Images at Librifly

A Waitress of the Sakai-ya Teahouse Standing and Looking, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 1/32 x 5 5/8 in. (30.6 x 14.3 cm), Prints, Ippitsusai Bunchō (Japanese, active

Burgonet for the Guard of the Counts Khevenhüller zu Aichelberg, ca. 1580, German, Steel, lead, paint, leather, H. 12 1/2 in. (31.8 cm); W. 9 in. (22.9 cm); D. 14 1/2 in. (36.8 cm); Wt. 4 lb. 13 oz. (2178 g), Helmets

Arashi Ryuzo as a Tall Woman Standing on the Engawa, Edo period (1615–1868), ca. 1789, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 2/3 in. (31.8 x 14.4 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Crayfish, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Ceremonial Things for the Celebration of Setting Up a New House, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 1/4 in. (20 x 18.4 cm), Prints, Kubo Shunman (Japanese,

The Miners Cabin - Calaveras Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album

東海道五十三次之内　戸塚　元町別道, Totsuka; Moto Machi Betsudo, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige

Allegory in Honor of Cardinal Antonio Barberini the Younger (1607-1671) (Design for an Engraving), 1596–1669, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper, 20-1/2 x 30-3/8 in. (52.0 x 77.2

Still Life: Double Cherry-Blossom Branch, Telescope, Sweet Fish, and Tissue Case, Edo period (1615–1868), ca. 1804–13, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 10 11/16 in. (20.6 x 27.1 cm), Prints,

Lacock Abbey, 1840, Photogenic drawing from paper negative, Image: 17.8 x 18.6 cm (7 x 7 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Fragment, 11th–12th century, Attributed to Egypt, Fustat, Linen and silk, H. 4 1/4 in. (10.8 cm), Textiles-Woven

Niuzhong Bell, Eastern Zhou dynasty, early Warring States period (475–221 B.C.), 5th century B.C., China, Bronze, H: 11 3/4 in. (29.8 cm); W: 7 in. (17.8 cm); D: 4 1/2 in. (11.4 cm), Metalwork

Plaque fragments with a bearded male dignitary carrying a young goat, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 3.5 x 1.3 x 0.43 in. (8.89 x 3.3 x 1.09 cm), Ivory/Bone-Reliefs, Excavations at Hasanlu in Iran yielded a

Vase fragment, Hellenistic, East Greek/Sardis, Lydian, Terracotta, Overall: 3 1/4 x 2 15/16in. (8.3 x 7.5cm), Vases

Chlorite spindle whorl, Late Cypriot III, ca. 1200–1050 B.C., Cypriot, Chlorite, Diam. 1 in. (2.5 cm), Miscellaneous-Stone, Around the central hole are circles in low relief against a background of punctate dots

Bottle with Flying Cranes, 1650s, Made in Iran, Kirman, Stonepaste; polychrome painted under transparent glaze, H. 13 1/4 in. (33.7 cm), Ceramics, Ceramics produced in Kirman in the early seventeenth century consist primarily of stonepaste

Ono no Tofu Standing on the Bank of a Stream and Watching a Frog Leap to Catch a Willow Branch, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/8 x 7 5/8 in. (21.9 x 19.4 cm),

Dagger with Sheath, blade, mid-16th century; hilt and scabbard, probably mid-16th century, blade, Turkish; hilt and scabbard, European, possibly Italian, Steel, iron, wood, leather, gold, Wt. of dagger and scabbard 9 oz (246 g); Dagger:

Desk, 1891, British, Mahogany veneered on the exterior with Macassar ebony, silver plated brass knobs, silver molding, H. 38 x W. 29 1/2 x L. 14 in. (96.5 x 74.9 x 35.5 cm), Woodwork-Furniture, When shown in an 1893 Arts and Crafts Exhibition

Glass bottle with two handles, Late Imperial, 4th century A.D., Roman, Glass; blown and cut, H.: 6 1/4 in. (15.9 cm), Glass, Translucent pale blue green; handles, foot ring, and trail in same color., Thick, vertical, cracked-off rim;

Limestone chariot wheel, Classical, 5th century B.C., Cypriot, Limestone, Overall: 1 7/16 x 3 7/16 in. (3.7 x 8.7 cm), Stone Sculpture, The wheel of the chariot is quite large. It is solid, with six spokes in low relief. There are traces of

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Highlanders, 1856, Albumen silver print, Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey

Terracotta bell-krater (mixing bowl), Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 10 7/8 in. (27.6 cm), Vases, Altar and wreaths below a grapevine The motifs depicted here are more

Fragment of a faience statuette of a woman holding a vase on her head, Archaic, late 7th–6th century B.C., East Greek, Faience, H.: 3 1/8 in. (7.9 cm), Miscellaneous-Faience, Holding vessel on head with both hands

諸國瀧廻リ　東海道坂ノ下 清瀧くわんおん, Kiyotaki Kannon Waterfall at Sakanoshita on the Tōkaidō (Tōkaidō Sakanoshita Kiyotaki kannon), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Edo

Scarab, Cypriot, Agate, gold, silver, Diam.: 7/16 in. (1.1 cm), Gems, Scarab in gold band setting, mounted in silver swivel ring; hippocamp

Samme Flyvebaad SammenfolSet., 1905–19, Gelatin silver prints from glass negatives, Image: 4 in. × 5 5/8 in. (10.1 × 14.3 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of

Bronze statuette of Eros kneeling, Imperial or Post Classical, 1st century A.D. or later, Roman, Bronze, H. 3 15/16 in. (8.31 cm), Bronzes, Bronze statuette of Eros kneeling

Parting of Lovers: The Morning After, Edo period (1615–1868), ca. 1765–70, Japan, Polychrome woodblock print; chuban yoko-e; ink and color on paper, H. 8 in. (20.3 cm); W. 12 5/16 in. (31.3 cm), Prints, Suzuki Harunobu (Japanese,

Upper Lake, Penllengare; Rhododendrons; Brome, Morphine Tuff, 1853–56, Albumen silver print; salted paper print, Image: 13.4 × 16.5 cm (5 1/4 × 6 1/2 in.) (a), Photographs, James Knight (British), John Dillwyn Llewelyn (British, Swansea,

Mrs. Herbert Duckworth, 1867, Albumen silver print from glass negative, 32.8 x 23.7 cm (12 15/16 x 9 5/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), This portrait of Julia Jackson,

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 7/8 in. (34.6 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Head with elephant spoils, Hellenistic, 3rd century B.C., Greek, Egypt, Bronze, Overall: 2 x 1 3/4 x 1 3/4 in. (5.1 x 4.4 x 4.4 cm), Bronzes, Attachment; head wearing the spoils of an elephant

元禄歌仙貝合, Ashi Clam, from the series 'Genroku Kasen Kai-awase', Edo period (1615–1868), 1821, Japan, Polychrome woodblock print; ink and color on paper, 7 15/16 x 7 in. (20.2 x 17.8 cm), Prints, Katsushika Hokusai (Japanese,

南宋 傳光宗 行楷書高標貞色聯句 團扇, Couplet by Han Yu, Song dynasty (960–1279), China, Fan mounted as an album leaf; ink on silk, 8 3/8 x 8 1/4 in. (21.3 x 21 cm), Calligraphy, Attributed to Emperor Guangzong (Chinese,

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; tapestry weave, 3.5 in. high 3.50 in. wide (8.89 cm high 8.89 cm wide), Textiles

Cover and Title of the portfolio: Le Café Concert ; Lithographies de H.-G Ibels et de H. de Toulouse-Lautrec; Texte de Georges Montorgueil, 1893, Lithograph, sheet: 17 1/2 x 26 in. (44.5 x 66 cm) folded in half, Prints, Henri-Gabriel Ibels

Glass cameo fragment, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast and cut, H.: 1 in. (2.5 cm), Glass, Translucent cobalt blue with opaque white overlay., Body fragment of

Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay., 1870–71, Albumen silver prints from glass negatives, Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the

Unidentified Actor of the Ichikawa Line in the Role of Hige no Ikyu, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 5/8 in. (32.4 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese,

Macao, ca. 1869, Albumen silver print from glass negative, Image: 7 9/16 × 11 3/16 in. (19.2 × 28.4 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

[Portrait of a Chinese Couple], 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Unknown

Processional Cross, 15th century, Italian, Translucent Champlevé enamel, silver, partial-gilt, modern glass and velvet, Overall (with tang): 32 11/16 x 17 13/16 x 1 3/16 in. (83.1 x 45.2 x 3 cm), Enamels-Champlev

百人一首　うはかゑとき　文屋朝康, Poem by Funya no Asayasu, from the series One Hundred Poems Explained by a Nurse (Hyakunin isshu ubaga etoki), Edo period (1615–1868), 1760–1849, Japan, Polychrome woodblock print; ink and

Bronze double axe, Late Minoan III, ca. 1400–1050 B.C., Minoan, Bronze, 6 1/8 in. x 2 1/4 in. (15.5 x 5.7 cm), Bronzes, Axehead

Abou Simbel, Nubia, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Ichikawa Omezō I in the Role of Yakko Ippei from the Play Koinyōbō Somewake Tazuna, Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, 14 7/8 x 9 7/8 in. (37.8 x 25.1 cm), Prints,

木曽海道六拾九次之内　洗馬, Senba Station, Edo period (1615–1868), ca. 1835–48, Japan, Polychrome woodblock print; ink and color on paper, H. 9 5/8 in. (24.4 cm); W. 14 7/16 in. (36.7 cm), Prints, Utagawa Hiroshige (Japanese,

Keep of Tattershall Castle, Lincolnshire - 2nd Fortescue, 1860, Albumen silver print from paper negative, 21.6 x 26.8 cm. (8 1/2 x 10 9/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Bronze handle attachment with antelope heads, Hellenistic, 3rd–2nd century B.C., Greek, Bronze, w. 3 5/16 in (8.4 cm), Bronzes, Handle attachment with antelope heads on either end

Lake Suwa in Shinano Province (Shinshū Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　信州諏訪湖, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Agate ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Agate, Length: 1/2 in. (1.3 cm), Gems, Capricorn, a trident in the field

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 11/16 in. (1.7 x 4.3 cm), Glass, Thin-walled body fragment of bowl., Translucent purple, light blue partly mixed

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 15/16 in. (2.1 x 2.4 cm), Glass, Body fragment., Translucent turquoise blue, layered with opaque yellow and

Plaque, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 6.5 x 1.89 x 0.47 in. (16.51 x 4.8 x 1.19 cm), Ivory/Bone-Reliefs

Flute, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L.: app. 6.3 cm (2-7/16 in.); W.: app. 4 cm (1-9/16 in.), Aerophone-Whistle Flute-recorder

[Servants and Dog], 1850s, Albumen silver print, Image: 9.3 x 12.1 cm (3 11/16 x 4 3/4 in.), Photographs, Unknown

扇屋内春日野わかな こてう, The Oiran Kasugano of Ōgiya on Parade, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 1/8 in. (30.8 x 13.0 cm), Prints, Kitagawa Utamaro

Scene from a Drama, Edo period (1615–1868), ca. 1750, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 7/8 in. (31.8 x 14.9 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

Lady in a Court Carriage Viewing Cherry Blossoms, Edo period (1615–1868), ca. 1796 (Kansei 8), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/4 × 9 1/2 in. (37.5 × 24.1 cm), Prints, Chōbunsai Eishi (Japanese,

Terracotta statuette of a standing girl, Hellenistic, ca. 300 B.C., Greek, Attic, Terracotta, Overall: 4 1/2 x 1 3/4 x 1 1/16 in. (11.4 x 4.4 x 2.6 cm), Terracottas, By the late fourth century B.C., children were no longer represented as

Pair of spherical gold earrings, Archaic or Classical, 6th–5th century B.C., Greek, Gold, enamel, Other: 1 9/16 in. (4 cm), Gold and Silver, Gold balls with filigree

Costume of an Indian Woman from the Ballet 'Triumph of Love' (Habit d'Indienne du balet du Triomphe de l'amour), 1681–92, Etching and engraving, Plate: 12 3/16 × 7 7/8 in. (31 × 20 cm), Juan Dolivar (Spanish, Zaragoza 1641–1692 Paris),

Thornton College - Lincolnshire, 1860, Albumen silver print from paper negative, 21.6 x 27.1 cm. (8 1/2 x 10 11/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

The Vision of St. Theresa, 1570–1604, Engraving, Prints, Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

Carpet with a Compartment Design, first half 16th century, Made in Iran, Silk (warp and weft), wool (pile); asymmetrically knotted pile, Rug: H. 196 in. (497.8 cm), Textiles-Rugs, This magnificent jewel-colored carpet, with its elegant,

Apollo and the Cumaean Sibyl, ca. 1661, Etching and drypoint, sheet: 13 3/8 x 8 7/16 in. (34 x 21.5 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Tobacco Pouch and Pipe with Netsuke of Freshwater Pearl in Gold Mount, Edo period (1615–1868), 18th century, Japan, Pouch: Dutch embossed leather with silver foil, and color, Pouch: H. 4 in. (10.2 cm); W. 5 1/4 in. (13.3 cm), Tobacco

Lead figure of a winged goddess, perhaps Artemis Orthia, Archaic, late 7th–6th century B.C., Greek, Laconian, Lead, Height: 1 3/4 in. (4.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

Sword, Shoes and a Scroll, Representing the Chinese Warrior Chōryō, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 13/16 x 7 7/16 in. (14.8 x 18.9 cm), Prints,

Fragment of a terracotta plate, Archaic, 7th century B.C., East Greek, Wild Goat Style, Terracotta, greatest H. 4 3/4 in. (12 cm); estimated diameter 14 in. (35.6 cm), Vases, Obverse, above, griffin; below, sphinx, Reverse, head of

Glass hexagonal jug, Early Imperial, 1st century A.D., Roman, Glass; blown in a multi-part mold of two vertical sections and a cup-shaped base, H.: 4 in. (10.2 cm), Glass, Colorless with translucent purple streak from rim to bottom, with

Kameyama, 東海道五十三次　亀山, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Porta del Popolo, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Beans for Tossing During Setsubun Exorcism Ceremony, from the series Ise Calendars for the Asakusa Group (Asakusa-gawa Ise goyomi), 『浅草側いせ暦』　節分の悪霊ばらい, Edo period (1615–1868), 1810s, Japan, Polychrome

Perils of the Sea, 1888, Etching, image: 13 11/16 x 20 1/4 in. (34.8 x 51.4 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Terracotta covered bowl, Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; black-glaze, H. with cover 3 7/8 in. (9.8 cm); H. without cover 2 1/4 in. (5.7 cm), Vases

Percussion Pistol, mid-19th century; barrel, dated A.H. 1207/A.D. 1792–93; lock, ca. 1825–50, Tbilisi, Caucasian, probably Tbilisi, Georgia or Dagestan, Steel, silver, gold, niello, L. 14 3/4 in. (37.47 cm); Cal. .51 in. (12.95 mm),

二葉草七小町　清水小町, Kiyomizu Komachi, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/2 in. (36.8 cm); W. 9 1/2 in. (24.1 cm), Prints, Kitagawa Utamaro (Japanese,

Group of Women on the Engawa of a Country House, in the time of the Cherry Blossoming, Edo period (1615–1868), ca. 1806, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 9 5/8 in. (24.4 cm), Prints, Utamaro

Terracotta relief with head of a woman, Classical, ca. 500–450 B.C., East Greek, Terracotta, 4 1/8 in. x 3 in. (10.5 cm x 7.6 cm), Terracottas, Traces of red and black color remain. A hole at the top was for suspension

Turban Helmet, late 15th century–1st quarter 16th century, possibly Istanbul, Turkey, possibly Istanbul, in the style of Turkman armor, Steel, iron, gold, silver, copper alloy, H. 11 3/16 in. (28.5 cm); W. 8 7/8 in. (22.53 cm); Wt. 2 lb.

Jérusalem, Enceinte du Temple, Côté Ouest, Heit-el-Morharby, 1854, Salted paper print from paper negative, Image: 23.2 × 33.2 cm (9 1/8 × 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta amphoriskos (oil flask), Archaic, ca. 540–500 B.C., East Greek, Milesian, Fikellura, Terracotta, H. 9 5/8 in. (24.5 cm), Vases, White slip, ivy leaves on shoulder, meander on neck and net pattern on body

柴田是真作　波文印籠, Inrō with Stylized Waves, Edo period (1615–1868), 19th century, Japan, Gold lacquer with pewter inlay; Ojime: bronze and gold jar; Netsuke: carved tortoiseshell turtle, Overall (inro): H. 1 15/16 in. (5 cm);

Anatomie du gladiateur combattant applicable aux beaux arts, ou Traité des os, des muscles, du mécanisme de mouvemens, de proportions et des caractères du corps humain (Anatomy of the Fighting Gladiator), Paris (Salvage), 1812, 1812, Folio

Scene from a Drama, Edo period (1615–1868), ca. 1745, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 6 in. (15.2 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729

Scene from a Drama, Edo period (1615–1868), ca. 1749, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/8 in. (31.4 cm); W. 5 7/8 in. (14.9 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729), Made by Estate of Samuel

Handle in the form of a lion, Bronze, Other: 1 x 1 1/2 in. (2.5 x 3.8 cm), Bronzes

Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 2 1/2 in. (6.4 cm), Metalwork

Harbor Scene: An English Ship with Sails Loosened Firing a Gun, Oil on canvas, 48 x 59 in. (121.9 x 149.9 cm), Paintings, Peter Monamy (British, London 1681–1749 London

Sumida River Holiday, 三俳優隅田川船遊び, Edo period (1615–1868), 1788–90, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Triptych; each H. 14 1/2 in. (36.8 cm); W. 10 1/8 in. (25.7 cm), Prints, Torii

Limestone statuette of Artemis with a fawn, Hellenistic, late 4th–2nd century B.C., Cypriot, Limestone, Overall: 25 1/8 x 8 3/4 x 4 in. (63.8 x 22.2 x 10.2 cm), Stone Sculpture, Figure with fawn at her side

Stone bowl, Late Republican or Early Imperial, 1st century B.C.–1st century A.D., Roman, Granite, maximum diameter 4 7/8in. (12.4cm), This bowl, made from granite, is a rare surviving example of the hard-stone vessels that were highly

Lyon, ca. 1861, Albumen silver print from glass negative?, Image: 43.2 x 31.1 cm (17 x 12 1/4 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Pendant: female head, Classical, 5th–4th century B.C., Italic, Amber, H.: 2 1/2 in. (6.3 cm), Miscellaneous-Amber, Large female head in profile facing left. She has very large almond-shaped eyes and small lips and nose. She wears a pointed

Cat's Cradle, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 11 in. (27.9 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Terracotta kantharos (drinking cup with high handles), Geometric, 7th century B.C., Greek, Attic, Terracotta, H. 3 1/8 in. (7.9 cm), Vases, From the Hymettos deposit

Print, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 7/16 in. (21.1 x 18.9 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), This print is probably a New Year's