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search results: Engraving clear search

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

engraving plate, 1717, right: designed and signed by Joost Janssen Bilhamer, left: Dese Accuraat Copied in 't Iaar 1717, by my T. Reets, bottom left: J. Stemmers senior Sculpsit, engraved, General: 45.5 x 69cm 455 x 690mm, Copper engraving

1829, below image, left: L Springer del. , below image, right: Dt Veelwaard sculp, copper, ink, paper, General: 19.5 x 12.1cm 195 x 121mm, landscape, woman, cityscape, man, tree, Copper engraving plate with the title page of J. Hagen,

engraving, 1743, Signature lower right, below the engraving: P. Tanjé fecit XXV, ink, paper, Image size: 63.3 x 31.8cm 633 x 318mm, Carrier: 72.5 x 52.3cm 725 x 523mm, Day size: 65, 6 x 33.7cm 656 x 337mm, With passe-partout: 85 x 60cm 850

engraving, Anonymous, 1807, ink, paper, printed, With passe-partout: 48.5 x 40.8cm (485 x 408mm), Daylight size: 37 x 33cm (370 x 330mm), explosion, Print with a depiction of the gunpowder disaster . To the right is the tower of the Saaihal

engraving plate, Jan Goeree Engraver, 18th century, bottom left: J. Goeree [...] fec, General: 13 x 10, 7cm 130 x 107mm, dragon, cityscape, minerva, neptune, man, mercury, sailing ship, Engraving plate for the printing labels on the

engraving plate, Anonymous, 17th century, engraved, General: 5, 7 x 5, 7cm 57 x 57mm, Copper engraving plate depicting two persons: on the left is a woman with a bird on her right hand and on the right is a man with a fish in it his left hand.

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

drawing, Floris Verster, 1902, Signature front, bottom right: Floris Verster 1902, wax crayon, pencil, paper, signed, Carrier: 27.5 x 24cm 275 x 240mm, Clear opening: 24.6 x 20.9cm 246 x 209mm, With passe- partout: 42.5 x 30cm 425 x 300mm,

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

prize medal, Anonymous, medal 1794 engraving 1796, General: 4.7 x 0.4cm (47 x 4mm), Weight: 40g, coat of arms, personification, globe, Prize medal of the Society Mathesis Scientiarum Genitrix, honored by the widow and the children van Jacob

engraving plate, Christiaan Hagen Engraver, 1670 - 1675, on part C: on pedestal: C. Hagen Sculpsit, on part G: bottom left: C. Hagen Sculpsit, on part HO: bottom left: C. Hagen fecit, on part R: bottom left: C. Hagen Sculpsit, engraved, AD:

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

prize medal, Anonymous, medal 1794 engraving 1796, General: 4.7 x 0.4cm (47 x 4mm), Weight: 40g, coat of arms, personification, globe, Prize medal of the Society Mathesis Scientiarum Genitrix, honored by the widow and the children van Jacob

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

glass jar, glass: between 1830-1835, engraving: 1837, General: 23.6 x 10.8cm 236 x 108mm, jar with lid and inscription. The jar has a massive flat round base with a serrated edge. Base cut star-shaped from below and on top of a profile edge.

prize medal, Anonymous, medal 1794 engraving 1796, General: 4.7 x 0.4cm (47 x 4mm), Weight: 40g, coat of arms, personification, globe, Prize medal of the Society Mathesis Scientiarum Genitrix, honored by the widow and the children van Jacob

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

engraving plate, Jan Goeree Engraver, 18th century, bottom left: J. Goeree [...] fec, General: 13 x 10, 7cm 130 x 107mm, dragon, cityscape, minerva, neptune, man, mercury, sailing ship, Engraving plate for the printing labels on the

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

glass jar, glass: between 1830-1835, engraving: 1837, General: 23.6 x 10.8cm 236 x 108mm, jar with lid and inscription. The jar has a massive flat round base with a serrated edge. Base cut star-shaped from below and on top of a profile edge.

prize medal, Anonymous, medal 1794 engraving 1796, General: 4.7 x 0.4cm (47 x 4mm), Weight: 40g, coat of arms, personification, globe, Prize medal of the Society Mathesis Scientiarum Genitrix, honored by the widow and the children van Jacob

prize medal, Anonymous, medal 1794 engraving 1796, General: 4.7 x 0.4cm (47 x 4mm), Weight: 40g, coat of arms, personification, globe, Prize medal of the Society Mathesis Scientiarum Genitrix, honored by the widow and the children van Jacob

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

engraving, Lucas van Leyden, 1519, Signature front, bottom center, in the engraving: 1519 L, printed, Carrier: 28.9 x 39.5cm 289 x 395mm, Clear opening: 29.7 x 40cm 297 x 400mm, With passe-partout: 42.5 x 60cm 425 x 600mm, saint, flute,

chalice, mid-18th century, General: 18 x 8.7cm 180 x 87mm, Base diameter: 8cm / Diameter chalice: 8.7cm, coat of arms, lion, Chalice of colorless glass. The chalice has a slightly sloping base, in which there are air bubbles. Smooth, round

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

chalice, mid-18th century, General: 18 x 8.7cm 180 x 87mm, Base diameter: 8cm / Diameter chalice: 8.7cm, coat of arms, lion, Chalice of colorless glass. The chalice has a slightly sloping base, in which there are air bubbles. Smooth, round

chalice, mid-18th century, General: 18 x 8.7cm 180 x 87mm, Base diameter: 8cm / Diameter chalice: 8.7cm, coat of arms, lion, Chalice of colorless glass. The chalice has a slightly sloping base, in which there are air bubbles. Smooth, round

prize medal, Anonymous, medal 1794 engraving 1796, General: 4.7 x 0.4cm (47 x 4mm), Weight: 40g, coat of arms, personification, globe, Prize medal of the Society Mathesis Scientiarum Genitrix, honored by the widow and the children van Jacob

roemer, Anonymous, 17th-18th century, Roemer of light green colored glass. The rummer has a high wire-glass wound base, ending in a pointed soul in the hollow trunk. On the trunk in three rows fifteen burrs. At the transition to the convex

halberd, Anonymous, 17th century, wood, copper, iron, Halbered forged iron. The head is long and has an octagonal slightly tapered plinth, with two openwork engraved plates projecting on both sides. The engraving on both plates has faded. The

engraving plate, Christiaan Hagen Engraver, 1670 - 1675, on part C: on pedestal: C. Hagen Sculpsit, on part G: bottom left: C. Hagen Sculpsit, on part HO: bottom left: C. Hagen fecit, on part R: bottom left: C. Hagen Sculpsit, engraved, AD:

engraving, Petrus Schenk, second half of the 17th century, Signature front bottom right: P. Schenk Fec, ink, paper, printed, Image size: 28.4 x 20.8cm (284 x 208mm), Day size: 29.5 x 22.5cm (295 x 225mm), With passe-partout: 42.5 x 30cm (425

Bureau of Printing and Engraving, Washington, D. C., still image, Postcards, 1898 - 1931

Dancer, Damascus and Palmyra, a journey to the East. With a sketch of the state and prospects of Syria under Ibrahim Pasha. With illustration by W. M. Thackeray, 19th century engraving

Noël Garnier (French, 1470/75–1544). The Entombment. Engraving with hand coloring

Jean Morin (French, ca. 1590-1650) after Philippe de Champaigne (French, 1602 - 1674). Théophile Brachet, 17th century. Etching and engraving

With the second dragoons, 1836-1875, 19th century engraving, US, America

Falkenberg, Germany, Tombleson's Views of the Rhine, Tombleson's Views of the Rhine, 19th century engraving

Israël Silvestre (French, 1621-1691). Plate from “Premiere Journee”, 17th century. From Les Plaisirs de l'Isle Enchantée, ou les Festes, et Divertissements du Roy, à Ve. Engraving. Plate: 279 mm x 425 mm (10.98 in. x 16.73 in

Delhi, Views in India, China, and on the Shores of the Red Sea, drawn by Prout, Stanfield, Cattermole, Purser, Cox, Austen, &c. from original sketches by Commander R. Elliott, 19th century engraving

Charles-Nicolas Cochin I (French, 1688-1754) after Jean-Antoine Watteau (French, 1684 - 1721). Love in the Italian Theater (L'Amour au Théâtre Italien), 1734. Etching and engraving. Plate: 420 mm x 501 mm (16.54 in. x 19.72 in.). Fourth of five

Honoré Daumier (French, 1808 - 1879). Nous appelons ça une badine....c'est pour badiner., 1834. Wood engraving on newsprint paper. Image: 191 mm x 229 mm (7.52 in. x 9.02 in

Map Sidi Ferruch, Algeria, 1830, 19th century engraving

Woman, New Zealand, in 1827, 19th century engraving

Battle of Testrinear Soissons, map, 19th century engraving

Delhi, tombs of Humaioon, Views in India, China, and on the Shores of the Red Sea, drawn by Prout, Stanfield, Cattermole, Purser, Cox, Austen, &c. from original sketches by Commander R. Elliott, 19th century engraving

View of Bains de Latone et du tapis vert, Paris and surroundings, daguerreotype, M. C. Philipon, 19th century engraving

Battista Franco (Italian, ca. 1510 - 1561). St John the Baptist, ca. 1530-1551. Engraving on laid paper. Plate: 183 mm x 285 mm (7.2 in. x 11.22 in.) (plate dimensions are irregular). Second of two states, with “Batista franco fecit

Tiger Island, 19th century engraving

Cass Lake, Narrative of an expedition through the Upper Mississippi to Itasca Lake, the actual source of this river, embracing an exploratory trip through the St. Croix and Burntwood (or Broule) Rivers in 1832, etc, 19th century engraving

Rudesheim, Germany, Tombleson's Views of the Rhine, Tombleson's Views of the Rhine, 19th century engraving

The Shakespeare Gallery, containing the principal female characters in the plays of the great poet, 19th century engraving

Claude-Ferdinand Gaillard (French, 1834 - 1887). Monseigneur Pie, Évêque de Poitiers, 19th century. Etching and engraving

Le Grand Trianon, Paris and surroundings, daguerreotype, M. C. Philipon, 19th century engraving

Augustin de Saint-Aubin (French, 1736 - 1807). Portrait of Louise-Emilie, Baronne de --- (Mme de Mézières de Crest, Marquise de Saint-Aubin, baronne d'Andlau), 1779. Etching, engraving, and drypoint on laid paper. Plate: 278 mm x 202 mm

An Account of the several Charities and Estates belonging to the Parish of Enfield, 19th century engraving

Auguste Louis Lepère (French, 1849 - 1918). Image from “La Bièvre, Les Gobelins, Saint-Séverin”, ca. 1901. Wood engraving on wove paper. Sheet: 289 mm x 201 mm (11.38 in. x 7.91 in.) (sheet dimensions are approximate for each print

Steinerne Brucke, Steinerne Bridge, Nurnberg, Germany, 19th century engraving

Jacques Callot (French, 1592 - 1635). The Condemnation to Death (La condamnation à mort), 1624. From The Small Passion. Etching and engraving

Representations of old Prussian Castles drawn by Countess Dohna, Castle Rofsel, Darstellungen alter preussischer Schlolsser gezeichnet von Frau Grafin zu Dohna, 19th century engraving

Robert Nanteuil (French, 1623 - 1678). Francois de Nesmond, 1663. Engraving and etching

A Topographical Dictionary of the United Kingdom, Kent, UK, 19th century engraving

France pittoresque, Loiret, map, 19th century engraving

Etienne Delaune (French, ca. 1519-1583) after Giovanni Francesco Penni (aka Francesco Penni il Fattore, Italian, ca. 1496 - ca. 1528). Latona Transforms the Lykian Peasants Who Had Insulted Her into Frogs (Ovid, Metamorphoses VI, 314-338), 16th

Europe in the fifth century map , 19th century engraving

Map Westmoreland UK, 19th century engraving

C. Maurand (French, active 19th century) after Honoré Daumier (French, 1808 - 1879). Boulevard des Italiens, 1862. Wood engraving on newsprint paper. Image: 160 mm x 224 mm (6.3 in. x 8.82 in

Nicolas Poussin (French, 1594 - 1665). Untitled (Moses and Pharoah's daughter), 19th century. Etching and engraving. Plate: 359 mm x 458 mm (14.13 in. x 18.03 in

Anonymous after Hendrick Goltzius (Dutch, 1558 - 1617). Mercury Entering Herse's Room after Changing Agraulos to Stone, ca. 1590. From Metamorphoses. Engraving on wove paper. Plate: 173 mm x 255 mm (6.81 in. x 10.04 in.). Undescribed first state

Anonymous after Hendrick Goltzius (Dutch, 1558 - 1617). Tiresias, in the Form of a Woman, Striking Two Coupled Snakes with His Staff, ca. 1615. From Metamorphoses. Engraving on wove paper. Plate: 175 mm x 254 mm (6.89 in. x 10 in

Island of Candia, History of the Greek Revolution, 19th century engraving, Crete, Greece

Auguste Louis Lepère (French, 1849 - 1918). Church Interior, ca. 1890-1910. Wood engraving on thin tissue paper. Image: 141 mm x 130 mm (5.55 in. x 5.12 in

Biscaya, Movements of the British Legion, with strictures on the course of conduct pursued by Lieut.-General Evans, 19th century engraving

Tom Raw, the griffin, a burlesque poem, Tom Raw between smoke and fire, 19th century engraving

Map of Toulon, France, Europe, 19th century engraving

The Polar Regions of the Western Continent explored, 19th century engraving

Anonymous after Eustache Le Sueur (French, 1616 - 1655). The Life of Saint Bruno, or The Founding of the Carthusian Order, Plate 12, 17th-18th century. From The Life of Saint Bruno, or The Founding of the Carthusian Order. Engraving on laid

Map of South Australia, 19th century engraving

Map, Personal Narrative of a Journey from India to England, by BussorahAstrakhanand St. Petersburgh in the year 1824, 19th century engraving

Giovanni Jacopo Caraglio (Italian, ca. 1500/1505–1565) after Raphael (Italian, 1483-1520). Aeneas Rescuing His Father, Anchises, ca. 1527- 1538. Engraving on laid paper. Sheet: 208 mm x 188 mm (8.19 in. x 7.4 in.). Only state

Jean Audran (French, 1667-1756) after Pierre Gaubert (French, 1659 - 1741). Louis XV as a Boy, ca. 1716-1718. Etching and engraving on laid paper. Plate: 500 mm x 346 mm (19.69 in. x 13.62 in

Map Africa, 19th century engraving

Diana Scultori (aka Mantovana, Italian, ca. 1535-1587) after Raphael (Italian, 1483 - 1520). The Virgin and Child with the Archangels, Gabriel, Michael, and Raphael, ca. 1575-1577. Engraving. First state

Map of Brighton, 1829, UK, 19th century engraving

Europe map, 1830, 19th century engraving

Map Cotes Du Nord, France pittoresque, 19th century engraving

Ruins Tessermiut Fjord Greenland historical, 19th century engraving

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519-1583). Jurisprudence (La Jurisprudence), . From The Sciences. Engraving

Jean-Michel Moreau le Jeune (French, 1741-1814) after Pierre Antoine Baudouin (French, 1723 - 1769). The Marriage Bed (La Couché de la Mariée), 1768. Etching and engraving on laid paper. Plate: 468 mm x 336 mm (18.43 in. x 13.23 in.). Fourth of

A Topographical Dictionary of Wales, Montgomeryshire, 19th century engraving, UK

Honoré Daumier (French, 1808 - 1879). Souvenirs de l'Exposition Universelle, 1867. Wood engraving on newsprint paper

Battle near Doffingen, Germany, 19th century engraving

J.F. Cazenave (French, active ca. 1793-ca. 1843) after Louis Léopold Boilly (French, 1761-1845). The Optical Viewer (l'Optique), ca. 1794. Etching and engraving with roulette and rocker on laid paper. Sheet: 617 mm x 473 mm (24.29 in. x 18.62 in

Staffordshire, map 1824, A Topographical Dictionary of the United Kingdom, UK, 19th century engraving

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519 - 1583). Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne), plate 1, 1578. From Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé

Battle of Prele, 19th century engraving

Claude Gillot (French, 1673-1722) and Jean Audran (French, 1667-1756). Birth (La Naissance), ca. 1718-1722. From Life of the Satyrs. Etching and engraving on laid paper. Plate: 258 mm x 344 mm (10.16 in. x 13.54 in.). Third of three states

search results: Engraving clear search