Images at Librifly


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Postcard, St John's, Deritend, Birmingham, 14th Century., Artist's (A L Hassall) impression, Topographical Views, Birmingham history
Topographical view of Birmingham, Pencil Drawing Printers' Arms, Edmund Street, Birmingham, By Paul Braddon, Social history, Topographical Views
Engraving, St Philip's Church, Engraver: A B Johnson Publisher: R Matthison, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church
Engraving, St Paul's Chapel and Free Grammar School, Birmingham Engraver: Thomas Radclyffe, Topographical Views, Architecture, Printing, Engraving, Birmingham history, Architecture, Church
Doll's Pram, undated, Applied Arts, Toys, Social history, Childhood
Engraving, Birmingham Society of Arts, New Street, Vol I, Topographical Views, Printing, Etching, Birmingham history, Birmingham Society of Artists, RBSA
Tin Communion Cruet Found at Weoley Castle, Birmingham, Religion, Christian, Metal, Birmingham history, Antiquities, Mediaeval
Lithograph, The General Institution for the Blind, Edgbaston Near Birmingham, Topographical Views, Architecture, Printing, Lithography, Birmingham history, Disability
View of reverse Embroidered Sampler, Mary Chamberlain, Aston School, 1857, Applied Arts, 19th Century, Social history, Textiles, Embroidery, Fabric, Birmingham history, Needlecraft
Portrait of Sir James Smith, 1897 By Sir James Jebusa Shannon, Oil Painting, Portrait, Male, Birmingham history
Box of Perry Pen Nibs Manufacturer: Josiah Mason Card box with lid, pen nib mounted on top with gold foil surround containing 50 pen nibs, Social history, Science and Industry, Manufacturers, Writing, Calligraphy, Metal, Birmingham history,
Pearl button with blue and mirror glass stones, 1770-1800. Produced in Birmingham., Social history, 18th Century, Glass, Manufacturers, Birmingham history, Costume, Button, Haberdashery
Manlius Hurled From The Rock, 1818 By William Etty, Oil Painting, Nude, Male, Roman history
Engraving, St Luke's Church, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church
Pear-Shaped Nesting Toy, 1895-1905 Sets of nesting toys were popular playthings in the late nineteenth century. Although they were often sold for a few pence, they took considerable skill to make. This set of six nesting pears was made in Hungary
Old Smethwick Canal Pumping Engine, 1779 Makers: Matthew Boulton & James Watt, The Smethwick Engine was installed near Birmingham and was brought into service in May 1779. Birmingham Science Museum, it is the oldest working steam engine in the
Box of Pen Nibs Manufacturer: Joseph Gillott & Sons, Social history, Science and Industry, Manufacturers, Writing, Calligraphy, Metal, Birmingham history, Pen
Topographical view of Birmingham, Watercolour St Peters Church Dale End, Birmingham By George Warren Blackham, Social history, Topographical Views, England, Midlands
Topographical view of Birmingham, Pencil Drawing Trinity Chapel, Bordesley, Birmingham By the Lines Family, Social history, Topographical Views, England, Midlands
At The Forge, 1790 Thomas Rowlandson, Social history, Watercolour, Workshop, Animal, Dog, Animal, Horse, Metal, Iron, Work, Blacksmith, Work, Farrier
Postcard, The New City Arcade Birmingham, 1906, Topographical Views, Shop, Birmingham history
Pearl button with scalloped outline, 1770-1800 Produced in Birmingham., Social history, Manufacturers, Birmingham history, Costume, Button, Haberdashery, Carved
Engraving, St Bartholomew's Church, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church
Pen and Inkwork Tea Caddy, 1810-20 This fine quality pen and ink hand painted tea caddy is believed to have been made by G. Meekison of Montrose. The design and manufacture has been carried out with such precision that it makes the integral wood
Sigismunda with the Heart of Guiscardo, 1645 By Francesco Furini Illustrates a scene from Boccaccio's Decameron., Oil Painting, Baroque, Female, History painting, Heart, Tragedy
Part of Mediaeval Blue Glass Roundel Found at Weoley Castle, Birmingham, Mediaeval, Glass, Birmingham history, Antiquities, Mediaeval
Postcard, Cadbury Bros Ltd Bournville Works, 1902 Topographical Views, Tree, Topographical Views, Writing, Monochrome, Photograph, Suburban, Birmingham history, Street scene, Architecture, House, Park, Postcard, Social history,
Old Smethwick Canal Pumping Engine, 1779 Makers: Matthew Boulton & James Watt, The Smethwick Engine was installed near Birmingham and was brought into service in May 1779. Birmingham Science Museum, it is the oldest working steam engine in the
Old Smethwick Canal Pumping Engine, 1779 Makers: Matthew Boulton & James Watt, The Smethwick Engine was installed near Birmingham and was brought into service in May 1779. Birmingham Science Museum, it is the oldest working steam engine in the
Topographical view of Birmingham, Reverse of 1996V87, showing news cutting where Ink Drawing 1996V87 was published, 1950., By John L Baker, Social history, Topographical Views, England, Midlands
Topographical view of Birmingham, Ink Drawing The Old Lamb House, Bull Street, Birmingham By Jethro A Cossins, Social history, Topographical Views, Architecture, England, Midlands
Engraving, Parish Church, Handsworth, Birmingham, 19th Century, Vol I, Topographical Views, Printing, Engraving, Birmingham history
Suffragist Banner, West Midland Federation, 1912, Shield-shaped banner, with figure of Justice central. Appliqued, painted, edged with metallic braid and backed with white twill cotton., Textiles, Women, Feminist, Female, Social history,
Drawing of an old key, 1799 John Phillip, From album of John Phillp Drawings and Watercolours of Handsworth and Soho. Inscribed: 'Drawing of an Old Key Belonging to Matthew Boulton Esq. Soho', Drawing, Watercolour, Topographical Views, Science
Portrait Of James Lloyd, 1806 John Constable, The sitter was the son of Charles Lloyd of Birmingham, the Quaker banker and philanthropist. Born at Bingley House, he became a partner in Lloyd's bank., 19th Century, Oil Painting, Birmingham
Box of Pen Nibs Manufacturer: Joseph Gillott & Sons, Social history, Science and Industry, Manufacturers, Writing, Calligraphy, Metal, Birmingham history, Pen
Photographic print: California Brick Makers, 1890, California, Birmingham, West Midlands, UK, Manufacturers, Birmingham history, Social history, Employment
Money box, 19th Century 19th century English pine and metal money box. It works by placing a coin on the soldier's head. As he swings backwards and forwards, the coin falls into the tower and rings a bell. Getting the coins out is also fun. The
Scene From Shakespeare's The Merchant Of Venice, 1865 By Sir John Gilbert Illustrates Act III, Scene I, Oil Painting, Literature, William Shakespeare, Theatre, Literature, History painting
Engraving, Public Office, Moor Street, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Civic Building
Engraving, Church of the Messiah, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church
Reverse side, with message Blessing Card, 1857-1865, From a collection of Valentine, Christmas and Birthday cards, Victorian, Social history, Collage, Death
Postcard, Hastings Road, Perry Common, Birmingham, 1930-40 Topographical Views, Topographical Views, Suburban, Birmingham history, Postcard, Social history, Council housing
Topographical view of Birmingham, Reverse of 1996V87, showing news cutting where Ink Drawing 1996V87 was published, 1950., By John L Baker, Social history, Topographical Views, England, Midlands
Engraving, Interior of St Chad's Cathedral, Topographical Views, , Catholic, Printing, Engraving, Birmingham history, Architecture, Cathedral
Theatre Bill, Birmingham Theatre, 1799, Social history, Theatre, Dance, Birmingham history, Theatre, Performer
Tavern Interior, 1810-1815 Thomas Rowlandson, Social history, Watercolour, Animal, Dog, Tavern, Public House, Beer, Drink
Coin Balance, 1790-1810 Maker: Thomas Beach (Birmingham), Scales for weighing coins, Social history, 18th Century, Coin, Science and Industry, Birmingham history, Money
Old Smethwick Canal Pumping Engine, 1779 Makers: Matthew Boulton & James Watt, The Smethwick Engine was installed near Birmingham and was brought into service in May 1779. Birmingham Science Museum, it is the oldest working steam engine in the
Engraving, Free Grammar School, Education, Topographical Views, Architecture, Printing, Engraving, School, Birmingham history, Teaching
Lithograph, Aston Church Institution, Lozells, Drawn by: H Umfreville Lithographer: Rev D N Walton, Topographical Views, Architecture, Printing, Lithography, Birmingham history
Engraving, St Paul's Church, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church
Trumpet Vine, Field Museum of Natural History, Chicago, Ill., still image, Postcards, 1898 - 1931
History of Broome County, New York cont.; History of the villages and townships of Broone County.24, still image, Atlases, 1876
History of the Villages and Townships of Broome County. cont., still image, Atlases, 1876
The natural history of British fishes, text, Title pages, 1802, Donovan, E. (Edward), 1768-1837
The War for the Union : photographic war history, Taylor & Huntington, 1861, United States
Soldiers' Monument., 1874, Monuments & memorials, History, Monuments, Massachusetts, Worcester (Mass.), United States
History of Broome County, New York 20 cont., still image, Atlases, 1876
Tarrytown, N.Y. Andre Monument., Rogers, S., Monuments & memorials, History, Monuments, New York (State), Westchester County (N.Y.), Tarrytown (N.Y.), United States
painting, Henricus Engelbertus Reyntjens, c. 1850, Signature front, bottom left: H.E.R. [unclear], canvas, oil paint, painted, Carrier: 30.8 × 35 × 2cm (308 × 350 × 20mm), With frame: 36.3 × 41.2 × 2.8cm (363 × - 412 × 28mm),
painting, Jacob Isaacz. van Swanenburg, c. 1615, Signature front, bottom right, on the stone: IAco SWANEB [...], canvas, oil paint, painted, General old dimensions: 101 x 125.5cm 1010 x 1255mm, With frame: 121 × 174.5 × 6cm 1210 × 1745
painting, Henricus Engelbertus Reyntjens, c. 1850, Signature front, bottom left: H.E.R. [unclear], canvas, oil paint, painted, Carrier: 30.8 × 35 × 2cm (308 × 350 × 20mm), With frame: 36.3 × 41.2 × 2.8cm (363 × - 412 × 28mm),
painting, Henricus Engelbertus Reyntjens, 1850, Signature front, bottom right: H.E. Reyntjens. 1850, canvas, oil paint, painted, General dimensions according to catalog 1983: 96 × 115cm 960 × 1150mm, With frame: 124.7 × 142.5 × 9.5cm
painting, Anonymous, first half 17th century, canvas, oil paint, painted, General (dimensions according to catalog 1983): 105 × 190cm (1050 × 1900mm), With frame: 127.5 × 212.1 × 6.6cm (1275 × 2121 × 66mm), history piece, moat,
painting, Henricus Engelbertus Reyntjens, 1850, Signature front, bottom right: H.E. Reyntjens. 1850, canvas, oil paint, painted, General dimensions according to catalog 1983: 96 × 115cm 960 × 1150mm, With frame: 124.7 × 142.5 × 9.5cm
painting, Anonymous, first half 17th century, canvas, oil paint, painted, General (dimensions according to catalog 1983): 105 × 190cm (1050 × 1900mm), With frame: 127.5 × 212.1 × 6.6cm (1275 × 2121 × 66mm), history piece, moat,
painting, Henricus Engelbertus Reyntjens, 1850, Signature front, bottom right: H.E. Reyntjens. 1850, canvas, oil paint, painted, General dimensions according to catalog 1983: 96 × 115cm 960 × 1150mm, With frame: 124.7 × 142.5 × 9.5cm
tobacco box, 1806-1807, General: 7.4 x 11.5 x 2.4cm (74 x 115 x 24mm), history, cityscape, Leiden, Rectangular silver tobacco box with a hinged lid. Along the top of the lid and along the bottom of the box is a decorative band engraved with
painting, Jan Hendrik van de Laar, 1861, bottom right: J.H. v.d. Laar 1861, canvas, oil paint, painted, Carrier: 116.2 × 150cm 1162 × 1500mm, With frame: 146 × 178 × 12cm 1460 × 1780 × 120mm, church, historical painting, woman,
painting, Matthijs Naiveu, probably 1708, Signature front, right, on the wall: Matth ... Nai ... Ao [1708], canvas, oil paint, painted, Carrier: 56 × 74 × 2cm (560 × 740 × - 20mm), With frame: 87.5 × 72 × 4.3cm (875 × 720 × 43mm),
painting, Pieter van Veen, probably before 1615, Signature front, bottom left: DV [...], canvas, oil paint, painted, With frame: 275.5 x 354.5 x 11.5cm 2755 x 3545 x 115mm, Weight: 140 kg, history piece, woman, cityscape, man, Leiden,
painting, Jan Cornelisz. van 't Woudt, 1603, Signature front, bottom right, on a stone: J.C.W. 1603 [JC in one], panel, oil paint, painted, With frame: 143.5 x 284.5 x 7.5cm 1435 x 2845 x 75mm, history painting, woman, cityscape, man,
painting, Joris van Schooten, 1643, Signature front, bottom right: JV Schoote fet.ao. 1643, canvas, oil paint, painted, With frame: 181 x 232.5 x 6cm (1810 x 2325 x 60mm), history piece, woman, coat of arms, cityscape, man, mayor,
painting, Matthijs Naiveu, probably 1708, Signature front, right, on the wall: Matth ... Nai ... Ao [1708], canvas, oil paint, painted, Carrier: 56 × 74 × 2cm (560 × 740 × - 20mm), With frame: 87.5 × 72 × 4.3cm (875 × 720 × 43mm),
tobacco box, 1806-1807, General: 7.4 x 11.5 x 2.4cm (74 x 115 x 24mm), history, cityscape, Leiden, Rectangular silver tobacco box with a hinged lid. Along the top of the lid and along the bottom of the box is a decorative band engraved with
Martin Gerlach, J. Schober, Verlag Gerlach und Schenk, ornamental borders and threads of roses with mask, shell and medallion, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, collotype, sheet size:
Martin Gerlach, J. Schober, Verlag Gerlach und Schenk, Festons und Gewinde aus Früchten und Wein, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, collotype, sheet size: height: 40.10 cm; width: 32.10 cm,
Utagawa Kuniyoshi, Mase Magoshirō Masatatsu, sheet 41 from the series: History of the loyal henchmen, color woodcut, total: height: 36, 70 cm; width: 25, 40 cm, signed: signature: Ichiyūsai Kuniyoshi ga 一勇斎国芳画, Publisher: Ebiya
Apollo of Belvedere, Vatican Museums, Collections of Classical Antiquities, Rome, albumin paper, black and white positive process, image size: height: 40.50 cm; width: 28.60 cm, history of Apollo (Phoebus), sculpture, plastic, sculpture
Rudolph Dührkoop, Dr. F. Sieveking, President of the Hanseatic Higher Regional Court from the portfolio Hamburgische Männer und Frauen am Anfang des XX. Century, Staatliche Landesbildstelle Hamburg, Collection on the History of Photography,
Gustav Heinrich Wolff, Woman with little lamb (Artemis Locheia), parchment, charcoal for drawing, drawing, charcoal on parchment, Total: Height: 21.8 cm; Width: 15.8 cm, sketches, design drawings, standing figure, History of Diana
Maxime Dethomas, theater program for Brand by Henrik Ibsen, Théâtre de l'œuvre, Année 1894-1895, Paris (with advertisement for the magazine Pan), paper, lithography, type printing, total: height: 35.2 cm; width: 46.5 cm, monogrammed: in
Ahlbeck, IV, Staatliche Landesbildstelle Hamburg, collection on the history of photography, photochrome print, total: height: 16.30 cm; width: 22.30 cm, titled: recto u. li.: title, in lead: 106, 8261, Photochromie, cabinet 18 box 3, stamp
Gustav Heinrich Wolff, Klytaimnestra, woodcut, woodcut in black and red, image size: height: 34, 3 cm; width: 9 cm, recto signed in pencil lower right: Wolff as well as bottom left inscribed with pencil: Klytaimnestra, Free Graphic
Rudolph Dührkoop, Senator J. F. C. Refardt from the portfolio Hamburgische Männer und Frauen am Anfang des XX. Century, Staatliche Landesbildstelle Hamburg, Collection on the History of Photography, paper, heliogravure, picture size: Height:
Heinrich Kühn, Flower still life (cactus dahlias), Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatine paper, cardboard, black and white positive process, image size: height: 39.10 cm; width: 28.90
Martin Gerlach, J. Schober, Verlag Gerlach und Schenk, vignettes of musical instruments, palm trees, cedars and birds, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, collotype, sheet size: height:
Nicola Perscheid, Mrs. Waldmann - wife of Prof. Waldmann, director of the Kunsthalle Bremen, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, image size:
Heringsdorf, Staatliche Landesbildstelle Hamburg, collection on the history of photography, photochrome print, Total: Height: 16.40 cm; Width: 22.30 cm, Titled: recto u. l.: title, stamp of the Staatliche Landesbildstelle Hamburg, travel
Franz Grainer, portrait of a woman, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, bromoil print, image size: height: 48, 7 cm; width: 51, 5 cm, signed: recto u. right: in lead: Grainer, stamp: verso and
Georg Koppmann, Hohlerweg with the Michaeliskirche from the St. Michaelis Memorial Folder, Staatliche Landesbildstelle Hamburg, Collection on the History of Photography, silver gelatin paper, black and white positive process, image size:
W. Mauke & Söhne, Georg Koppmann, Außenkajen as seen from the Steinhöft from the folder Hamburg 1884. views from the Stadttheil to be laid down, Staatliche Landesbildstelle Hamburg, collection on the history of photography, albumin paper,
Hugo Erfurth, Theodor Däubler, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, retouched (stone processing), image size: height: 25.4 cm; width: 19.8 cm,
Wilhelm Dreesen, Otto Meissner, Schloss Ritzebüttel and lighthouse on Neuwerk and lighthouse on Neuwerk from the portfolio Neue malerische Bilder aus der Freien und Hansestadt Hamburg und ihrer Umgebung, Staatliche Landesbildstelle Hamburg,
Gustav Heinrich Wolff, Odysseus and Kirke, tissue paper, woodcut, woodcut on tissue paper, image size: height: 26, 7 cm; width: 20, 3 cm, graphics, classical mythology/antique history, history of Odysseus, Odysseus on the island of Circe,
Utagawa Kuniyoshi, Hara Gōemon Mototaki, sheet 46 from the series: History of the loyal henchmen, color woodcut, total: height: 36, 70 cm; width: 25, 40 cm, signed: signature: Ichiyūsai Kuniyoshi ga 一勇斎国芳画, Publisher: Ebiya
Georg Koppmann, Fire of the Michaeliskirche on July 3, 1906 from the St. Michaelis Memorial Folder, Staatliche Landesbildstelle Hamburg, Collection on the History of Photography, silver gelatin paper, black and white positive process, image
G. Koppmann & Co, Georg Koppmann, Hamburg, Neue Elbbrücke, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, collotype print, image size: height: 17 cm; width: 22.5 cm, inscribed and dated: recto &: Type
Statue of Zeus or Poseidon, property of the Stiftung Hamburger Kunstsammlungen, St. 44, marble, chiseled, drilled, marble, Total: Height: 113 cm; Width: 45 cm; Depth: 30 cm, three-dimensional sculptures, sculptures, fountains, water,

search results: History clear search
548.986 / 2.589.715 Entries   < previous page Page 1007 / 5490 next page >