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Tureen, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Tureen., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Purple leaf design, black branches on white ground., France, 1800–1818, textile designs, Drawing, Drawing

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink on white laid paper, Letter B in reverse intertwined with trophies and a horse's head., France, ca. 1720, ornament, Drawing, Drawing

Design for a Tomb, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of -1291 upper row left, without the upper part of the pedestal. The escutcheon is supported by two

Six Designs for Alcove Elevations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Each with a central main entrance and two lateral lower ones. The lower part of the ceiling is

The Assumption of the Virgin, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, Angels convey the upright Virgin into Heaven. The sarcophagus is outlined. Framing line., Rome, Italy, 1820–1850, Drawing,

Design for an Embroidered Motif, Black chalk, brush and gouache on strong paper, Rose boughs grow from a tree trunk, France, 1770–1800, Drawing, Drawing

Design for a Doorcase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A plain door frame, having on top a frieze with three escutcheons, connected by festoons. Above the frieze

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, The repeat, four of which are shown, consists of a leaf scroll with a cone

Head of a Woman (Project for Stained Glass), Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on paper, Face framed by hair, shown frontally., USA, ca. 1889, figures, Drawing, Drawing

Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a mantelpiece., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1302. The flames burn in bowls, which are supported, in

Elevation of a Church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for an Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Above is the elevation, below, separated by a wide dark strip the plan. Above steps stand four columns and

Capital, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left half: the projecting abacus is supported by the head and the wings of an eagle. The center motif are two leaves

Three Mausoleums, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Top: the section of the central building flanked by colonnades. The interior of the building is divided into two

Allegorial Painting; Head of the Virgin, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and ink wash on paper, Rome, Italy, 1800-1825, Drawing, Drawing

In a Cave, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, View from a cave of what possibly is a stream and a village, with mountains in the background. A man gives something to a seated

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, graphite on glazed tracing paper, Top row: six calyces are obliquely shown. Second row: five

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Caryatids support the entablature in the center and below the arch, at left. An

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, Vertical rectangle. Below is a pedestal with steps, between crouching lions leading to it. Upon it stand four high gaines

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Timepiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined (or mounted), A variation of -2109. The main difference is the disposition of the dial at the front of the

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on beige laid paper, Above: The lower part and the disposition of the pedestal upon the steps are similar to

The Pious Carter, Robert Cruikshank, 1789 - 1856, Graphite, brush and watercolor on paper, Illustration, interior with three figures. Man holding whip threatens a Black figure, standing right. Woman at left, holding a tankard, placers her

The Head of a Despairing Young Woman, Andrea Appiani the Elder, Italian, 1754 - 1817, Black crayon, brush and white gouache on brown paper, Turned toward the right, slightly raised and shown nearly in profile. The back part of the head,

Study, Old Cypress Tres, Cypress Point, Samuel Colman, American, 1832–1920, Graphite, pen and brown ink on paper, An old tree is shown standing at a hillside, with a wood in the background. Inscribed below in ink: 'Old Cypress trunk,

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Gate of a barracks, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pylon-shaped opening is out in a projecting part of a wall. Triglyph frieze. Inscription tablet flanked by

Design for an Embroidery or a Woven Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Black crayong, brush and gouache on glazed tracing paper, laid down on paper, Pear forms, seven of which are shown,

A Female Martyr, Saint John the Baptist, and Two Devouts, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, In the center, at right, stands a nude young woman, her hands bound across her back, and a cloth around her hips. At

Bracket, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Bracket., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Rest on the Flight to Egypt, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink on paper, Full-length figure of the Virgin, standing frontally, facing the spectator. She holds her sleeping child in her arms, the donkey is behind

Stage set, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Four views of interiors of Gothic churches showing, especially, vaults., Italy, Early 19th century,

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a fireplace, Pen and Chinese ink, brush and washes of purple and light brownish watercolors, A console mirror stands between folding doors., France, 1760, Drawing, Drawing

Recto: domed triangular room; Verso: colonnade and a dado, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, The corners are beveled. Scale underneath. Verso:

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and grey and black water colors and white oxidized heightening on paper, A ditch winds through a bushy country., France, Paris, France, ca. 1855, Drawing,

Hercules Slaying the Hydra, Black chalk, pen and ink, brush and brown watercolor on paper, Shown from the front. Mountainous country. Framing lines., Italy, 1750–1800, Drawing, Drawing

Page of a sketchbook; The dying pious, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Bistre, pen and ink, wash on paper, Horizontal rectangle. Verso, left: In the foreground the dying person is surrounded by members of the

View of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Corner view of a polygonal house. Basement and two stories. Flights of stairs lead to the portico, which has four

Elevation of a Drawing Room Entrance Wall with Alternative Suggestions, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, In the center are three panels, between two doors. In

Woman on a Horse in Hawking Costume, Pen and sepia on paper, Woman on a horse in a hawking costume., Italy, early 17th century, Drawing, Drawing

Elevation of a town house, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Three stories. At basement level, a door is flanked by windows with railings; inscription tablet above.

Design for a Painted Porcelain Plate, Kitchen Scene with Rear Bedroom, possibly for the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brush and brown ink, gray wash, graphite on cream laid

Sarcophagus and allegorical figures, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Sarcophagus and allegorical figures., Italy, 1746–1809, architecture, Drawing, Drawing

Design for a Chimneypiece, with an Elaborate Overmantel, Black chalk, pen and ink, brush and watercolor on paper, Shown are the right side of the upper part the moldings framing the opening nearly entirely. A pedestal in the general shape of a

Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, pen and black ink, graphite on white wove paper, Pink fleur-de-lys pattern with bordering

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, graphite on glazed tracing paper, A row of four hanging boughs, with a seed, three leaves, and a

Design for Pilaster Strips, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Table with Sphinx Base, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Elevation of a table, the base in the form of a sphinx with outstretched wings., Italy, ca. 1790, furniture, Drawing, Drawing

Design for Bedroom Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Alcove side of a bedroom., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for Arabesque in Candelabra Form, Probably for the Red Room in the Palazzo Altieri, Rome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A sitting sphynx supports with

Living room, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Living room., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting is a niche with a rectangular plan, and with an arch above an

Design for a Painted Frieze, Graphite, brush and gray watercolor, Chinese black on paper, Rinceaux with circular medallions at the ends of the spirals; two are shown. They contain landscapes, each with two figures. Festoons and tassels hang from

Design for an Embroidered Frontal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left side is shown. The framing border is decorated with rinceaux. In the center is a circular

An Old Place in the Rhineland, Eugène Edouard Soulès, French, 1811–1876, Black crayon, brush and wash, brush and white gouache on brown paper, mounted, Frame houses in a village., France, 1828, Drawing, Drawing

Putto, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and bistre ink on paper, The running figure of a nude putto, moving toward the left. He holds a kind of vessel above his head. Landscape briefly indicated., Rome, Italy, 1820,

The Temptation of St. Anthony, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and grey-brown watercolor on paper, The same composition, with very little variations on either side of the sheet, in opposite directions.

Design for an Earring, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Above, a round disk filled with circular gemstones; below, three pear-shaped drops; in the center, three flower blossoms surrounded by

Long wall of a hall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, .Long wall of a hall., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Unidentified Classical Subject, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and with brown wash on paper, Roman soldiers are gathered in a city square watching a bearded sage exclaiming before a block in the left foreground. A

An Angel Hammering a Chisel into a Burning Beast, Pen and ink, brush and watercolor and laid paper; verso: pen and ink, Vertical rectangle. An angel or putti shown from the front, sitting upon a beast, raising a hammer with his left hand and

Four consoles, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Center below, a volute at the upper end, covered by a leaf below; below is a shell. Center at right: a console

Norman Peasants, Victor Vincent Adam, 1801–1866, Pen and ink, sepia and gray wash on paper, VIgnette of a woman, standing at right, facing left in profile. Accompanied by a goat, she stands before a well, filling a pitcher with water. A

Papal escutcheon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash off-white laid paper, Supported by two winged female genii, the right one having a trumpet in her left arm. In front of a niche which is

Design for a Window Case, Filippo Marchionni, Italian, 1732–1805, Pen and ink on laid paper, A broken pediment, with ram’s head in the center above a drapery supported by the cornices; a crown on top. in the window opening is the upper part

Sketch of an Angel, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and bistre on paper, Above, in pencil, half-length group of the Virgin and Child, enclosed in frame. Before it, a shouting angel, in a cloud, flies

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Entrance wall of a salon., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Bedroom, Pen and ink, brush and watercolor, black crayon on paper, The bed with its hangings is shown at right and the door is at left. An oblong panel with a festoon and a painting of a Satyr and Nymph., Italy, 1790, Drawing,

Town gate, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, Rustic pilasters support the entablature. An escutcheon before a kind of attic on top. Crenellated towers

Console table with timepiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The table has four legs. Frame and top are an entablature with festoons in the frieze. The time piece has a

Extreme Unction, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on paper, Horizontal rectangle. Interior, with old woman in bed, at left, receiving the Lat Rites (Extreme Unction) of the Church. She holds a

Saint John the Baptist, A Saint Bishop (Porbably One of the Doctors), and Two Devouts, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, At right, Saint John, standing, and pointing at the lamb beside him, addressing a kneeling

Design for a Painted Frieze, Graphite, brush and gray watercolor on Chinese black on paper, Rinceaux with circular medallions at the ends of the spirals. They contain landscapes, each with two figures. Festoons and tassels hang from the lower

Project for a Cresting, Charcoal, pen and ink, brush and grey watercolor on laid paper, Horizontal rectangle. The right half is shown. Upon the lateral spiral of a kind of scrollwork podium sits a half-figure of a woman, having acanthus leaves

Five Circular Representations of Young Women, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Left row: Above, half-figure of a standing young woman, turned toward the right, with the head turned toward her right shoulder. She

Satyr, Cupid, and Goat, Italy, 16th-19th centuries, Drawing, Drawing

Rear Elevation of a Sofa, Black chalk, pen and ink, brush and gray and olive watercolor on paper, Three legs in the shape of calyces are at the front. On top of the upper edge are, laterally, two pairs of doves, in the center a bowl with a

The Loan, Fortunato Duranti, Italian, 1787 - 1863, Bistre pen and ink on paper, Three figures of young men, shown half-length, within a lunette. Inscription below., Rome, Italy, 1820–1850, Drawing, Drawing

Elevation of a Bed Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Elevation of a Bed Alcove., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Brooch, Graphite brush and watercolor on paper, Four radially disposed shells form an escutcheon, containing a big diamond in the center; below, a hanging pear-shaped pearl. Smaller pearls between the shells., Italy, 1815–25,

Design for a Painted Porcelain Plate, Les Tartelettes (Little Tarts) for the Service des Objets de Desserts (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, bursh and brown, black wash, white gouache,

Design for a Title Page, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite on yellow tracing paper, Part of a wall is shown, with a tablet and the inscription: 'CROQUIS / D'APRES NATURE / PAR / CHARLES RANSONNETTE' surrounded by vine.,

Design for an Earring, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Double-sloped ring, with diamonds at the front. Suspended at it with both ends is the chain, consisting of two framing bands with,

Design for a Console Table and Looking Glass, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Top: the upper part of the looking glass. It is oblong and flanked by deepened stripes

Design for a Salt Cellar, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and wash on paper, Elevation of a salt cellar. The octagonal base is stepped and beveled. Upon this are two eagle caryatids with paw feet and scrolling wings.

Design for a Sepulchral Monument of King Louix XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1337. The walls have no entablature, and the

Triumphal arch in honor of the emperor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on blue-white laid paper, Obliquely shown. The central archway is flanked by two smaller ones upon which putti of Victory

Head of a Rooster, Samuel Colman, American, 1832–1920, Brush and watercolor and gouache, graphite on cream wove paper, Study of the head and neck of a cock. Shown in profile, turned toward right., USA, ca. 1900, animals, Drawing,

Design for a monument to R. Clefeort, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Shown from the right hand corner against trees. Animals courch at the corners of a pedestal from

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the scheme of -1534. The arch is decorated with one half of a plant.

Design for the Decorations of Pilaster Strips, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Left row: A trellis candelabrum rising from a base between two birds. In the center is

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Octagonal base, shaft with a cherub at the front. The bowl has below a leaf calix, above a frieze with

Doorway with alternative suggestions, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on blued-white laid paper, lined, A panel with molded arch projects slightly from rustic pilaster strips for which

Two Children Embracing Each Other, Pen and ink on paper, mounted, They are shown standing behind a table with some objects. The girl at left looks upon them, the boy at her., Italy, 1770–1800, Drawing, Drawing

Design for a Lantern on a Gondola, Unknown, Italian, Pen and brown ink, brush and brown wash on cream laid paper, A domes lantern on a stand. Four sides with scrolling corbels. A hemisphere with shell above each pane of glass. Candles visible

Two Studies of Madonna and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink on paper, Left: Full-length figure of the Madonna, seated, facing the spectator. The Child stnads beside her, his left hand raised high, supporting

Cherries and Butterflies, Brush and watercolor on paper, Two cherries on a branch with three butterflies hovering about it., England, ca. 1830, Drawing, Drawing

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