color on paper, 10 1/8 x 15 1/5 in. (25.7 x 38.6 cm), Prints, Hishikawa Moronobu (Japanese, died 1694), This party at a teahouse is at its

Sword with Scabbard, Grip and guard, late 17th century; blade, 17th century, Grip and guard, Turkish, Ottoman; blade, European, Steel, silver, gold, copper-silver alloy (niello), lapis lazuli, wood, leather, L. with scabbard 40 3/8 in.

Robert Paul, Commercial Bank, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

[Mathias Höusermann seated with elbow on pedestal holding a vase of flowers], 1850s–60s, Albumen silver print from glass negative, 37.3 x 30.5 cm. (14 11/16 x 12 in.), Photographs, Franz Antoine (Austrian, 1814–1882

An Emperor with Two Ladies, Ming dynasty (1368–1644), China, Album leaf; ink and color on silk, 7 1/8 x 8 7/8 in. (18.1 x 22.5 cm), Paintings, Unidentified Artist, Formerly Attributed to Gu Kaizhi (344–405

風流七小町　通ひ, Young MotHer Nursing Her Baby, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 14 11/16 in. (37.3 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Fibula, boat-shaped type, Bronze, Other: 4 1/4 in. (10.8 cm), Bronzes

Insurance girl' (hoken musume), illustration from Bugei Kurabu (Literary Club), Meiji period (1868–1912), Japan, Frontispiece; polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, Tomioka

Piece, second half 15th century, Italian, Silk, L. 25 3/4 x W. 9 inches (65.4 x 22.9 cm), Textiles-Velvets

Gilt terracotta statuette of a goat, Late Helladic IIIA, 14th century B.C., Mycenaean, Terracotta, gold, H. 3 in. (7.6 cm.), Terracottas, More naturalistic than most terracotta and bronze animals of this period. The body is molded with

Tsuchiyama, 東海道五十三次　土山, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Pheasant Caught by a Snake, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Glass flask, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 3 3/4 x 2 1/2 x 1 15/16 in. (9.5 x 6.4 x 4.9 cm), Glass, Translucent pale blue green. Tubular rim, folded out, over, and in, and smoothed into broad flaring,

The Hippopotamus at the Zoological Gardens, Regent's Park, 1852, Salted paper print from glass negative, Image: 11.1 × 12 cm (4 3/8 × 4 3/4 in.), Photographs, de Borbón, Juan (Spanish, 1822–1887), Although his childhood was spent at the

Album Containing Twelve Paintings of People Making Silk, Qing dynasty (1644–1911), 19th century, China, Album of twelve leaves; color on pith paper, Image (each): 8 3/4 × 13 1/4 in. (22.2 × 33.7 cm), Paintings, Unidentified Artist

Landscape Painting of Figure in Woodland Setting, Qing dynasty (1644–1911), China, Album leaf; color on silk, 5 x 14 3/4 in. (12.7 x 37.5 cm), Paintings, Unidentified Artist

The Actor Segawa Kikunojo Third as an Oiran, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Vase soliflore, ca. 1889–94, French, Saint-Amand-en-Puisaye, Glazed stoneware, 10 3/4 x 6 5/16 in. (27.3 x 16 cm), Ceramics-Pottery, Much of Carriès's work reflects the influence of Japanese stoneware, evident in this vase in the use of a

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 2 1/2 x 1 5/8 x 1/4 in. (6.5 x 4.2 x 0.6 cm), Stone-Sculpture, This type of figurine known as an eye idol, made of stone and having incised eyes, has been

Mother and Child by the Sea, 1830, Oil on canvas, 6 1/4 x 8 1/8 in. (15.9 x 20.6 cm), Paintings, Johan Christian Dahl (Norwegian, Bergen 1788–1857 Dresden

Glass oinochoe (perfume jug), Early Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 4 1/2 in. (11.4 cm), Glass, Translucent honey brown, with handle in same color; trails in

Up the Valley, North Dome in Center, Sentinel on Left, 1861, Albumen silver print from glass negative, Image: 16 1/2 × 20 9/16 in. (41.9 × 52.3 cm), Photographs, Carleton E. Watkins (American, 1829–1916

[Tomb of Seeh-i Mumin], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Actor Nakamura Utayemon with Two Women Preparing for the New Year Ceremony, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Utagawa Toyokuni I (Japanese,

Statuette of a runner, Greek, Laconian, Lead, Height: 7/8 in. (2.2 cm), Miscellaneous-Lead

Basalt mortar or plate, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Basalt, H. 7/8 x Diam. 5 1/4 in. (2.2 x 13.3 cm), Miscellaneous-Stone Vases, The small plate has a ring foot and a slightly in-curving rim

Helmet (Rmog), 15th–17th century, Mongolian, Iron, gold, silver, copper, H. 7 5/8 in. (19.5 cm), Helmets, The gold damascened decoration of this distinctively Mongolian helmet features six large ovals containing the deity Yamantaka

Fragment of a limestone relief with a tree and birds of prey, Late Archaic–Early Classical, early 5th century B.C., Cypriot, Limestone, Overall: 14 1/8 x 10 1/8 x 4 3/8 in. (35.9 x 25.7 x 11.1 cm), Stone Sculpture, The block, preserved in

Handle attachment, Etruscan, Bronze, length 8.41 cm., Bronzes

Terracotta amphora, Hellenistic, late 4th century B.C., Greek, Cypriot, Terracotta, h. 6 3/16 in. (15.7 cm), Vases, This diminutive amphora is in the 'unpainted white ware' style, a descriptive term that calls attention to the plain light

Lance Head for the Joust of Peace, late 15th–early 16th century, German, Steel, H. 7 3/4 in. (19.7 cm); Diam. 2 5/8 in. (6.7 oz.); W. 3 3/8 in. (8.6 cm); Wt. 3 lb. (1360.8 g), Shafted Weapons, This four-pronged lance head was used in the

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 7 5/8 x 4 13/16in. (19.4 x 12.3cm), Vases

Nam-Vian - Tombeaux, 1866, Albumen silver prints from glass negatives, 15.8 x 22 cm (6 1/4 x 8 11/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Page from a Book of Omens, ca. 1800, India, Ink and opaque watercolor on paper, 3 3/16 x 4 1/2 in. (8.1 x 11.4 cm), Paintings

Six Superior Men of Reiraka, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 1/4 in. (20.8 x 18.4 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Glass bottle shaped like a date, Mid Imperial, mid–1st to early 2nd century A.D., Roman, Glass; blown in a two-part mold, H.: 2 3/16 in. (5.6 cm), Glass, Translucent yellowish brown. Thick, uneven rim, slightly everted and folded round and

Sanokawa Ichimatsu I in Grayish Blue and Rose Walking Toward the Left, Edo period (1615–1868), 1756, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Torii Kiyomitsu (Japanese,

Marble funerary altar of Cominia Tyche, Flavian or Trajanic, ca. A.D. 90–100, Roman, Marble, H. 40 in. (101.6 cm), Stone Sculpture, This woman's name is known from the inscription below the portrait which reads: 'To the spirits of the dead.

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 3/4 x W. 10 1/4 in. (24.8 x 26.4 cm), Textiles-Featherwork

Study for the Muse Urania, mid-17th century, Black chalk, heightened with white, 11 9/16 x 14 7/8 in. (29.3 x 37.8 cm), Drawings, Michel Dorigny (French, Saint-Quentin 1616/17–1665 Paris

Glass pendant in the form of crescent horns, New Kingdom, 18th–19th Dynasties, 1550–1186 B.C., Egyptian, Glass; drawn and tooled, H.: 3/4 in. (1.9 cm), Glass, Opaque white, medium blue, and light blue, and uncertain color appearing

Relief block from the tomb of Sebeknakht, Middle Kingdom, Dynasty 12, early, ca. 1971–1952 B.C., From Egypt, Memphite Region, Lisht North, cemetery south of Senwosret (758), Pit 614, reused as lining, 1907–08, Limestone, paint, h.

Cult Image of the God Ptah, Third Intermediate Period–early Dynasty 26, ca. 945–600 B.C., From Egypt, Lapis lazuli, Height of figure 5.2 cm (2 1/16 in); w. 1.8 cm (11/16 in); d. 1.1 cm (7/16 in.); Height of dais 0.4 cm (3/16 in); w 1.0 cm

Inari-ko, The Second Month, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 3/8 in. (18.7 cm), Prints, Ishikawa Toyomasa (Japanese, active 1770–1790

Glass double head pendant, Classical, 5th century B.C., Phoenician, Glass; rod-formed and trailed, H.: 1 1/16 in. (2.7 cm), Glass, Semi-opaque pale turquoise blue, with additions in opaque white and yellow, and translucent cobalt blue; pale

Lamp, Greek or Roman, Terracotta, Overall: 1 3/8 x 3 5/8 in. (3.5 x 9.2 cm), Terracottas

Two Buddhist Paintings, Tang dynasty (618–907) (?), dated 670 (a) and 797 (b), China, Leaves; ink and color on paper, (a.) 22 1/2 x 16 5/8 in. (57.2 x 42.2 cm), Paintings, Unidentified Artist

Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess), ca. 1780, India (Himachal Pradesh, Guler), Graphite and ink on paper, 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm), Paintings, In order to

Ewer, 1830–40, Made in Philadelphia, Pennsylvania, United States, American, Silver, 14 5/8 x 9 1/4 in. (37.1 x 23.5 cm), Silver, Thomas Fletcher (American, Alstead, New Hampshire 1787–1866 New Jersey), Vessels for dispensing beverages

Chocolate Pot, 1700–1710, Made in Boston, Massachusetts, United States, American, Silver, Overall: 9 1/8 x 6 3/4 x 5 13/16 in. (23.2 x 17.1 x 14.8 cm); 23 oz. (715.4 g), Silver, Edward Winslow (1669–1753), Chocolate pots are

Buckle, Bronze, Other: 1 3/16 in. (3 cm), Bronzes

[Dead Stag], ca. 1857, Salted paper print, 19.1 x 23.4 cm (7 1/2 x 9 3/16 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Bonchurch, 1850s, Gelatin silver print, Photographs, Benjamin Brecknell Turner (British, 1815–1894

Behind the Back of the Gods, 1928, Gelatin silver print, 36.0 x 27.4 cm (14 3/16 x 10 13/16 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois), Moholy-Nagy played a key role at the Bauhaus

Ritual Incense Burner, ca. 6th century, Pakistan (ancient region of Gandhara), Bronze, L. 17 1/8 in. (43.5 cm), Sculpture

Fuji-mi Saigyo, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/8 in. (25.1 cm); W. 7 in. (17.8 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Madonna and Child with Saints, 1607, Oil on copper, 11 3/4 x 9 7/8 in. (29.8 x 25.1 cm), Paintings, Ludovico Carracci (Italian, Bologna 1555–1619 Bologna), This exquisite picture was painted for Cardinal Benedetto Giustiniani (1554–1621),

Swinton, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Cabinet with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 9 1/2 in. (24.1 cm); W. 13 3/4 in. (34.9 cm); D. 8 3/4 in. (22.2 cm), Lacquer, Well-born Japanese

Frau Hofrat Josefine Raymond, 1850s–60s, Albumen silver print from glass negative, 28.5 x 21.5 cm. (11 1/4 x 8 7/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Mask of a Lion, Western Zhou dynasty (1046–771 B.C.), China, Bronze, H. 2 1/8 in. (5.4 cm); W. 3 1/2 in. (8.9 cm), Metalwork

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Gold pendant capsule in the form of a male figure, Archaic-Classical, 6th–4th century B.C., Cypriot, Gold, Other: 1 1/8 in. (2.9 cm), Gold and Silver, Designed for suspension by two hoops at the back

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 3/16in. (5.6cm), Vases

Limestone head of a female votary, Hellenistic, 2nd century B.C., Cypriot, Limestone, Overall: 10 9/16 × 12 × 6 in. (26.8 × 30.5 × 15.2 cm), Stone Sculpture, Female head with hair in prominent knot at back

Night-Shining White, 唐 韓幹 照夜白圖 卷, Tang dynasty (618–907), ca. 750, China, Handscroll; ink on paper, Image: 12 1/8 x 13 3/8 in. (30.8 x 34 cm), Paintings, Han Gan (Chinese, active ca. 742–756), A leading horse painter of

東海道五十三次　土山　春の雨, Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the Tōkaidō, Edo period (1615–1868), 1834–35, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1

Judith, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

'Bahram Gur on the Chase', Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 11 in. (27.9 cm), Codices,

[Lord Canning, Viceroy and Governor General of India, from March 1856 to March 1862], 1860, Albumen silver print from glass negative, Image: 24.1 x 20.9 cm (9 1/2 x 8 1/4 in.), Photographs, Unknown

Glass jug, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 6 1/4 in. (15.9 cm), Glass, Translucent dark blue green; same color handle. Everted rim, folded round and in; slightly concave, cylindrical neck; broad, sloping

Coat, 1923, French, wool, A complicated piecing of two different but related textiles emphasizes the straight lines of this coat. Poiret's signature rose is woven into two broad, faintly ombré running lengths bracketed by narrow unmatched

Cherry Blossoms in the Rain, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 6 3/8 x 11 5/8 in. (16.2 x 29.5 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 1/4 x W. 8 3/4 in. (21.6 x 24.1cm), Textiles-Featherwork

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 1 1/8 x 1in. (2.8 x 2.5cm), Vases

Patch Box, 1750–ca. 1780, American, Silver, Overall: 1/4 x 13/16 x 9/16 in. (0.6 x 2.1 x 1.4 cm); 2 dwt. (2.4 g), Silver, Marked by I. T

Campo Vaccino (Foro Romano), 1848–52, Albumen print from glass negative, Image: 8 1/16 × 11 3/16 in. (20.5 × 28.4 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

東海道五十三次 戸塚, Totsuka, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Fragment of a Sash, 17th century, Attributed to Iran, Silk and gold thread; brocaded, H. 111 in. (281.9 cm), Textiles-Costumes

Cap of Liberty and Nevada Fall, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Columns of the Temple of Neptune at Paestum, 1838, Oil on canvas, 12 5/8 x 10 in. (32.1 x 25.4 cm), Paintings, Constantin Hansen (Danish, Rome 1804–1880 Frederiksberg), In June 1838, as part of his extended Italian sojourn (1835–43),

Terracotta rim fragment with linear decoration, Middle Neolithic, ca. 4000 B.C., Greek Neolithic, Terracotta; Patterned ware, length 2 7/8in. (7.3cm), Vases, From Hagiorgetika in the Peloponnese. Dark lines on light ground

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 11/16 in. (1.7 x 1.8 cm), Glass, Rim fragment of thin-walled bowl., Translucent honey brown, blue, purple

Armchair (one of a set of six), 1769–71, British and French, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), Overall: 42 5/8 × 28 × 26 in. (108.3 × 71.1 × 66 cm), Woodwork-Furniture, John Mayhew (British,