Images at Librifly

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Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Five big and four small drops, hanging from a kind of pavilion with two stories and a cupola. Its base are volutes. Between

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Variation of the scheme of -1534. The arch at left is decorated in the scheme of -1532. A

A Narrow Street in Strasbourg, Alsace, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on paper, The upper parts of two houses are carefully drawn; the remnant is sketched. Written in the lower right corner: Strasbourg

Study, Trees, Santa Barbara, California, Samuel Colman, American, 1832–1920, Graphite, crayon on cream paper, Two sycamores without leaves are shown at the bank of a stream, the bed of which is shown in the foreground. It is full of

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The plan of the bowl is like -1410, the support is a variation of that in -1420, the receding frieze

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Entrance wall of a salon., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Door Case, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, A variation of 1939-88-1693, the proportions stressing the width. The overdoor consists of the medallion with two lateral motifs; it does

Bracket, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Bracket., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Tablet with an inscription, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, The inscription is written in a central rectangle with a more elaborate frame having spirals

Frame for papal inscription, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, lined, Above: an escutcheon framed by flower stems and above by the crossed papal keys. On top the tiara. Below, at left: a sketch

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, A symmetrical grotesque frieze with caryatids and birds., Italy, 1600–1625, ornament, Drawing, Drawing

Stage Design of a Turkish Mosque, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Circular Turkish mosque with apses and showing half moon, on top of roof. People

Design for a Main Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The plan of the retable is like the half of an octagon. At the front is a representation of the ascension of

Stairway, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Stairway. Probably for the Palazzo Braschi alle Convertite., Rome, Italy, ca. 1786–1787, architecture, Drawing,

Elevation of a Building, Possibly a Kaffeehaus or Museum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Elevation of a Building, Possibly a Kaffeehaus or Museum., Italy, ca.

Design for the Upper Part of the Carved Decoration of a Wall Panel, Brush and gray watercolor, pen and chinese black ink on paper, France, ca. 1750, Drawing, Drawing

Interior Scene with Figure with a Wheel, Draped Figure, and Reading Figure, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash, graphite on paper, Interior Scene with Figure with a Wheel, Draped Figure, and Reading

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of the scheme of -1439. The motif below has the width of teh panel. Upon a pedestal

A Cat and a Setting Hen, Pen and brown ink on cream laid paper, A setting hen is on the left, and a bird flies directly above. On the right a placid-looking cat is staring forward. A few scattered plants emerge from the ground., Italy,

Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red pencil on lined off-white laid paper, Similar to 1938-88-1130. Top: the elevation of the central structure. The lower part is surrounded by a

Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for a centerpiece., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Stage Design for a Hall Interior, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined blued-white laid paper, Hall, side walls decorated with columns, in the back a niche with sofa. Richly

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, A folding door is flanked by high arched windows with hangings., France, possibly Holland, ca. 1785, drawing,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for ceiling decoration, possibly for the Winter Bedroom, Palazzo Altieri., Rome, Italy,

Wellmiche, Rhineland, Eugène Edouard Soulès, French, 1811–1876, Black crayon, brush and wash, brush and white gouache on brown paper, The village is shown as it looks from the Rhine. The Castle of Thurnberg, called the Mouse, is shown

Design for a Double Door with Overdoor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the scheme of -1662. In the center of the door folding is a lozenge with the

Design for a Frame with Alternative Suggestions, Pen and ink, black chalk, brush and brown watercolor, white gouache on paper, Design for a frame intended to be executed in metal with alternative suggestions. The left half consists of

Frame for a small devotional picture, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Similarly framed as in -1385 but without a garland. The small inner frame is rectangular and is

Stage Design, Interior of Kitchen, Luigi Ricci, Italian, 1823 - 1896, Graphite, brush and sepia wash on paper, Horizontal rectangle. Interior of kitchen with stairs leading upward., Italy, ca. 1860, theater, Drawing, Drawing

The Virgin, Child, and a Female Saint, Fortunato Duranti, Italian, 1787 - 1863, Graphite, incised lines on paper, The Virgin rising from her seat, is stepping down some steps; in front of her the Child. At left kneels a saint, with a book

Project for a Lunette, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink on paper, lined, Horizontal rectangle with design for a lunette showing two putti holding a central square with figures., Italy, 1800–1825, architecture,

Design for a Frieze with the Allegory of Music, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and sepia wash on paper, A putto plays the flute while another holds the music book. A third plays the triangle, a fourth listens.,

Design for the Elevations of Sepulchral Monuments, Funeral Decorations for Louis XVI, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Most or all designs intended for one of kings,

Orchestres du grand carre des champs-elysees (1838)', Félix-Jacques Duban, French, 1798 - 1870, Brush & pen & watercolor, graphite Support: light tan paper mounted on off-white laid paper, Design for an open-air pavilion with a blue triangular

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Design for Woven Paisley, Brush and orange-pink gouache on brown oiled translucent paper, Design for paisley (a woven Persian cone). Consists of a small cone that sits inside a larger one. The design for the larger cone contains flowers and leaves,

Design for Wall Decoration, Pen, brush and sepia wash on paper, Beside probably a door, a panel with a vase, and one with the illusion of a door. below scale. Evindently mounted on paper by the artist. On the back, in the handwriting of the

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Designs for a Low Domed Ceiling, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Low Domed Ceiling., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Standing Frame, Probably for a Screen, Black chalk, pen and wash, Chinese black on paper, Moulded frame upon two feet shaped like entablatures of a pediment. Birds seated at the top corners support a garland hanging in festoons. The

Stuart Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Intended for an intercolumniation between two embedded columns, and in a niche. Between the capitals is a frieze

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash off-whtie laid paper, lined, A variation of the scheme of -1532. The arch at left is reduced to a narrow strip. The

Tailpiece, Franklin Booth, American, 1874–1948, Charles Scribner's Sons, New York, New York, USA, Pen and ink on paper, A scroll design composed of roses and vines. A symmetrical design, with a cetnral motif of roses and intersecting

Three tombs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Upper row, left. The architectural setting is similar to 1938-88-1298, right row, above. The scheme of the monument

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Rectangular composition with central rectangular panel populated by figures in clouds. Below,

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A pedestal with the inscription and 'ANNO MDCCXVI' carries the bust of the cardinal which stands upon a base with the

A Ticket for Theatre Royal; Male Caricature, William Hogarth, English, 1697 - 1764, A.M. Ireland, Etching on paper, Belot, a scene with two women and three men in a salon. All are standing. Enframed by Hermes at left and right, by twigs and a

Design for a Painted Porcelain Plate, Garden Scene from the Service de la Culture des Fleurs (Flower Cultivation Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Pen and white ink, brush and gouache on glazed tracing paper, A green strip and a row of ovoidal beads connected by feathery leaves are

Designs for or Sketches of a Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Designs for or Sketches of a Mausoleum., Rome, Italy, 1746–1809,

In the Park of Ermenonville, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, In the first plane is a part of a pond with a water gate. A sarcophagus in classical

Imaginary Landscape with, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink Support: off-white laid paper, USA, ca. 1870–73, landscapes, drawing, drawing

Designs for Two Console Tables, with a Female Head, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, From left to right. The head seen in profile, turned toward right. The left

Designs for Ceiling Decorations, with Plan of Spectators' Room of a Theater, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A) At left: an octagonal attic frame is inscribed into an

Decoration of a frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Decoration of a frieze., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Sketch for an Unused Scene for a Cartoon for Cotton Printing: La Vie de Bélisaire, B. M. Lebert, 1759–1836, Pen and ink, brush and gray wash on paper, Sketch for one island for a cartoon for cotton printing, showing a blind soldier reclining

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and watercolor on paper, The Virgin stands in front of what seems to be a sarcophagus in a niche. She is seen from the front, her head turned toward left, in profile.

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Mantelpiece., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Sepulchral Monument for Three Brothers, Graphite, pen and ink, brush and watercolor on paper, Intended to be executed with white marble and marbles of many colors. Below is a base. One sarcophagus stands in the central panel of the

The Holy Family, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin is sitting upon a dado, the Child sitting beside her, at left, and leaning upon her right leg. The Virgin, in the attire of about 1500, holds branches

Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Top: Distant corner view of a palace of similar design as -1107, situated on top of a hill at the end of an ovoidal court.

Picture Gallery; Pony Cart, Victor Vincent Adam, 1801–1866, Pen and ink, brush and sepia and gray wash on paper, Left: A woman accompanied by five children, visiting picture gallery; ornamented border partly shown. Right: children in pony

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1302. The entablature above the door and at the sides is

Design for a Door and Doorcase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The door has two foldings, either of them with tall rectangular panels above and below, and a

Christ before Caiphas, Red crayon, brush and bistre wash on paper, Horizontal rectangle. The high priest is seated upon a throne, at right, and apparently tears his clothes. At left is a group of Christ and his guards. A spectator stands at a

Design for a Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Left halves of the elevation are shown. At left: supported by lion's feet standing upon bases. At the left

Last Judgment Scene, Pen and ink, brush and gray wash on paper, Last Judgment scene., Italy, 17th–19th century, Drawing, Drawing

Design for a Bracelet, Pen and brown ink, gray wash, green, yellow watercolor, traces of graphite Support: off-white wove paper, Italy, Italy, 1800–1825, jewelry, Drawing, Drawing

Designs for Wall Elevations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, lined, Designs for Wall Elevations., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Three Angels with Instruments of the Passion, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, Above, an angel, kneeling with his right knee upon clouds, points at something with his right hand, his arm crossing

Frieze with Dancing Children, Charcoal, pen and ink, brush and watercolor on paper, Six dancing children. At left, three playing musical instruments. Framing lines., Italy, 1600–1625, figures, Drawing, Drawing

Design for a Coronet, Pen and brown ink, brush and yellow, gray wash, graphite on white wove paper, Horizontal rectangle. Design for a small crown or tiara intended to be executed in gilded metal and diamonds. Two winter oak branches with leaves

River Scene, Grand Canyon, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Brush and ink wash on cream wove paper, Horizontal view of hills on either side of a river in the middle ground, with a windmill topping the left hill. A

Bacchanal of Children, Charcoal, pen and Chinese ink with bistre wash on paper, Several children are grouped around the child Bacchus, who raises a bunch of grapes in his right hand. The head of a goat is seen at the right. Verso: portions of two

Decoration of a frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Decoration of a frieze., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Vase, Pen and ink on paper, lined, Loose sketch showing the elevation of a footed vase decorated with a mask and two swags., Italy, 1760–1780, classicism, Drawing, Drawing

Lower end of staircase railing, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The calyx at left and a low baluster with a calyx on top at right are connected by a garland.

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for ceiling decoration featuring central figure amidst clouds, with rinceaux motifs at lower left.,

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left sides are shown. The lateral designs have consoles on top of the lateral pilaster strips. It

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1306, the plan of the structure being octagonal. The

Snowberries, Brush and watercolor, pen and ink on paper, A branch of snow-berries, with two blossoms. One leaf is worm-eaten. Dated, in ink, lower right: '8th Oct. 1832'., England, October 8, 1832, Drawing, Drawing

Designs for Ceiling Decorations with Figural Sketch and Anecdote, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Various rough designs for ceiling decoration, including lattice,

Design for Embroidery Pattern, Brush and black ink on paper, pricked, Embroidery pattern, before 1916, Drawing, Drawing

Design for Jardinière, Pen and brown ink on off-white laid paper, Obverse: the lions are shown in profile, facing each other. They clutch the balls with their fore paws, turned backward. Reverse, at right, the upper part of a molded frame,

Design for a Firedog, Pen and ink, brush and watercolor, graphite on paper, A bronze base supporting the seated figure of a winged sphinx, facing left in profile. Upon the head of the figure is a basket of flowers., France, 1780-1790,

The Holy Family, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown watercolor on paper, The Virgin sits at left, seen from the front, holding the Child in her lap. The scenery is a vaulted room. Joseph near two large logs. At left

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A bust of the cardinal stands upon a pedestal having the shape of the lower part of a column. It stands in the center of

A Flying Angel Carrying a Palm Branch, Pen and black ink, black chalk on laid paper, Vertical rectangle. Figure of a flying angel carrying a palm branch directed toward the right. The throat and the head are shown slightly obliquely from the

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below are steps. Above are stands, between two vases with flames, a round base,

Design for a Woven or Embroidered Corner Motif of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Trophy composed of a winged and doubled pine motif with an oak bough on top in an

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing,

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Basin with a pavilion in a park, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The pavilion stands in the center of the large basin. It consists of a circular structure with an

Design for a Candle Bracket, Pen and ink, brush and watercolor on paper, Vertical rectangle. Design for a candle bracket intended to be executed in partly gilded bronze. A central and two lateral arms springing from a cornucopia, with a ram head

Exterior, Theatre at Brescia, Pen and brown ink, brush and gray wash on wove paper, Horizontal rectangle. Exterior of theatre at Brescia with figures standing in street in front of building at left., Italy, early 19th century, theater,

Door Wall Elevation, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, lined, Door Wall Elevation., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for an earring, a disk above and three drops below in a scheme similar to 1938-88-839. The most important difference being an a jour

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a Brooch, Pen and ink, brush and watercolor, sepia on paper, The head of a satyr with diamonds in the eyes; upon the forehead is a diamond, two pear-shaped gems pending from the ears., Italy, 1825–50, jewelry, Drawing, Drawing

Inkstand, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, Shown slightly from above and obliquely from the right front corner. Not entirely shown at left. Below is a broad

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