Images at Librifly

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 4 1/4 x 2 7/16 x 1 in. (10.8 x 6.2 x 2.5 cm), Glass, Translucent pale light blue. Rim folded out, over, and in, flattened on upper surface;

Modern Versions of the twenty-four Paragons of Filial Piety: Guo Zhu, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 7 5/8 in. (26.4 x 19.4 cm), Prints, Isoda Koryūsai (Japanese,

Mirror, Eastern Zhou dynasty (770–256 B.C.), 4th–3rd century B.C., China, Bronze, Diam. 9 5/16 in. (23.7 cm), Mirrors

Salvator Mundi, ca. 1505, Oil on linden, 22 7/8 x 18 1/2in. (58.1 x 47cm), Paintings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), This picture of Christ as Salvator Mundi, Savior of the World, who raises his right hand in

The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince Korehito, Edo period (1615–1868), 1794–75, Japan, Middle sheet of a triptych of polychrome woodblock prints; ink and color on paper, Image: 12 1/2 x 6 in. (31.8 x

Bag, 7th century, Peru, Nasca, Camelid hair, cotton, H x W: 13 x 11in. (33 x 27.9cm), Textiles-Woven

Pair of Ducks Swimming, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 7/16 x 7 1/4 in. (13.8 x 18.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Terracotta composite triple flask, Late Cypriot IIIB, 1200–1050 B.C., Cypriot, Terracotta, H. 5 3/16 in. (13.2 cm), Vases, Three two-handled flasks joined, lozenge and floral ornament

Bronze statuette of Eros sleeping, Late Hellenistic or Imperial, 1st century B.C.–2nd century A.D., Greek or Roman, Bronze, length 8 1/4 in. (21 cm), Bronzes, Reduced version of a Greek bronze statue of the 3rd or 2nd century B.C.. During

Kynance, 1888, Oil on canvas, 7 x 14 1/8 in. (17.8 x 35.9 cm), Paintings, John Brett (British, Bletchingly 1831–1902 London), Brett was influenced by the work of the Pre-Raphaelites and the writings of John Ruskin. He specialized in views of

Gabbro mace head, Early Bronze Age, ca. 2500–1900 B.C., Cypriot, Gabbro, H. 2 3/16 in. (5.6 cm), Miscellaneous-Stone, Spherical with a hole through the center

Lutheran Church, Sharpsburgh, Maryland, September 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Manuscript Leaf with Foliated Initial P, from an Antiphonary, ca. 1250–60, Made in possibly Arezzo, Italy, Italian, Tempera, ink, gold, and silver on parchment, Overall: 20 1/2 x 14 5/16 in. (52 x 36.3 cm), Manuscripts and Illuminations

Charles I, after 1649, British, Silk, H. 7 1/4 x W. 5 3/4 (18.4 x 14.6 cm), Textiles-Embroidered, After a painting by Edward Bower

[The Viscountess Canning, Barrackpore], 1858, Albumen silver print, Image: 15 x 12.5 cm (5 7/8 x 4 15/16 in.), Photographs, John Constantine Stanley (British, 1837–1878

Saint Luke Painting the Virgin, 1526, Engraving, Sheet: 6 11/16 x 4 7/8 in. (17 x 12.4 cm), Prints, Dirck Vellert (Netherlandish, Amsterdam (?) ca. 1480/85–ca. 1547), Vellert made this engraving of Saint Luke on July 28, 1526, the year he

The Actor Oneo Kikugoro in the Role of Soga no Goro, Edo period (1615–1868), ca. 1748, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/8 in. (31.4 cm); W. 5 7/8 in. (14.9 cm), Prints, Torii Kiyomasu I (Japanese, active

Covered jar, ca. 1820–60, Probably made in Maine, United States, American, Earthenware, H. 10 in. (25.4 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics

清, 戴熙, 山水, 冊頁八開, Landscapes, Qing dynasty (1644–1911), dated 1848, China, Album of eight paintings; ink and color on paper, 12 1/4 x 7 5/8 in. (31.1 x 19.4 cm), Paintings, Dai Xi (Chinese, 1801–1860), Dai Xi was an

Tree at Colinton, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Cherry Blossoms and Court Hat, Edo period (1615–1868), probably 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Lighting a Hanging Lantern for the Obon Festival, Edo period (1615–1868), 1860, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 6 3/8 in. (23.2 x 16.2 cm), Prints, Shibata Zeshin (Japanese, 1807–1891

Statuette of a warrior-7, Greek, Laconian, Lead, Height: 7/8 in. (2.2 cm), Miscellaneous-Lead

Saint-Georges de Boscherville, près Rouen, 1852–54, Salted paper print from glass negative, 34.1 x 25.4 cm (13 7/16 x 10 in. ), Photographs, Edmond Bacot (French, 1814–1875

[Main Street, Governor General's Camp], 1859, Albumen silver print, Image: 11.2 x 21.3 cm (4 7/16 x 8 3/8 in.), Photographs, Unknown

南宋 理宗趙昀 行書北宋梅堯臣 依韻和資政侍郎雪後登看山亭詩 團扇, Quatrain on Snow-covered West Lake, Song dynasty (960–1279), ca. 1250–60, China, Round fan mounted as an album leaf; ink on silk, Image: 9 7/8 × 9

Teabowl and Powder Cake in a Tube, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Sunayama Gosei (Japanese, 18th–19th century

Shepherd's crook, Cypriot, Bronze, 3 3/16in. (8.1cm), Bronzes

Terracotta lekythos (oil flask), Classical, 2nd quarter of 5th century B.C., Greek, Attic, Terracotta; red-figure, white-ground, H. 5 3/16 in. (13.1 cm), Vases, Woman seated before kalathos (wool basket). The painter here has carefully

Figured flask, ca. 1855, Made in Wellsburg, West Virginia, United States, American, Blown-molded glass, H. 6 7/8 in. (17.5 cm), Glass, Attributed to McCarty and Torreyson (ca. 1842

[Small Bouquets Tied With A Ribbon], 1656–99, Engraving, Overall: 16 1/4 x 11 7/8 x 3/16 in. (41.3 x 30.1 x 0.4 cm), Books

六十余州名所図会　播磨　舞子の浜, Maiko Beach, Harima Province, from the series Views of Famous Places in the Sixty-Odd Provinces, Edo period (1615–1868), ca. 1853, Japan, Polychrome woodblock print; ink and color on paper,

Chariot fragments, sockets, Archaic, ca. 500–480 B.C., Etruscan, Bronze, Iron, 1: 5 1/2 × 4 in. (14 × 10.2 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Woman's Mantle, 18th century (?), Bolivia, Aymara, Camelid hair, H. 38 x 50 1/2 in. (96.5 x 128.3 cm), Textiles-Woven

Frances and Ethel de Forest, daughters of Robert de Forest, ca. 1890, Albumen silver print, 19.2 x 23.7 cm (7 9/16 x 9 5/16 in. ), Photographs, George Collins Cox (American, 1851–1902

Walter Churcher, 'Churcher Smileth', 1900–1905, Platinum print, 22.2 x 11.4 cm. (8 3/4 x 4 1/2 in.), Photographs, Frederick H. Evans (British, London 1853–1943 London

Frontispiece illustration from the literary magazine Bungei kurabu, Meiji period (1868–1912), Japan, Polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, Takeuchi Keishū (Japanese,

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid 1st Century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 4 7/8 in. (12.4 cm), Glass, Translucent cobalt blue, with handles in opaque white; trail in opaque

Tapestry Bag with Fringes, 8th–9th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 5 1/2 x 9 7/8 in. (13.97 x 25.08 cm), Textiles-Woven

Coat, 1918, French, wool, rayon, A series of coats and jackets incorporating wool jacquards with novelty striped patterns in the style of the wools used in Bedouin burnooses recurs in a number of Poiret's collections. As with many of his

Terracotta jar with vertical handles, Archaic, 6th century B.C., Lydian, Terracotta, H. 7 1/4 in. (18.4 cm), Vases, Two-handled jar with horizontal bands, a band of dots in squares, and one of vertical lines

Jérusalem, Grotte de Jérémie, 1854, Salted paper print from paper negative, Image: 22.8 x 32.5 cm (9 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Choosing of the Arrow, 1849, Made in United States, Bronze, 22 x 11 3/8 x 5 5/8 in. (55.9 x 28.9 x 14.3 cm), Sculpture, Henry Kirke Brown (American, Leyden, Massachusetts 1814–1886 Newburgh, New York), In 1848 Brown earned a commission

Sword, possibly late 17–18th century, South Indian, possibly Deccan, Steel, iron, silver, L. 34 in. (86.5 cm); L. of blade 29 3/8 in. (74.5 cm); Wt. 2 lb. (916 g), Swords, This sword represents an Indian interpretation of Dhu’l Fiqar.

Les Etrangers à Paris: Les Etrangers dévisagés par eux mêmes, 1844, Lithograph on wove paper with inscriptions in pen and brown ink; caption in pen and brown ink on a separate piece of paper glued below print, Sheet: 14 1/8 x 10 7/16 in. (35.8

Jasper amulet in the form of a frog, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Jasper, H.: 1 1/8 in. (2.9 cm), Gold and Silver, Amulet in the form of a seated frog

Jérusalem, Tombeau de la Vierge, 1854, Salted paper print from paper negative, Image: 23.5 x 33 cm (9 1/4 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

The Capitoline, 1846, Salted paper print from a paper negative, 16.2 x 21.2 cm. (6 3/8 x 8 3/6 in.), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Glass monochrome dish fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 1 x 1 1/4 in. (2.6 x 3.2 cm), Glass, Fragment of dish., Opaque red., Flat interior, slanting downward towards center;

'The Eavesdropper', Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 8 7/8 in. (22.5 cm),

Vase fragment, East Greek/Sardis, Lydian, Terracotta, length 1 9/16 in. (3.9 cm), Vases

Four Oiran of the House Called Kadokana-ya Playing the Game of Ko-awase (Incense Game), Edo period (1615–1868), 1776, Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/2 in. (21.6 cm); W. 11 3/4 in. (29.8 cm), Prints,

Glass dish, Late Imperial, 4th century A.D., Roman, Glass; blown, Height: 1 1/4 in. (3.2 cm), Glass, Colorless with yellow tinge. Tubular, flaring rim, folded out, down, and in, with narrow, slightly convex inner shoulder; S-shaped side

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894), 1823, Oil on canvas, 30 7/8 x 30 1/8 in. (78.4 x 76.5 cm), Paintings, Sir Thomas Lawrence (British, Bristol 1769–1830 London), Emily and Laura Anne were the children

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 4 1/2 in. (11.4 cm), Glass, Translucent purple., Everted, rounded rim; cylindrical neck, with horizontal tooled indent around base; broad, conical body,

Rocky Landscape, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Temple of Tai-wang at Wu ü near Sing Chang Tea Mart, ca. 1869, Albumen silver print from glass negative, Image: 8 1/16 × 11 1/4 in. (20.5 × 28.6 cm), Photographs, Lai Fong (Chinese, 1839–1890

'Luhrasp Hears from the Returning Paladins of the Vanishing Kai Khusrau', Folio from a Shahnama (Book of Kings) of Firdausi, 1576–77, Made in Iran, Qazvin, Ink, opaque watercolor, and gold on paper, H. 18 1/2 in. (47 cm), Codices,

[Native American Women and Horses by Teepee in Camp], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown (American

Tropical Scenery, Natural Arch, Cupica Bay, 1871, Albumen silver print from glass negative, Image: 27.6 x 20.2 cm (10 7/8 x 7 15/16 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania

Hunters in a Landscape, ca. 1575–95, British, probably London, Wool, silk (14 warps per inch; 5-6 per cm), H. 70 7/8 x W. 181 7/8 in. (180 x 462 cm); Weight (rolled on tube): 38lb. (177kg), Textiles-Tapestries, Partly based on a woodcut by

Inkpot of the Emperor Jahangir, dated A.H. 1028/A.D. 1618–19, Attributed to India, Nephrite, gold, H. 2-1/2 in. (6.4 cm); Diam. 3-1/4 in. (7.9 cm), Stone, Mu'min, Sturdy, monumental, artfully rounded, richly adorned, and so weighty and

Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 2 3/4 in. x 1 7/8 in. (6.9 cm x 4.7 cm), Terracottas, Upper body of a youth in a long garment

Biwa with Brocade Cover, from the series Musical Instruments, 「楽器其三」, Edo period (1615–1868), probably 1808, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints,

Limestone head of a bearded male votary, Early Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 11 x 7 1/2 x 7 1/2 in. (27.9 x 19.1 x 19.1 cm), Stone Sculpture, Figure wearing wreath

北齊 彩繪石雕菩薩像（石灰岩）, Bodhisattva, Northern Qi dynasty (550–577), mid- to late 6th century, China, Limestone with traces of pigment, H. 40 1/2 in. (102.9 cm); W. 14 1/2 in. (36.8 cm); D. 8 3/4 in. (22.2 cm), Sculpture

Fragment of Roundel, 6th–7th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 4 3/4 in. (12.1 cm), Textiles

Glass aryballos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 1 3/8 in. (3.5 cm), Glass, Translucent cobalt blue, with same color handles; trails in opaque turquoise

Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 440 B.C., Greek, Attic, Terracotta; red-figure, H. 24 1/8 in. (61.3 cm), Vases, Obverse, Neoptolemos departing, Reverse, man and two women. The magnificent decoration here

Landscape, Qing dynasty (1644–1911), China, Miniature from album of eleven paintings; ink and color on silk, 5 x 6 3/4 in. (12.7 x 17.1 cm), Paintings, Zheng Bin

Stole, ca. 1600, Spanish, Leather, L. 82 3/4 x W. 6 1/2 inches, Natural Substances-Leatherwork

Inrō with Chrysanthemum Youth (Kikujidō), 菊慈童蒔絵印籠, Edo period (1615–1868), first half of the19th century, Japan, Three cases; lacquered wood with togidashimaki-e imitating ink painting (togikirimaki-e) on gold and black lacquer

Rejected Geisha from Passions Cooled by Springtime Snow, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print; ink and color on paper, H. 7 in. (17.8 cm); W. 5 in. (12.7 cm), Prints, Keisai Eisen (Japanese, 1790–1848), One

Terracotta lamp in the form of a camel, Hellenistic or Imperial, 3rd century B.C.–3rd century A.D., Greek or Roman, Terracotta, H. 3 7/8 in. (9.8 cm), Terracottas, Lamp in the form of a camel

Bronze beaked oinochoe (jug), Archaic, late 6th century B.C., Etruscan, Bronze, H.: 6 x 3 3/8 in. (15.2 x 8.6 cm), Bronzes, Sharply pronounced shoulder and beak spout with decoration on the neck and shoulder

Tunic Fragment, 8th–9th century, Peru, Nasca (?), Camelid hair, Overall: 15 x 16 1/2 in. (38.1 x 41.91 cm), Textiles-Woven

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 7/8 × 1 11/16 × 3/16 in. (4.8 × 4.3 × 0.5 cm), Vases

Ichikawa Danjuro V as a Warrior Mounted on a Dapple Gray Horse, Edo period (1615–1868), 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 6 1/8 in. (32.7 x 15.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

The 42nd Gordon Highlanders, Edinburgh Castle, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Small stone axe, Neolithic, 5th–3rd millennium B.C., Greek Neolithic, Stone, 1 7/8 in. (4.7 cm.), Miscellaneous-Stone, Celt

Chess Set, 12th century, Attributed to Iran, Nishapur, Stonepaste; molded and glazed, Largest piece (King) H. 2 in. 5.5 cm, Gaming pieces, This nearly complete chess set is one of the earliest extant examples in the world. The pieces are

Lamp, Roman, Cypriot, Terracotta, Overall: 7/8 x 3 3/4 in. (2.2 x 9.5 cm), Terracottas

憲法発布式之図, Illustration of the Ceremony Issuing the Constitution (Kenpō happu shiki no zu), Meiji period (1868–1912), 1889, Japan, Polychrome woodblock print; ink and color on paper, Oban 14 1/2 x 29 5/8 in. (36.8 x 75.2 cm),

[Fountain at Versailles], ca. 1851, Paper negative, Image: 10 5/16 × 12 11/16 in. (26.2 × 32.3 cm) (image only), Negatives, Louis-Rémy Robert (French, 1810–1882

Mahavira in Puspottara Heaven: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519), India (Gujarat), Ink, opaque watercolor, and gold on paper, 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings

Seven Sages in the Bamboo Grove, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 5/16 in. (20.6 x 18.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

元 唐棣 滕王閣圖 卷, The Pavilion of Prince Teng, Yuan dynasty (1271–1368), dated 1352, China, Handscroll; ink on paper, Image: 10 13/16 x 33 1/4 in. (27.5 x 84.5 cm), Paintings, Tang Di (Chinese, ca. 1287–1355), The Pavilion of

Bronze ladle, Imperial, 1st–2nd century A.D., Roman, Bronze, H. 4 5/8 in. (11.8 cm); Diameter of bowl 2 1/4 in. (5.4 cm), Bronzes, With round shallow bowl

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 5 1/4 in. (13.3 cm), Glass, Translucent blue. Rim folded out, over, and in; irregular flaring mouth; cylindrical neck, expanding downwards, with tooling

Nîmes, Porte d'Auguste, ca. 1864, Albumen silver print from glass negative, Image: 21.6 x 28.1 cm (8 1/2 x 11 1/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Enthroned deity, Late Bronze Age, ca. 14th–13th century B.C., Levant, Canaanite, Bronze, gold foil, 5 in. (12.7 cm), Metalwork-Sculpture, This small seated figure would have originally sat on a separately made chair or stool. A tang at the

Vase of Flowers, 19th century, Graphite and gouache on brown paper, 21 1/4 x 15 7/8 in. (54 x 40.4 cm), Drawings, Anonymous, French, 19th century, After Jean-Baptiste Monnoyer (French, Lille 1636–1699 London

名所江戸百景　御厩河岸, Ommayagashi, Sumida River, Edo period (1615–1868), ca. 1857, Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 10 1/8 in. (25.7 cm), Prints, Utagawa Hiroshige

Osen of the Kagiya Teahouse at Kasamori Shrine with a View of Nippori in Yanaka, Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print; chuban; ink and color on paper, 10 x 15 1/2 in. (25.4 x 39.4 cm), Prints, Suzuki Harunobu

Statuette of Ares ?, Etruscan, Bronze, H.: 6 7/16 in. (16.4 cm), Bronzes, Fighting warrior

青楼美人合, The Courtesans, from the Series, 'Seiro Bijin Awase Carver End Shigoro' (sic.), Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/2 in. (21.6 cm); W. 5 3/4 in. (14.6 cm),

Hunting from a Chariot, Tomb of Userhat, New Kingdom, Dynasty 18, ca. 1427–1400 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, In frame: H. 76.8 cm (30 1/4 in); W. 129.5 cm (51 in); Th. 1.9 cm (3/4 in), Charles K. Wilkinson,

Brown glass oval, Hellenistic, 2nd–1st century B.C., Greek, Glass, Overall: 3/4 x 5/8 in. (1.9 x 1.6 cm), Gems, Nike writing on a shield

Bando Mitsugoro in the role of Soga no Juro, Edo period (1615–1868), 1781, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 31/32 in. (30.2 x 15.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

The Meeting of the Waters, Killarney, 1854, Albumen silver print, Photographs, Lord Otho Fitzgerald (British, 1827–1882