Images at Librifly

search results: Drawing clear search

Sketch for 'Night', Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on paper, Nude female figure shown from the rear seated without an indication of the right leg. The right arm is shown, raised, slightly bent at the elbow.,

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Charcoal, brush and wash, graphite on paper mounted to board, Sketch of figures in loose garments within a wheel., USA, ca. 1894, figures, Drawing, Drawing

Mise-en-carte for Textile, No. 8359, Robert M. Davidson, Orinoka Mills, (Philadelphia, Pennsylvania, USA), F. Jones & Co., Brush and gouache, graphite on pre-printed graph paper, Floral design of tulips, berries and stylized leaves., USA,

View from the Hill of San Juan, probably Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on grey paper, Horizontal view into a valley with distant mountains., 1853, landscapes, Drawing, Drawing

Study of Left Hand, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on blue-grey paper, Study from the model. Left hand of a woman. Shown in profile from the thumb, hanging. The arm is horizontally shown to beyond the elbow., USA,

Figure Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Half-figure with bare chest. The head leans on the right hand, the boy gazing over his left shoulder. Left had rests on a flat surface. Verso: Part of a rose

A Sepulchral monument of Henry Cardinal York (1725-1807) and Charles Edward Stuart, the “Young Pretender” (1720-1788), Unknown, Pencil, pen and ink, brush and wash, Chinese ink, The cardinal seated at the left holds the right arm of his

Wall Elevation of Bedroom Alcove, Pierre Ranson, French, 1736–1786, Pen and brown ink, brush and watercolor, gouache, graphite on white laid paper, Elevation of a section of a painted wall showing an alcove at center hung with tasseled

Drawing, Graphite on paper, France, before 1902, Drawing

Sun Bursting through Clouds over a Mountain Valley, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored heavy wove paper, Horizontal view of the sun bursting from behind clouds on to mountain ranges, with a wooded

Study for Section of Ceiling Ornament, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, oil over graphite on canvas, France, late 19th century, architecture, interiors, Drawing, Drawing

Three Designs for Candlesticks, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on light blue paper, Horizontal rectangle. Three designs for candlesticks with the coat of arms of Cardinal Braschi.

Altar Lamp, Pietro Belli, Italian, 1780–1828, Pen and brown ink, gray wash, over graphite Support: white laid paper, Suspended from the crown on three chains, which are composed alternately of rings and lozenges. A crest border, composed

Designs for Mechanical Furniture: Bidet and Reading Washstand, Pen and black ink, brush and watercolor on paper, A bidet is seen in isometric projection and in elevation. Below, a washstand, with drawer extended, which from the other side

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 121 (A), France, ca. 1890,

Four Chairs, Graphite, pen and brown ink, brush and brown wash, on off-white laid paper, lined, Above at left: an armchair with a plain curved back. At center: a big armchair, a variation of 1901-39-432 with a different frame of the back,

Cloud Studies, Frederic Edwin Church, American, 1826–1900, Graphite on white paper., Recto: Horizontal cloud studies., Verso: An unknown rocky cliff with sparse trees, some was high stumps., USA, August 1844, landscapes, Drawing,

Study for landscape, Hasliberg, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, gaphite on paper, Sketch of a cabin in a forest., USA, ca. 1856, nature studies, Drawing, Drawing

Three Sketches of Female Nudes, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Three sketches of female nudes in semi-reclining positions., USA, ca. 1895, figures, Drawing, Drawing

Design for Woven Shawl with Paisley Motif, Brush and gouache on brown oiled translucent paper, A paisley motif, also referred to as a Persian cone, is formed by multiple flowers and green leaves grouped closely together. Although the flowers are

A Lighthouse, Francis Hopkinson Smith, American, 1838–1915, Charcoal, black and white chalk, on gray paper., Horizontal view of landscape with trees and a bank in the foreground followed by water and a lighthouse in the middleground., USA,

Elevation of a Processional Lantern, Graphite, pen and ink, brush and watercolor on paper, Design for a lantern. The burning candle is visible at front. The short oblique sides are decorated with garlands hanging from volutes. The upper part has

Design for a Domed Classical Temple with Portico, Pen and brush and black ink, black wash, blue and brown watercolor, black chalk on heavy cream laid paper, ruled border in brush and black ink, Circular, domed temple in elevation and plan,

Stage Design, A Forum, Pen and brown ink, brush and gray and pale rose wash over black chalk on laid paper, Horizontal rectangle. View of a forum in ruins. Ruins and antique buildings at the sides and in the background (rectangular and round

Whitton Pond on Drive from Chocorua, Daniel Huntington, American, 1816–1906, Graphite on paper, High ridges beyond Whitton Pond. Date, place, and notes about leaky boat, below., USA, September 26, 1879, landscapes, Drawing, Drawing

Design for a monument in a church, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and sepia ink, brush and black wash on laid paper, A high parapet connects opposite pilasters of a church nave. It is interrupted by a door opening in

Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after Antique, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over black chalk on white heavy

Six Studies of Sailboats, Winslow Homer, American, 1836–1910, Graphite on cold pressed paper, Horizontal view of six studies of sailboats, with the most finished one, at right center, showing the sailboat and two row boats against a rocky

Three Panels with Cupids, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, Three Rectangles with: Cupid in Chariot Drawn by Horses; Cupid in Chariot Drawn by Swans; Cupid in Chariot drawn by

Standing Female Nude, Daniel Huntington, American, 1816–1906, Graphite on brown wove paper, Female nude figure standing, facing frontally. Her right hand holds a sheet of paper, and her left hand leans on a table., USA, USA, 1850–60,

North Mountain, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite and black crayon on pale green paper, Pasture in foreground, with woods at far side. Mountain, center, in distance., New Hampshire, USA, September 17,

Design for Sideboard in Plan and Elevation, A.N. Davenport Co., Pen and black ink on thin cream paper, Elevation view: oblong sideboard with 6 straight tapering legs [4 shown] with foot rings; tri-partite front has 4 drawers arranged in 3 rows,

Iceberg and Ice Flower, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin cream paperboard, An iceberg with a pronounced point emerges from dark water. Shown against a yellow-green and pink sky. At lower left,

Drawing, Gouache over graphite, correction in white gouache Support: white wove paper, China, England, 1794–1804, furniture, Drawing

Two Girls in a Rowboat, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on heavy cream wove paper, Two girls (female figures) in a rowboat rest in the middle of a river, each caught up in her own thoughts, the oars limp

Sketches of the Virgin and the Magi, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Madonna and Child, center. Below, two sketches of the Magi. Verso: sketch of a Magus, and hte head of Joseph. Probably a design

St. Peter's Basilica from the Pincio, Rome, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin cream paperboard, A statue with the figure of a woman is supported by a column, the lower part of which sticks in the

Androscoggin River by Lead Mine Bridge, Gorham, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, white and black crayon on grey paper, Androscoggin River in foreground and center. Trees and ridges, left and right, with

Camaca Palm, a Group of Trees and Vines on a River Bank, Bird, and a Bunch of Leaves, Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of top of a camaca palm at upper left, a

Stage Design: Oval Hall and Arcades, Pen and black ink, brush and blue, yellow, pink wash, black chalk, ruled borders in black, blue wash on white laid paper, Italy, Italy, ca. 1774, theater, Drawing, Drawing

Wall Elevation of a Bedroom Alcove, Pierre Ranson, French, 1736–1786, Pen and brown ink, brush and watercolor, white gouache, graphite on white laid paper, White-toned walls with blue accents. A day bed is arranged in an alcove, under

Sketch of Three Angels, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Two heads and bust of an angel, shown with hands clasped., USA, 1880–95, figures, Drawing, Drawing

Design for an andiron, Pen and ink, graphite on paper, An eagle holding a thunderbolt sits on the bottom of a fluted column. Intertwined waved bands connect the column with an urn atop a pilaster., France, 1775-1781, Drawing, Drawing

Bust of a Roman Senator (rendering from a plaster cast), Pietro Montana, b. 1890, Charcoal on white paper. Wm.: Michallet/ Framce, Vertical rectangle. The bust is shown turned half-left. Signed (in charcoal) lower right: 'P. Montana / April

Sketch of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on cream wove paper, Cut down. Sketch of nude figure reclining to the right, arms over head. Right leg extended, left leg bent up at the knee. Verso: section

The Vestal Tuccia Carries Water in Sieve; Two Studies after Polidoro da Caravaggio, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, over black chalk Support: white heavy wove paper, Upper drawing of woman carrying round tray

Mount Pichincha from Chillo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on greyish paper, Horizontal view of a peak rising from a mountain range across upper portion of the sheet, June 26, 1857,

Illustration Showing the Triumphal Return of the German Army After the German-French War, Walter Shirlaw, American, b. Scotland, 1838–1909, Charcoal, watercolor and grey wash on paper, Titlepiece showing the triumphal entry of the Crown

Design for a Console Table, Graphite, pen and bistre, brush, and watercolors on white laid paper, A design for a console table showing front and left side elevations. The marble table top is supported by two legs in front designed to resemble

Design for the Base of an Oil Lamp, Brush and gouache, watercolor, graphite, and pen and brown ink on cream tracing paper, lined, The body of the lamp is a blue porcelain vase, with a central field depicting a young girl seated in a landscape,

Designs for Summer Dining Chairs, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Designs for embroidery, Black crayon on tracing paper., Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Dessin original a broderie.' Designs numbered 171 (J), ca. 1890, Drawing,

Broken Tree Trunks, Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Horizontal view of parts of broken tree trunks at top left., USA, nature studies, Drawing, Drawing

Drawing, Graphite on paper, France, before 1902, Drawing

Elevation of a Villa, Ferdinando Fuga, Italian, 1699 - 1781, Pen and black ink, graphite on paper, Elevation view of a villa. Three stories of eleven bays, the ground floor rusticated. A loggia before the second and the third (a mansard)

Design for Mahogany Hat Tree with Bronze Rail, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for a printed fabric, Graphite, brush and gouache on heavy laid paper, Fantastic flowers, with petals done in picotage, rise vertically among stylized oak leaves., probably France, 1750–1800, textile designs, Drawing, Drawing

Tangiers, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on gray paper, View of the city from a high vantage point, the city wall and figures in the foreground. The sea is in the background, with the shore line

Fleet of Mackerel Fishers, Mount Desert, Maine, Frederic Edwin Church, American, 1826–1900, Graphite on off-white wove paper, Horizontal distant view of fleet of mackerel fishing boats sailing toward left across the horizon and filling the

Sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., View of mountains across a plain. probably Jamaica, West Indies., USA, 1865–66, landscapes, drawing, drawing

Design for a Woven Fabric, Brush and gouche, brush and black paint on oily tracing paper, Fantastical flower motifs of two alternating designs are staggered in horizontal rows and connected in vertical rows by stems with many side branches.

Two Standing Oxen Yoked Together, Series of Oxen Heads and Hind-parts, and the Branches of an Oak Tree., Frederic Edwin Church, American, 1826–1900, Graphite on off-white wove paper, Horizontal sheet containing a ox heads and hind-parts at

Study of Three Figures, Carlo Maratti, Italian, 1625 - 1713, Italy, 17th-19th century, Drawing, Drawing

Studies (a) Three kneeling shepherds. (b) Two arms, Black chalk with white crayon on rough brown paper, A) Turned toward right. At left: sketch of the upper part of the body which is shown in front, with the head shown nearly in profile. At the

Project for Entablature and Pediment, Pencil, pen and ink, brush and sepia wash, red and white crayon on brown paper, Vertical rectangle showing escutcheon in a pediment beside a cornucopia., Italy, 1700–1725, architecture, Drawing,

Design for a Silk Brocade, Fragment, Impressed squaring, brush and gouache on oily tracing paper, Three rose boughts are shown in a horizontal row; the left one is a garden rose. Bottom: the tops of two staggered flower boughs., France,

Ascension of the Virgin, Pen and brown ink on paper, lined, Depiction of the Assumption of the Virgin. The female figure of the Virgin Mary stands at the bottom center while being greeting by an angel. To the left of her is a trail of figures and

Study of doorway, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a doorway in shadow with a vine growing on left., USA, ca. 1855, architecture, Drawing, Drawing

An Artist Drawing by Lamplight, Felice Giani, Italian, 1758–1823, Black chalk on heavy wove paper, A heavily draped figure, seated, facing left draws upon a slanted surface resting in his lap. At left, a long pole supports the lamp

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of clouds with silhouette of a building in the background., Rome, Italy, 1893–1894, nature studies,

Studies of Hands and a Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Three studies of a right hand, with the one in the upper right corner of the page more finished. Study of right foot, lower right corner., USA,

Chestnut Trees at the Water's Edge, Frederic Edwin Church, American, 1826–1900, Black crayon on paper, Horizontal view of chestnut trees at water's edge, USA, September 1844, nature studies, Drawing, Drawing

A Seascape, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, Sail and row boats in a shallow bay. Low hills beyond., USA, ca. 1885, seascapes, Drawing, Drawing

Study for ''Commerce, ' Appellate Division Court House, New York, NY, Kenyon Cox, American, 1856–1919, Graphite on paper, A male figure seated in a reclining position with a staff in his left hand. The paper is squared for transferring the

Peak of Mt. Chocorua at Sunset from Hill near Chocorua House, Daniel Huntington, American, 1816–1906, Graphite on paper, Peak and ridge in front of Mt. Chocorua, on top half of paper. Notes on place, colors, and date, below. Verso: Steeply

Project for a Candelabrum, Graphite, pen and ink, brush and bistre on paper, At base are lion’s feet terminating in acanthus leaves. The base is octagonal. At the front is an oval medallion with festoons and a bow knot. The lower part of the

Design for Painted Decoration of a Wall, Brush and gouache, watercolor on paper, A dado is shown at the bottom, a frieze with wreaths hanging around a molding and an entablature above. The decoration of the panel is white upon blue. Ribbons,

Design for a Flower Basket Motif, Black, white, taupe crayons, brush and wash on bluish-grey paper, A low basket full of flowers., France, 1740–1770, Drawing, Drawing

Infantry Rifle Drill, Sickles Regiment, Lee's Mills, Virginia, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a line fo infantry soldiers at rifle drill, with officers., USA, 1862, figures, Drawing, Drawing

Coconut Palm, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish-gray paper, Vertical view of the upper part of the trunk of a coconut palm with the lower parts of the leaves at left, and a portion of the root at

Sketch of Three Children, Arnold William Brunner, American, 1857–1925, Graphite on light brown paper, Three children playing in Brookline. Two are seated, left leans over facing front, right faces standing figure with round object in right

The Niagara Falls, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on paper., Vertical view of the full width of Niagara Falls; a double rainbow is indicated; arrows are near the inside eges., September or

Head of the Virgin, Red crayon, pen and ink on paper, Bust of the Virgin, facing right, with raised head and eyes., Italy, 1820–1835, portraits, Drawing, Drawing

Plate 12, Livre de vases (Book of Vases), François Boucher, French, 1703 – 1770, A. Bouchet, French, active ca. 1730-1740, Gabriel Huquier, French, 1695–1772, Etching in red ink on white laid paper, Folio 12, plate 12 of a series of

Two Soldiers and a Kneeling Woman, Eustache Le Sueur, French, 1616–1655, Black chalk, graphite on paper with prepared tan ground, Two standing soldiers in Roman uniform, left, gaze at a seated woman, upper right, kneeling. Her hands are

Grand Eiger and Jungfrau from Top of the Rothorn, Lake Brienz, Switzerland, Daniel Huntington, American, 1816–1906, Graphite on paper, Mountain tops lightly outlined and shaded, labeled above. Verso: Mountain tops and a slope, outlined.,

Study of Hand for 'Early Christian Martyrs', Daniel Huntington, American, 1816–1906, Graphite and white chalk on gray-brown paper, A raised right hand, palm forward, with the sleeve shown., Italy, USA, 1839–40, figures, Drawing,

Design after Paintings by Raphael and Paintings in Bologna by Albani, Francia, Parmigianino; Monument Verso: Anatomical Study, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and sepia, watercolor washes on laid paper,

Sketches in Barnyard, Oxen and Farmer with Rake, Daniel Huntington, American, 1816–1906, Graphite on paper, Top half, oxen shaded and outlined. At right, the barn door, with figures and a dog. Below, at left, boy on a hay pile. At right,

Project for a Ceiling Fresco: Leda and the Swan, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and grey wash, pen and brown ink, graphite on paper, Circular borderline. Leda upon clouds, recumbent, the swan beside her. Amor is

Cloudy Sunset, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Mountainous country at sunset., August 1865, landscapes, Drawing, Drawing

Sun God Being Dragged Into Sky and Preceded By Aurora, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Design for a fresco vault of an octagonal room known as the Temple Of Apollo on the main

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow and red-brown watercolor on cream laid paper, Base on cushion feet, front panel represents Cupid, his wings being clipped by four girls. Above, a

Designs for a Church Wall, Francesco Manno, Italian, 1754 - 1831, Brush and gray wash, pen and brown ink, black chalk on paper, Recto: Studies of wall designs, Verso: Wall elevations with Studies for a Nativity, and three studies of a

Maine Coast, surf, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on paper, Horizontal image of sea rolling towards the right, where two rocky tongues protrude. Top and bottom margins showing the dark orange grounding

Oil lamp, Pencil and brown wash on paper, Vertical rectangle. Lamp ornamented with three standing female nudes. Pencil framing lines. A, B, C pasted together., 1810–25, Drawing, Drawing

Design for Oblong Plaster Ceiling for the First Hall, Carlton House, Pall Mall, London, England, Henry Holland, British, 1745 - 1806, Pen and black ink, brush and gray wash on paper, Horizontal format design for an oblong plaster ceiling.

Design for a Hall Wall, pen and ink, brush and watercolor, black chalk on paper, A panel with an elaborated marble fountain is flanked by two doors, halves of which are shown. The overdoors show griffons flanking urns., France, ca. 1750-1775,

Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Group of stairs, columns, and buildings in antique character., Italy, early 19th century, theater, Drawing, Drawing

Alternate Ceiling Designs for the Teatro Comunale di Imola, Pen and ink, brush and watercolor on paper, Design for a horseshoe shaped chamber, showing panels opening to simulate sky. The right half is octagonal in shape. Below, ducal arms.,

search results: Drawing clear search