Images at Librifly

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Page of a sketchbook; Moses and the daughters of Jethro, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Bistre pen and ink, wash on paper, Horizontal rectangle. A group of women at a well, in the foreground; a man stands to the

Project: A Hand Bell, Pen, sepia, red-brown watercolor on brown-grey paper, Vertical rectangle. The handle consists of birds with woman heads, with scrolls below, rows of blossoms, and leaves above. The main field of the body is decorated with

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl has a plan of a rectangle, the short sides of which are supported by half circles. It is

Project for an Ewer and Basin, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and watercolor on paper, Design to be executed in partial gilt silver. Edge of the basin is shown, from which the ewer rises. Shown in profile

Stage Design, Street with Procession, Pietro Narducci, Italian, active 1809 - 1841, Pen and sepia ink, brush and wash on blue paper, Horizontal rectangle. Procession of figures carrying crosses and crucifix moving across street, church in

Design for a Door Wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a Door Wall., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin is seen frontally, standing upon a plinth. She supports, in front of her chest, the Child, turned her and holding a mace,

Design for an Embroidery or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, Top row: four boughs with a pending bead and blossom each. Bottom row,

Design for a Tabernacle, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A pavilion with a dome is shown from a corner. Figures stand upon the upper corners. Colored background.,

Sofa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on beige laid paper, Sofa., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Possible Design for an Overdoor Frieze, Pen and ink, brush and wash on paper, Possible design for an overdoor frieze with ewer, helmet, and military motifs., Italy, 17th–mid- 18th century, Drawing, Drawing

Looking glass, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Looking glass., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for embroidery or tapestry, Alphonse de Neuville, French, 1835 - 1885, Pen, ink, watercolor, and gouache on paper, Design for embroidery or tapestry by Alphonse Marie de Neuville (1836–1885). Basket with flower and grapevine. Without

The Promenade, Victor Vincent Adam, 1801–1866, Pen and ink, brush and sepia wash on paper, A couple promenading in the woods, left. Before them, moving toward the right, a small girl is seated on a donkey, accompanied by a young woman

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The shaft is similar to -1411, the bowl to -1406. The lid has below a base with two zones, the lower

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Dresser, ' table center piece for the Altieri family., Rome, Italy, 1790-1795, metalwork,

Stage Design, Staircase in Palace, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Staircase with two flights leading up on either side of door in the middle, vaulted ceilings., Italy, early 19th century, theater, Drawing,

Case of organ pipes, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Case of organ pipes., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

The Invention of Gunpowder, design for 'Pulvis Pyrius, ' pl. 3 in the Nova Reperta (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and gray wash, bistre, on paper,

Funeral Decoration for Louis XVI, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1793, architecture, Drawing, Drawing

Design for a Basin, Pen and brown ink, brush and gray wash on cream laid paper on secondary paper support, Vertical rectangle. Design for a shell-shaped wall-mounted basin, supported by a cupid below. At top, bust of a cupid with wings framing

Project for an Escutcheon, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Red chalk, pen and ink, brush and wash on paper, Design for an oval escutcheon., France,

Design for a Fountain used by Paolo Emilio Barberi (1777-?) as Competition Entry in the 1795 Concorso Clementino, Rome (Accademia di San Luca), Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on

Design for a Coronet, Pen and ink, brush and sepia wash on paper, Horizontal rectangle. Design for a small corwn or tiara. Converging at the center are two branches, each consisting of alternatively at one side a stem with two leaves and a round

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The support are two sitting griffons connected by a festoon. Frame and top are shaped like an entablature with stars and

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, red ink on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Trophy, Polidoro da Caravaggio, Italian, 1499 - 1543, Pencil, pen, brush and sepia on paper, Horizontal rectangle showing a design for a military trophy. At center, a helmet in the antique style with a harpy crest. Below are two

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Mantelpiece., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Petites colonne placee entre les colonnes departmentales', Félix-Jacques Duban, French, 1798 - 1870, Brush and pen, watercolor, graphite Support: light tan paper mounted on off-white laid paper, Design for a post, in which the main body is

Old Cathedral at Brescia, Pen and bistre ink and brush and sepia wash on paper, Horizontal rectangle. Interior of Old Cathedral at Brescia, looking toward apse. Female figure at left., Italy, early 19th century, theater, Drawing, Drawing

Modonna and Child, Graphite, pen and ink on paper, Madonna and Child, with framing lines., Italy, possibly 17th century, Drawing, Drawing

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and grey and partly oxidized white wash on grey paper, Water and trees., France, Paris, France, 1850-1875, Drawing, Drawing

Design for an Organ, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid, Below is a socle with three panels. The lateral compartments are framed rectangularly; the central, higher one has

Oval frame for the facade of a house, with lantern beneath, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of -1820. The consoles are nearer to the wreath, with a

Stage Design for the Interior of a Hall in the Classical Style, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Large hall opening between columns in the background and on the left

The Head of an Old Monk and the Head of a Child, Donato Creti, Italian, 1671–1749, Pen and ink on paper, mounted, The monk is at left, shown in profile, turned toward the left. The child was probably intended for a cherub., Bologna,

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Laterally are stripes projecting from the inner frame and the pilaster strips outside. The strips have together with an upper one the shape of a part of a frame.

Design for a Painted Frieze, Graphite, brush and gray watercolor, Chiese black on paper, An ovoidal medallion with cupid riding a dolphin is flanked by rinceaux. Verso: an ovoidal frieze is bordered by bands with laural garlands on top and bottom

Clock case, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, A circular frame is inscribed into a square; it has on top a base upon which a putto sits carrying a balance, and

Sketch, Exterior Scene with Draped Figures and Classical Architecture, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Exterior Scene with Draped Figures and Classical Architecture, Rome, Italy,

Project for an Ewer and Basin, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and watercolor on paper, Design to be executed in partial gilt silver. Edge of the basin is shown, from which the ewer rises. Shown in profile

Back of an Army Wagon, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on pasteboard, Vertical view of the back on an army wagon, with a man looking over the tailboard., USA, 1862, figures, Drawing, Drawing

Stage design; Interior of an Egyptian temple, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined paper, Interior of Egyptian temple with statues of holy animals and others., Italy, ca. 1796-1801,

A Lake in a Park, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and grey watercolor, oxidized white heightening on paper, Water with two boats is in the foreground. It is bordered at the back and at left by a

Design for a Garden Niche, Pen and ink on paper, A semicircular arched niche, flanked by panels and surmounted by a blind balustrade with urns. In the center, a basket of flowers from which hang garlands. A low bench runs around the nich.

The Virgin and Child Entrhoned, with the Holy Spirit, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin sits upon a throne between two columns. Her left foot rests upon a cushion, her right upon a floor

Four Designs for the Frame of a Tablet, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, graphite on off-white laid paper, mounted on off-white laid paper, lined, Two rows, the sketches in the upper one drawn with a finer pen than

Costumes of Sorrento, Ischia, Procida, and Gaëta, Saverio della Gatta, Italian, 1777 - 1829, Black chalk, brush and watercolor on paper, mounted, Four women, a man, and children in the dress of their respective regions. At left, woman

Adoration of the Shepherds, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on laid paper, Under a portico, right, the Madonna kneels before the Child. A group of shepherds approach from the

Stage Design, Interior of Hall, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Vast hall supported by columns., Italy, early 19th century, theater, Drawing, Drawing

Entrance to a prison, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Three pylon-shaped door openings with rustic frames. Captives stand before the wall panels. Two seated men

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Fantastic plants are obliquely shown over a chain-like crest border.,

View of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Three wings face a coutry with colonnades, to which staircases lead. Verso: A trapezoidal and a triangular plan,

Mourning Over the Dead Christ, Fortunato Duranti, Italian, 1787 - 1863, Charcoal, pen and ink, brush and dark brown wash on paper, The upper part of Christ's body leans against the seated and evidently fainting Virgin who is supported by St.

Design for a Cane Handle, Pen and ink, brush and wash on paper, Lobed handle decorated with a row of putti, their arms around one another., Italy, ca. 1800, ceramics, Drawing, Drawing

Recto, above, Standing Indian figure, Oyster Shells. Recto, below: Elephants Helping Each Other Out of a Trap, from Pliny's Natural History, Book 8, ch. 8; Verso, above: Using Fire to kill Watersnakes in India; Verso, below: Snake and

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Laterally are pilasters, the shaft of which is divided in three sections. Below are oblongs with bearded masks lying in panels. The central sections have a somewhat

Royal tent, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The two wings beside the post at the entrance are raised. Visible inside, at left, part of a throne, at right, a

Study of Oak Trees at Lake Dunmore, Vermont, Samuel Colman, American, 1832–1920, Pen and black ink, brush and watercolor, colored pencil on paper, Vertical rectangle. A group of oaks is shown in the foreground, standing at a hillside with

The Virgin Feeding the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown watercolor on paper, The Virgin sits beside a table, supporting her right arm the child, who stands in her lap, looking at the bowl from which the

Design no. 533 for an Embroidered Vertical Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A bunch of flowers, the main bough being a rose on dotted ground beside and partially

Design for Pendant with Laurel Branches, Pen and ink, brush and watercolor on paper, A small round diamond framed by two laurel branches, with a knot below and two half figures of winged women with volute legs. At bottom, two rosettes with a

Project: a fountain in honor of Emperor Napoleon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Horizontal rectangle. Shown like 1938-88-1774. The design is a

Design for a Brooch, Pen and ink, brush and watercolor, sepia on paper, An oval diamond with two hearts is framed by a band and outside by volutes, with beads in their center and upon the cusps, pending from two rings at teh sides and from

Design for a Firedog, Pen and ink, brush and watercolor, graphite on paper, A bronze base supporting, at left, a flaming urn on a stand and a garland. At right, a pineapple finial., France, 1780-1790, Drawing, Drawing

Standing Bearded Man, Pen and ink, brush and wash on paper, Barefooted man with beard standing with arms at breast., Italy, early 19th century, figures, Drawing, Drawing

Wall Elevation with Fireplace, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, brush and watercolor on wove paper, Vertical rectangle. Wall elevation with fireplace center, mirror above it, valance and domed coffered

Portrait of Sleeping Man, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, An elderly man with whiskers is shown slightly obliquely. The head reclines backwards. The mouth is opened., USA, Before 1917, Drawing,

Wall Elevation, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Wall elevation., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

In Classical Land, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and grey watercolor and black ink on paper, A road winds backwards, where a snow-covered mountain is shown beyond a valley. A classical sarcophagus stands

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1289. Beside the steps are at left a tripod with a bowl and a flame, at

Elevation of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Console, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below is an outlined molding, above a square and a round molding. In the front panel is the mask of a satyr, whose horns

Design for Frame for Altar Retable Painting, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Cherubim and an angel surround the frame of a small painting. Laterally are pairs

Design for a Waistcoat, Pencil and various gouache colors on paper, Design for the embroidery at the left bottom corner of a man's waistcoat. The oblique edge of the waistcoat and the bottom edge of the pocket are shown yellow with black shadowy

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white paper, A variation of 1938-88-1288, without door. The rectangular part of the pyramid is

Design for a Double Door and Overdoor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, With the right door folding. It has above and below a high rectangular panel, the upper one

Design for an Earring, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Above an ovoid with diamonds around the middle. In the center a knot of lambrequins (decorative drapery) and ribbons with a disk in the

The Virgin and the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, partly impressed on paper, Two representations. At left: the Virgin sitting below a tree, holding the child who is embracing her. At right: view at teh room, in

Design for an Ovoidal Painting: Temperance, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and sepia wash, brush and oxidized white gouache on brown paper, A seated woman holds a spoon over a mixing bowl, which stands

Console table and vase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, On top, horizontally, a rough sketch of a woman in a plant. Design of the left side of a console table,

Design for Memorial Window, Beecher Memorial Church, Brooklyn, NY, Alice Cordelia Morse, American, 1863–1961, Brush and watercolor, graphite on off-white wove paper, mounted to paperboard, Stained glass window-style decoration with lobes

Thatched Cottages, Graphite and white pencil on paper, Zurich, Switzerland, Europe, ca. 1850-1860, Drawing, Drawing

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, Big blossoms hang into scallops from boughs with leaves.

Study, Head of a Woman, Red crayon on paper, mounted, Wearing a bonnet. Shown very obliquely, nearly in profile, turned toward left and lowered. Possibly a copy after Leonardo da Vinci., Italy, 1650–1700, Drawing, Drawing

Stage Design, Antique Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink on paper, Horizontal rectangle. Antique temples and substructures, hills in background., Italy, early 19th century, theater, Drawing, Drawing

Design for Cresting of a Comb, Pen and ink, brush and sepia wash, yellow, light gray watercolor on light green paper, Horizontal rectangle. Design for cresting of a comb intended to be executed in gilded metal and pearls. High and narrow ovals

Stage Design: Classical Buildings and Landscape, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Two different sketches of classical buildings in landscape and rough

Elevation of a town mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite squaring on off-white paper, lined, Design for a façade of Palazzo Braschi alle Convertite., Rome, Italy, 1786–1787,

Six Men Standing or Walking in a Public Square of a Town, Pen and ink, black chalk on paper, mounted, In the center in front is a richly clad gentleman shown from the front side. Behind him are at left, another gentleman with a cape and a

Imaginary Landscape, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink on off-white laid paper, USA, ca. 1870–73, landscapes, Drawing, Drawing

Elevation of a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Dado zone with flights of stairs flanking a fountain. From the corners of the ground floor rise columns

Design for a Pavilion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper; Verso: black chalk, brush and bistre wash on paper, Right half: the elevation. Left half: the section.

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below are steps. A sockle has the general shape of a bank, in which two female

Stage Design: Interior of Gothic Cathedral, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, High nave of cathedral seen through the vaults of entrance. Statues placed in

Entrance wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Entrance wall., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Tabernacle, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below are the moldings of the altar furniture. The tabernacle has the shape of a building. Seen from its

Recto: Elephants Hunted by Troglodytes [Cavemen]; Verso: inscription relating to Pliny the Elder's Natural History, Book 8, ch.8, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and wash on paper, A herd of

Design for Oblong Brooch, Pen and ink, brush and wash on paper, Woman wearing a helmet seated within a broken pediment, flanked by volutes. Below, a rectangular frame. On either side, a fantastic figure. Below, a mask and two hanging pearls.,

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink on paper, Full-length figure of the Virgin and Child, the Virgin stands frontally, facing the spectator. She holds the Child in her left arm, and carries a

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